Fuji Rumors: VOTE NOW the SIGMA Lens You Want for Fujifilm X – Commentary

https://www.fujirumors.com/vote-now-the-sigma-lens-you-want-for-fujifilm-x/

In a recent interview, Top Fujifilm manager Toshihisa Iida said that Fujifilm is opening X mount to third parties, and that Tokina will be the first company to offer autofocus lenses for the Fujifilm X system….

I have placed my vote for the two current Sigma APS-C lenses  most want the company to redesign and make for Fujifilm X-Mount cameras, and if more than two votes were permitted by Patrick DiVino’s survey then I would vote for several more.

The two Sigma APS-C zoom lenses I most want to see redesigned for Fujifilm X-Series cameras

There is little doubt that these two APS-C/Super 35 zoom lenses have proven popular amongst users of a range of camera systems and sensor formats for stills photography and video, whether adapted or in native mount versions.

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Australian cinematographer/director Paul Leeming with his Blackmagic Design Blackmagic Pocket Cinema Camera 4K, 8Sinn cage and Sigma 18-35mm f/1.8 Art zoom lens attached with Metabones Speed Booster EF-to-MFT adapter.

The Sigma 18-35mm f/1.8 DC HSM Art zoom is the most popular of the two and is often seen in use in its Canon EF-mount version attached to cameras made by Blackmagic Design, Panasonic and Fujifilm via adapter or natively.

The lens is designed for APS-C/Super 35 sensor-equipped cameras, and is currently available in Canon EF, Nikon F, Pentax K, Sigma SA and Sony A mount.

Both Art lenses are also made in three-gear cinematography versions in Arri PL, Canon EF and Sony E mounts, available for purchase at B&H separately or as a pair with customised hard case.

Both lenses are also available at B&H as a kit for Sony E-mount cameras with Sigma MC-11 Mount Convertor /Lens Adapter to convert Canon EF to Sony E.

If a similar kit were already available with Sigma convertor/adapter for Fujifilm X-mount cameras, one might be sorely tempted.

But it is not, and there are good arguments for both lenses being redesigned and made native with typical X-mount features such as aperture rings but that can be used clicked with 1/3-stop detents or completely clickless, your choice set with the flick of a switch.

Sigma 18-35mm f/1.8 DC HSM Art Lens

Equivalent in 35mm sensor camera terms from 27mm through to 52.5mm, this lens includes some of my most-used stills and video documentary focal lengths such as 28mm, 35mm, 40mm and 50mm.

With a maximum aperture of f/1.8, it is well-suited to the indoors available darkness in which I often find myself.

It would become my most-used lens for documentary work, to be supplemented with Fujifilm’s Fujinon XF 14mm f/2.8 R for scene-setting shots, or, if talking Sigma APS-C lenses then the Sigma 10-20mm f/3.5 EX DC HSM may be suitable provided a Fujifilm X-mount version is made.

In 35mm sensor terms, the Fujinon is equivalent to 21mm and the Sigma zoom is equivalent to a range of 15mm through to 30mm.

Sigma 50-100mm f/1.8 DC HSM Art Lens

I have long been hoping Fujifilm would release one of my favourite portrait focal lengths, 70mm, as a fast prime lens with closeup capability, but my hopes continue to be dashed each time the company updates its lens roadmap.

In 35mm sensor terms, this lens is 105mm and is the focal length with which I became a portrait photographer.

Sigma’s 50-100mm f/1.8 zoom is equivalent in 35mm terms to 75mm through to 150mm, thus including another popular portrait focal length, 90mm, which is equivalent to 137mm.

Fujifilm’s Fujinon XF 90mm f/2.0 R LM WR prime receives high praise as does the Fujinon XF 80mm f/2.8 R LM OIS WR prime lens, but the Sigma 50-100mm f/1.8 zoom would take the place of three useful portrait and documentary focal lengths at a fraction of the cost of three Fujifilm-made lenses.

The ongoing lack of a professional-quality Fujifilm 18mm prime lens

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Fujinon XF 18mm f/2.0 R prime lens.

Fujifilm Australia staff members often confirm that the lens customers want to see radically updated is the Fujinon XF 18mm f/2.0 R, a lens I love and hate, with the emphasis on the latter.

Love is too strong a word for this 28mm-equivalent prime lens, so let’s use “like” instead.

I know some photographers adore it for its many old-fashioned optical and mechanical quirks but for me it is an irritating disappointment.

