NITV: Always Will Be, Barbara McGrady

“…In partnership with NITV, the Australian Centre for Photography presents the work of photojournalist Barbara McGrady as a free educational resource for schools across the country. Through her pioneering work, students and teachers are invited to experience the important social, political and historical events witnessed by McGrady.

Spanning 30-years, McGrady’s works are important visual and historical records that inform our understanding of Aboriginal and Torres Strait Islander peoples in urban areas, and offer a powerful alternative visual representation of what it means to be Kooris today….”

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PBS: American Masters: Garry Winogrand: All Things are Photographable (video – regional restrictions apply)

https://www.pbs.org/video/garry-winogrand-all-things-are-photographable-tdq83s/

“Discover the life and work of Garry Winogrand, the epic storyteller in pictures who harnessed the serendipity of the streets to capture the American 1960s-70s. His “snapshot aesthetic” is now the universal language of contemporary image-making. …”

Leica Q (Typ 116) digital camera with 24.2 megapixel 35mm sensor and Leica Summilux 28mm f/1.7 Aspheric lens, perfectly suited to the snapshot aesthetic.

Commentary

American documentary photographer Garry Winogrand was called “the central photographer of his generation” by photography curator, historian, and critic John Szarkowski and this documentary movie  provides some insights into how and why he earned that accolade.

Winogrand was a key member of the generation that established the snapshot aesthetic as applied to photography in public as a genre in its own right, alongside Joel Meyerowitz, Lee Friedlander, Tony Ray-Jones and others, all relying on Leica M-Series rangefinder cameras and often the 28mm focal length.

Now that street photography has become even more established as a genre and in some manifestations as a cult, practitioners would do well to study its beginnings at the hands of artists like Winogrand and his colleagues back in the 1960s and 1970s, starting with Garry Winogrand: All Things are Photographable.

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The Guardian: The high-fliers club: how Susan Wood captured the original rebel girls

https://www.theguardian.com/artanddesign/2018/sep/28/the-high-fliers-club-how-susan-wood-captured-the-original-rebel-girls

“There’s Jayne Mansfield, striding through New York in a tight dress. There’s fashion designer Diane von Fürstenberg, reclining on a flight with a notepad on her lap. There’s lifestyle icon Martha Stewart, leading ducks round her property dressed in a denim romper suit. They’re all here, along with Susan Sontag, Nora Ephron and countless other celebrities, intellectuals and icons of the 20th century – and all of them women.

Susan Wood, the celebrated photographer who took these shots, found that her subjects all shared certain characteristics. “The first thing is intelligence,” she says. “The second is responsiveness. And they all had tremendous energy, joie de vivre, openness. They could understand things that weren’t quite said.”…”

Women: Portraits 1960-2000, by Susan Wood, published by Pointed Leaf Press, 2018.

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Photogearnews: Daniel Berehulak on the Panasonic Lumix G9 and advice to young photo journalists

“Based out of Mexico City, but working wherever there is a story to be told, Daniel Berehulak (www.Danielberehulak.com) is an award winning photo journalist. His images have covered the Trial of Saddam Hussein, The Iraq War, the aftermath of the Tsunami in Japan and more recently the drug wars in The Philippines. He very kindly stopped by the Photo Gear News stand to talk to us about shooting with Panasonic Lumix cameras, notably the recent G9. Daniel also offered some words of advice to those wanting to get started in photo journalism.”

Commentary

Australian photojournalist Daniel Berehulak, like so many of my former colleagues with whom I worked for newspaper and magazine publishers here, finally upped and left for foreign clients and countries where photojournalists are still able to eke out a living covering events and people crucial to understanding and sometimes even influencing how the world is developing.

It was terrific to come across this video of Mr Berehulak stopping in for a quick chat with the Photo Gear News team at last month’s The Photography Show 2018 in Birmingham, one of the many photography trade shows that occur in the northern hemisphere.

