“Kyno 1.3 has landed, bringing with it a productivity overhaul effective for all industries and professions. There are multiple enhancements to transcoding, batch renaming, filtering, Kyno’s Premiere Pro integration, and much improved keyboard support for our power-users….
… Kyno 1.3 extends usability functions across multiple workflows, creating easier access to Kyno’s most commonly used tools:
- Shortcuts – New keyboard shortcuts allow for faster workflows, enabling users to quickly send files to Final Cut Pro or Premiere Pro, export to Excel, toggle drilldown, shift between different viewpoints and more
- Transcoding – The dialogs for renaming and transcoding single files have been extended, giving users the full range of presets and variables as batch operations
- Batch tagging – Shot lists can now be built in parallel to marking frames for still export
- Filters – Users can now filter material based on scene, shot, take and more descriptive metadata fields
- Pre-analyze content – Kyno 1.3 includes the option to generate content tab thumbnails in advance, speeding up the screening and logging of footage
- Cached data – Thumbnails and technical metadata now remain intact when moving files around within Kyno.
- Metadata – Exported subclips inherit all descriptive metadata from the original clip, making team workflows (often based on pre-edit material) more efficient…”
A review loaner of the Panasonic Lumix DC-GH5 arrived yesterday afternoon and it immediately found its way into Seercam’s Cube GH5 camera cage with Extension Kit for Cube GH5. Then I attached a Manfrotto Pixi Table Tripod-cum-handle to the Extension Kit’s coldshoe mount, ready for action should it occur.
First thing the next day, I was pleasantly surprised by a visit from Petra, one of the three young female brush turkeys whom we raised almost from the time they leaped out of their eggs on the mound next door. I grabbed the GH5 plus Seercam cage, hoped that the Griffin Hammond GH5 camera settings file I had installed late the night before would be up to the task, and jumped out the door.
We helped Petra recuperate from attacks by dogs who had stripped her of tail and wing feathers twice over the past six months, and she has grown up into a beautiful, confident young adult who now, it seems, has formed her own little tribe of three young brush turkeys whom she was leading about.
Still frames from my first GH5 video shoot of Petra and her friends
The footage reveals that I will need to reinforce the way we have attached the spare GH4 eye cup to the GH5 as critical focus was missed on several crucial shots due to relying solely on the monitor with focus peaking while shooting in semi-darkness.
I will be trying the GH5 out on some stills photographs next and then will load up Paul Leeming’s Leeming LUT One settings for Cinelike D and V-Log L on the GH5 for further video shoots over the two-week loan period.
I will be editing and grading GH5 footage in DaVinci Resolve Studio 14 and Final Cut Pro X and processing stills in a number of image editors, LUTs and color grading plug-ins, and raw processors. I will be relying on Lesspain Software’s excellent Kyno media management and productivity software throughout.
Snapshots from my second day with the GH5
It usually takes me a few days to start to understand and get the best out of a new camera and even longer to understand a new lens, and the GH5 and its Panasonic Leica 12-60mm kit zoom is no exception. Another factor is that it can take a while for software companies to fully support new cameras and at the moment none of them appears to perfectly support this specific lens and camera combination.
At the moment I am defaulting to Adobe Camera Raw with VSCO presets and Photoshop, but once I know enough about what the GH5 and this lens can do then I will explore how other raw processing and image editing software interprets images from them. So far, though, the images look impressive.
My current Seercam Cube GH5 cage configuration for stills and video
I often go into situations where I may need to shoot stills and video, and so a minimal rig is most useful, allowing me the flexibility to make photographs while holding the camera in vertical/portrait or horizontal/landscape mode, or quickly switch over to video without having to add extra items.
I often use my GH4 and GX8 in minimalist rigging like here, in the GH4’s case in a Motion9/Seercam CubeMix GH4/3 cage and for the GX8 a SmallRig cage. I also like going even more minimal with my GH4 and attach just a battery grip and a microphone.
A GH5 is definitely high on my wishlist, reinforced by my experience so far with the camera, and I will be adding a battery grip, XLR audio adapter and, when Seercam comes out with its special battery pack that mounts in the GH5’s rod riser, will add one of those too.
A number of GH5 users report that the camera rips through batteries especially when shooting 4K 10-bit 4:2:2 video and using stabilization. I have experienced that myself already. I will need to at least double my collection of batteries for the GH5 and look at other power options too.
Some GH5 owners have stated that they have bypassed all other brands of cages for the GH5 and have opted for the minimalist SmallRig cage due to it being one of the first to have strap-mounting holes on the camera right side. It is easy to attach straps to any cage by screwing strap-mounting into your cage’s 1/4-20 tapped holes.
Right now I am using Peak Design Pro Drive Screws as they are the only ones I found in a local camera store but other moviemakers tell me they use other, smaller screws in preference. I am sure that camera accessories makers could come up with much better optional strap-mounting drives.
On another note, I have been using a spare eye cup from my GH4 to temporarily replace the one missing from the review loaner GH5. I have tried gaffer tape, Blue-Tack and UHU Yellow Tack – proper name Sticky Tack or Poster Putty – but found that the UHU Yellow Tack works best, though the eye-cup has fallen off a few times anyway.
- Apple – Final Cut Pro X
- Blackmagic Design – DaVinci Resolve 14
- Griffin Hammond – How to Set Up Your Panasonic GH5 for Filmmaking
- Leeming LUT One
- Lesspain Software – Kyno
- Seercam – Cube GH5
- Seercam – Extension Kit for Cube GH5
- Header image concept and hack by Carmel D. Morris. Product shots made on Panasonic Lumix DMC-GX8 with Panasonic Lumix G 25mm f/1.7 Aspheric lens, lit with Rotolight Neo with barndoors, processed in ON1 Photo Raw 2017 using Fujifilm Velvia 50 preset.
Help support ‘Untitled’
Clicking on these affiliate links helps us continue our work for ‘Untitled: Stories of Creativity, Innovation, Success’.
- Panasonic Lumix DC-GH5 Mirrorless Micro Four Thirds Digital Camera (Body Only) – B&H
- Panasonic Lumix DC-GH5 Mirrorless Micro Four Thirds Digital Camera with 8-18mm Lens Kit – B&H
- Panasonic Lumix DC-GH5 Mirrorless Micro Four Thirds Digital Camera with 12-35mm Lens Kit – B&H
- Panasonic Lumix DC-GH5 Mirrorless Micro Four Thirds Digital Camera with 12-60mm Lens – B&H
- Panasonic DMW-XLR1 XLR Microphone Adapter – B&H
- Panasonic DMW-BGGH5 Battery Grip – B&H
- Panasonic V-Log L Function Activation Code for DMC-GH4, DC-GH5, and DMC-FZ2500 – B&H
- Atomos Ninja Inferno 7″ 4K HDMI Recording Monitor and accessories – B&H
- Seercam GH5 Cage – B&H
- Seercam Cage for GH5 with Classic Handle – B&H
- Seercam Extension Kit for CUBE GH5 Cage – B&H