New Hardware: SmallRig Side Handle with Remote Trigger for Panasonic Mirrorless Cameras 2934

“SmallRig Side Handle with Remote Trigger for Panasonic Mirrorless Cameras 2934 is designed to provide a comfortable grip and features a record button on top to control camera start/stop.

Compatibility:
Panasonic S5/S1/S1R/S1H
Panasonic GH4/GH5/GH5S
Panasonic G9/G95

Key Features:
1. Ergonomic Control Handle for Selected Panasonic Cameras.
2. Start/Stop Remote Trigger Button.
3. 1/4″-20 & 3/8″-16 & Cold Shoe Accessory Mounts.
4. Features Slots for Cable Tethering.
5. Adjusts up & down with Sliding Connector.
6. Integrated Allen Wrench Stores Inside the Grip.”

smallrig_panasonic_remote_handle_01_1024px
SmallRig Side Handle with Remote Trigger for Panasonic Mirrorless Cameras 2934. Image courtesy of SmallRig.

Commentary

This long-awaited remote cable side handle for a range of Panasonic Lumix Micro Four Thirds and 35mm sensor aka “full frame” or “full format” hybrid stills/video cameras is in pre-order at time of writing with a 15% discount so get there soon to secure one.

This device looks well-designed and well-executed, and it is now on my production accessories wishlist.

Expected release date is November 16, 2020.

You may wish to consider adding a second wooden side handle to create a two-handed rig, such as the SmallRig Universal Wooden Side Handle 2093.

Links

David Thorpe: A Look At The Panasonic G90 Micro Four Thirds Camera

“The Panasonic G90/95 sits between the smaller and cheaper GX9 and their top range G9 and GH5 models. Its predecessor, the (still available) 16Mp G80 met with many accolades. Does the 20Mp G90/95 render obsolete the G80? Or should you skip this one and wait for a G10?”

panasonic_lumix_dc-g90_g91_g95_01_1024px
Panasonic Lumix DC-G95 with Panasonic Lumix G Vario 12-60mm f/3.5-5.6 Aspheric Power OIS zoom lens and Panasonic DMW-BGG1 Battery Grip.

Commentary

Former Fleet Street newspaper and magazine photographer David Thorpe is one of the best and most quietly-spoken video reviewers of Micro Four Thirds cameras and lenses, lately supplemented with Panasonic’s L-Mount 35mm sensor-equipped mirrorless cameras and lenses, and I cannot recommend his sensible, down-to-earth video reviews highly enough.

I have yet to experience the Panasonic Lumix DC-G95 aka G91 and G90 depending on territory, and so greatly appreciate his thoughts on this value-for-money camera that appears to be an excellent lower-cost alternative to the Panasonic Lumix DC-G9 or GH5.

In my experience, Micro Four Thirds cameras are ideal for immersive documentary and photojournalism work as well as Super 16-style documentary moviemaking, and Panasonic’s high-end and mid-level Lumix cameras are great solutions especially as they appear to be almost invisible to onlookers and subjects more accustomed to 35mm sensor DSLRs, especially if designed with the pro-quality Panasonic Lumix GX8’s size and form factor.

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  • Olympus Micro Four Thirds LensesB&H
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  • Panasonic Lumix DMC-G85 Mirrorless Micro Four Thirds Digital Camera with 12-60mm LensB&H
  • Panasonic Lumix DC-G9 Mirrorless Micro Four Thirds Digital CameraB&H
  • Panasonic Lumix DC-G95 Mirrorless Digital Camera with 12-60mm Lens B&H
  • Panasonic Lumix DC-GH5 Mirrorless Micro Four Thirds Digital CameraB&H
  • Panasonic Lumix DC-GX9 Mirrorless Micro Four Thirds Digital Camera with 12-60mm LensB&H
  • Panasonic Micro Four Thirds LensesB&H

PanasonicLumixVideo: LUMIX LIVE @ Cine Gear Expo 2019 [Video]

Commentary

In an era when female moviemakers, like female photographers, remain badly underrepresented amongst hardware company brand ambassadors, it is so refreshing to see that Panasonic asked Director of Photography Alicia Robbins to produce a short movie using the video-oriented Panasonic Lumix DC-S1H hybrid camera.

