I always try to attend Fujifilm’s annual People with Cameras in Sydney each year and was able to be there for much of this year’s event held at Doltone House on Darling Island Wharf in Pyrmont on Saturday the 7th September 2019.
More female photographers seem to attend each year, a welcome trend given the low numbers of female photographers and moviemakers who manage to make it professionally in Australia in particular and globally in general.
Those low numbers are not from want of talent but from systemic issues favouring male practitioners and thus the peculiarities of the male gaze and the male power structure, but I am hopeful that female representation in all aspects of photography and moviemaking will continue increasing to the point of parity, rapidly rather than slowly.
I carried a Think Tank Photo MindShift Gear BackLight 26L backpack containing my Fujifilm X-Pro2, a borrowed Fujifilm X-H1, a Fujinon XF 16mm f/2.8 R WR and a Fujinon XF 18mm f/2.0 R lens both of which were also borrowed, and my own Fujinon XF 23mm f/1.4 R, Fujinon 27mm f/2.8 and Fujinon XF 56mm f/1.2 R lenses.
I managed to very briefly borrow a Fujinon XF 50-140mm f/2.8 R LM OIS WR and a pre-production model of the Fujinon XF 16-80mm f/4.0 R OIS WR standard zoom lens which is due for release later this year.
I ended up swapping between my 56mm lens and the borrowed 18mm lens for this event but wondered if I might have been better served by the 50-140mm zoom lens or the 50mm f/2.0 prime in conjunction with the 16mm lens or the reportedly excellent Fujinon XF 16mm f/1.4 R WR.
I attended this year’s Fujifilm Australia People with Cameras event in Sydney’s The Royal Botanic Gardens on Saturday, November 17, carrying my Fujifilm X-Pro2, Fujinon XF 23mm f/1.4 R prime lens, Fujifilm MHG-XPro2 metal hand grip and Fujifilm LH-XF23 lens hood in a Cosyspeed Camslinger Streetomatic Plus waist bag..
I also had a Fujinon XF 56mm f/1.2 R lens in my Think Tank Photo MindShift Gear rotation180° Travel Away backpack, now sadly discontinued, along with a surprising amount of personal and other items carried in the event of rain during this strange weather we have been having.
The event was very well attended, with Fujifilm Australia supplying a large amount of free food and drink later that afternoon, and I was grateful for the ease with which both bags held all my gear and took the weight off my permanently damaged spine and shoulder.
Fujifilm X-Pro2 rangefinder camera.
Fujifilm MHG-XPro2 metal hand grip for Fujifilm X-Pro2.
Fujinon XF 23mm f/1.4 R prime lens with manual clutch focus, equivalent to 35mm in the 35mm sensor format.
Fujifilm LH-XF23 Lens Hood for Fujifilm Fujinon XF 23mm f/1.4 R prime lens.
Cosyspeed Camslinger Streetomatic Plus Camera Bag is an excellent waist-pack for carrying a minimal kit such as a Fujifilm X-Pro 2 or Panasonic Lumix DMC-GX8.
MindShift Gear Travel Away backpack by Think Tank Photo, now sadly discontinued. It is an excellent solution for when needing to reduce the weight load on your back while still needing plenty go personal items while travelling or on assignment, and is an especially good carrying solution for journalists.
With the end of photography trade shows in Sydney for several years now, events like this where one can see and try photographic hardware before making the decision to buy are welcome, crucial even, and I would love to see Fujifilm and other vendors put on more such events more frequently.
The previous Sydney People with Cameras feels like it happened over two years ago now even though it was in October 2017, and I hope that Fujifilm and other vendors will be offering some see and try events before the next People with Cameras in Sydney.
The space in front of Fujifilm Australia’s tables at this year’s event was densely packed, attesting to the amount of interest in Fujifilm’s X and GFX cameras and lenses.
Fujifilm Australia’s People with Cameras, Saturday November 17 2018, in The Royal Botanic Gardens, Sydney
Fujifilm X-Pro 2 with Fujinon XF 35mm f/1.4 R and Fujinon XF 35mm f/2.0 R WR
Fujifilm X-Pro2 with Fujinon XF 35mm f/1.4 R “Fujilux” prime lens.
Fujifilm X-Pro2 with Fujinon XF 35mm f/2.0 R WR “Fujicron” prime lens.
Fujifilm X-T2 with Fujinon XF 27mm f/2.8 pancake prime lens.
I am about to begin rebuilding my portrait photography portfolio using a new approach aided by the latest generation of raw processing and image editing software, and have been pondering which lenses would best do the job.
My Fujinon XF 23mm f/1.4 R is a great choice for environmental portraits featuring people in their surroundings while my Fujinon XF 56mm f/1.2 is excellent for full-face or head-and-shoulders portraits especially with aperture set to just under wide open.
I have a gap in my Fujinon XF lens collection for portraiture however, midway between both focal lengths, for use in full-figure portraits when photographing subjects sitting or standing.
