Somewhere in this image lies my ideal two-camera documentary photography kit. The two fast lenses in the lower lineup for available darkness and two lenses from the upper lineup for available light. I like the 18mm plus 50mm combo from from my Leica M-System days, with those two APS-C focal lengths equivalent to 28mm and 75mm in 35mm format. The 27mm lens is very tempting due to its equivalence to the classic 40mm focal length in 35mm format, as used on the Leica CL and Minolta CLE cameras. Fujifilm is reportedly working on an 18mm f/2.0 R WR “Fujicron” lens. Images not to scale.

Somewhere in this image lies my ideal two-camera documentary photography kit. The two fast lenses in the lower lineup for available darkness and two lenses from the upper lineup for available light. I like the 18mm plus 50mm combo from from my Leica M-System days, with those two APS-C focal lengths equivalent to 28mm and 75mm in 35mm format. The 27mm lens is very tempting due to its equivalence to the classic 40mm focal length in 35mm format, as used on the Leica CL and Minolta CLE cameras. Fujifilm is reportedly working on an 18mm f/2.0 R WR “Fujicron” lens. Images not to scale.