Richard Wong: Panasonic Leica 10-25 mm f/ 1.7 In-Depth Review

“Panasonic Leica 10-25mm 1.7 is the fastest zoom lens from Panasonic/Leica. How is it’s build quality, image quality (sharpness,vignetting,CA,flare,distortion..etc)? Could this be a great lens for videographers or vloggers? How does it compare to the Leica prime lenses and what are the pros and cons of this lens? We’ll talk about all of these in this review.”

panasonic_leica_dg_vario-summilux_10-25mm_f1.7_aspheric_01_1024px
Panasonic Leica DG Vario-Summilux 10-25mm f/1.7 Aspheric wide to standard zoom lens.

Links

  • 4/3 RumorsPanasonic Leica 10-25mm f/1.7 In-Depth Review by Richard Wong
  • Photo by RichardPanasonic Leica 10-25mm f/1.7 Review – article – “When Panasonic told me about this lens, they told me this is a lens that can replace multiple prime lenses. I was skeptical because zoom lens rarely can match the quality of prime lens. But after testing this lens, I agree with them. If you are a pro photographer or videographer who is currently rely on multiple prime lenses within this focal length range, I think you should consider switching to this amazing lens. It would make your life a lot easier without sacrificing the image quality.”
  • Richard WongPanasonic Leica 10-25 mm f/ 1.7 In-Depth Review – video

Help support ‘Untitled’

Clicking on the links and purchasing through them for our affiliate accounts at Adorama, Alien Skin, B&H Photo Video, SkylumSmallRig or Think Tank Photo helps us continue our work for ‘Unititled’.

  • Panasonic Leica DG Vario-Summilux 10-25mm f/1.7 ASPH. LensB&H
Advertisements

News Shooter: Panasonic S1H full-frame mirrorless 6K 24p (UPDATED)

https://www.newsshooter.com/2019/06/01/panasonic-s1h-full-frame-mirrorless-6k-24p/

panasonic_lumix_dc-s1h_01_1024px
Panasonic Lumix DC-S1H 35mm mirrorless camera with Panasonic Lumix S 24-105mm f/4.0 Macro OIS zoom lens.

“…It’s best to think of the S1H as an S1 on steroids. Make no mistake though, unlike the S1 and S1R, the LUMIX S1H was designed and developed especially for film production.

The S1H is far from ready for consumers. Panasonic is only showing a prototype of the camera here at Cinegear. Just like they did with the S1 and S1R, this is more of a tease than anything else. The camera isn’t expected to be available until Autumn 2019….”

Commentary

8sinn_cage_gh5_scorpio_02_1406px
Panasonic Lumix DC-GH5 with 8Sinn cage and Scorpio handle and rod riser. Like camcorders, the GH5’s fully-articulated LCD monitor can be positioned exactly where you need it to be.

News Shooter is the first video production industry website to which I turn for detailed information about coming and newly released hardware and as usual they have done a fine job digging into the facts about the Panasonic Lumix DC-S1H video camera, currently in development for release later this year.

One of the few disappointments about the S1H’s slightly older siblings, the S1 and S1R, is their lack of the fully-articulated LCD monitor upon which I rely on so much when shooting stills and video on Panasonic’s Lumix GH series cameras as well as my GX8.

It is so good to see, from the evidence of a photograph in this article shot by the News Shooter team at Cinegear 2019, that the S1H has such a monitor.

Links

Help support ‘Untitled’

Clicking on the links and purchasing through them for our affiliate accounts at B&H Photo Video, SmallRig or Think Tank Photo helps us continue our work for ‘Untitled’.

Panasonic UK: Panasonic LUMIX introduces the LEICA VARIO-SUMMILUX 10-25mm F1.7 ASPH, the world’s first* standard zoom lens achieving full-range F1.7 [Press Release]

https://news.panasonic.co.uk/panasonic-lumix-introduces-the-leica-vario-summilux-10-25mm-f17-asph-the-worlds-first-standard-zoom-lens-achieving-full-range-f17/

panasonic_leica_dg_vario-summilux_10-25mm_f1.7_aspheric_01_1024px
Panasonic Leica DG Vario-Summilux 10-25mm f/1.7 Aspheric wide to standard zoom lens.