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DPReview: CP+ 2019 Panasonic interview: ‘We’re proud of our cameraness’

https://www.dpreview.com/interviews/0078977575/cp-2019-panasonic-interview-we-re-proud-of-our-cameraness

“The CP+ 2019 trade show in Yokohama, Japan, gave us the chance to speak to most of the major camera makers. Panasonic put forward an extensive team to discuss the company’s move into the full-frame market….

… it’s clear that Panasonic wants its S1 and S1R to appeal specifically to professional stills photographers. When it comes to video, the company’s plans seem less well-developed. For now, at least, it seems that Panasonic sees the GH series as its main video/stills camera platform.”

Commentary

panasonic_leica_10-25mm_f1.7_zoom_00314329_1920px_80pc
Panasonic Leica DG Vario-Summilux 10-25mm f/1.7 wide angle zoom lens for Micro Four Thirds cameras. This is the very first zoom lens by any maker that provides the most necessary focal lengths for documentary photography and video, and it doubtless will feel right at home on a Lumix GH5, GH5S, G9 and the coming GH6 as well as the Blackmagic Pocket Cinema Camera 4K.

If by “cameraness” Panasonic means that one can pick up a Lumix S1 or S1R, feel at ease with it and start shooting good photographs or movie footage right away, then I agree with the company’s use of that word.

Here is an event where I tried out the S1 and here is the other event where I tried out an S1R, both times shooting decent photographs almost immediately after the most cursory inspection of the cameras’ controls.

Of course, that ease of use is based partly on my years-long familiarity with Panasonic’s Micro Four Thirds Lumix cameras and partly on Panasonic’s even longer history of constantly improving its cameras and lenses all by itself and in collaboration with Leica Camera AG.

Cameras and lenses by both companies share DNA and it was inevitable, in retrospect, that their long partnership would deepen into the L-Mount Alliance, pleasantly drawing lens maker Sigma in to the equation along with its wide range of top-class prime and zoom lenses for cinematography and photography.

When Panasonic staff members asked me for my first impressions of the S1 and S1R at a couple of touch-and-try events in Sydney earlier this year, my first thought was that both would be very usable cameras if I were still working in magazine editorial portrait and documentary photography where 35mm sensors are king.

That is no mean achievement for the first version of any new product range, and I look forward to seeing how Panasonic’s current S-Series cameras and their successors develop.

If I need to get back into 35mm sensor photography and video, I know where to go.

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  • Panasonic cameras B&H
  • Panasonic lenses B&H

David Thorpe: Panasonic’s Lumix S1 and G9 Digital Double Act

“The S1 and the G9 Panasonics are a truly unique digital double act. How do the Full Frame S1 and Micro Four Thirds G9 stand up against one another? Is bigger better? Or is nimbler nicer?”

Commentary

Top video reviewer David Thorpe always cuts to the heart of the matter when it comes to mirrorless digital cameras and lenses, a trait no doubt formed by decades in the trenches as a Fleet Street photographer.

In this video review comparing Panasonic’s Lumix DC-G9 Micro Four Thirds mirrorless camera with the recently-released Lumix DC-S1 35mm sensor mirrorless camera, Mr Thorpe opts to continue daily carrying his G9 but appreciates the differences and similarities in both.

Links

  • David ThorpeJohnny and Max – review
  • David Thorpe – Panasonic’s Lumix S1 and G9 Digital Double Act – video
  • ePHOTOzine – Panasonic Lumix S1 Full-Frame Camera Review By David Thorpe – video with gallery of sample photographs

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  • Panasonic Lumix DC-G9 Mirrorless Micro Four Thirds Digital Camera B&H
  • Panasonic Lumix DC-S1 Mirrorless Digital CameraB&H

Panasonic Releases ‘Lumix GH5 | GH5S | G9 AF Guidebook’ on How to Get the Best Out of Autofocusing the Latest Panasonic Lumix Cameras

Using autofocus on Panasonic’s Lumix DC-GH5, DC-GH5S and DC-G9 Micro Four Thirds mirrorless hybrid cameras whether shooting stills or video has been a hot topic of debate online for quite some time. 