I have often asked Fujifilm to replace it with a compact Fujicron-style lens for documentary photography or a manual clutch focus Fujilux-style f/1.4 lens for available darkness work and especially for video.

In my Leica M-Series analog rangefinder days I relied on a Leica Elmarit-M 28mm f/2.8 Aspheric lens mounted on my prime camera with a Leica Summilux-M 35mm f/1.4 Aspheric lens in reserve for available darkness documentary photography.

Incidentally, if I could only have two prime lenses for video work, then I would choose a 28mm equivalent and a 40mm equivalent, or in APS-C terms, 18mm and 27mm.

Fujifilm makes neither focal length as manual clutch focusing primes, much to my ongoing moviemaking disappointment, but I often carry the compact Fujinon XF 27mm f/2.8 and 18mm f/2.0 R on a pair of Fujifilm rangefinder cameras when needing to be discrete and in the street or places where I don’t want to be noticed, but I would not use either prime lens for video.

Fujifilm makes three excellent primes equally suitable for video and stills photography, the manual clutch focusing Fujinon XF 14mm f/2.8 R, XF 16mm f/1.4 R WR and XF 23mm f/1.4 R but there are no signs the company is serious about extending its manual clutch focus lens range any time soon, whether with primes or zooms.

Shame, given Fujifilm’s recent emphasis on great quality Super 35 video with the Fujifilm X-T4 and the coming Fujifilm X-H2.

If Sigma can be persuaded to make an aperture ring-equipped 18-35mm f/1.8 X-mount zoom then that can help with available light or darkness video work, leaving Fujifilm to finally pull its collective fingers out with a Fujicron-style XF 18mm lens that does need to be faster than f/2.8.

Given the success of the Fujinon XF 16mm f/2.8 R WR, despite its maximum aperture being darker than the f/2.0 of its Fujinon XF 23mm f/2.0 R WRFujinon XF 35mm f/2 R WR and Fujinon XF 50mm f/2.0 R WR Fujicron-style siblings, a Fujinon XF 18mm f/2.8 R WR should do just fine for documentary stills, leaving the serious 18mm available darkness video work to Sigma along with the other focal lengths in its 18-35mm f/1.8 Art zoom lens.

I also want this for Fujifilm X-mount: Sigma 70mm f/2.8 DG HSM Art macro lens

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Sigma 70mm f/2.8 DG HSM Art macro lens.
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Nikon Micro-Nikkor 105mm f/2.8 manual focus, manual exposure macro lens with 1:2 magnification.

Fuji Rumor’s Sigma X-mount lens poll limited respondents to choosing two lenses but I would have chosen three if permitted.

Having learned to be a portrait photographer by using the art school’s Nikon Micro-Nikkor 105mm and 55mm lenses close-up and at normal portrait distances, I have long been looking for an X-mount equivalent to my favourite of the two, the 105mm.

Until this rumor and poll surfaced at Fuji Rumors about the possibility of Sigma opening up to making Fujifilm X-mount versions of its lenses, I had resigned myself to looking for a suitable manual focus 75mm manual lens to adapt to X-mount.

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Voigtlander Nokton 75mm f/1.5 Aspherical lens.

B&H currently lists two affordable 75mm Leica M-mount lenses, the 7artisans Photoelectric 75mm f/1.25 and the Voigtlander Nokton 75mm f/1.5 Aspherical lens, and a range of M-to-X-mount adapters are available, some with close focus capability.

I have no problem with the idea of using manual-only lenses for close-up and portrait work, but autofocus with good manual focusing extends the usefulness of any lens.

So, Sigma, will you be making good on the desires of many Fujifilm camera users for Fujifilm X-mount Sigma lenses?

If so, Sigma, please add the 18-35mm f/1.8 DC HSM Art Lens, the 50-100mm f/1.8 DC HSM Art lens and the 70mm f/2.8 DG HSM Art macro lens to the top of your list.

Fuji Rumors: Fuji Guys X-T4 How-To Guide: Get Ready for Your Fujifilm X-T4

https://www.fujirumors.com/fuji-guys-x-t4-how-to-guide-get-ready-for-your-fujifilm-x-t4/

The Fuji Guys want to make you fit for your Fujifilm X-T4, and launched a series to show you how to use certain feature on the X-T4….

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Fujifilm X-T4 with Fujinon XF 16-80mm f/4.0 R OIS WR zoom lens.

