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Apple Releases Mid-2018 MacBook Pro Computers, Blasts Off Into the Future

Until the arrival of the iMac Pro in late 2017, Apple’s professional moviemaking and photography customers had been questioning the company’s loyalty to them and dedication to meeting their ever-growing high-end graphics computing needs, without unnecessary monkey work. 

Today’s release of the Coffee Lake sensor-equipped Mid-2018 MacBook Pro models in 13-inch and 15-inch versions along with the Apple/Blackmagic Design co-designed Blackmagic eGPU will further allay these concerns with a hardware combination approaching the iMac Pro in power and graphics processing speed. 

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Apple MacBook Pro Mid-2018

Next year’s long-awaited release of the re-imagined Mac Pro after the Mac Pro range was left languishing since late 2013’s “ash can” Macs will be icing on the cake for creatives and a necessity for production studios needing the ultimate in multi-teraflop processing power.

Meanwhile, the long hiatus until last year’s iMac Pro saw saw many visual storytelling professionals looking to pre-Coffee Lake 15-inch MacBook Pros for portability and as a stopgap until Apple revised its desktop offerings.

The decision of when and which production computer in which to invest has always been a vexing one, given the need to choose a model as future-proofed as possible.

Apple MacBook Pro Mid 2018

The Apple computers I have used have always productively outlived all our Windows PCs, and our two current Macs have had long, productive lives though one is nearing its end having endured daily production use since early 2011.

Those lives are about to be challenged by coming software and hardware support demands as well as exciting new standard in video and ever-larger raw files from ever-bigger image sensor-equipped stills cameras such as Fujifilm’s GFX 50S and the coming GFX 100S and GFX 50R.

Internal upgrades of older machines using Other World Computing’s excellent SSDs and doubling the RAM have their limitations in the face of contemporary graphics software’s reliance on graphics processing units (GPUs) so a new 15-inch MacBook Pro has been overdue, preferably attached to a Blackmagic eGPU in the studio and on-location.

Accessories for Apple’s MacBook Pro Mid 2018

The really big investment maximisation lesson I learned kong ago is to max out your production computer with RAM, internal storage, CPU and GPU power to cope with the ever-increasing demands off constantly-updating editing software.

Apple has clearly heeded this relentless tendency with the 15-inch MacBook Pro Mid-2018’s up to 6-core processors and 32GB of RAM, and a great choice of SSDs up to 4TB, obviating the need to connect external media drives when working on ambitious video and longterm photography projects.

Invest in a minimum of 1TB internal storage, 32GB of RAM, choose the highest specifications processor, add Thunderbolt external storage for media and scratch disk space, and cast an eye at LG’s excellent UltraFine and UltraWide 5K monitors, two of which the Mid-2018 MacBook Pro can easily handle.

Consider a Wacom pen tablet for fine selection control and to guard against wrist damage, add the Blackmagic eGPU, look at Blackmagic Design’s DaVinci Resolve Micro and Mini colour grading panels, and by doing so create a top-end editing workstation approaching the iMac Pro or coming Mac Pro in power and reliability.

Above all, do not aim low as it will only keep you down as your needs and ambitions change.

Those griping at the price of this versatility and power would do well to consider the past alternatives.

It is significant that Apple has begun collaborating with Blackmagic Design in the eGPU and hopefully other areas given Blackmagic Design CEO Grant Petty’s mission to “allowing the highest quality video to be affordable to everyone, so the post production and television industry can become a truly creative industry.”

When I first read that, I cast my mind back to the very first video editing workstation I clapped eyes on at a top London creative hotshop advertising agency costing, if my memory serves me right, some £100,000 for the hardware and software, barely affordable by the agency much less any creative of my acquaintance then.

The two photographers-turned-directors who had headhunted me for the agency relied on funky old but beautiful Super 16mm movie cameras, being something of an exception creatively, but the cost of the video cameras of the time was astronomical compared to the price of current small cinema, video and hybrid mirrorless cameras.

With personal computers being the centre of our creative lives, it makes sense to spend some of the money saved on free and affordable production software and hardware on the beating heart of your production kit, making it last for years to come.