Panasonic chose to buck the trend began by other camera makers who adopted PDAF aka ‘Phase Detection Autofocus’, instead basing the autofocus system in the Lumix DMC-GH4 onwards upon DFD aka ‘Depth from Defocus’. 

Panasonic’s recent announcement of its Lumix S1 and Lumix S1R 35mm digital cameras mentioned the phrase ‘Deep Learning Technology’, and now the company has shared more information about that as well as how to get the best out of autofocusing its latest cameras with ‘Lumix GH5 | GH5S | G9 AF Guidebook’, an essential downloadable PDF guide book on the subject.

Links

Image Credits

Header image concept and hack by Carmel D. Morris.

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Lumix G | Experience: Host of new features for Lumix G9, GH5 and GH5s via latest firmware from Panasonic

https://www.lumixgexperience.panasonic.co.uk/news/host-new-features-lumix-g9-gh5-gh5s-via-latest-firmware-panasonic/#.WwYsFS9L2OF

“Panasonic has announced forthcoming firmware updates for the Lumix G9, Lumix GH5 and Lumix GH5s bodies that will add new features and improve the handling and operation of its flagship models. Each of the cameras gets improvements to their AF systems as well as a Focus Ring Lock setting to prevent unintended focus shifts when the lens ring is accidentally turned.

A new method of using the WB, ISO and Exposure Compensation buttons is also introduced to all three cameras, and the GH5 and G9 will now be able to offer 20x magnification in manual focus mode to bring them in line with the GH5s. Another key improvement will be that individual images from high drive bursts will be editable using the in-camera raw processing function, while the G9 and GH5 have improvements to their in-body IS systems.

Black and white fans will be pleased to know that the new L.Monochome D Photo Style that was introduced with the Lumix GX9 will now come to these three cameras, and grain can be added via the Photo Style before shooting or afterwards in in-camera raw processing….”

Commentary

NRR2018160585_00-thumb-1500x790-5556776
Lumix G9 Pro, Lumix GH5 and Lumix GH5S at Panasonic Japan. Where is the professional successor to the pro flagship rangefinder-stye GX8? All Panasonic needs to do is place the internals of the DSLR-style G9 inside a rangefinder-style camera body.

Panasonic Japan and Damien Demolder of Panasonic UK have announced three firmware updates for the company’s current DSLR-style flagship mirrorless hybrid stills/video Micro Four Thirds cameras, the Panasonic Lumix DC-G9, Panasonic Lumix DC-GH5S and Panasonic Lumix DC-GH5, due for release on 30th May 2018.

The three firmware updates bring some welcome updates and improvements to the cameras’ autofocus performance, IBIS aka Body I.S. aka image stabilizer performance, audio recording performance, and a range of “new functions” and “other improvements”.

Further details will be available on the specific firmware update pages on the date of release.

panasonic_lumix_g_vario_14-42mm_f3.5-5.6_01_1024px_60%
The flagship Panasonic Lumix GX8 camera with Panasonic Lumix G Vario 14-42mm f/3.5-5.6 Aspheric II Mega OIS kit zoom lens. As a documentary photographer and moviemaker, having a former career in magazine and newspaper photography, coming from a Leica M-System, Rolleiflex waist-level TLR and Linhof Master Technika 4″x5″ sheet film camera background, digital rangefinder and rangefinder-style cameras like the GX8 with its tilting off-centre EVF are absolutely crucial tools to support my specific way of seeing and creating and there are no substitutes.

Panasonic appears to have abandoned its non-DSLR-style flagship camera, the rangefinder-style stills/video hybrid Panasonic Lumix DMC-GX8, so far as firmware updates are concerned, and that is a very great pity given that the supposed successor to the GX8, the GX9 that is more accurately known as the GX7 Mark III in Japan, is a substantial downgrade on the GX8 and is clearly not aimed at professional photographers.

