Paul Leeming’s Leeming LUT One 801 for Panasonic Cameras including Lumix GH5 and GH5S is Available, More Versions to Come

We have been following Australian director/cinematographer Paul Leeming’s progress in creating, refining and updating his Leeming LUT One unified, corrective Look Up Table aka LUT system for popular mirrorless and DSLR hybrid cameras and camcorders ever since we launched the ‘Untitled’ project. 

Leeming LUT One began as an effort to transform the Panasonic Lumix DMC-GH4’s ‘Cine-D’ aka Cinelike D video picture profile into the most accurate, most realistic rendering possible and has expanded to encompass a range of cameras including those made by Canon, DJI, GoPro, JVC, Sony and more, with support for the Blackmagic Pocket Cinema Camera 4K and Fujifilm X-T3 and others coming in the near future. 

Mr Leeming continues to refine Leeming LUT One with version 801 for Panasonic being the most accurate yet, setting a new industry benchmark for realistic colour rendering for video footage shot with the Cinelike D, V-LogL and HLG profiles for editing in Rec. 709 movie projects. 

Recently I put Leeming LUT One 801 to the test with Cinelike D footage from my Panasonic Lumix DMC-GX8 camera, the one that goes with me almost everywhere everyday, and the results were, as usual, impressive.

Better yet, correcting footage with Leeming LUT One then adding film simulation or creative looks LUTs produces rich grading with a lush and easy-to-grade tonal range.

Many independent moviemakers shoot video for the same project on several cameras including within multi-camera interview set-ups, and Leeming LUT One is invaluable in reducing time in the colour grading suite matching footage from all those different cameras, especially when exposed according to the principles of ETTR aka expose-to-the-right.

In all the following examples, I graded quickly and minimally to simulate the look and feel of the subject at the moment I shot it, to be as realistic as video permits.

Skin tones in mixed available light with Leeming LUT One 801 and LookLabs’ Digital Film Stock Fujifilm Eterna 500T

Reds, greens and blue in strong sunlight with Leeming LUT One 801 and Leeming LUT Quickies v8 Basic Balanced v8 Lighter

Greys and greens in weak sunlight on cold, windy day with Leeming LUT One 801 and LookLabs Digital Film Stock Kodak 5218

Links

  • Leeming LUT Pro – “Leeming LUT Pro™ is the world’s first unified, corrective Look Up Table ( LUT ) system for supported cameras, designed to maximise dynamic range, fix skin tones, remove unwanted colour casts and provide an accurate Rec709 starting point for further creative colour grading.”
  • LookLabsDigital Film Stock aka DFS – “DFS instantly gives you the natural look of film and the most flexible set of LUTs on the market. The DFS bundle includes 19 LUTs that perfectly emulate the most popular Kodak and Fuji film stocks. DFS comes in both REC.709 and LOG video formats and all SpeedLooks camera patches work with today’s most popular digital cinema and mirrorless cameras. DFS even makes your Android videos look like film!”

Help support ‘Untitled’

Clicking on the links below and purchasing through them or our affiliate accounts at B&H Photo Video, SmallRig or Think Tank Photo helps us continue our work for ‘Untitled’.

  • Olympus M43 lensesB&H
  • Panasonic Battery Grip for Lumix GH3 and GH4 Digital CamerasB&H
  • Panasonic DMW-BGGH5 Battery GripB&H
  • Panasonic M43 lensesB&H
  • Panasonic Lumix DC-GH5 Mirrorless Micro Four Thirds Digital CameraB&H
  • Panasonic Lumix DC-GH5S Mirrorless Micro Four Thirds Digital CameraB&H
  • Panasonic Lumix DC-GX9 Mirrorless Micro Four Thirds Digital Camera with 12-60mm LensB&H
  • Panasonic V-Log L Function Activation Code for DMC-GH4, DC-GH5, and DMC-FZ2500B&H
Advertisements

Panasonic Releases ‘Lumix GH5 | GH5S | G9 AF Guidebook’ on How to Get the Best Out of Autofocusing the Latest Panasonic Lumix Cameras

Using autofocus on Panasonic’s Lumix DC-GH5, DC-GH5S and DC-G9 Micro Four Thirds mirrorless hybrid cameras whether shooting stills or video has been a hot topic of debate online for quite some time. 