Speaking of which with Apple now doing right by its professional users on the hardware front, it is past time for the company to do right in video editing software by improving Final Cut Pro X’s audio capabilities now that Blackmagic Design’s DaVinci Resolve’s Fairlight audio page is putting it to shame.

Likewise Apple’s still-smarting 2015 abandonment of photography organizing and editing essential Aperture, was an almost shameful act still with no fully-featured direct replacement anywhere near the horizon whether by dint of third-party software makers or Apple Photos, its erstwhile in-house successor.

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Image Credits

Header image by Carmel D. Morris. Have you seen the Red Forest?

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Blackmagic Design’s Blackmagic Pocket Cinema Camera 4K aka BMPCC 4K with 8Sinn camera cage, Scorpio handle and Canon CN-E 24mm T1.5 L F Cinema Prime Lens with EF-to-M43 adapter.

Clicking on these affiliate links and purchasing through them helps us continue our work for ‘Untitled: Stories of Creativity, Innovation, Success’.

  • Apple iMac ProB&H
  • Apple Mac ProB&H
  • Apple MacBook Pro Mid 2018B&H
  • Blackmagic Design camerasB&H
  • Blackmagic Design DaVinci Resolve 15 Studio (Activation Card)B&H
  • Blackmagic Design Pocket Cinema Camera 4KB&H
  • Blackmagic eGPU – not currently on sale at B&H, but I will add the link when it is on sale there.
  • Canon EF Cinema Prime Lens Kit (14, 24, 35, 50, 85, 135mm)B&H
  • Fujifilm GFX 50SB&H
  • G-Technology G-Speed Shuttle Thunderbolt RAID ArraysB&H
  • LG 27MD5KB-B UltraFine 27″ 16:9 5K IPS MonitorB&H
  • LG 34WK95U 34″ 21:9 UltraWide 5K Nano IPS MonitorB&H
  • Loupedeck + Photo Editing ConsoleB&H
  • Other World Computing (OWC)B&H – upgrade ageing Apple Macs with faster, larger internal drives and extra, faster memory.
  • WacomB&H
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Peak Design: We’ve Got Something Brewin’ [Pre-announcement of Peak Design’s 2018 Kickstarter campaign, The Ocho]

http://swee.ps/xHbezXqlD

“It’s that time of year again. We’re about to lift the curtain on the biggest product launch in Peak Design history, and we want you to be a part of it. In a way, you already are—our new line of gear is something you’ve been asking us to make for years.

Our 8th Kickstarter begins soon. Enter to be notified the moment it goes live. 3 lucky folks will win one of every new product. Spoiler: that’s a big bundle-o-gear….”

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Peak Design Kickstarter 2018 campaign email teaser graphic

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Clicking on these affiliate links and purchasing through them helps us continue our work for ‘Untitled: Stories of Creativity, Innovation, Success’.

  • Peak DesignB&H

Breakthrough Photography Lives Up to Its Name with Breakthrough Magnetic Filter System for Circular, Square and Rectangular Filters

Breakthrough Photography, makers of my preferred UV, circular polarizer and fixed value neutral density filters due to their high optical quality, excellent materials, innovative design and top-quality manufacturing, has come up with yet another breakthrough innovation, a magnetic filter system consisting of Magnetic Adapter, Magnetic Wheel, Magnetic Adapter Rings, X100 Holder for square and rectangular filters, Magnetic Filters in a range of types, densities and flavours, all of which is complemented by the company’s brilliantly designed and made knurled brass step-up rings. 

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Breakthrough Photography Magnetic Adapter and Magnetic Dark CPL Filter

While other camera accessories makers already have products linking the word “magnetic” with the word “filter” on the market, Breakthrough Photography has attached the two in a way that nobody else has, creating a system potentially attractive to moviemakers and photographers especially if working on location in challenging conditions.

Xume, formerly an independent camera accessories company before selling itself to Manfrotto, was the first magnetic filter system I encountered through Australian director/director of photography Paul Leeming of Leeming LUT Pro who relies on them for his narrative feature and event documentary cinematography work while I came across magnetic H&Y Filters while researching for this article, but those companies’ systems work differently from Breakthrough’s.