Links

Fujifilm USA: Fujifilm Introduces the X-Pro3 – A Return to the Craft and Heart of Photography

https://www.fujifilmusa.com/press/news/display_news?newsID=881715

FUJIFILM INTRODUCES THE X-PRO3 – A RETURN TO THE CRAFT AND HEART OF PHOTOGRAPHY

Valhalla, New York, October 23, 2019 – FUJIFILM North America Corporation is pleased to announce the launch of the FUJIFILM X-Pro3, the latest rangefinder from the X Series range of mirrorless digital cameras, and perfect for photographers on the move who want top-level features, a low profile, and reliable durability.

Created with street photographers and photojournalists in mind, the features of the X-Pro3 are designed to keep the photographer focused on the subject. Its revolutionary hybrid OVF/EVF and hidden LCD touchscreen keeps the photographer in the moment, while its state-of-the-art imaging sensor and high-quality 4k video ensure spectacular results. X-Pro3 is a true photographer’s tool that combines all the feeling of film with all the ease and quality of digital.

The X-Pro3 is one of the most durable camera bodies in FUJIFILM camera history, thanks to the exterior use of titanium, known for its outstanding strength-to-weight ratio. Two color variations will be available with additional DuratectTM*1 (DR) surface-hardening technology for extra toughness and premium finish. The X-Pro3 uses the back illuminated 26.1MP X-TRANS CMOS 4 sensor and the X-Processor 4 image processing engine, first seen in the FUJIFILM X-T3 and then the FUJIFILM X-T30. Using this combination and new firmware, the phase-detection AF now works down to a luminance of -6EV; close to absolute darkness. Also new is CLASSIC Neg.Film Simulation mode, which is designed to simulate color negative film that was normally used for everyday snapshots.

More information about X-Pro3:

New OVF/EVF Combination: Great photography is all about freezing natural moments in time and X-Pro3’s impressive hybrid viewfinder ensures you are always fully immersed in that moment, without influencing it. The optical viewfinder (OVF) uses a 0.5x magnification and parallax-correcting frame lines to provide an uninterrupted and true-to-life view of what’s in front of you. It also allows you to see outside the frame so that you are always ready to catch the approaching action. Additionally, the 3.69M-dot OLED electronic viewfinder (EVF) offers a fast and high-quality representation of exactly how your image will look, with a 1:5000 contrast ratio for excellent clarity. When combined, this industry-leading technology provides an outstanding picture, helping to capture the world exactly as it is being seen.

Hidden 180-Degree Tilt and Touchscreen: Every aspect of X-Pro3 has been designed for photographers who like to live in the moment, but none more so than its hidden 1.62M-dot, tilting LCD touchscreen. When the LCD is closed, all that can be viewed is a mini-display showing essential settings, removing the distraction of a full screen while shooting. With your mind and your eye always on the scene in front of you rather than the scene you’ve just shot, you can find a connection not just with your subject, but also with your art. If seeking the perfect moment is instinctive to you, then look no further than X-Pro3 as your tool.

Incredible Sensor, Processor, and AF Performance: Lying at the heart of X-Pro3 is its state-of-the-art X-Trans CMOS 4 sensor and X-Processor 4 combination. This exceptional 26.1MP sensor uses a back-illuminated design to maximize quality and dynamic range, while its unique color filter array controls moiré and false color without the need for an optical, low-pass filter. Such outstanding imaging capability is complemented by the quad-core X-Processor 4. This powerful CPU not only ensures images are quickly and smoothly processed, but thanks to Fujifilm’s new algorithm, boosts AF performance with precision face and eye detection right down to -6EV.

Enhanced Body Design: X-Pro3’s timeless body design features a top and base plate constructed from titanium, which, despite being little more than half the density of stainless steel, is seven times more durable. In addition to classic black, the weather-sealed X-Pro3 is also available in DR Silver and DR Black, which utilize cold plasma technology for a scratch-resistant finish. This outstanding durability combines with a newly developed shutter release unit that ensures dependable precision and smoother, more responsive functionality to create a camera that can be relied upon to perform in nearly any situation.

Unparalleled Color Reproduction and Film Simulation Modes: Fujifilm’s legacy in color science has given it legendary status among image-makers across the world. During its 85 years in the industry, Fujifilm has been responsible for some of the most iconic photographic films in history. The exceptional knowledge gained has been poured into Fujifilm’s collection of 16 digital Film Simulation modes. This cutting-edge technology allows photographers to achieve stunning results straight out of camera and X-Pro3 introduces two exciting new additions to the Film Simulation mode collection: CLASSIC Neg. and MONOCHROMATIC Color.