Panasonic LUMIX introduces the LEICA VARIO-SUMMILUX 10-25mm F1.7 ASPH, the world’s first* standard zoom lens achieving full-range F1.7

Panasonic LUMIX is proud to introduce a new standard zoom digital interchangeable lens, the LEICA DG VARIO-SUMMILUX 10-25mm / F1.7 ASPH. (H-X1025), which boasts a large F1.7 aperture throughout the entire 20-50mm (35mm camera equivalent) zoom range with exceptionally high optical performance clearing the stringent LEICA standards. The LEICA DG VARIO-SUMMILUX 10-25mm / F1.7 ASPH. is suitable not only for shooting stills but also for video to satisfy both professional photographers and videographers.

The full-range F1.7 high-speed aperture provides beautiful bokeh and outstanding image quality. Covering a focusing distance from wide angle to standard zoom range, the LEICA DG VARIO-SUMMILUX 10-25mm / F1.7 ASPH. functions as a multiple fixed focal length lens providing the same or an even higher level of image quality than prime lenses can offer. It is suitable for a variety of daily shooting situations, from dynamic landscapes to low-light , dispelling the need to change lenses depending on the situation.

Comprising 17 elements in 12 groups, the lens system features three aspherical lenses and four ED (Extra-low Dispersion) lenses that will effectively suppress axial chromatic aberration and chromatic aberration of magnification. Spherical aberration and distortion are also corrected by the aspherical lenses for stunningly high resolution. The use of aspherical lenses and the optimum design of the lens system results in a compact size and light weight despite its outstanding optical performance.

Compatibility with a maximum 240-fps high-speed sensor drive realizes high-speed, high-precision auto focusing. Notably, the new lens excels in video recording performance. In addition to the silent operation achieved by the inner focus drive system, the step-less aperture ring and micro-step drive system in the aperture control section help the camera to smoothly catch up to brightness changes when zooming or panning. The optical design achieves exceptional barycentric stability to minimize image shifts during zooming. Adoption of a focus clutch mechanism enables instant AF/MF switching and accurate manual focusing. The LEICA DG VARIO-SUMMILUX 10-25mm / F1.7 ASPH. also excels in performance with a mechanism that suppresses focus breathing, which was a problem of interchangeable lenses designed for still image photography.

The rugged dust/splash-resistant*1 design withstands use under harsh conditions even in 10 degrees below zero for high mobility. Nine blades give the aperture a rounded shape that produces an attractively smooth defocus effect in out-of-focus areas when shooting at larger aperture settings. Filter diameter is 77mm. Highly reliable metal mount ensures long term use.

The LEICA DG VARIO-SUMMILUX 10-25mm / F1.7 ASPH has a recommended retail price of £1,799.99 (Ireland €2,079.99) and will be available from 15th July 2019.

Panasonic is committed to expanding the line of Micro Four Thirds line up through its LUMIX G series of cameras and lenses.

* As a digital interchangeable lens for a mirrorless camera, as of 31st May 2019
*1 Dust and Splash Resistant does not guarantee that damage will not occur if this lens is subjected to direct contact with dust and water.
Design and specifications are subject to change without notice.

Links

Help support ‘Untitled’

Clicking on the links below and purchasing through them or our affiliate accounts at B&H Photo Video, SmallRig or Think Tank Photo helps us continue our work for ‘Untitled’.

  • Panasonic Leica DG Vario-Summilux 10-25mm f/1.7 ASPH. LensB&H

Panasonic Global: Panasonic Develops a New LUMIX S1H Full-Frame Mirrorless Camera With Cinema-Quality Video and the World’s First 6K/24p*1 Recording Capability [Press Release]

https://news.panasonic.com/global/press/data/2019/06/en190603-2/en190603-2.html

panasonic_lumix_dc-s1h_01_1024px
Panasonic Lumix DC-S1H 35mm mirrorless camera with Panasonic Lumix S 24-105mm f/4.0 Macro OIS zoom lens.