Breakthrough Photography’s Magnetic Filter system appears much better suited to my own needs as a one-person, self-funded, documentary moviemaker working in challenging conditions on location and I already know the Breakthrough Photography brand and its products, and recommend them without hesitation.

Breakthrough Photography Magnetic Filter system

At the moment Breakthrough Photography is offering a range of magnetic filters and its Magnetic Adapter, with a Magnetic Wheel being released soon partially to tackle wide-angle lens filter vignetting that has been demonstrated by early users of the system.

I am looking forward to learning and seeing more about the Magnetic Filter system and am seriously considering investing in it for my own work, though I would very much like to see Breakthrough Photography expand its ND filter densities to fill the gaps in its current 3-stop, 6-stop, 10-stop and 15-stop range.

At the moment I am not entirely convinced of the ease, speed and safety with which the filters can be attached and especially removed, with naked and gloved hands.

Speed, ease, safety and radically extending customer reach

The safety issue is the one that convinced me to buy into Breakthrough Photography’s knurled brass-framed weather-sealed screw-in filters and I hope to see safety and ease demonstrated with the Magnetic Filter system soon in videos and in hands-on reviews by experienced on-location cinematographers and photographers using it with and without gloves.

Breakthrough Photography’s focus is, however, primarily on landscape photographers and it appears to be considered incidental that cinematographers also use their products, with no known hands-on review of Breakthrough Photography products by the latter in existence.

More is the pity, as many Breakthrough products would be invaluable to moviemakers, especially the Magnetic Filter system, but the infrared pollution cutting capabilities of the company’s ND filters have not been tested beyond 700 nanometers.

Effective IR-cutting is important to Blackmagic Design camera users and even more so to what is potentially their most popular camera to date, the Blackmagic Pocket Cinema Cameras 4K.

I would venture to suggest that the potential moviemaking market at all levels is many times larger than that of landscape photographers wanting to blur moving water or darken skies, and the folks at Breakthrough Photography would be wise to thoroughly test their CPLs and NDs for infrared-cutting beyond 700 nm given sensors see differently from the human eye, send Magnetic Filter system kits out to cinematographers for testing and hands-on reviews, and focus their marketing on moviemakers as well.

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Breakthrough Photography’s brass traction frames are a boon for those of us with damaged hands and fingers and are safer to handle in the field than smooth or slightly knurled aluminium frames.

Clicking on these affiliate links and purchasing through them helps us continue our work for ‘Untitled: Stories of Creativity, Innovation, Success’.

  • Breakthrough PhotographyB&H
  • H&Y FiltersB&H
  • XumeB&H

Rotolight Location Kit Has Landed, Comprising Aeos and Neo 2 LED Lights, Exclusive to Park Cameras

Shortly after my first close encounter with a Rotolight Aeos, Rotolight announced the Neo 2, successor to the original Neo LED light, three of which I have in the form of a Rotolight Neo 3 Light Kit. 

That kit was great in its day and I use it still but with the two new and even more powerful and versatile Rotolight LED lights that appeared after the original Neo surely something even better would be possible.

Rotolight 3 Light Location Kit – “Exclusive to Park Cameras, the Rotolight Location kit is everything a Photographer or Videographer needs on the move.”

One Aeos light, two Neo 2 lights, high speed synchronization (HSS) to control all three and for flash sync with my Fujifilm and Panasonic cameras, three light stands, a soft case to carry them in and barndoors and soft boxes as needed, now that would be the perfect lighting kit for on-location portraiture and video projects, it seemed to me.

Oddly enough, Rotolight has yet to come up with such a lighting kit but even more oddly enough Park Cameras, a retailer with outlets in London’s Fitzrovia and Burgess Hill in West Sussex has beaten them to it.

Rotolight Aeos and Neo 2 LED lights

Links

Image Credits

Header image concept and hack by Carmel D. Morris.

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Clicking on these affiliate links and purchasing through them helps us continue our work for ‘Untitled: Stories of Creativity, Innovation, Success’.

  • RotolightB&H

Mitomo PR: True ND [Blackmagic Pocket Cinema Camera and Infrared Pollution]

“Accurate Transmittance and true neutrality TRUE ND is a clear glass coated with metallic alloy film on both sides. Manufactured under strict quality control, TRUE ND will offer you accurate transmittance and true neutrality. Troublesome infrared will also be filtered out by its flat spectral curve up to 750nm. TRUE ND is simply how ND filters are supposed to be….”