The X Series’ first interchangeable lens camera, FUJIFILM X-Pro1, was released in February 2012, and its successor, FUJIFILM X-Pro2, debuted in March 2016 with vastly improved image quality and performance. The X-Pro Series has been embraced by many professional and enthusiast photographers who enjoy the classic rangefinder style, portability, and dials that enable intuitive operation. The X-Pro3 builds on the series’ legacy as the ultimate solution for photographers on the move who know the value of being in the moment.

The X-Pro3 camera will be offered with manufacturer’s suggested retail prices as follows:

$1,799.95 USD Black

$1,999.95 USD DR Black or DR Silver

$2,399.99 CAD Black

$2,699.99 CAD DR Black or DR Silver.

X-Pro3 is expected to go on sale in late Fall 2019. For more information, please visit https://fujifilm-x.com/en-us/x-pro3.

*1 Duratect is a trademark or registered trademark of Citizen Watch Co., Ltd.

About FUJIFILM North America Corporation, Electronic Imaging

For more information, please visit http://www.fujifilmusa.com/northamerica, go to https://twitter.com/FujifilmX_US to follow Fujifilm on Twitter, go to https://www.instagram.com/fujifilmx_us/ to follow Fujifilm on Instagram, or go to https://www.facebook.com/FujifilmXUS/ to Like Fujifilm on Facebook.  To receive news and information direct from Fujifilm via RSS, subscribe at www.fujifilmusa.com/rss.

About Fujifilm

FUJIFILM North America Corporation, a marketing subsidiary of FUJIFILM Holdings America Corporation, consists of five operating divisions and one subsidiary company. The Imaging Division provides consumer and commercial photographic products and services, including:  photographic paper; digital printing equipment, along with service and support; personalized photo products; film; and one-time-use cameras; and also markets motion picture archival film and on-set color management solutions to the motion picture, broadcast and production industries. The Electronic Imaging Division markets consumer digital cameras, and the Graphic Systems Division supplies products and services to the graphic printing industry. The Optical Devices Division provides optical lenses for the broadcast, cinematography, closed circuit television, videography and industrial markets, and also markets binoculars. The Industrial and Corporate New Business Development Division delivers new products derived from Fujifilm technologies. FUJIFILM Canada Inc. sells and markets a range of FUJIFILM products and services in Canada. For more information, please visit www.fujifilmusa.com/northamerica, go to www.twitter.com/fujifilmus to follow Fujifilm on Twitter, or go to www.facebook.com/FujifilmNorthAmerica to Like Fujifilm on Facebook.  To receive news and information direct from Fujifilm via RSS, subscribe at www.fujifilmusa.com/rss.

FUJIFILM Holdings Corporation, Tokyo, Japan, brings cutting edge solutions to a broad range of global industries by leveraging its depth of knowledge and fundamental technologies developed in its relentless pursuit of innovation. Its proprietary core technologies contribute to the various fields including healthcare, graphic systems, highly functional materials, optical devices, digital imaging and document products. These products and services are based on its extensive portfolio of chemical, mechanical, optical, electronic and imaging technologies. For the year ended March 31, 2019, the company had global revenues of $22 billion, at an exchange rate of 111 yen to the dollar. Fujifilm is committed to responsible environmental stewardship and good corporate citizenship. For more information, please visit: www.fujifilmholdings.com.

###

FUJIFILM and X-TRANS are trademarks of FUJIFILM Corporation and its affiliates.

© 2019 FUJIFILM North America Corporation and its affiliates. All rights reserved.

CONTACT:

Daniel Carpenter

FUJIFILM Holdings America Corporation

daniel.carpenter@fujifilm.com

914-529-2417

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Fujifilm X-Pro 3 with MHG-XPRO3 grip and Fujinon XF 35mm f/2.0 R WR prime lens.

FUJIFILM Europe: The new X-Pro3

Fujifilm X-Pro3

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  • FUJIFILM X-Pro3 Mirrorless Digital Camera B&H
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Fujifilm Global: Fujifilm introduces the stylish “FUJIFILM X-A7” with newly-developed image sensor – UPDATED

https://www.fujifilm.com/news/n190912_01.html

“Tokyo, September 12, 2019 — FUJIFILM Corporation (President: Kenji Sukeno) announced that it will launch the “FUJIFILM X-A7” (“X-A7”) in Autumn 2019, a new addition to the X Series of compact and lightweight mirrorless digital camera that deliver outstanding image quality with the company’s unique color reproduction technology.

