“Iridient X-Transformer is finally out of beta and version 1.0 is now available to download from the company’s website. The updated version is mainly just bug fixes from beta 4 but it also includes support for the X-E3.
I will update my guide to make a point of the new version once I’ve tested it to see if there are any surprises. If you haven’t seen my X-Transformer guide, it’s basically an eBook featuring an explanation of the software’s settings, along with various suggestions for parameters in the form of recipes, along with corresponding Lightroom settings….”
Iridient Developer 3.2 has also been released and remains one of the two consistently most reliable raw processors (along with Capture One Pro) for raw files from Fujifilm cameras, adding support for the new Fujifilm X-E3 rangefinder-style camera as well as a host of cameras by other manufacturers.
While Iridient Developer is a more fully fledged raw processor, Iridient X-Transformer is aimed at outputting DNG raw files from Fujifilm cameras that can then be opened in various image editing applications for further processing.
I am still working out my preferred raw processing and image editing editing workflow, and it may always be in flux to some degree given that both types of software and the digital asset management software with which they cooperate are works in progress.
Iridient Digital – Iridient X-Transformer – “Iridient X-Transformer is a utility that can be used to convert Fujifilm RAF images to DNG format using Iridient Digital’s high quality RAW processing algorithms.”
Iridient Digital – list of Fujifilm cameras supported by Iridient X-Transformer 1.0.
The New Lens Correction pane in version 2017.5 automatically detects your lens and reduces distortion, chromatic aberration and peripheral fall-off. It automatically applies the correction when you browse to a photo. Further manual adjustments can also be made in Develop. If there isn’t a built-in profile for your lens you can manually adjust it as well.
We are close to releasing the next free update to ON1 Photo RAW 2017. Version 2017.5 will bring essential features, performance upgrades, and bug fixes to speed up and improve your workflow. These new videos give you a sneak peek of what we’re working on.
Phase One has released its first major update of the year for raw processing powerhouse application Capture One Pro, making its latest version 10.1, and it brings a slew of new and improved features. My two favourites of the list are a major enhancement to CP1’s styles workflow and greatly improved, speed-boosted support for Fujifilm’s X-Trans sensor cameras such as the X-Pro2 and X-T2. But wait, there’s more, including improvements to CP1’s support for Photoshop .PSD files for those who finish their images in Adobe’s image editing software, a before/after function via a temporary adjustment’s reset, tokenized image watermarking and new Applescript support. Lastly, C1P adds support for a range of cameras including the Sony A9, Fujifilm X-T20 and the Panasonic Lumix GH5, and lenses from a range of camera and lens makers.
One of those newly-supported lenses is the Panasonic Lumix G 25mm f/1.7 Aspheric standard lens that came with my Panasonic Lumix DMC-GX8 in a Panasonic Australia marketing promotion. The 25mm f/1.7 is an underestimated lens that I have come to appreciate especially attached to the GX8 when I use it to simulate shooting with a Rolleiflex twin lens reflex camera, the GX8’s EVF tilted upwards for discrete waist level shots in city crowds. I look forward to seeing C1P’s support for it in action soon.
The GX8 and its tilting EVF may be the closest we will come to the Rolleiflex waist level shooting style in the digital era, though the Fujifilm GFX 50s’ optional EVF tilt adapter may be a good simulation in combination with the camera’s 1:1 aspect ratio setting and its GF63mmF2.8 R WR standard lens.
Capture One Pro 10.1’s much improved Styles and Presets functionality
Capture One Pro 10.1 in action. If you were a fan of the way previous CP1 versions handled the styles and presets dropdown menus, occluding the image like this, then you can use it in a similar way via the Adjustments/Styles menu item.
In my humble opinion the new Styles and Presets tool is a far better and much faster solution. I am a big fan of having plenty of styes and presets to radically speed up the process of editing raw images in CP1. Sliders can slow the process down considerably.
In this screenshot I am quickly trying out the look of various film simulation styles from Alexander Svet’s excellent Capture One Film Styles and Capture One Film Styles Extended collections. I finally chose 012 Kodak Portra 160 as the basis for the colour and tone rendering of this image.
Trying out Alexander Svet’s 006 Fuji Astia 100F v5 Winter film simulation style from his Capture One Film Styles Extended collection. I love shooting in Australia’s low winter sunlight.
For me the most impressive improvement in Capture One Pro 10.1 is its handling of styles and presets. In previous versions, whipping through and previewing the effect of presets and styles on your images was a messy affair with the image covered with dropdown menu items to the point where the image was barely visible. Version 10.1 locates all your styles and presets, built-in, custom and third-party, in its own Styles and Presets tool, neatly arranged to find them more easily without occluding the image upon which you are working.