CharleneWinfred.com: The Fujifilm X-E3, small but mighty

http://charlenewinfred.com/2017/09/07/fujifilm-x-e3/

“…The X-E3 is, in a nutshell, all my favourite things, in an even smaller package than its predecessor. It’s like Yoda. You think it’s a small frog, then it turns out to be a Jedi Master….

… I’ve been using the X-Pro2 since November 2015, and I still love everything about it, so I’m stoked to have that same image quality and high ISO capability… in a smaller body. And it is really tiny…

… The X-E3 is a tiny machine that packs a punch. If you’re a Pro2 shooter looking for a smaller, stripped down body to throw in your bag, this is it. If you’re a beginner looking for something rangefinder-like that will help you along with your learning curve, this is it. Me? I just love it.”

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  • Fujifilm X-E3 Mirrorless Digital Camera (Body Only)B&H
  • Fujifilm X-E3 Mirrorless Digital Camera with 23mm f/2 LensB&H
  • Fujifilm X-E3 Mirrorless Digital Camera with 18-55mm LensB&H

Fujifilm Global: New FUJIFILM X-E3, a rangefinder style ultra-compact mirrorless camera offers outstanding image quality and enhanced handling.

http://www.fujifilm.com/news/n170907_01.html

“Utilising the X-Processor Pro for best in class color reproduction in both stills and 4K movies. Made for photographers who want to seamlessly upload photos directly to their smartphone or tablet.

The X-E3 features APS-C 24.3 megapixel X-Trans™* CMOS III sensor and the X-Processor Pro high-speed image processing engine. The X-E3 is the first X Series model to feature Bluetooth ®** low energy wireless communication. You can pair the camera with your smartphone or tablet device for easy transfer of pictures taken. The LCD monitor, on the back of the camera, uses a static touchscreen panel which supports the conventional “Touch Shot”, “Touch AF” and “Focus Area Selection” capabilities. An all-new “Touch Function” feature will be available on the X-E3, which enables gesture control like flick and pinch zoom, to further enhance touchscreen operation. The AF algorithm has been updated to enhance the camera’s performance for tracking a moving subject. The X-E3’s premium exterior design, agility and functional beauty make it a mirrorless camera that is “a pleasure to own and fun to shoot with” at the same time….”

Gallery

Specifications

Fujifilm X-E3 Specifications Sheet, PDF

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  • Fujifilm X-E3 Mirrorless Digital Camera (Body Only)B&H
  • Fujifilm X-E3 Mirrorless Digital Camera with 23mm f/2 LensB&H
  • Fujifilm X-E3 Mirrorless Digital Camera with 18-55mm LensB&H
  • Fujifilm MHG-XE3 Metal Hand GripB&H

Jiří Růžek: Fujifilm X-E3 – EASE – EMOTION – EXPERIENCE – Jiri Ruzek

“A brand new Fujifilm X-E3 camera has been introduced by Fujifilm today….”

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  • Fujifilm X-E3 Mirrorless Digital Camera (Body Only)B&H
  • Fujifilm X-E3 Mirrorless Digital Camera with 23mm f/2 LensB&H
  • Fujifilm X-E3 Mirrorless Digital Camera with 18-55mm LensB&H

Fujifilm-X.com: Capturing Moments in Shibuya with the X100 Series

http://fujifilm-x.com/x-stories/capturing-moments-in-shibuya-with-the-x100-series/

“I was shooting street photography before I encountered X100, but ever since I held one in my hand, I simply have not been able to let it go.

The perfect fit in my hand, quick response, high image quality, and independent dials for shutter speed and aperture…. the list goes on and on. The camera is compact and has all the features I need to capture moments with quickness and ease.

The 35mm equivalent angle of view is exactly what I need for my street photography. I do not need any additional cameras….”

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FujiRumors: Major Fujifilm X-Pro2 Kaizen Firmware Update Will Add 4K Video and More – with COMMENTARY

http://www.fujirumors.com/major-fujifilm-x-pro2-kaizen-firmware-update-will-add-4k-video/

“… I hear from trusted sources, that Fujifilm is working on a major firmware update for the Fujifilm X-Pro2, which will, among the others, give X-Pro2 owners 4K video and more.

Here on FujiRumors, the community asked for 4K on X-Pro2 multiple times, in dedicated articles and comments, and finally also Fuji Guy Billy joined Fujirumors critics on February 2017, when he said here he is also “fighting with Japan” to implement 4K on X-Pro2.

Well… it seemed all this pressure helped ;)…”

Commentary:

News of a really big kaizen update coming for the Fujifilm X-Pro2 is welcome indeed and may turn around my current thoughts about purchasing a second X-Pro2 as a back-up for my current lone X-Pro2 for documentary photography and video projects.

I grew up on rangefinder analog cameras in all film formats and the unique rangefinder aka OVF (optical viewfinder) vision for stills photography. I used and still own analog OVF movie cameras and they also helped shape my cinematography. Applying a similar vision to still images and moving images was uniquely liberating.