Right now I am considering three lenses as candidates to fill that gap, the Fujinon XF 27mm f/2.8, Fujinon XF 35mm f/1.4 R and Fujinon XF 35mm f/2.0 R WR, but have only had the chance of a reasonable try out with the latter lens.
I reached through the crowd at People with Cameras to pick up the 35mm f/1.4 lens, tried it on a couple of quick shots, but not enough to come to any conclusions.
I had a chance to try out the 27mm f/2.8 several years ago for some urban documentary photography and was impressed at the results but would prefer a lens that is also useful for shooting video and so has aperture and focus rings, the latter offering the option of manual clutch focus rather than just focus-by-wire.
Nikon Micro-Nikkor 55mm f/2.8 and Micro-Nikkor 105mm f/2.8
Two of the two lenses that got me started in portrait photography back in art school were the Nikon Micro-Nikkor 55mm f/2.8 and Micro-Nikkor 105mm f/2.8, alongside a Nikkor 35mm f/1.4 lens for environmental portraiture.
Both Micro-Nikkor lenses were great for close-up as well as normal distance portrait photography and quickly taught me the emotive and informational differences of standard and longer focal lengths with photographing people.
These three lenses on a secondhand Nikon F were my gateway into serious portrait photography and I soon graduated into relying on 120 roll film and then 4″x5″ sheet film cameras.
I much preferred the 3:4 and 4:5 aspect ratios of roll film and sheet film, especially when making photographs in vertical/portrait format and when compared to 35mm’s tighter 2:3 aspect ratio.
I would love it if Fujifilm came out with lenses like these two Micro-Nikkors, especially given I prefer manual focus for portrait photography.
Another possibility is to mount these lenses on a Fujifilm camera via Metabones Smart Adapters and Speed Boosters or their equivalents in other brands, although there might be a focal length penalty that may translate 55mm and 105mm into something a little longer.
Time to pull out the slide rule and do the numbers!
I need a second Fujifilm X-Series camera as a backup to my X-Pro2, for use with wider and longer focal lengths and zoom lenses, and the X-T3 is a good candidate for that given its excellent electronic viewfinder and Super 35 video capabilities.
Another possibility is to wait for the Fujifilm X-H2 for the sake of in-body image stabilization which has proven handy for portraiture on my Panasonic cameras, as well as the video features that are on the X-T3, but the X-H2’s release may be some years off according to some pundits.
It just occurred to me that there is one more possibility again regarding Fujifilm APS-C lenses for portraiture, the coming Fujinon XF 16-80mm f/4.0 zoom lens.
Although this lens is apparently aimed at travel photography, its 24mm to 120mm focal length range contains the equivalent to the two Micro-Nikkor 55mm and 105mm lenses as well as other personal favourite focal lengths such as 28mm, 35mm, 40mm and 75mm, and its f/4.0 maximum aperture is not too much of a penalty when photographing subjects where bokeh is not essential and when I prefer to stop down to f/5.6 or smaller.
So far there is no word on the 16-80mm’s possible close-focussing capabilities, and given the need for critical focus it would best be used on an X-T3, X-H1 or X-H2 for the sake of their excellent EVFs.
Mind you, if the X-Pro3 appears with an EVF much-improved over the one in the X-Pro2, then my preference for rangefinder cameras may well convince me to invest in that instead.
Photographs by Karin Gottschalk, all rights reserved, made on Fujifilm X-Pro2 with Fujinon XF 23mm f/1.4 R lens as raw image files processed with Phase One Capture One Pro using film emulation styles with some images further processed in Skylum Luminar 2018.
“Ever wondered what life would be like on your own private island? Or dreamt of whiling away your days as a travel blogger?
Fuji Island is the ultimate luxury escape for photography lovers….
… Created by FUJIFILM, the island comes with the latest camera equipment – including FUJIFILM’s brand new X-T3 mirrorless camera, world-famous lenses and a range of other photography goodies. You even have your own personal photographer on call….”
Fuji Island picture gallery, images courtesy of Fujifilm Australia
This sounds like an interesting concept, and I am looking forward to seeing participants’ photographs made on Fuji Island at a Fujifilm event that was apparently held there last week, the week of 3rd September 2018.
Although the Fuji Island web page states “Experience Fuji Island for USD $2,200 per night for up to two people (minimum two night stay)”, it appears that the island resort is capable of accomodating at least sixty-three people as that was the number of guests invited to the event.
Fuji Island seems to be a time-limited phenomenon rather than a permanent one:
Fuji Island is available for private hire and overnight luxury stays until 7th December 2018.
If you wish to take up Fujifilm’s special offer then make your booking fast, before southern hemisphere vacationers book up all available places!
Meanwhile we have received further information about another Fujifilm Australia event associated with Fuji Island.
Fujifilm Australia held “the XT-3 launch event on the mainland of Fiji where guests were staying (The Marriott in Momi Bay). The following day, we took everybody out by boat to Fuji Island. The launch event was held on the 6th September, and Fuji Island on the 7th.”
“There were 60 people in total attending the event. It was a mix of Fujifilm retailers, partners, staff and media.”