Mitomo True ND fixed neutral density filters – “a clear glass coated with metallic alloy film on both sides” – in densities from 0.3 to 2.1 aka 1 stop to 7 stops.
Mitomo True ND fixed neutral density filters – 4″x5.65″ and 6.6″ x 6.6″ aka 100mm x 150mm and 160mm x 160mm.

Commentary

I have been researching possible solutions for the infrared pollution problem inherent in Blackmagic Design’s cinema cameras which have little to no built-in protection against it, especially the Blackmagic Pocket Cinema Camera 4K aka BMPCC 4K.

So far there appears to be three different most viable solutions – IR cut filters mounted on the camera itself, screw-on IR cut filters to go on the front of the lens and IR plus ND (neutral density) filters screwed-on or mounted in front of the lens.

I have ruled out small IR plus ND filters mounted on the back or camera side of the lens as they are difficult to use and swap without getting dirty when in the field shooting documentary video though they may be more viable under controlled on-location or studio conditions.

It appears that some makers of ND filters do add IR cutting to their filters and some do not, complicating things just a little.

As I come across different brands of IR cut solutions I plan on adding them as link articles like this one.

My preferred IR-cut plus ND solution is either an IR-cut filter on the camera itself or as fixed or variable ND filters on the front of the lens.

As a self-funded independent documentary moviemaker affordability is key but I do not wish to sacrifice quality or portability.

Links

  • Blackmagic DesignBlackmagic Pocket Cinema Camera 4K
  • MitomoTrue ND – “Manufactured under strict quality control, TRUE ND will offer you accurate transmittance and true neutrality. Troublesome infrared will also be filtered out by its flat spectral curve up to 750nm. TRUE ND is simply how ND filters are supposed to be.”
  • MitomoTrue ND catalog – PDF

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Blackmagic Pocket Cinema Camera 4K

Clicking on these affiliate links and purchasing through them helps us continue our work for ‘Untitled: Stories of Creativity, Innovation, Success’.

  • Blackmagic Design Mini XLR Cable for Video Assist/4K, Set of 2, 19.5″, HYPERD/AXLRMINI2 – B&H
  • Blackmagic Design Pocket Cinema Camera 4KB&H
  • DJI Ronin-SB&H
  • G-Technology G-DRIVE R-Series USB 3.1 Gen 2 Type-C mobile SSD, 500GB, 1Tb or 2TBB&H
  • Olympus M.Zuiko Digital ED 12-40mm f/2.8 PRO LensB&H – highly-recommended professional-quality standard zoom lens with manual clutch focus.
  • Olympus M.Zuiko Digital ED 12-100mm f/4 IS PRO LensB&H – excellent travel zoom with longer reach though slower fixed maximum aperture, and manual clutch focus for accurate and repeatable manual focussing.
  • Olympus M.Zuiko Digital ED 17mm f/1.2 PRO LensB&H – this and the 25mm and 45mm f/1.2 prime lenses below are highly recommended as top-quality, fast lenses for video production with manual clutch focus for accurate and repeatable manual focussing.
  • Olympus M.Zuiko Digital ED 25mm f/1.2 PRO LensB&H
  • Olympus M.Zuiko Digital ED 45mm f/1.2 PRO LensB&H
  • Sachtler System FSB 4 Fluid Head with Sideload Plate, Flowtech 75 Carbon Fiber Tripod with Mid-Level Spreader and Rubber FeetB&H
  • Samsung T5 Portable Solid-State Drive, 250GB, 500Gb, 1TB or 2TBB&H

These are Sneak Peeks of 8Sinn’s Camera Cage and Half Cage for the Blackmagic Pocket Cinema Camera 4K!!! – UPDATED

8Sinn has released more sneak peek images of its coming cage and half cage for the Blackmagic Pocket Cinema camera 4K on the company’s Facebook page. Looking good and looking forward to seeing the complete set of images and accessories for it on Monday July 16 when pre-orders commence!

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Preview of 8Sinn camera cage for Blackmagic Design’s Blackmagic Pocket Cinema Camera 4K aka BMPCC 4K. 8Sinn is taking pre-orders from Monday July 16.