Panasonic chose to buck the trend began by other camera makers who adopted PDAF aka ‘Phase Detection Autofocus’, instead basing the autofocus system in the Lumix DMC-GH4 onwards upon DFD aka ‘Depth from Defocus’. 

Panasonic’s recent announcement of its Lumix S1 and Lumix S1R 35mm digital cameras mentioned the phrase ‘Deep Learning Technology’, and now the company has shared more information about that as well as how to get the best out of autofocusing its latest cameras with ‘Lumix GH5 | GH5S | G9 AF Guidebook’, an essential downloadable PDF guide book on the subject.

Links

Image Credits

Header image concept and hack by Carmel D. Morris.

Help support ‘Untitled’

Clicking on these affiliate links and purchasing through them helps us continue our work for ‘Untitled’.

B&H Explora: Core SWX Powerbase EDGE: Big Power for Small Cameras

https://www.bhphotovideo.com/explora/video/hands-on-review/core-swx-powerbase-edge-big-power-for-small-cameras

“Cameras seem to get smaller as time goes on, with more technology stuffed into every square millimeter than ever before. Batteries haven’t really kept up with that trend, with some cameras only lasting a half hour or 45 minutes on a full battery charge….

In the recent refreshing of its battery lines, Core SWX introduced the Powerbase EDGE, a smaller, sleeker, and more modernized Powerbase for today’s modern camera-scape….”

core_swx_poweredge_battery_bmpcc4k_01_1024px_80pc
Core SWX Powerbase EDGE Battery for Blackmagic Design Pocket Cinema Camera 4K aka BMPCC 4K.

Links

Image Credits

Header image concept and hack by Carmel D. Morris.

Help support ‘Untitled’

blackmagic_pocket_cinema_camera_front_lens_01_1024px_60pc
Blackmagic Pocket Cinema Camera 4K (BMPCC 4K) with Olympus M.Zuiko Digital ED 12-40mm f/2.8 Pro zoom lens with manual clutch focus, great for manual focusing. I like the longer image-stabilized Olympus M.Zuiko Digital ED 12-100mm f/4.0 IS Pro zoom for available light daily walkabout needs for video and stills and the Olympus M.Zuiko Digital ED 17mm f/1.2 Pro lens for available darkness.

Clicking on these affiliate links and purchasing through them helps us continue our work for ‘Untitled: Stories of Creativity, Innovation, Success’.

  • Blackmagic Design Pocket Cinema Camera 4KB&H
  • Core SWX Powerbase EDGE Battery for Blackmagic Design Pocket Cinema Camera 4KB&H
  • Olympus M.Zuiko Digital ED 12-40mm f/2.8 PRO LensB&H
  • Olympus M.Zuiko Digital ED 12-100mm f/4 IS PRO LensB&H
  • Olympus M.Zuiko Digital ED 17mm f/1.2 PRO Lens – B&H
  • Porta Brace Semi-Rigid Frame Case for Blackmagic Pocket Cinema Camera 4KB&H

SmallRig Cage for Panasonic Lumix LX100 Premium Compact 4K Hybrid Camera Now in Pre-Order at 50% Off

Camera accessory maker SmallRig recently placed a camera cage for the Panasonic Lumix DMC-LX100 M43 4K hybrid digital camera  on pre-order status at a 50% discount for the first 100 orders, and it reminded me of what a remarkable little camera the LX100 appears to be even though it was released back in 2014 alongside the then ground-breaking Panasonic Lumix DMC-GH4

smallrig_cage_lumix_lx100_01_1024px_80pc
SmallRig Cage for Panasonic Lumix LX100 2198 enhances this capable little premium compact Micro Four Thirds camera for discrete run-and-gun video.

The professional camera stores I was frequenting at the time did not stock the LX100 otherwise I may well have bought one had I the chance to see and try one out.