Panasonic Develops a New LUMIX S1H Full-Frame Mirrorless Camera With Cinema-Quality Video and the World’s First 6K/24p*1 Recording Capability

Osaka, Japan – Panasonic Corporation announced today the development of the LUMIX S1H, a new Digital Single Lens Mirrorless camera equipped with a full-frame image sensor. It is the world’s first camera capable of video recording at 6K/24p *1 (3:2 aspect ratio), 5.9K/30p (16:9 aspect ratio), and 10-bit 60p 4K/C4K.*2 *3 Combining the professional-level video quality and high mobility of the mirrorless camera, Panasonic will release the LUMIX S1H to world markets in fall 2019.

Since starting the development of video recording technologies for digital cinema in the 1990s, Panasonic has produced a host of innovative technologies for impressive cinematic imagery, such as 24p video recording, slow motion video using a variable frame rate, and the wide dynamic range and color space of V-Log/V-Gamut. Panasonic has been working with film creators for over a quarter of a century to design and develop a number of cinema cameras, which has resulted in stunningly high video performance. The LUMIX GH1 made its debut in 2009 as the world’s first Digital Single Lens Mirrorless camera capable of full-HD AVCHD video recording.*4 The LUMIX GH4 was launched in 2014 as the world’s first Digital Single Lens Mirrorless camera*5 capable of 4K video recording. And in 2017, the LUMIX GH5 was released with the world’s first 4K/60p, 4:2:2 10-bit 4K/30p recording capability.*6 The LUMIX GH5 is highly acclaimed by film creators for its high performance, excellent mobility, and superb versatility in film production.

The new LUMIX S1H has been designed and developed by applying the vast expertise and technologies accumulated in the cinema cameras of the LUMIX S Series of full-frame mirrorless cameras. It packs all of these technologies, especially in the field of digital signal processing and heat dispersion, into a compact, lightweight body to achieve both high performance and nimble mobility. It opens the door to creative film production in ways that conventional, bulky camera systems simply could not do.

The main features of the new LUMIX S1H are as follows:

1. High resolution up to 6K for multiple formats
Maximizing the use of the pixels in the full-frame image sensor, the LUMIX S1H, as a digital camera, has achieved 6K/24p (3:2 aspect ratio) or 5.9K/30p (16:9 aspect ratio) video recording for the first time in the world.*1 It is also the world’s first full-frame digital interchangeable lens system camera*1 to enable 10-bit 60p 4K/C4K *2*3 video recording. It accommodates a variety of recording formats, including 4:3 Anamorphic mode, to meet professional needs. Its high-resolution data can also be used for creating 4K videos with higher image quality or for cropping images in 4K.

2. Rich gradation and a wide color space virtually equal to those of cinema cameras.
The LUMIX S1H features V-Log/V-Gamut with a wide dynamic range of 14+ stops, which are virtually the same as those of the Panasonic Cinema VariCam, to precisely capture everything from dark to bright areas. The color and even the texture of human skin are faithfully reproduced. Designed under consistent color management, the S1H’s recorded footage is compatible with V-Log footage recorded by VariCam or V-Log L footage recorded by LUMIX GH5/GH5S.

3. High product reliability that allows unlimited video recording.*7
In every S1H recording mode, video can be recorded non-stop under the certified operating temperature so the user can concentrate on shooting.
Panasonic now offers three innovative models in the LUMIX S Series of full-frame Digital Single Lens Mirrorless cameras – the S1R, the S1, and the new S1H. The LUMIX S1R is ideal for taking high-resolution pictures, the LUMIX S1 is an advanced hybrid camera for high-quality photos and videos, and the LUMIX S1H is designed and developed especially for film production. With this lineup, Panasonic is committed to meet the demands of every imaging professional by challenging the constant evolution of the photo/video culture in today’s new digital era.