Gallery

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blackmagic_pocket_cinema_camera_4k_bmpcc4k_exploded_01_1024px_60pc
Unlike its metal-bodied pre-production siblings being shown off at trade shows, the shipping version of Blackmagic Design’s Blackmagic Pocket Cinema Camera 4k will be made of carbon fibre and polycarbonate and will benefit from a camera cage for protection and adding extra functionality and accessories attachment points.

Clicking on these affiliate links and purchasing through them helps us continue our work for ‘Untitled: Stories of Creativity, Innovation, Success’.

  • Blackmagic Design Mini XLR Cable for Video Assist/4K, Set of 2, 19.5″, HYPERD/AXLRMINI2 – B&H
  • Blackmagic Design Pocket Cinema Camera 4KB&H
  • DJI Ronin-SB&H
  • G-Technology G-DRIVE R-Series USB 3.1 Gen 2 Type-C mobile SSD, 500GB, 1Tb or 2TBB&H
  • Olympus M.Zuiko Digital ED 12-40mm f/2.8 PRO LensB&H – highly-recommended professional-quality standard zoom lens with manual clutch focus.
  • Olympus M.Zuiko Digital ED 12-100mm f/4 IS PRO LensB&H – excellent travel zoom with longer reach though slower fixed maximum aperture, and manual clutch focus for accurate and repeatable manual focussing.
  • Olympus M.Zuiko Digital ED 17mm f/1.2 PRO LensB&H – this and the 25mm and 45mm f/1.2 prime lenses below are highly recommended as top-quality, fast lenses for video production with manual clutch focus for accurate and repeatable manual focussing.
  • Olympus M.Zuiko Digital ED 25mm f/1.2 PRO LensB&H
  • Olympus M.Zuiko Digital ED 45mm f/1.2 PRO LensB&H
  • Sachtler System FSB 4 Fluid Head with Sideload Plate, Flowtech 75 Carbon Fiber Tripod with Mid-Level Spreader and Rubber FeetB&H
  • Samsung T5 Portable Solid-State Drive, 250GB, 500Gb, 1TB or 2TBB&H

Get Blackmagic Design’s Blackmagic eGPU for Graphics Processing Lightyears Ahead

Apple’s computer operating system gained support for external graphics processing units aka eGPUs with macOS 10.13.4 and the race was on for third-party suppliers to release compatible units with few actually making an appearance in the local market. 

Meanwhile Apple was collaborating with Australian moviemaking production hardware powerhouse and video industry disruptor Blackmagic Design on the Blackmagic eGPU, and it was released to retail in Apple stores worldwide this week. 

I have yet to set eyes upon an actual Blackmagic eGPU in the flesh, as it were, as our closest Apple store does not carry them or have one on display but I am reliably informed one can be seen at our second closest Apple store and I plan on dropping in sometime this week to see and try.

An eGPU developed in close collaboration with the maker of the computers for which it has been designed to best support with the latest connectivity standards is hard to argue against.

Blackmagic Design’s Blackmagic eGPU

Internal graphics processing units have been taking the load off central processing units for some years now, especially for graphics-intensive video production work and this latest development in external GPUs is an exciting one.

The Blackmagic eGPU makes a powerful companion to Apple’s latest iteration of its 15-inch MacBook Pro, ramping up its processing speed in the direction of the iMac Pro.

The Blackmagic eGPU is supported by macOS 10.13.6 High Sierra onwards.

Links

Image Credits

Header image by Carmel D. Morris.

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wacom_intuos_pro_01_1024px_80pc
Wacom pen tablets are invaluable for video editing, photograph editing and graphics, and can save you from the ill effects of repetitive computer work.

Clicking on these affiliate links and purchasing through them helps us continue our work for ‘Untitled: Stories of Creativity, Innovation, Success’.