The LX100’s specifications are impressive for a 2014 release camera with some of the few disappointments being its lack of microphone and headphone ports for good quality audio recording, but that lack can be remedied by attaching a small audio recorder to the camera for double system sound that can easily be synched to video in Final Cut Pro X or Red Giant’s Shooter PluralEyes.

A successor to the LX100, presumably to be named the Panasonic Lumix LX200, with more contemporary specifications such as in-body image stabilization aka IBIS or at least improved optical image stabilization, ND filters and a 16 to 20 megapixel sensor, has long been rumored and I hope that the latest rumour, that it will be announced before the photokina trade show in September this year, is true as I have been in the market for a top-specced compact hybrid camera for quite some time.

The one obvious downside to compact cameras that fit into the palm of one’s hand as the LX100 seems to is their minimal gripability and lack of attachment points for accessories necessary for producing great video such as audio recorders, microphones, hand grips, handles and small monitors or monitor/recorders, but SmallRig’s custom cage provides enough of those in the form of 1/4-20 threaded holes and a NATO accessory rail on one side.

The SmallRig Cage for Panasonic Lumix LX100 2198 is the company’s first such cage to adopt a more protective form factor than SmallRig’s other camera cages to date and I hope augurs well for more protective camera cage designs in future.

I became aware of the usefulness of protective as well as connective camera cage designs when shooting on location in a challenging situation with a Lumix GH4 inside a GH4 Cube Cage made by Motion9, now rebranded as Seercam.

SmallRig’s design style has been evolving lately with the appearance of custom L-brackets which add videocentric features to a camera accessory formerly aimed solely at stills photography.

Hybrid cameras, equally adept at stills photography as high-quality video, have demanded a rethink on the question of camera and accessories support and I look forward to SmallRig’s designs becoming more hybrid-savvy.

The Panasonic Lumix LX100, and hopefully soon the Panasonic Lumix LX200, are a case in point.

I look to a camera like this being as good for handheld documentary photography or tripod-mounted portrait photography in vertical and horizontal orientation via built-in Arca-Swiss plate as it is for video whether accessorized minimally or with audio recorder, left side handle, top handle, microphone and even a monitor.

I would like to see SmallRig’s cage for the LX200 be even more hybrid-influenced than its LX100 cage, a fusion of Arca-Swiss tripod plate with NATO, Arri and 1/4-20 mounting points such that one never needs to remove it, so versatile and comfortable would it be whether held in the hand or mounted on tripod, monopod or gimbal.

SmallRig Cage for Panasonic Lumix LX100 2198

Some accessories for SmallRig Cage for Panasonic Lumix LX100 2198

Panasonic Lumix DMC-LX100 Micro Four Thirds 4K hybrid digital camera and accessories

Links

Help support ‘Untitled’

leica_d-lux_(typ_109)_03_1024px_80pc
Leica D-Lux (Typ 109), Leica Camera’s version of the Panasonic Lumix DMC-LX100, with premium materials, finishes and hardware user interface.

Clicking on these affiliate links and purchasing through them helps us continue our work for ‘Untitled: Stories of Creativity, Innovation, Success’.