Weighing just 320g*, stylish X-A7 carries a newly-developed 24.24MP APS-C sensor to deliver premium image quality with the company’s proprietary color reproduction technology. The sensor uses copper wiring to enable high-speed data readout, and features phase detection pixels across the entire sensor surface to enhance AF speed and accuracy. This enables AF tracking of a moving subject as well as Face / Eye detection AF with ease. The camera also records smooth 4K/30fps video and high-speed video, catering to the ever-growing need for high-quality video for use in Vlog** and other media.

The camera has a large 3.5-inch LCD monitor with the maximum luminous intensity of approx. 1,000 candelas to guarantee intuitive operability on the rear panel. Furthermore, this is the first X Series model that features a “vari-angle” monitor that users can adjust to any angles. It can be used in conjunction with the Portrait Enhancer Mode for self-portraits of advanced quality. The X-A7 is a perfect choice for those who want to upgrade their photography from smartphone pictures, offering a broad range of applications from casual snapshots of everyday scenes to travel photography and full-fledged photographic creations.

*Including the weight of memory card and supplied battery
**A coined phrase combining “video” and “blog,” referring to a blog in the video format…”

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Fujifilm X-A7 with fully-articulated aka Vari-Angle LCD monitor and Fujinon XC 15-45mm f/3.5-5.6 OIS PZ Lens.

Commentary

At least three developments in Fujifilm’s entry-level viewfinder-less LCD-only X-A7 camera promise good things coming to the company’s higher-end models – a fully-articulated LCD monitor, phase-detection pixels across the whole sensor and apparently radically improved object tracking as well as improved eye and face autofocusing.

I have been asking for fully-articulating LCD monitors on all Fujifilm cameras ever since I had to take a detour away from the company’s products when it delivered an X-Pro1 that was, for me at least, semi-usable at best with its lack of built-in viewfinder diopter correction, and when I needed to shoot pro-quality video.

I chose Panasonic with its fully-articulated monitors on the Lumix DMC-GH4, its companion camera the Lumix DMC-GX8 and subsequent cameras in both product lines as well as others, and instantly discovered the many benefits such LCD monitors bestow whether shooting stills or video.

Going back to fixed monitor cameras suddenly became all the harder, and the fixed, two-way or three-way tilting monitors that then began appearing on Fujifilm, Panasonic cameras and Blackmagic Design cameras proved to be annoying and even inadequate for many of my needs.

Fujifilm refers to the X-A7’s LCD monitor as “vari-angle” or capitalized as “Vari-Angle” while online commentators use the fairly non-descriptive word “flippy”, but I am sticking with the more description term “fully-articulated”.

Fujifilm, I want to see you release the much-requested X-H2 professional-level video and stills photography hybrid camera with a fully-articulated aka “vari-angle” LCD monitor as well as all future cameras.

I know what full articulation can do and I want it on more than just your entry-level camera.

Fujifilm X-A7 with Fujifilm’s very first fully-articulated aka “flippy” aka “vari-angle” LCD monitor

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  • FUJIFILM X-A7 Mirrorless Digital Camera with 15-45mm Lens (Camel)B&H
  • FUJIFILM X-A7 Mirrorless Digital Camera with 15-45mm Lens (Dark Silver)B&H
  • FUJIFILM X-A7 Mirrorless Digital Camera with 15-45mm Lens (Mint Green)B&H
  • FUJIFILM X-A7 Mirrorless Digital Camera with 15-45mm Lens (Silver) B&H
  • FUJIFILM XC 15-45mm f/3.5-5.6 OIS PZ LensB&H
  • FUJIFILM XC 16-50mm f/3.5-5.6 OIS II LensB&H
  • FUJIFILM XC 50-230mm f/4.5-6.7 OIS II LensB&H

fcp.co: An Overview of the Apple Hardware Ecosystem for Video Professionals

http://www.fcp.co/final-cut-pro/articles/2210-an-overview-of-the-apple-hardware-ecosystem-for-video-professionals

“In this article, Sam Mestman looks at each Apple product that can shoot or edit, indicates its place for filmmaking and also tells us which models he recommends. If you’re thinking of buying a new Mac, iPad or iPhone, this is for you!”

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Apple iPhone 11 Pro Max: “Featuring a Stunning Pro Display, A13 Bionic, Cutting-Edge Pro Camera System and Longest Battery Life Ever in iPhone with iPhone 11 Pro Max”.