The appearance of the groundbreaking Fujifilm Finepix X100 rangefinder camera liberated me in my use of digital photography after finding the DSLRS of the day stultifying by comparison, despite Canon’s EOS 5D Mark II being such a liberation when it came to HD video.

My X-Pro2 is my only rangefinder camera at the moment though I also use and love EVF cameras constructed in rangefinder-style and DSLR-style configurations. I may well add a Fujifilm X100F rangefinder camera with the WCL-X100 II Wide Conversion and TCL-X100 II Teleconversion lenses should the need for a small, fast and discrete documentary stills camera arise.

I am holding out hopes that the 4K video functionality that some Fujifilm staff members were convinced would appear on the X-Pro2 after the arrival of the 4K-capable X-T2 will finally make its appearance even if it must be implemented via a similar line-skipping technology to the one found in Fujifilm’s X-T20.

There are distinct advantages to shooting and editing in 4K UHD and 4K DCI compared to the 1080p HD and 720p HD currently available on the X-Pro2, not least being better quality from downsizing to smaller release formats and the ability to apply software-based stabilization via firmware or NLE plug-ins like CoreMelt’s Lock & Load without losing too much of the frame.

There is more to useful video capability than 4K though, and Fujifilm needs to add other video-centric features to its X-Pro2 and X-T2. I might add that I am not the only video and stills shooter saying this.

Here is my current full-length X-Pro2 firmware wishlist, not in order of importance:

  • 4K video – even if it must be implemented via line-skipping as in the X-T20. Every camera I own must be capable of acceptable, professional-quality stills and video. You never know when a situation demands one or the other or both and I cannot always carry a stills kit and a video kit.
  • Highlight tone, shadow tone, color and noise reduction adjustments – all absolutely necessary for serious, professional video.
  • Ability to easily choose, set and lock 1/48th or 1/50th of a second for video.
  • Improved autofocus in low light aka available darkness – I bought the Fujinon XF 23mm f/1.4 R and Fujinon 56mm f/1.2 R lenses after seeing how documentary event photographer Kevin Mullins uses them so effectively in his work. The latter lens is much slower to manually focus than the former, and faster autofocus on both would help compensate for their optical configurations and slow focussing motors.
  • Changeable focus point for video – same as when shooting stills.
  • Electronic Viewfinder (EVF) – has a distinct colour cast that changing the settings does not affect well enough. I understand that a great deal of the X-Pro2’s hardware development effort went into the Hybrid Multi-Viewfinder, an advanced OVF, but not all lenses work best in OVF mode. I wish to see the EVF improved as much as firmware permits.
  • Live exposure zebras – are crucial to obtaining and maintaining optimal exposure when shooting video and stills, especially when using ETTR – exposing to the right.
  • Tethering – I bought the X-Pro2 primarily as a handheld documentary stills and video camera, but I also use it for studio and on-location portraiture and increasingly still-life photography due to the X-Trans sensor’s remarkable colour rendition. Tethering would be an asset especially given the X-Pro2 lacks a fully-articulated or even partly-articulated LCD monitor.
  • Full range of ISO adjustments with a Command Dial – I often use the X-Pro2 in fast-moving documentary situations where fiddling about with its combined ISO/shutter speed dial is out of the question. Although I often rely on the camera’s AutoISO function in those situations, there are many others where quickly setting ISO manually is optimal.
  • Color Chrome – having briefly tried out the Fujifilm GFX 50S and later studying the results other photographers have obtained from that camera’s JPEGs with the Color Chrome setting, I would love to have it on the X-Pro2 and other Fujifilm cameras. I have been using custom JPEG settings more lately after some photographers published their own but there is something still lacking especially in the Velvia (Vivid) analog film simulation of one of my favourite films of all time.
  • HDMI port live view – crucial when using external monitors and recorders.
  • Focus points for portrait and landscape mode – just like the X-T2, especially invaluable when shooting portraits.
  • Panorama mode – brilliant when regular photographs will not do the job.
  • Improved face detection – especially when the subject is anything but full face frontal to the camera.
  • 4:3 aspect ratio – Fujifilm cameras currently offer three aspect ratio choices – 3:2, 16:9 and 1:1. Panasonic adds 4:3 on its Lumix cameras which  have micro four thirds sensors and I use that aspect ratio a great deal, whether vertically as 3:4 or horizontally as 4:3. Either way, the 4:3 aspect ratio is excellent for portraiture of all types and is close to the 5:4 aspect ratio of the 4″x5″ sheet film, 6cm x 4.5cm and 6cm x 7cm 120 roll film analog cameras. I find 2:3 too narrow for vertical portraits. Granted, one can crop in post-processing but years of experience show it is better to design the image perfectly in-camera without leaning on later cropping for tightly-designed images. Also, magazine page aspect ratios are closer to 3:4 than 2:3.
  • 1:1 pixel-level image review – critical applications such as portraiture and product photography demand accurate viewing of shots in-camera at the pixel level, at a 1:1 magnification. I can check if eye highlights are razor sharp on my Panasonic Lumix cameras so why can I not do this on my Fujifilm cameras? This feature is even more crucial given the lack of tethering on the X-Pro2. We need all our mirrorless cameras to have a full set of professional features.

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