  • Aurora-Aperture 43mm PowerXND 2000 Variable Neutral Density 1.2 to 3.3 Filter (4 to 11 Stops)B&H
  • B+W 43mm MRC 103M Solid Neutral Density 0.9 Filter (3 Stop)B&H
  • Chiaro 43mm 99-UVBT UV FilterB&H – I use and recommend Chiaro UV filters for protection and UV cutting, especially as their filters provide up to 99% light transmission and that make them in a wide range of diameters with knurled brass frames to avoid binding.
  • Kinotehnik LCDVF169D 3″ LCD Viewfinder for Select Panasonic and Sony CamerasB&H
  • Leica Auto Lens Cap for D-Lux (Typ 109)B&H – Leica’s version of Panasonic’s DMW-LFAC1 auto lens cap that seems to have gone missing from the B&H website.
  • Leica D-LUX (Typ 109) Digital Camera (Black)B&H
  • Leica Handgrip for D-LUX (Typ 109) Digital CameraB&H – both the Leica D-Lux (Typ 109) and Panasonic Lumix DMC-LX100 need hand grips, but only the Leica has one as an optional extra.
  • Panasonic Lumix DMC-LX100 Digital CameraB&H
  • SmallRig
  • Tascam DR-05 Portable Handheld Digital Audio RecorderB&H – small stereo recorders like this or similar ones made by Tascam as well as other manufacturers such as Olympus and Zoom are useful when your camera does not have audio in or out ports for plugging in microphones or headphones. Attach recorders to cages or camera hotshoes via the recorders’ 1/4-20 tripod screw and a suitable SmallRig accessory.
  • Think Tank Photo Little Stuff It! Belt Pouch V3.0B&H – if the uncaged LX100 or LX200 is small enough to fit inside this bag, it would make a terrific way of carrying camera only, attached to shoulder or waist straps or camera bag rails.
  • Think Tank Photo Stuff It! Belt Pouch V3.0B&H – I have two of the previous version 2.0 Stuff It! bags and they are great for carrying all sorts of assorted gear, attached  to camera bag straps or rails.

Leeming LUT One for Panasonic Cameras to get Version 503 before Mid-Year with Even Better Colour and Tone than Ever – UPDATE

Paul Leeming of Leeming LUT One and Visceral Psyche Films is like a dog with a bone that he just will not let go insofar as improving and updating Leeming LUT One, “the world’s first unified, corrective Look Up Table (LUT) system for supported cameras, designed to maximise dynamic range, fix skin tones, remove unwanted colour casts and provide an accurate Rec709 starting point for further creative colour grading.”

Paul Leeming of Leeming LUT One and Visceral Psyche Films in V-Log L footage made with Panasonic Lumix GH5 then processed with Leeming LUT One for Panasonic cameras, version 503 beta.

Mr Leeming has just shared an early version 503 beta for Panasonic V-Log L with me and, after applying it to some V-Log L footage of my own, it is clear that he has worked out how obtain even better, even more realistic colour and tonal rendering than before.

The more accurate and true-to-life the starting point obtained by applying Leeming LUT One before adding creative aka looks LUTs and other colour grading controls in your non-linear editing suite or colour grading software of choice, the richer and more satisfying the final result.

While this first version 503 beta is only for Panasonic V-Log L footage, Leeming LUT One version 503 for Panasonic cameras will be released for Cinelike D, HLG and V-Log L.

If version 503 has you as excited as I am, please do not put off purchasing it until later this year as version 502 is already streets ahead of any other camera LUT that I have tried out so far and purchasers of 502 now will receive 503 when it is finalized.

Leeming LUT One for Panasonic V-Log L 503 beta, footage by Paul Leeming

Leeming LUT One for Panasonic V-Log L 502 compared to 503 beta

Leeming LUT One for Panasonic V-Log L version 502
Leeming LUT One for Panasonic V-Log L version 503 beta
Leeming LUT One for Panasonic V-Log L version 503 beta plus Leeming LUT Quickie Basic Brighter v2

Leeming LUT One 503 beta as a base for creative LUTs

Leeming LUT One for Panasonic V-Log L version 503 beta plus Leeming LUT Quickie Basic Brighter v2 plus LookLabs Digital Film Stock Fuji 64D
Leeming LUT One for Panasonic V-Log L version 503 beta plus Leeming LUT Quickie Basic Brighter v2 plus LookLabs Digital Film Stock Fuji Reala 500D
Leeming LUT One for Panasonic V-Log L version 503 beta plus Leeming LUT Quickie Basic Brighter v2 plus LookLabs Digital Film Stock Kodak 5245

Sneak Peek, Leeming LUT One 601 for Panasonic, Cinelike D

leeming_lut_601_gx8_cinelike_d_P1070265_601_1920px_60%
Leeming LUT One 601 for Panasonic Cinelike D, from 8-bit 4:2:0 4K UHD video shot on Lumix GX8 with Olympus M.Zuiko Digital ED 12-40mm f/2.8 lens, LUT plus other minimal grading applied.

Links

Image Credit

Header image concept and hack by Carmel D. Morris.

