Fuji X Forum: Complete Overview over the available and upcoming Fuji X-Mount lenses – Commentary

https://www.fuji-x-forum.com/topic/998-complete-overview-over-the-available-and-upcoming-fuji-x-mount-lenses/?page=1

“Posted September 1, 2015 (edited)
Fujinon (Native Lenses) (29 in total)

Fujinon lens designation translation: R: aperture ring – – LM: linear motor – – OIS: optical image stabilization – – WR: weather resistant – – APD: apodization filter – – – – Super EBC: electron beam coating, also called electron beam physical vapor deposition…”

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Fujifilm Fujinon XF 8-16mm f/2.8 R LM WR wideangle zoom lens on Fujifilm X-H1 with VPB-XH1 Vertical Power Booster Grip. I use  the Complete Overview over the available and upcoming Fuji X-Mount lenses at Fuji X Forum for information about Fujifilm’s Fujinon and third party lenses for Fujifilm cameras.

Commentary

Three of the most useful free Web-based online tools that I often use here at ‘Untitled’ are Camera Size’s Compact Camera Meter, Points in Focus’ Depth of Field (DoF), Angle of View, and Equivalent Lens Calculator, and the Complete Overview over the available and upcoming Fuji X-Mount lenses at Fuji X Forum, compiled and updated by quincy.

Quincy’s Fujifilm X-Mount OEM and third-party brand lenses lists are kept up to date and are drawn upon by Patrick at Fuji Rumors for articles, and I go there when I need to research current and coming X-Mount lenses for my articles.

I have been struck by how the number of third-party X-Mount lenses keeps increasing, with most of them being manual focus lenses often designed and manufactured by Chinese companies, but so far my biggest ongoing disappointment with the Fujifilm X-Mount system remains unassuaged by Fujifilm itself as well as by third-parties making native or adapted X-Mount lenses.

Other than Fujifilm’s Fujinon XF 18mm f/2.0 R semi-pancake prime lens, nobody but nobody is making a prime lens that is equivalent to 28mm in the 35mm sensor format.

This searing blindspot is not just a Fujifilm X-Mount APS-C problem; it applies to the Micro Four Thirds sensor format as well wherein Olympus does not make a 14mm lens at all and Panasonic’s Lumix G 14mm f/2.5 II pancake lens appears to have gone missing in action from many retailers.

The 35mm sensor format’s 28mm focal length and its APS-C and M43 equivalents of 18mm and 14mm respectively has been a staple of the documentary, photojournalism and street photography genres for years now including those when I relied on them on Canon, Leica and Nikon rangefinders and SLRs, but it seems that contemporary lens makers just do not give a damn.

Yes, one may wish to slap a 14mm, 18mm or 28mm inclusive zoom lens on to one’s camera as I do with my Panasonic Lumix DMC-GX8 and the excellent Olympus M.Zuiko Digital ED 12-40mm f/2.8 Pro or the usually underestimated Panasonic Lumix G Vario 12-32mm f3.5-5.6 Aspheric Mega OIS collapsible zoom lens, but using those focal lengths on a zoom and as a prime lens are two very different things.

Especially if the said prime lens allows easy setting of hyperfocal distance via manual focus or manual clutch focus mechanisms like those in some Fujinon prime lenses and Olympus’ excellent M.Zuiko Pro primes and zooms.

Today I found myself back at Fuji X Forum’s Complete Overview over the available and upcoming Fuji X-Mount lenses to see if any Chinese third party lens makers have added a 28mm equivalent to their current or future ranks lately but sadly it remains no go.

There are some close but no cigar choices for non-Fujifilm cameras, such as Panasonic’s Leica DG Summilux 15mm f/1.7 Aspheric prime lens, but for now I will stick with my two M43 zoom lenses rather than fork out for yet another no-cigar substitute.

What I am really after is a decent 18mm prime lens for my Fujifilm X-Pro2 for use as my number one documentary lens.

Given the premium price Fujifilm charges for its elderly Fujinon XF 18mm f/2.0 R, no way am I going to throw good cash down that particular black hole.

Getting back to close but no cigar, independent cinema lens company Veydra lists a 19mm Mini Prime cinema lens amongst its options, and it is available with a Duclos-designed Fujifilm X-Mount that can be DIY-attached onto an M43 version of the lens.

Sigma released a 19mm f/2.8 Art lens in the M43 and Sony E mounts some years ago, but the company has never shown signs of coming out with a Fujifilm X-Mount version.

The Sigma lens is affordable but the Veydra costs over twice the price of Fujifilm’s 18mm.

Veydra’s is an excellent geared cinema lens but its greater size and wide front diameter compared to the Fujifilm and the Sigma makes it a poor choice on my X-Pro2 given I rely on the camera’s excellent optical viewfinder for documentary photography and oftentimes video too.

