Cosyspeed’s Camslinger Streetomatic+ Camera Hip Bag for Mirrorless Heroes Is Now Available in Cruelty-Free Black

Camera bag maker Cosyspeed has released the black version of its largest hip bag, the Camslinger Streetomatic+. The Camslinger line is, in effect, a distant descendant of a pair of belt packs I relied on during the analog era to protect my beloved Leica rangefinder cameras and lenses but that, in the end, badly let them down. Cosyspeed’s modern styling, anti-cruelty artificial leather, internal and external pockets, and integrated waist belt, go far beyond those now mouldy trad-style leather-trimmed hip bags in the realms of safety and comfort. 

The Cosyspeed Camslinger Streetomatic+ belt pack hip bag for
The Cosyspeed Camslinger Streetomatic+ belt pack hip bag for “mirrorless heroes” is generously-sized enough to carry a DSLR as well as a range of mirrorless hybrid stills/video cameras, and is made with cruelty-free, synthetic materials that should not attract mould as animal leather does, a win on several fronts.

While previous Streetomatic bags have looked promising from their images and descriptions online, the Streetomatic+ looks to be the first large enough to carry my mirrorless still and video bare essentials while still being smaller than my currently smallest cross-shoulder bag, the Peak Design Everyday Messenger 13.

I chose the smaller Everyday Messenger as I must be careful not to over-stress neck and spine permanently damaged by a lifetime of carrying movie and photography equipment starting with the big Zero Halliburton cases I carted about the deserts of Western Australia as a corporate photographer with mining company clients.

Despite the EM13’s small size as a messenger bag, and the small load I carry in it, I still experience shoulder pain in the middle of a long day shooting. A belt pack would be a welcome relief but the only one I have now in two sizes, Think Tank Photo’s innovative Multimedia Wired Up 10 and Multimedia Wired Up 20 proved it wasn’t quite up to the job.

A selection of bags from Think Tank Photo's innovative, pioneering Multimedia Wired Up Collection, now sadly long discontinued. If it had continued to evolve through the mirrorless hybrid camera era this bag design would have been a force to contend with in stills and video production. I collected the complete set and have them in storage.
A subset of bags from Think Tank Photo’s innovative, pioneering Multimedia Wired Up Collection, now sadly long discontinued. If it had continued to evolve through the mirrorless hybrid camera era this bag design would have been a force to contend with in stills and video production. I collected the complete set and have them in storage.

The Multimedia Wired Up Collection was a brilliant response to the needs of the pioneers of DSLR-based multimedia stills and video production but it predated the mirrorless revolution that cemented the hybrid stills/video camera concept. It was a radically new concept released before its time.

Had Think Tank Photo continued developing the collection well into the mirrorless era then it would have had an enduring winner. When the writing was on the wall and Multimedia Wired Up Collection bags began vanishing from foreign online retailers, I set out to collect them all and continue to use some of them to this day.

The Multimedia collection’s centrepieces were the two Wired Up belt packs. Each has a waist belt and each bag’s internal carrying capacity can be enhanced by attaching further bags from the collection or other packs in Think Tank Photo’s Belt Systems.

I like to assume that the two Wired Up bags might have evolved by gaining more dimensional stability, trading too much softness and collapsibility for a much sturdier frame.

As ProVideo Coalition’s review of the Multimedia Wired Up 20 indicates, both belt bags need to be supplemented with one or both of the crossover shoulder straps that come with them. Neither works as a pure belt bag and adding one or two shoulder straps makes my spine and shoulder problems worse.

Cosyspeed Camslinger Steetomatic+

So on to Cosypeed’s Camslinger Streetomatic+. Is it the waist bag I had hoped my two Multimedia Wired Up belt bags might have been, apart from the wired-up cable integration aspect of Think Tank Photo’s underlying concept?

It is hard to tell from the online evidence alone: only a good hands-on tryout can put that possibility to the test. From the photographs above, the Camslinger Streetomatic+ can carry mirrorless and DSLR cameras minus battery grips, with a zoom lens attached or two smaller prime lenses, and I am hoping that a small external microphone like Røde’s VideoMicro with windshield or even its amazing Stereo VideoMic X may fit instead of the second prime lens illustrated above.