“We don’t have control over when media will publish articles, but we have already started receiving coverage.”
Further on Fuji Island, “Fuji Island is supposed to be an island paradise people can book. On the private island, there will be a host of FUJIFILM equipment, including an X-T3 that people can try out and take amazing holiday photos with.”
I attended my second Sydney Fujifilm People with Cameras event in Chippendale on Sunday, October 29, 2017. Here is a selection of photographs, shot on a Fujifilm X-Pro2 with Fujinon XF 23mm f/1.4 using the full ERF image within the OVF in manual mode with back-button focussing for the technically inquisitive, then quickly processed to proof quality in Capture One Pro.
I stared writing some tech notes to go with this gallery article and then they expanded far beyond the few words I had originally intended.
So now I have spun them off into their own fully-fledged article that can be found here:
“FUJIFILM Australia announced today that a cashback offer of $900 will be available to photography enthusiasts with the purchase of a new GFX 50S medium format camera and the trade in of a qualifying camera from participating retailers during a limited promotion period that will run from 7 August 2017 to 30 September 2017.
By trading in a qualifying camera and purchasing a new FUJIFILM GFX 50S from a participating Australian retailer during the promotion period, purchasers will be eligible to claim $900 cashback via redemption.
The qualifying trade in camera must be in working order as validated by the participating retailer at the time of purchasing the FUJIFILM GFX 50S. Purchasers will then be issued a unique serial number. To take advantage of the limited special offer, purchasers then need to visit http://www.fujifilm.com.au and click on the link to the cashback website page where they can complete the online registration form. All cashback claims must be received by midnight AEDST on 15 October 2017. The cashback will be paid by electronic fund transfer or cheque within 28 days….”
“… 3. To be eligible to claim the applicable cash back amount, an eligible individual must purchase one (1) of the selected FUJIFILM X series cameras AND one (1) of the selected lenses listed in section 9 of these Terms and Conditions in a single transaction (an “Eligible Purchase”) from an authorised Australian participating dealer/retailer during the period commencing 1 st June 2017 and ending 31st July 2017 (“Promotion Period”). For the avoidance of doubt, this promotion does not apply to any of FUJIFILM’s X series cameras or lenses that are not listed in section 9….”
When the Fujifilm X-Pro2 camera was first announced there was a great deal of excitement about the fact that its brand new 24MP X-Trans III non-Bayer sensor would be capable of 4K video. Although the X-Pro2 was released with 1080p Full HD video capability only, I was informed early last year by a Fujifilm staffer that the camera’s 4K video capability was forthcoming, to be released sometime after the 4K-capable X-T2. That never occurred.
I was deeply disappointed. I want the X-Pro 2 to be fully 4K video-capable and I suspect more than a few purchasers of Fujifilm’s X-Pro2 camera were too, although they may not be so vocal about it or have simply given up on the idea and have placed their faith in the X-T2 as a viable Super 35 4K video camera.
Although there is nothing wrong with shooting video at FHD 1080p, given most television channels still broadcast FHD-delivered programs at 720p, the differences between shooting and editing in 4K then downscaling for distribution and broadcast, and shooting and editing FHD, are observable. The quality is much better.
Shooting, editing, outputting and archiving at 4K for 4K distribution when the means finally arrives makes good business sense. Why fail to future-proof your work by working only in FHD when 4K and the infrastructure you need to handle it is here now and continues to improve?
I was first alerted about Fuji Guy Billy Luong’s statement about the X-Pro2’s 4K capability and his fight for it at the FujiRumors website, in their article of the 12th February:
The half line skipping when shooting 4K allows the X-T20 to shoot 4K without overheating. Take asks Billy if this could be implemented to the X-Pro2 via Firmware update. Billy answers: “I hope so, it’s something I’m pushing all the time. I don’t understand why the X-Pro2 has no 4K like X-T20, since there is a solution for that. I’m fighting for that in Japan.“
The video by bigheadtaco aka Take Kayo where Billy Luong makes this statement is below.
When I wrote my first article about the Fujifilm X-Pro2, I tested the X-Pro2’s video functionality and was impressed by its ability to shoot movies in Fujifilm’s justly celebrated film simulations. The downside then, besides the lack of 4K support, was the X-Pro2’s lack of other features necessary for high quality video.
Videographer Steve MacDonald is also a fan of the potential of the Fujifilm X-Pro2 rot be a great video camera and has written a soon-to-be-published ebook on the subject, The Fujifilm X-Pro2 Video Set-Up Guide, based on its current 1080p FHD-only incarnation.
I won’t reiterate my own arguments for cameramakers refusing to do a Canon, as it were, by not crippling their own cameras’ capabilities in firmware. I also will not restate how useful it is to be always carrying a camera equally capable of top-notch video as well as stills for those moments when amazing or important things suddenly happen in front of you.
I will state here though that Mr Billy Luong has my full support in taking his fight for 4K video in the Fujifilm X-Pro2 to the powers-that-be at Fujifilm in Tokyo. No more crippling core camera functionality, please!