Help support ‘Untitled’

Clicking on these affiliate links helps us continue our work for ‘Untitled: Stories of Creativity, Innovation, Success’.

  • Angelbird 64GB AV Pro UHS-II SDXC Memory CardB&H
  • Angelbird 128GB AV Pro UHS-II SDXC Memory CardB&H
  • Angelbird 256GB Match Pack for the Panasonic EVA1B&H – special promotional packaging of two Angelbird 128GB AV Pro UHS-II SDXC memory cards that are just as usable in other cameras than the AU-EVA1 that also have UHS-II SD card slots.
  • Atomos Ninja Inferno 7″ 4K HDMI Recording Monitor and accessoriesB&H
  • Panasonic 128GB UHS-II SDXC Memory CardB&H
  • Panasonic DMW-BGGH5 Battery Grip – B&H
  • Panasonic Lumix DC-GH5 Mirrorless Micro Four Thirds Digital Camera – B&H
  • Panasonic Lumix DC-GH5S Mirrorless Micro Four Thirds Digital CameraB&H
  • Panasonic V-Log L Function Activation Code for DMC-GH4, DC-GH5, and DMC-FZ2500B&H

Lucas Pfaff: JTZ DP30 Cage and Shoulder-Kit | Filmmaker System REVIEW

“The JTZ DP30 Filmmaker System offers a great set of classic rig-parts in a high-end fashion. JTZ is the high-end brand from Fotga!…”

jtz_dp30_cage_plus_for_gh5s_gh5_gh4_gh3_square_01_1024px_60%
The JTZ DP30 camera cage and shoulder- mount kit for mirrorless cameras like Panasonic’s Lumix GH5S, GH5 and GH4.

Commentary

Every so often I wonder whether I should look further into the idea of shoulder-mounting mirrorless hybrid video cameras in order to approach the way I once used the Super 8 and Super 16 movie cameras on which I learned cinematography.

Then I take a serious look into the prices and the carrying weight of contemporary shoulder mount systems and set that idea aside for another day.

Until I came across Lucas Pfaff’s series of videos on the JTZ DP30 system.

JTZ, Lucas Pfaff tells us, is the higher-end brand of Fotga, the Chinese camera accessories makers whose DP500 follow focus device is used by documentary moviemaker Sol March of Suggestion of Motion.

Neither Fotga nor JTZ appear to have their own websites or retail through B&H Photo Video, so the only recourse is to buy from Amazon or ebay.

Meanwhile I will be looking for videos and other reviews of the JTZ DP300 in action on location to see how it bears up in the field.

Links

Help support ‘Untitled’

Austrian manufacturer Angelbird makes more affordable V90 SDXC cards than Panasonic’s own alternative and they are reportedly just as reliable.

Clicking on these affiliate links helps us continue our work for ‘Untitled: Stories of Creativity, Innovation, Success’.

  • Angelbird 64GB AV Pro UHS-II SDXC Memory CardB&H
  • Angelbird 128GB AV Pro UHS-II SDXC Memory CardB&H
  • Angelbird 256GB Match Pack for the Panasonic EVA1B&H – special promotional packaging of two Angelbird 128GB AV Pro UHS-II SDXC memory cards that are just as usable in other cameras than the AU-EVA1 that also have UHS-II SD card slots.
  • Panasonic 128GB UHS-II SDXC Memory CardB&H
  • Panasonic DMW-BGGH5 Battery GripB&H
  • Panasonic Lumix DMC-GH4 Mirrorless Micro Four Thirds Digital CameraB&H
  • Panasonic Lumix DC-GH5 Mirrorless Micro Four Thirds Digital CameraB&H
  • Panasonic Lumix DC-GH5S Mirrorless Micro Four Thirds Digital CameraB&H

Lucas Pfaff: Return of the display loupe? VARY-i cage for GH5s Review

“Nifty, well fitting cage for the Panasonic GH4, GH5 and the new GH5s! A remarkable little set!…”

VARY-i Cage Combination for Panasonic Lumix GH4, GH5 and GH5S with multi angle LCD viewfinder loupe and two VARY-Grips.