  • Apple iMac ProB&H
  • Apple MacBook Pro Mid 2018B&H
  • Blackmagic Design camerasB&H
  • Blackmagic Design DaVinci Resolve 15 Studio (Activation Card)B&H
  • Blackmagic Design Pocket Cinema Camera 4KB&H
  • Blackmagic eGPU – not currently on sale at B&H, but I will add the link when it is on sale there.
  • LG 27MD5KB-B UltraFine 27″ 16:9 5K IPS MonitorB&H
  • LG 34WK95U 34″ 21:9 UltraWide 5K Nano IPS MonitorB&H
  • WacomB&H

The Beat: How ProRes RAW Is Going to Change the Way You Work

https://www.premiumbeat.com/blog/prores-raw-change-your-work/

“If things pan out the way they seem set to, ProRes RAW could change the way independent film and video professionals work for a long time.

In this article, we’ll briefly cover the basics of RAW, how Apple is attempting to streamline this with their new ProRes, and what that means for you as a filmmaker….

… The lightweight nature of the codecs also opens up possibilities for future minimization and streamlining of cinema cameras — similar to what previous ProRes codecs have done. Adopting a more open licensing policy with ProRes RAW could herald another new wave of cinema cameras, shattering price floors….”

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Atomos Shogun Inferno monitor/recorder, image courtesy of Atomos. The Shogun Inferno is one of the first devices to support ProRes RAW. 

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Clicking on these affiliate links and purchasing through them helps us continue our work for ‘Untitled: Stories of Creativity, Innovation, Success’.

  • Atomos Shogun Inferno 7″ 4K HDMI/Quad 3G-SDI/12G-SDI Recording MonitorB&H
  • Atomos Sumo 19″ HDR/High Brightness Monitor RecorderB&H
  • DJI DL & DL-S Lens Set for Zenmuse X7 Camera (4 Pieces)B&H
  • DJI Inspire 2 Quadcopter with CinemaDNG and Apple ProRes LicensesB&H
  • DJI Zenmuse X7 Camera and 3-Axis GimbalB&H
  • DJI Zenmuse X7 DJI DL/DL-S Lens Set Carrying BoxB&H
  • Freewell IR ND Filters for DJI Zenmuse X5/X5R/X5S/X7 (5-Pack)B&H
  • PolarPro DJI Inspire 2 X7 / X5S / X5R / X5 Filter 6-PackB&H

Skylum: Enhance Your Workflow with the Latest Luminar Updates [Luminar 2018 1.3.0 has been released]

https://skylum.com/blog/enhance-your-workflow-with-the-latest-luminar-updates

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Single image view of Luminar 2018’s digital asset management (DAM) system, currently under development and due for release later in 2018. Luminar 1.3.0 already contains some great new additions and improvements including using DxO FilmPack as a plug-in, improved sharpening, scrolling through LUTs in the LUT Mapping Filter and more.

“Brand new for the Apple crowd is Plugin Support. You’re now be able to use these third-party plugins through the Plugins menu: Imagenomic Noiseware 5, Imagenomic Portraiture 3, Imagenomic Realgrain 2, and DxO FilmPack 5.

You also now have access to these Luminar improvements:

Raw Develop filter.

The Lens and Transform effects are now improved, for example when using the Compare option, effects aren’t shown on the left (Before) side, nor are the effects blended with the original when using the Filters Amount slider.

Sharpening.

It’s now easier to use the Sharpening filter with more responsive and accurate results. You can also get real-time feedback as you adjust the Sharpening controls and see all your changes in high res.

Batch Processing.

Exporting to several file formats is now possible, including new options for both PDF and JPEG-2000.

Filter Controls.

Save time by clicking on the checkbox or control name to enable or disable all filter checkboxes. You can also use scrubbable number sliders by mousing over the filter values, then moving the slider by clicking and dragging left or right.

JPEG Controls.

You can now precisely control your JPEG and JPEG-2000 compression. The Quality slider shows you the precise numeric value, and you can change it by clicking on a number or entering the exact value you want.

Image History.

When using the RAW Develop and Develop filters, check your image history to see White Balance presets, which are displayed with the preset name. You can also now use the “Save History” option when you save files using the “Windows Compatible” option.

LUT Mapping.

You can now easily scroll through your LUTs in the LUT Mapping filter.  Just hover your mouse over a LUT and it updates in real-time.

Language Support.

These eight languages now have improved localizations: Spanish, French, German, Portuguese, Brazilian Portuguese, Japanese, Chinese, and Simplified Chinese.”

Links