ProAV TV Shows Off Samyang V-AF Autofocus Cinema Prime Lenses

Just the other day I was daydreaming about which types of lenses one might want to use for a documentary on the late, great Australian feature film cinematographer Robert Krasker. 

I found myself wondering whether Fujifilm’s Fujinon broadcast and cinema lens division, makers of the highly-regarded HK Premier, MK, Premista, XK Cabrio and ZK Cabrio cinema zoom lenses series and co-designers of Fujifilm’s Fujinon XF 18-120mm f/4.0 LM PZ WR stills and movie zoom lens, might be persuaded to consider designing and making a series of matched-colour and size cinema prime lenses for Fujifilm X-mount cameras including the Fujifilm X-H2, X-H2S and X-T5. 

Would such a Fujinon X-Mount cinema prime lens series be manual focus-only or would it have autofocus and a manual focusing mechanism superior to that in Fujifilm’s current XF prime and zoom lens line-up, Fujinon  XF 18-120mm f/4.0 aside? 

And why did Fujifilm stop using the excellent manual clutch focus mechanism in its Fujinon  XF 14mm f/2.8 R, XF 16mm f/1.4 R WR and XF 23mm f/1.4 R prime lenses and that works so well for video?

Then I came across this video by ProAV TV:

ProAV TV: Autofocus Cinema Lenses, but what does that mean? – Samyang V-AF Primes

“Samyang’s new V-AF range, a new set of affordable cinema primes to sit alongside their popular VDSLR range but these ones have autofocus. In fact Samyang say[s] this is the world’s first cinema lens lineup with autofocus.”

Samyang Cine AF 75mm T1.9 FE Sony E-Mount autofocus cinema prime lens

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