Commentary

When I first got back into photography and video with the then revolutionary Canon EOS 5D Mark II, thanks to the advice of my partner who worked in Canon’s R&D division at the time, I looked at several LCD magnifying loupe options online and in Sydney’s inner city professional camera store, now sadly defunct.

None of the solutions available then completely solved the problem of needing to view the camera’s LCD in order to effectively focus and shoot video, and so I set aside the idea of handheld video for a while until a chance encounter with a Panasonic GH3 in a duty-free store, which led to purchasing the GH4 when it became available.

Despite not investing in one at the time, I always thought there might be more potential in the loupe concept if done right and that they could be more affordable than the incredibly expensive third-party electronic viewfinders and graticals that have appeared to take their place.

Lucas Pfaff’s video look at the VARY-i loupe plus case combination for Panasonic’s Lumix GH4, GH5 and GH5S make it look like a very attractive solution for handheld video with the GH5’s in-body image stabilization (IBIS) or the GH4 and GH5S with Panasonic lenses with optical image stabilization (OIS).

Links

Help support ‘Untitled’

Austrian manufacturer Angelbird makes more affordable V90 SDXC cards than Panasonic’s own alternative and they are reportedly just as reliable.

Clicking on these affiliate links helps us continue our work for ‘Untitled: Stories of Creativity, Innovation, Success’.

  • Angelbird 64GB AV Pro UHS-II SDXC Memory CardB&H
  • Angelbird 128GB AV Pro UHS-II SDXC Memory CardB&H
  • Angelbird 256GB Match Pack for the Panasonic EVA1B&H – special promotional packaging of two Angelbird 128GB AV Pro UHS-II SDXC memory cards that are just as usable in other cameras than the AU-EVA1 that also have UHS-II SD card slots.
  • Panasonic 128GB UHS-II SDXC Memory CardB&H
  • Panasonic DMW-BGGH5 Battery GripB&H
  • Panasonic Lumix DMC-GH4 Mirrorless Micro Four Thirds Digital CameraB&H
  • Panasonic Lumix DC-GH5 Mirrorless Micro Four Thirds Digital CameraB&H
  • Panasonic Lumix DC-GH5S Mirrorless Micro Four Thirds Digital CameraB&H

Paul Leeming’s Leeming LUT One for the Panasonic GH5 Now at Version 502 for HLG, V-Log L and Cinelike D – UPDATED

Australian cinematographer/director Paul Leeming has issued the version 502 update to his unified corrective LUT (Look Up Table) system Leeming LUT One for the Panasonic Lumix GH5 and its three major video picture profiles, HLG, V-Log L and Cinelike D. 

Australian director/cinematographer Paul Leeming of Leeming LUT One fame with his Panasonic Lumix GH4 rigged for shooting feature films.

The Leeming LUT One system was developed in order to help cinematographers obtain the best image quality from their cameras by providing custom settings and LUTs to maximize dynamic range while minimizing noise and other artefacts such as banding and YUV chroma smearing.

Mr Leeming advises cinematographers to adhere to the expose-to-the-right aka ETTR principle, which he demonstrates in his website.

Still frame of Paul Leeming, shot on Panasonic Lumix GH5 in HLG HDR mode then processed in Blackmagic Design DaVinci Resolve Studio 14 using Leeming LUT One for Panasonic HLG version 501.

He has produced Leeming LUT One custom settings and LUTs for cameras including those made by Canon, DJI, GoPro, JVC, Panasonic, Sony with potential support for cameras made by FujifilmDigital Bolex and Samsung should there be sufficient demand.

Panasonic Lumix GH5 HLG Footage and Leeming LUT One for HLG, Before and After

Still frames from GH5 4K 10-bit 4:2:2 HLG footage exposed using ETTR, the ‘Leeming LUT One – Panasonic HLG v502.cube’ applied followed by ‘Leeming LUT Quickie – Basic Balanced v2.cube’ from ‘Leeming LUT Quickies 1 version 2’.

Mr Leeming will be updating his free ‘Leeming LUT Quickies’ collection soon to reflect the improvements made to the most recent version of Leeming LUT One for Panasonic cameras.