Multimedia Wired Up Bags and StuffIt! to supplement the Streetomatic+?

I am also hoping that the Streetomatic+ permits attaching other belt bags from the Multimedia Wired Up collection or contemporary belt bags like Think Tank Photo’s Stuff It! (I have two, as they are so handy for personal items) or either or both of Cosyspeed’s own supplemental belt bags, the LensBag 80 and StuffBag 30.

Despite the uniqueness and utility of its bags, Cosyspeed has yet to find a distributor in Australia so I have not had the chance to examine any of its products and thus my questions remain unanswered for now.

The ultimate bag for the mirrorless hero. … Thomas Leuthard

One thing is for certain, the arrival of advanced stills/video cameras like the Panasonic Lumix GH5, the Olympus OM-D E-M1 Mark II, the Fujifilm X-Pro, X-T2 and X-T20, the Sony Alpha 9, the rest of the Alpha series and other mirrorless hybrids, has shifted the photography and moviemaking landscapes for those of us needing to work alone and light on our feet.

I look forward to camera bag makers keeping pace with camera makers and am hoping that the Cosyspeed Camslinger Streetomatic+ may prove to be a suitable centrepiece for a lightweight carrying solution that other bags and belt systems I have owned or tried out have not.

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Capture One Pro 10.1 Update Improves Fujifilm X-Trans Support, Enhances Styles Workflow, and More

Phase One has released its first major update of the year for raw processing powerhouse application Capture One Pro, making its latest version 10.1, and it brings a slew of new and improved features. My two favourites of the list are a major enhancement to CP1’s styles workflow and greatly improved, speed-boosted support for Fujifilm’s X-Trans sensor cameras such as the X-Pro2 and X-T2. But wait, there’s more, including improvements to CP1’s support for Photoshop .PSD files for those who finish their images in Adobe’s image editing software, a before/after function via a temporary adjustment’s reset, tokenized image watermarking and new Applescript support. Lastly, C1P adds support for a range of cameras including the Sony A9, Fujifilm X-T20 and the Panasonic Lumix GH5, and lenses from a range of camera and lens makers. 

Snapshot made on my X-Pro2 from a walk along the sunny ridge road near our former home across the valley. I chose the Provia Sternfeld film simulation by Peter Dareth Evans for the JPEG and in-camera preview then processed the raw file in Capture One Pro 10.1 using presets by Image Alchemist and the 012 Kodak Portra 160 film simulation style from Alexander Svet’s Capture One Film Styles Extended.

One of those newly-supported lenses is the Panasonic Lumix G 25mm f/1.7 Aspheric standard lens that came with my Panasonic Lumix DMC-GX8 in a Panasonic Australia marketing promotion. The 25mm f/1.7 is an underestimated lens that I have come to appreciate especially attached to the GX8 when I use it to simulate shooting with a Rolleiflex twin lens reflex camera, the GX8’s EVF tilted upwards for discrete waist level shots in city crowds. I look forward to seeing C1P’s support for it in action soon.

The GX8 and its tilting EVF may be the closest we will come to the Rolleiflex waist level shooting style in the digital era, though the Fujifilm GFX 50s’ optional EVF tilt adapter may be a good simulation in combination with the camera’s 1:1 aspect ratio setting and its GF63mmF2.8 R WR standard lens.

Capture One Pro 10.1’s much improved Styles and Presets functionality

I am far from expert in the many ins and outs of Phase One’s Capture One Pro raw processor, so best to hand you over to three of the Capture One Pro experts in Alexander Svet of Capture One Film Styles, Paul Steunebrink of Image Alchemist and Phase One’s Image Quality Professor.

For me the most impressive improvement in Capture One Pro 10.1 is its handling of styles and presets. In previous versions, whipping through and previewing the effect of presets and styles on your images was a messy affair with the image covered with dropdown menu items to the point where the image was barely visible. Version 10.1 locates all your styles and presets, built-in, custom and third-party, in its own Styles and Presets tool, neatly arranged to find them more easily without occluding the image upon which you are working.

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Header image processed in Alien Skin Exposure X2 using the Kodachrome 35mm old preset.