The LUMIX S1H prototype will be exhibited at the “Cine Gear Expo 2019.”*8

Notes:
*1. As a digital interchangeable lens system camera, as of May 31, 2019 (U.S.). Panasonic research.
*2. As a full-frame digital interchangeable lens system camera, as of May 31 May, 2019 (U.S.). Panasonic research. In Super 35mm-equivalent size.
*3. Corresponding to 4K (4096×2160) as defined by Digital Cinema Initiatives (DCI).
*4. As of March 25, 2009, as a digital interchangeable lens system camera. Panasonic research.
*5. As of March 25, 2014, as a Digital Single Lens Mirrorless camera. Panasonic research.
*6. As of January 25, 2017, as a digital interchangeable lens system camera. Panasonic research.
*7. Recording time varies depending on the battery capacity and memory card capacity. When the camera’s temperature rises above the specified operation temperature, the camera may automatically stop video recording to protect it from heat damage.
*8. Cine Gear Expo 2019 is the premier annual event for professionals engaged in the technology, entertainment and media industry to be held at Paramount Studios in Los Angles, U.S., through May 30 to June 2.
– Design and specifications are subject to change without notice.

Links

Help support ‘Untitled’

Clicking on the links and purchasing through them for our affiliate accounts at B&H Photo Video, SmallRig or Think Tank Photo helps us continue our work for ‘Untitled’.

DPReview: CP+ 2019 Panasonic interview: ‘We’re proud of our cameraness’

https://www.dpreview.com/interviews/0078977575/cp-2019-panasonic-interview-we-re-proud-of-our-cameraness

“The CP+ 2019 trade show in Yokohama, Japan, gave us the chance to speak to most of the major camera makers. Panasonic put forward an extensive team to discuss the company’s move into the full-frame market….

… it’s clear that Panasonic wants its S1 and S1R to appeal specifically to professional stills photographers. When it comes to video, the company’s plans seem less well-developed. For now, at least, it seems that Panasonic sees the GH series as its main video/stills camera platform.”

Commentary

panasonic_leica_10-25mm_f1.7_zoom_00314329_1920px_80pc
Panasonic Leica DG Vario-Summilux 10-25mm f/1.7 wide angle zoom lens for Micro Four Thirds cameras. This is the very first zoom lens by any maker that provides the most necessary focal lengths for documentary photography and video, and it doubtless will feel right at home on a Lumix GH5, GH5S, G9 and the coming GH6 as well as the Blackmagic Pocket Cinema Camera 4K.

If by “cameraness” Panasonic means that one can pick up a Lumix S1 or S1R, feel at ease with it and start shooting good photographs or movie footage right away, then I agree with the company’s use of that word.

Here is an event where I tried out the S1 and here is the other event where I tried out an S1R, both times shooting decent photographs almost immediately after the most cursory inspection of the cameras’ controls.

Of course, that ease of use is based partly on my years-long familiarity with Panasonic’s Micro Four Thirds Lumix cameras and partly on Panasonic’s even longer history of constantly improving its cameras and lenses all by itself and in collaboration with Leica Camera AG.

Cameras and lenses by both companies share DNA and it was inevitable, in retrospect, that their long partnership would deepen into the L-Mount Alliance, pleasantly drawing lens maker Sigma in to the equation along with its wide range of top-class prime and zoom lenses for cinematography and photography.

When Panasonic staff members asked me for my first impressions of the S1 and S1R at a couple of touch-and-try events in Sydney earlier this year, my first thought was that both would be very usable cameras if I were still working in magazine editorial portrait and documentary photography where 35mm sensors are king.

That is no mean achievement for the first version of any new product range, and I look forward to seeing how Panasonic’s current S-Series cameras and their successors develop.

If I need to get back into 35mm sensor photography and video, I know where to go.

Links

Help support ‘Untitled’

Clicking on the links below and purchasing through them or our affiliate accounts at B&H Photo Video, SmallRig or Think Tank Photo helps us continue our work for ‘Untitled’.