I hope that some day soon, despite there no longer being any photography trade shows back here in Australia, Mr Berehulak will make some presentations on his work and career while on one of his not infrequent trips home to see family and friends.

Although Mr Berehulak has also been known to use Nikon DSLRs, this Panasonic Lumix Luminary brand ambassador has apparently long relied on Panasonic Lumix cameras and lenses and especially on Panasonic’s Leica prime and zoom lenses.

This may be a controversial view in some quarters but in my humble opinion digital gives us more than analog ever did with greater image quality in smaller, more affordable cameras and lenses to the point where Micro Four Thirds Bayer sensors outdo 35mm film, Fujifilm’s X-Trans APS-C sensors outdo 120 roll film and Fujifilm’s medium format Bayer sensors outdo 4″x5″ sheet film.

If I were fortunate enough to still be shooting for analog magazines and newspapers including those published by Fairfax as Daniel Berehulak did, I would mostly be relying on Lumix cameras due to their size, weight and silent mode, though I remain partial to Olympus’ M.Zuiko Pro prime and zoom lenses for their manual clutch focus and other professional-quality traits.

The small Micro Four Thirds sensor format and its little, quiet, discrete cameras are modern-day answers to the original aims of the inventor of the Leica analog camera, Oskar Barnack, to produce an easily portable camera for landscape photography but that was first put to serious documentary use reporting on the floods that swept through Leica’s home base of Wetzlar, Germany, in 1920.

Little wonder that Panasonic has collaborated with Leica Camera AG on producing Leica and Panasonic Leica-branded lenses for its stills and hybrid cameras and camcorders since 1995, lenses favoured by Daniel Berehulak for his documentary photography and photojournalism work.

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Panasonic Leica DG Vario-Elmarit 50-200mm f/2.8-4.0 Aspheric Power OIS telephoto zoom lens.

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  • Panasonic Lumix DC-G9 Mirrorless Micro Four Thirds Digital Camera (Body Only)B&H
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  • Panasonic DMW-BLF19 Rechargeable Lithium-ion Battery Pack (7.2V, 1860mAh)B&H
  • Panasonic Leica DG Vario-Elmarit 8-18mm f/2.8-4 ASPH. LensB&H
  • Panasonic Leica DG Summilux 12mm f/1.4 ASPH. LensB&H
  • Panasonic Leica DG Vario-Elmarit 12-60mm f/2.8-4 ASPH. POWER O.I.S. LensB&H
  • Panasonic Leica DG Summilux 15mm f/1.7 ASPH. LensB&H
  • Panasonic Leica DG Summilux 25mm f/1.4 ASPH. LensB&H
  • Panasonic Leica DG Nocticron 42.5mm f/1.2 ASPH. POWER O.I.S. LensB&H
  • Panasonic Leica DG Macro-Elmarit 45mm f/2.8 ASPH. MEGA O.I.S. LensB&H
  • Panasonic Leica DG Vario-Elmarit 50-200mm f/2.8-4 ASPH. POWER O.I.S. LensB&H
  • Panasonic Leica DG Vario-Elmar 100-400mm f/4-6.3 ASPH. POWER O.I.S. LensB&H
  • Panasonic Leica DG Elmarit 200mm f/2.8 POWER O.I.S. LensB&H
  • Olympus M.Zuiko Pro professional splash, dust and freeze-proof prime and zoom lensesB&H

Mastin Labs: 5 Books Every Photographer Should Read

https://www.mastinlabs.com/blog/5-books-every-photographer-read

“There are so many books for photographers, but I’ve boiled my long reading list down to a few books that have had the greatest influence on my journey in photography. The following is a list of the top 5 books that I believe every photographer should read….”

Commentary

This top 5 list of photobooks shared by Kirk Mastin of Mastin Labs contains five of the best and most inspiring ever published, with four of them featuring the work of some of the most inspirational photographers of the century, Alex Webb, Richard Avedon, Martin Parr and Win Wenders, all highly recommended.