This ongoing dilemma would not be one if Fujifilm simply went along with their customers’ longstanding request for an updated 18mm lens but I often find myself wondering if the company even cares for its documentary, street photography and photojournalist customers.

Two X-Pro2 cameras equipped with an 18mm lens on one and a 50mm lens on the other is, in my experience, the closest one can get to a perfect two-camera, two-lens documentary photography and photojournalism set-up.

Why provide half of the equation, Fujifilm, when you could so easily give us both even if each lens might be Fujicron-style f/2.0 compacts instead of the maximum versatility of f/1.4 manual clutch focussing alternatives?

The problem of Fujifilm’s ageing, substandard Fujinon XF 18mm f/2.0 R lens

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Leica Q (Typ 116) digital camera with fixed Leica Summilux 28mm f/1.7 Aspheric lens. This or the Fujifilm X100F with wide-angle convertor lens may be another solution to the lack of a decent 18mm lens for Fujifilm cameras.

Clicking on these affiliate links and purchasing through them helps us continue our work for ‘Untitled: Stories of Creativity, Innovation, Success’.

  • Fujifilm 18mm f/2.0 XF R LensB&H – The least impressive Fujinon X-Mount lens in Fujifilm’s collection and one that badly needs to be replaced with a new Fujicron-style lens or better yet a wide aperture manual clutch focussing alternative for professional photography and video work.
  • Fujifilm M Mount Adapter for X-Mount CameraB&H
  • Leica CL Mirrorless Digital Camera with 18mm Lens (Black)B&H – This APS-C rangefinder-style camera with interchangeable 28mm equivalent lens is another possible solution to the ongoing problem of Fujifilm’s substandard Fujinon XF 18mm f/2.0 R lens.
  • Leica Q (Typ 116) Digital CameraB&H
  • Olympus M.Zuiko Digital ED 12-40mm f/2.8 PRO LensB&H
  • Panasonic Leica DG Summilux 15mm f/1.7 ASPH. LensB&H
  • Sigma 19mm f/2.8 DN Lens for Micro Four Thirds CamerasB&H – Sigma, please make a Fujifilm X-Mount version of this lens.
  • Sigma 19mm f/2.8 DN Lens for Sony E-mount CamerasB&H – Sigma, please make a Fujifilm X-Mount version of this lens.
  • Veydra 19mm T2.6 Mini Prime Lens (MFT, Meters)B&H
  • ZEISS Distagon T* 18mm f/4 ZM Lens (Silver)B&H
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Venus Optics: Laowa 9mm f/2.8 Zero-D [Fuji X, Sony E, Canon EF-M mounts]

http://www.venuslens.net/product/9mm/

“This exciting prime provides ultra wide-angle coverage up to 113° angle of view which is the widest in its class. The tiny size & light weight match perfectly with mirrorless cameras and are suitable to use with gimbals. 2 aspherical elements plus 3 extra-low dispersion elements successfully correct the chromatic aberration, realize a close-to-zero distortion & deliver a corner to corner sharpness….”

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Laowa 9mm f/2.8 Zero-D lens with Fujifilm X-Mount on Fujifilm X-H1 camera.

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  • LaowaB&H

Venus Optics: Laowa 25mm f/2.8 2.5-5X Ultra Macro [Canon EF, Nikon F, Pentax K and Sony FE mounts with adapters for Fujifilm X-Mount and Micro Four Thirds]

http://www.venuslens.net/product/laowa-25mm-f-2-8-2-5-5x-ultra-macro-2/

“The most compact and versatile high magnification macro lens.

This lens is optimized for macro shooting between 2.5X – 5X life size. The lens is specially designed with an extended working distance (45mm at 2.5x & 40mm at 2x)and smaller lens barrel. This allow a sufficient lighting on the object for easier shooting in the field. The lens is much more compact and lighter than other comparative products. This lens also provides a relatively greater depth of field compared to other extreme macro lens in the market. The Laowa 25mm f/2.8 2.5-5X is developed for both professional and leisure macro photography, to be used on the field or in indoor set-up…..”

laowa_25mm_f2.8_2.5-5x_ultra_macro_tripod_mount_01_1024px_60%
Laowa 25mm f/2.8 2.5-5X Ultra Macro lens with Tripod Collar for Canon EF, Nikon F, Pentax K and Sony FE mounts with Fujifilm X-Mount and Micro Four Thirds adapters available.

Laowa 25mm f/2.8 2.5-5X Ultra Macro, Animated Product Shot

laowa_25mm_f2.8_2.5-5x_ultra_macro_animation_640px
Laowa 25mm f/2.8 2.5-5X Ultra Macro lens animation.

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  • LaowaB&H

Fujifilm Announces Fujinon XC 15-45mm f/3.5-5.6 OIS PZ Collapsible Power Zoom Lens, Affordable Option for Documentary Photos and Videos?