Commentary

Expatriate ex-Wollongong moviemaker Sam Mestman and longtime contributor to Final Cut Pro website fcp.co recently assumed an editorial role there with the aim of stepping up his articles for the site after giving up his coalface role at post-production workflow company LumaForge.

Mr Mestman has been instrumental as an ambassador, educator and advocate for moviemaking for the people throughout the United States and shares invaluable insights in his articles.

I highly recommend regular visits to fcp.co to all moviemakers whether you use Apple hardware and software or not.

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ffoton: Ron McCormick in Conversation with Paul Reas, Cardiff, June 2019 – audio interview

https://www.ffoton.wales/interviews/2019/9/ron-mccormick-1

“Ron McCormick trained as an artist at Liverpool School of Art and the Royal Academy Schools in London before moving across to photography. He played a significant role in the formation and development of photography galleries across the UK in the 1970’s – including Half Moon Gallery in London, Side Gallery in Newcastle upon Tyne and the original Ffotogallery in Cardiff.

Ron taught on the Newport Documentary Photography course alongside David Hurn and established ‘The Newport Survey’ publication that students worked on as part of their studies – produced over a decade in the 1980’s….”

Commentary

ronmccormick71645443_1828229820657087_8677049963420581888_n
Exhibition preview invitation for ‘The Urban Landscape’ by Ron McCormick at Galerie Düsseldorf, Perth Western, Australia in the mid-1980s.

Ron McCormick was a Visiting Fellow in the School of Art and Design at Curtin University in Perth when I was teaching after being a student, all the while engaged in my own efforts to radically reform art and photography education there and in other places in Western Australia.

Ron spent most of his time photographing in the goldfields and other outback locations and three images from those trips are featured in this set of interviews along with his earlier work in the east end of London and south Wales.

Meeting Ron and seeing some of his work led to spending a year in the United Kingdom shortly afterwards, meeting a number of photographers including the great Brian Griffin, stiffening my resolve to continue my reform efforts back in Australia by whatever means possible despite the gatekeepers and power brokers controlling the medium.

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Fuji Rumors: Some LOVE the Fujifilm X-Pro3, and Here is Why!

https://www.fujirumors.com/some-love-the-fujifilm-x-pro3-and-here-is-why/

“Today I thought I try to balance out the X-Pro3 sh*tstorm, by sharing a few stories of people, who actually either like or understand (and hence accept) the new X-Pro3 hidden tilt screen concept.

If you ask me personally, I admit that my first reaction was also something like “what the heck is this?”

But you know what I have learned from reading the massive (and brilliant) essays of Michel de Montaigne?

I have learned that we should try to “suspend our judgment”….”

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The tilting LCD monitor on the Fujifilm X-Pro3 digital rangefinder camera. Still frame from live streaming video of Fujifilm X-Pro3 from Fujifilm X Summit on 20th September 2019.

Commentary

fujifilm_tx-1_35mm_panorama_camera_01_1024px_60pc
Fujifilm TX-1 35mm panorama camera. Image courtesy of Japan Camera Hunter. Fujifilm has been producing cutting-edge rangefinder cameras for decades.

Suspension of judgement is exactly what is needed in this moment between Fujifilm revealing the X-Pro3 at its recent X Summit Shibuya 2019 and the first appearance of production versions of the camera in the specialist media and retailers.

Fujifilm is clearly going through a process of differentiation and granulation with its current and coming camera offerings, pushing the X-Pro series even further into rangefinder photography camera territory.

When the X-Pro1 was released, there was no X-Tn series and certainly no X-Hn series, and no mention at all of any possible GFX medium format cameras.

All our hopes were in the one basket but now there are non-rangefinder-style alternatives like the X-T3, X-T30 and soon, hopefully, the X-H2 to realize all the promise revealed in the X-H1 that was thwarted somewhat by its X-T2 generation sensor and processor.

I still love shooting 4K video with my X-Pro2 when needed and when it is the only camera I am carrying at the time, which is almost every day, and was saddened by the limited video functionality Fujifilm gave us in the relevant firmware update, but heavy video production requires the use of cameras with heavyweight video firmware functionality.

Right now, the Fujifilm X-T3 makes an excellent Super 35 video camera for use with gimbals and other forms of traditional stabilization via hardware, and OIS-equipped zoom lenses are also a good solution when shooting handheld video.

The coming Fujifilm X-H2 needs to take a leaf from Panasonic’s book, learning the lessons of the Panasonic Lumix DC-GH5, the GH5S and the S1H and then surpassing them with all the hardware features and firmware functionality required for handheld or heavily-rigged video production.