The last firmware update for the GX8 was released on 20th July, 2016.

The Panasonic Lumix DC-G9 appears to be a fine sports and wildlife stills-oriented camera but rangefinder-style cameras cannot be replaced by DSLR-style cameras.

Panasonic, where is the professional rangefinder-style hybrid successor to the GX8?

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Panasonic Lumix DC-GH5 with Panasonic Leica DG Vario-Elmarit 8-18mm f/2.8-4.0 Aspheric zoom lens.

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  • Panasonic DMW-BGG9 Battery GripB&H
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  • Panasonic Leica DG Vario-Elmarit 8-18mm f/2.8-4 ASPH. LensB&H
  • Panasonic Leica DG Vario-Elmarit 12-60mm f/2.8-4 ASPH. POWER O.I.S. LensB&H
  • Panasonic Lumix DC-GH5 Mirrorless Micro Four Thirds Digital Camera – B&H
  • Panasonic Lumix DC-GH5S Mirrorless Micro Four Thirds Digital CameraB&H
  • Panasonic Lumix DC-G9 Mirrorless Micro Four Thirds Digital Camera (Body Only)B&H
  • Panasonic Lumix DMC-GX8 Mirrorless Micro Four Thirds Digital Camera  – B&H
  • Panasonic Lumix DC-GX9 Mirrorless Micro Four Thirds Digital Camera with 12-60mm LensB&H
  • Panasonic V-Log L Function Activation Code for DMC-GH4, DC-GH5, and DMC-FZ2500B&H

David Thorpe: A Look At The Panasonic Lumix G9 Micro Four Thirds Camera

“It’s Panasonic’s first camera body explicitly configured for stills shooters. Does the Micro Four Thirds cliché, Olympus for stills, Panasonic for video still apply? Let’s find [o]ut…….”

https://creativityinnovationsuccess.files.wordpress.com/2017/11/
Panasonic Lumix DC-G9 with Panasonic Leica DG Vario-Elmarit 12-60mm f/2.8-4.0 Aspheric zoom lens

Commentary

Another great review video by one of the best Micro Four Thirds camera and lens reviewers out there, a former Fleet Street newspaper and magazine photographer who really knows his stuff as opposed to the legion of “wazzupp?” camera vloggers with no actual professional experience.

I would take a David Thorpe review over one by any of the  “wazzupp?” crowd any day.

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panasonic_lumix_dc_g9_square_09_1024px_60%
Panasonic Lumix DC-G9 with Panasonic DMW-BGG9 Battery Grip and Panasonic Leica DG Vario-Elmarit 12-60mm f/2.8-4.0 Aspheric Power OIS zoom lens. I consider Panasonic’s battery grips to be necessities and recommend buying them alongside each new camera.

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  • Angelbird 256GB Match Pack for the Panasonic EVA1B&H – special promotional packaging of two Angelbird 128GB AV Pro UHS-II SDXC memory cards that are just as usable in other cameras than the AU-EVA1 that also have UHS-II SD card slots.
  • Panasonic 128GB UHS-II SDXC Memory CardB&H
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Three Blind Men and An Elephant Productions: MONGO Panasonic G9 AF + GH5 Hack Review

“It’s taken me so long to figure out what I’m actually seeing in Panasonic G9’s autofocus performance that now we have to address YodaYeo’s GH5 hack as well. Which I do. And a WHOLE lot more. I’m exhausted….”

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_sony_128gb_m_series_uhs-ii_sdxc_memory_card_kit_(2-pack)_01_1024px_60%
Sony 128GB M-Series UHS-II SDXC Memory Cards 2-Pack, R: 260 MB/s, W: 100 MB/s

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  • Movcam Cage Kit for Panasonic GH5B&H
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  • Sony 128GB M Series UHS-II SDXC Memory Card (U3)B&H
  • Sony 128GB M Series UHS-II SDXC Memory Card Kit (2-Pack)B&H