  • Panasonic cameras B&H
  • Panasonic lenses B&H

DxOMark: Panasonic Lumix DC-S1R sensor review

https://www.dxomark.com/panasonic-lumix-s1r-sensor-review/

Panasonic has chosen a new high-resolution 47.3MP CMOS sensor for the Lumix DC-S1R—one that challenges the class-leading sensors in the Sony A7R III and the Nikon Z 7. Intriguingly, it combines attributes of both of its rivals (with some nuances) and achieves near-identical performance results overall.

With its combination of high pixel count, low noise, and exceptional color sensitivity, the Lumix DC-S1R is likely to appeal to the most demanding studio photographers….

panasonic_lumix_s1r_02_1024px
Panasonic Lumix DC-S1R with Panasonic Lumix S 24-105mm f/4.0 zoom lens.

Links

Help support ‘Untitled’

Clicking on the links below and purchasing through them or our affiliate accounts at B&H Photo Video, SmallRig or Think Tank Photo helps us continue our work for ‘Untitled’.

  • Panasonic Lumix DC-S1 and DC-S1R cameras, lenses and accessoriesB&H

David Thorpe: Panasonic’s Lumix S1 and G9 Digital Double Act

“The S1 and the G9 Panasonics are a truly unique digital double act. How do the Full Frame S1 and Micro Four Thirds G9 stand up against one another? Is bigger better? Or is nimbler nicer?”

Commentary

Top video reviewer David Thorpe always cuts to the heart of the matter when it comes to mirrorless digital cameras and lenses, a trait no doubt formed by decades in the trenches as a Fleet Street photographer.

In this video review comparing Panasonic’s Lumix DC-G9 Micro Four Thirds mirrorless camera with the recently-released Lumix DC-S1 35mm sensor mirrorless camera, Mr Thorpe opts to continue daily carrying his G9 but appreciates the differences and similarities in both.

Links

  • David ThorpeJohnny and Max – review
  • David Thorpe – Panasonic’s Lumix S1 and G9 Digital Double Act – video
  • ePHOTOzine – Panasonic Lumix S1 Full-Frame Camera Review By David Thorpe – video with gallery of sample photographs

Help support ‘Untitled’

Clicking on the links below and purchasing through them or our affiliate accounts at B&H Photo Video, SmallRig or Think Tank Photo helps us continue our work for ‘Untitled’.

  • Panasonic Lumix DC-G9 Mirrorless Micro Four Thirds Digital Camera B&H
  • Panasonic Lumix DC-S1 Mirrorless Digital CameraB&H

Panasonic: Lumix AF Guidebook [PDF guidebooks for Lumix S1/S1R and GH5/GH5S/G9 cameras on getting the best out of autofocus]

https://www.panasonic.com/global/consumer/lumix/technologies/af.html

panasonic_lumix_dc-s1_08_1024px
Panasonic Lumix DC-S1 with Panasonic DMW-BGS1 Vertical Battery Grip and  Panasonic Lumix S 24-105mm f/4 Macro OIS lens.

LUMIX uses advanced technology to achieve high-speed, high-precision auto focusing. This guidebook allows you to utilize this auto focusing effectively at a higher level….

The LUMIX features an AF Custom Setting function that lets you finely adjust the directivity of the AF in response to the subject and situation. Here, we present the recommended settings and hints when making the setting….

External levers, buttons, and a Joystick Controller enable intuitive operation while using the finder. Users who are familiar with touch operation can seamlessly change the size of the AF area and shoot the subject by simply pressing the shutter of the touch monitor. Here we present more convenient auto focus settings designed for maximum operating ease….

Introducing original Panasonic technology for achieving high-speed, high-precision auto focusing….

NRR2018160585_00-thumb-1500x790-5556776
Lumix G9 Pro, Lumix GH5 and Lumix GH5S at Pa`nasonic Japan’s website. Where is the professional successor to the pro flagship rangefinder-stye GX8?