TheCameraStoreTV: TCSTV Live: Mirrorless Photojournalism and Sports with Rob Galbraith

“With the Sony A9, Panasonic G9, Fuji X-T2, we’re seeing mirrorless camera makers start to target the last DSLR stronghold, sports and photojournalism. This week Rob Galbraith is joining us to discuss how much progress has been made, and what mirrorless cameras still need to tackle to completely dominate the industry.”

Comparing DSLRs to mirrorless cameras (DSLMs) for photojournalism

Images created by Compact Camera Meter.

Based on size, weight and capabilities, mirrorless cameras are catching up to if not overtaking their DSLR ancestors. Fujifilm X-T2, Panasonic DC-G9, Sony Alpha 9 and Canon EOS 5D Mark IV, each with their f/2.8 or thereabouts standard zooms.
Hefty. A typical three f/2.8 zooms, one fast prime lens kit often carried by photojournalists using DSLRs such as the Canon EOS 5D Mark IV.
Light. A typical three f/2.8 zooms, one fast prime lens kit that might be carried by photojournalists using DSLMs aka mirrorless cameras such as the Panasonic Lumix DC-G9.

My Panasonic plus Olympus version of the four lens DSLR-style mirrorless photojournalism kit

I am partial to the Olympus M.Zuiko Pro prime and zoom lenses for their many attractive qualities for documentary photography and moviemaking, most especially their manual clutch focus for when focus is critical, so here is my own list of components.

This list is based on the range of assignments I worked on during my newspaper photography years. Add a GH5 to the list and you have an excellent kit for Super 16/Micro Four Thirds documentary moviemaking and photography.

It is early days in learning about the G9 at the moment, but I would love to know whether it is possible to use its 80 megapixel high resolution mode for environmental portraiture and other forms of portrait photography, potentially making  the G9 a contender for magazine feature and fine art photography.

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  • Fujifilm X-T2 Mirrorless Digital CameraB&H
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  • Sony Alpha a9 Mirrorless Digital CameraB&H

Fujifilm Global: FUJIFILM x Magnum Photos Collaborative Project “HOME”

http://www.fujifilm.com/news/n170907_09.html

“Fujifilm Corporation is collaborating with Magnum Photos on a major new project exploring the subject of “HOME”. An exhibition of the work will tour to seven cities around the world starting in March 2018, and be accompanied by a photobook.

15 Magnum Photographers will explore the theme of “HOME” for the project. Known for their wide range of approaches, Magnum Photos members produce documentary photography that encompasses art and photojournalism. Sharing the agency’s legacy for humanistic photography, associated with its founding in 1947, Magnum’s contemporary practitioners are united by a curiosity about the world. This project invites them to explore a universal subject familiar to us all.

“Home” is not only defined as a space for physical living. It holds various other associations that are emotional, biological, cultural and societal. These 15 photographers have been given an open brief to explore the subject through their own individual practices, the resulting work reflecting their personal take on a subject that we all record photographically….”

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Reuters: Reuters launches grant program to develop the next generation of photojournalists

https://www.reuters.com/article/rpb-grants/reuters-launches-grant-program-to-develop-the-next-generation-of-photojournalists-idUSKCN1BF0YJ

“… Reuters is launching a grant program which seeks to recruit and develop a diverse new generation of photojournalists to tell original human stories from around the world.

Reuters is offering up to eight $5,000 USD grants to passionate photojournalists or photojournalism students who are interested in working on photo assignments and projects to advance their abilities and tell new stories….”

The New York Times: A Marriage of Lives and Photos (Alex Webb and Rebecca Norris Webb)

https://lens.blogs.nytimes.com/2017/08/29/a-marriage-of-lives-and-photos/

“The photographers Alex Webb and Rebecca Norris Webb have produced a book, “Slant Rhymes,” that pairs images by each of them in diptychs. In an email exchange with James Estrin, they discussed the book, photography and their relationship….”