I am looking forward to learning more about the X-Pro3’s improved optical viewfinder and especially its improved electronic viewfinder, the latter one of the weakest aspects of the X-Pro2 despite its other many strengths as a documentary camera.

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  • Fujifilm Cameras B&H
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Fujifilm X: A Quick Look at XF16-80mmF4 R OIS WR by Huseyin Aldirmazm – UPDATED

https://fujifilm-x.com/global/stories/a-quick-look-at-xf16-80mmf4-r-ois-wr-by-huseyin-aldirmaz/

“If we consider the zoom range and fixed f4 aperture in the FUJINON lenses in this segment, to me, the most reasonable option is XF16-80mm. From wide-angle to a medium telephoto zoom range makes this lens ideal especially for street and travel photographers. Even for general architectural shots (no ultra-wide angle), the lens has high-end features that will satisfy anyone who wants to work with a single lens. Let’s look at the other details….”

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Fujifilm Fujinon XF 16-80mm f/4.0 R OIS WR zoom lens.

FUJIFILMglobal: Huseyin Aldirmaz x XF16-80mmF4 R OIS WR / FUJIFILM

Commentary

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Fujifilm X-H1 with VPB-XH1 battery grip and Fujinon XF 16-55mm f/2.8 R LM WR professional zoom lens.

Each year I always look forward to the Sydney edition, as it were, of Fujifilm Australia’s People with Cameras event and that anticipation is no less eager this year with the event coming up for tomorrow, Saturday September 7th, 2019.

I will be carrying my trusty Fujifilm X-Pro2 and a handful of Fujifilm Fujinon prime lenses, along with an X-H1 kindly loaned by Fujifilm Australia’s PR folks.

I have been enjoying the many virtues of the X-H1, and am hoping that an X-H2 is on the horizon for release early 2020, if we are lucky.

The X-H1 in combo with my X-Pro2 is a powerful kit when engaged in documentary work and portrait photography.

The X-H1 is, of course, the better option of the two for top-quality video using the Pro Neg Standard, Eterna Cinema or F-Log profile depending on taste and need, and I highly recommend using Paul Leeming’s settings below when shooting with the X-H1, X-T3 or X-Pro2, as well as their other cameras.

When shooting video, or stills for that matter, always best to expose to the right aka ETTR in order to avoid burnout at the shoulder end of the exposure scale.

Paul Leeming’s video settings for Fujifilm cameras:

  • Pro Neg Std (best option on the X-Pro2), Eterna Cinema, F-log (or HLG for the X-T3)
  • H265 recording format
  • DR100 for all profiles
  • Highlight tone 0
  • Shadow tone 0
  • Color 0
  • Sharpness -4
  • Noise Reduction -4
  • Zebra level 100%
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Fujinon XF 18mm f/2.0 R prime lens, regrettably much too slow to focus manually or via autofocus and its aperture ring too flakey and quirky for fast-paced professional work in stills and video, though some folks seem to like it for the quirkiness that makes it frustrating for me. I have been trying out this lens again recently but am still searching for the ideal substitute, given how crucial this 28mm equivalent focal length is for documentary cinematography and photography.

I have been hoping a lens like Fujifilm’s Fujinon XF 16-80mm f/4.0 R OIS WR would turn up for quite some time since acquiring my first interchangeable lens Fujifilm camera, a standard zoom lens offering better quality than the Fujinon XF 18-55mm f/2.8-4.0 R LM OIS kit zoom which has, however, proven surprisingly good for its class though the latter is not everything I might wish for.

The X-Pro2 and X-T3’s lack of in-body image stabilization ruled out considering the Fujinon XF 16-55mm f/2.8 R LM WR, a lens that appears better suited to a gripped IBIS-equipped X-H1 than the two smaller cameras.

My time in DSLR-land with the Canon EOS 5D Mark II and its Canon EF 24-105mm f/4L IS USM kit zoom lens taught me the value of lenses with optical image stabilization and a bit extra on the long end of the focal length scale when shooting documentary stills and video.

The in-development announcement of the Fujinon XF 16-80mm f/4.0 R OIS WR came as a pleasant surprise to many of us who had been hoping for a one-lens replacement for several prime lenses when weight and size would be an issue and Hüseyin Aldırmaz’s report on his experience with a pre-production copy looks promising.