Fujifilm has announced the Fujinon XC 15-45mm f/3.5-5.6 OIS PZ collapsible power zoom lens and the first Fujifilm APS-C/Super 35 rangefinder-style cameras for which it will be the bundled kit zoom, the X-A5 and X-A20. 

The XC 15-45mm offers a short standard focal length range of 15mm to 45mm in APS-C sensor format, the equivalent of 23mm to 69mm in the 35mm sensor format, and is well-priced for purchase separately from either camera at less than half the cost of Fujfilm’s XF series kit zoom, the Fujinon XF 18-55mm f/2.8-4 R LM OIS

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Fujifilm Fujinon XC 15-45mm f/3.5-5.6 OIS PZ power zoom lens
Fujifilm’s Fujinon XF 18-55mm f/2.8-4.0 LM OIS kit zoom lens, in effect the longer equivalent of the new Fujinon XC 15-45mm f/3.5-5.6 OIS PZ power zoom kit lens.

Since purchasing my Fujifilm X-Pro 2 with an eye to using it for fly-on-the-wall documentary stills and video, along with two of Fujifilm’s best available darkness prime lenses, the Fujinon XF 23mm f/1.4 R and XF 56mm f/1.2 R, I have experienced twinges of regret for not being able to add the XF 18-55mm lens at the time for access to some of my other favourite documentary focal lengths – 18mm, 27mm and 50mm – or the 21mm-equivalent XF 14mm f/2.8 R.

Although I have yet to try either of Fujifilm’s current XC zoom lenses, the Fujinon  XC 16-50mm f/3.5-5.6 OIS and the XC 50-230mm f/4.5-6.7 OIS, I have read about them being surprisingly good for the price.

My ideal 35mm prime lens lineup from my Leica M-System rangefinder documentary photography days, comprising 21mm, 18mm, 35mm, 50mm (I preferred the all-too-rare 40mm though), 75mm and 90mm focal lengths. In APS-C format, these are 14mm, 18mm, 23mm, 35mm, 50mm and 60mm.

I look forward to reading about the Fujinon XC 15-45mm f/3.5-5.6 OIS PZ’s performance in coming in-depth hands-on reviews by well-qualified photographers and moviemakers.

Will I be adding the Fujinon XC 15-45mm f/3.5-5.6 OIS PZ or the Fujinon XF 18-55mm f/2.8-4.0 LM OIS kit zoom lens to my Super 35/APS-C documentary moviemaking and photography kit?

Will either grant me access to some of my favourite focal lengths that I miss despite the incredible image quality of my two fast prime lenses?

Will either zoom lenses’ optical image stabilization help compensate for their slower variable maximum apertures?

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Clicking on these affiliate links helps us continue our work for ‘Untitled: Stories of Creativity, Innovation, Success’.

    • Fujifilm X-A5 Mirrorless Digital Camera with 15-45mm LensB&H
    • Fujifilm XC 15-45mm f/3.5-5.6 OIS PZ LensB&H
    • Fujifilm XC 16-50mm f/3.5-5.6 OIS II LensB&H
    • Fujifilm XC 50-230mm f/4.5-6.7 OIS II Lens (Black)B&H
    • Fujifilm XC 50-230mm f/4.5-6.7 OIS II Lens (Silver)B&H
    • Fujifilm XF 18-55mm f/2.8-4 R LM OIS Zoom LensB&H
    • Fujifilm XF 23mm f/1.4 R LensB&H
    • Fujifilm LH-XF23 Lens Hood for XF 23mm f/1.4 RB&H
    • Fujifilm XF 56mm f/1.2 R LensB&H

Zacuto Takes First Look at Groundbreaking Fujinon MK 15-55mm T2.9 Cinema Zoom Lens E-Mount Version

Filmmaking accessories maker Zacuto seems to have a direct line into camera and lens makers and is often first kid on the block to have a hands-on look at innovative new pieces of movie production gear. Not unreasonable given that Zacuto needs to know the parameters of new cinema equipment so it can fine-tune its own product range. 

In its first video about the first MK zoom to be released, Fujifilm‘s E-Mount Fujinon MK 15-55mm T2.9, Zacuto’s Steve and Jens discuss the lens with Fujifilm US Director of Sales, Optical Devices Division, and state that it really is a true cinema lens – fast, beautiful, geared and with minimal focus breathing.

Better yet is that the Fujinon MK 15-55mm T2.9 is priced under US$4,000, remarkably affordable for a lens of its type and quality.

Zacuto – FIRST LOOK Fujinon MK 18-55 Lens: 4K under $4k

Zacuto – How to Set Backfocus – featuring the Fujinon MK 18-55 lens

Image Credits:

Header image concept and design by Carmel D. Morris.