Our recent weather has been heavily hit by the effects of extreme climate change and global warming, and we have experienced few pristine Sydney summer days with their classic cobalt skies for some time now.

With many skies almost becoming high ultra-violet light boxes, the excellent highlight roll-off of the HLG profile in the GH5 is becoming even more important, and Leeming LUT One for HLG does a great job of maintaining the original look and feel of a scene while preserving realistic colour and especially skin colour.

Initial grading as in these still frames provides a good starting point that can be further enhanced with some of the many creative aka looks LUTs or analog film simulation being made available by a range of LUTs makers.

Links

Image Credits

Header image concept and hack by Carmel D. Morris.

Help support ‘Untitled’

Clicking on these affiliate links helps us continue our work for ‘Untitled: Stories of Creativity, Innovation, Success’.

  • Panasonic Lumix DC-GH5 Mirrorless Micro Four Thirds Digital Camera – B&H
  • Panasonic DMW-BGGH5 Battery Grip – B&H
  • Panasonic V-Log L Function Activation Code for DMC-GH4, DC-GH5, and DMC-FZ2500B&H
  • Atomos Ninja Inferno 7″ 4K HDMI Recording Monitor and accessoriesB&H

Taking a Panasonic Lumix GH5 Equipped with a Guerrilla G-Cup for GH5 on a Brisk Walk Through Gloomy Sydney

I took a much-needed break from fulltime caring to travel into the city of Sydney CBD for a walkabout with the Panasonic Lumix GH5, Olympus M.Zuiko Digital ED 12-40mm f/2.8 Probreakthrough  standard zoom lens, Breakthrough Photography X4 ND and X4 UV filters and Guerrilla G-Cup for GH5 replacing the GH5’s provided eyecup, all carried in Cosyspeed’s excellent Camslinger Streetomatic Plus camera bag in black faux leather.

Panasonic Lumix GH5 with Olympus M.Zuiko Digital ED 12-40mm f/2.8 Pro zoom lens with Breakthrough Photography X4 UV filter, and Guerrilla G-Cup for GH5 attached instead of the GH5’s supplied eyecup. I usually attach Peak Design Clutch and Cuff camera straps to my cameras.

The day was dark and gloomy with prevailing light far from my favourite for putting hardware and software to the test.

My intention was to shoot HLG HDR (hybrid log-gamma high dynamic range) footage for sharing as SDR (standard dynamic range) as below after applying the latest iteration of Paul Leeming’s Leeming LUT One camera settings, camera LUT and custom LUT for the Panasonic GH5 HLG.

The latest version of Leeming LUT One for Panasonic cameras was 501 at the time but that has since been replaced with version 502, offering some refinements for a current limitation in Apple’s otherwise excellent Final Cut Pro X non-linear editing suite.

I also applied a small selection of analog film simulation LUTs from LookLabs’ Digital Film Stock (DFS) 3D LUT collection to some of the footage to enhance the look and feel of the scene depicted.

Still frames from Panasonic GH5 HLG HDR footage

Links

Image Credits

Header image concept and hack by Carmel D. Morris. Photograph of Panasonic Lumix DC-GH5 with Guerrilla G-Cup for GH5 shot as 3-bracket HDR image then processed in Skylum Aurora HDR 2018 followed by Skylum Luminar 2018.

Help support ‘Untitled’

Clicking on these affiliate links and purchasing through them helps us continue our work for ‘Untitled: Stories of Creativity, Innovation, Success’.

  • COSYSPEED CAMSLINGER Streetomatic Plus Camera BagB&H
  • Olympus M.Zuiko Digital ED 12-40mm f/2.8 PRO LensB&H
  • Olympus M.Zuiko Digital ED 17mm f/1.2 PRO LensB&H
  • Olympus M.Zuiko Digital ED 25mm f/1.2 PRO LensB&H
  • Olympus M.Zuiko Digital ED 45mm f/1.2 PRO LensB&H
  • Panasonic Lumix DC-GH5 Mirrorless Micro Four Thirds Digital CameraB&H