Commentary

With a number of pundits asking whether Panasonic has got it right yet with the company’s unique approach to autofocusing, it is timely to look deeper into the autofocus capabilities of Panasonic’s new S-Series 35mm sensor Lumix cameras and its established Micro Four Thirds sensor-equipped Lumix GH5, GH5S and G9 cameras.

It is reasonable to assume that Panasonic is currently working on its M43 cameras’ successors, and I would love to see the company produce a GH6 that combines the best of all three of them for stills photography and video, with the very best autofocusing that technology can offer.

Although I would love it if all manufacturers made lenses equally adept for use with manual focusing and autofocusing, equipped with the hard stops and manual clutch focus that have proven so effective on some Fujifilm X-mount and Olympus M.Zuiko Pro lenses, the fact is that autofocus will always play a part in using almost all lenses made nowadays.

Even back button focus in manual mode relies on good autofocusing capabilities on the cameras on which it features, so their autofocus needs to be the best possible.

If autofocus on Panasonic’s current camera generation remains lacking then best to study how it can be tailored to obtain result close to what you need rather than waiting for DSLR-quality autofocus in a future generation.

I was impressed by the Human Body Detection and Face/Eye Detection features of the Lumix S1 and S1R when I briefly tried them out at two public events in Sydney, so I hope that Panasonic will continue to improve the cameras’ autofocus via firmware updates, and radically improve autofocus in it coming generations to the point where it matches if not surpasses that of the best current DSLRs.

Links

Help support ‘Untitled’

Clicking on the links below and purchasing through them or our affiliate accounts at B&H Photo Video, SmallRig or Think Tank Photo helps us continue our work for ‘Untitled’.

  • Panasonic Lumix DC-S1 and DC-S1R cameras, lenses and accessoriesB&H

PhotoJoseph: LUMIX S1 & S1R Battery Grip BGS1

“The LUMIX S Series S1 and S1R have an optional battery grip, the BGS1. This is a tour and explanation of how to use it and what it can do!…”

panasonic_lumix_dc-s1_08_1024px
Panasonic Lumix DC-S1 with Panasonic DMW-BGS1 Vertical Battery Grip and Panasonic Lumix S 24-105mm f/4 Macro OIS lens.

Panasonic accessories for Panasonic Lumix S-Series cameras

Commentary

Panasonic’s accessories for its new S-Series 35mm sensor cameras received little attention during the two public launch events I attended earlier this year, yet they and especially the DMW-BGS1 Vertical Battery Grip displayed the same carefully attention to detail and keen listening to professional users’ lengthy lists of features requests as the Panasonic Lumix DC-S1 and DC-S1R cameras themselves.

Since buying into Panasonic’s Micro Four Thirds system with the Lumix with the Lumix DMC-GH4 some years ago, I have considered vertical battery grips essential items to be bought with any new camera, if the manufacturer has thought to provide one, and this applies to the DMW-BGS1 Vertical Battery Grip as well as several other S-Series accessories.

I am especially impressed by the fact that Panasonic has included the Panasonic DMW-EC6 Eyecup in the list of accessories for the S1 and S1R.

I have had to rely on third-party rubber eyecups made by JJC and Guerrilla for Fujifilm X and Panasonic G cameras, except for my Lumix GX8 where an optional long eyecup was made available by Panasonic, due to wearing eyeglasses and needing to block out laser beam sunlight or harsh indoor lighting.

Both these accessories will come in handy when using both cameras for video, portrait and documentary photography.

I had a chance to try out the vertical battery grip on a Lumix S1R with 50mm f/1.4 lens and it made the camera much easier to use when shooting vertical/portrait orientation with the camera’s very welcome 3:4 aspect ratio, perfectly matched to the average single magazine page.

Links

Help support ‘Untitled’

Clicking on the links below and purchasing through them or our affiliate accounts at B&H Photo Video, SmallRig or Think Tank Photo helps us continue our work for ‘Untitled’.

  • Panasonic Lumix DC-S1 and DC-S1R cameras, lenses and accessoriesB&H