Now to the Fujinon XF 16-80mm f/4.0 R OIS WR’s release and falling into the hands of well-qualified non-Fujifilm Ambassadors for some in-depth reviews so we have some idea of whether this is the all-purpose standard zoom lens we have been waiting for.

PostScript

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Guest at the Fujifilm Australia event, People with Cameras Sydney 2019, People with Cameras Creative Space, Doltone House, Darling Island Wharf, Pyrmont, Sydney, Saturday September 7, 2019. Photographed with Fujifilm X-T3 and Fujinon XF 16-80mm f/4.0 R OIS WR standard zoom lens.

I was lucky enough to spend a very short time with a pre-production model of the Fujinon XF 16-80mm f/4.0 R OIS WR at last Saturday’s Fujifilm People With Cameras event in Sydney and can report that the lens feels good and solid with fast autofocus and good balance on the Fujifilm X-T3 upon which it was mounted.

I was asked not to save any photographs or video shot with it so my assessment is limited.

Thanks to the ever-keen eyes of the folks at Fuji Rumors, I have now added some reviews of pre-production versions of the Fujinon XF 16-80mm f/4.0 R OIS WR to the links list below.

Enjoy, until the first in-depth reviews of the production version of this lens start appearing.

Links

  • Bill FortneyThe New Mid-Range King! – “I will cut to the chase and tell you now it will replace the 18-135 as my standard middle zoom.  In fact for my upcoming trip to the UP of Michicgn and Acadia N.P, it and the 10-24, and 100-400 will be my three zoom package. “
  • Bjorn Moerman PhotographyFUJIFILM XF16-80mm f4 REVIEW – Comparison with XF18-135 – “It might also be a replacement lens for those that presently own the XF18-55 and/or XF18-135 lens(es). Personally I’m looking at replacing my XF18-135 with the XF16-80.”
  • Fuji Rumors
  • Fuji RumorsFujinon XF 16-80mm f/4: Pros and Cons, First Looks and Thougths [sic] – contains links to Rico Pfirstinger’s eight-part article at the Fuji X Secrets Facebook page and sample images at flickr.
  • Fujifilm XFUJINON XF16-80mmF4 R OIS WR
  • Fujifilm South AfricaTHOUGHTS ON THE FUJINON 16-80MM F/4 – Anton Bosman – “For professionals who are looking for an all day carry around lens and for the traveller who is looking for a compact carrying kit, yet they still want the ability to create images that will hold their own against the best on any platform. For videographers there is good news, the lens has very little breathing.
  • FUJIFILMglobalHuseyin Aldirmaz x XF16-80mmF4 R OIS WR / FUJIFILM – video
  • Hüseyin AldırmazInstagram account
  • Hüseyin Aldırmazwebsite
  • Ivan Joshua LohXF16-80mm. – “If you are looking for a zoom lens; this could be it. Of course there is the XF18-135mm lens but I would go for the XF16-80mm. I would prefer a wider advantage than a tele. I would not use this lens professionally as the optically on a different level when compare with XF16-55mm F2.8”
  • jonasrask|photographyFujinon XF 16-80mm f/4 R OIS WR first look preview – “The XF16-80mm f/4 R WR OIS is without a doubt one of the new Fujinon XF classics. It is a phenomenal performer with great image stabilisation, and good IQ throughout the zoom range. Especially at 50-80mm. It’s sharp and has good looking out-of focus rendering. It focuses very fast and precise, and the build quality is fantastic.”
  • Leeming LUT Pro – production of Paul Leeming’s LUT pack for Fujifilm XF cameras is currently under way.
  • WikipediaExposing to the right

Help support ‘Untitled’

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Fujinon XF 10-24mm f/4.0 R OIS zoom lens. A suitable mid-price mid-range wide-angle companion zoom lens for the Fujinon XF 16-80mm f/4 R OIS WR.

Clicking on the links and purchasing through them for our affiliate accounts at Adorama, Alien Skin, B&H Photo Video, SkylumSmallRig or Think Tank Photo helps us continue our work for ‘Unititled’.

  • FUJIFILM XF 8-16mm f/2.8 R LM WR LensB&H
  • FUJIFILM XF 10-24mm f/4 R OIS LensB&H
  • FUJIFILM XF 16-55mm f/2.8 R LM WR LensB&H
  • FUJIFILM XF 16-80mm f/4 R OIS WR Lens B&H
  • FUJIFILM XF 18-55mm f/2.8-4 R LM OIS LensB&H
  • FUJIFILM XF 50-140mm f/2.8 R LM OIS WR LensB&H