Creative Nords: Why I Chose the Panasonic S1H Over R5 and A7SIII. A Long Term Review From a Pro Hybrid Photographer

“Here are my thoughts on the S1H after owning it for 6 months and using it as my main work horse. Shot on Sigma Fp with Mamiya Sekor C 80mm 1.9 and Kipon Speedbooster.

panasonic_lumix_dc-s1h_allviews_01_1080px
Panasonic Lumix DC-S1H. Image courtesy of Panasonic Australia.

Commentary

Invaluable!

Links

Press Release: Panasonic announces host of firmware updates for its LUMIX S and G Series cameras

Panasonic announces host of firmware updates for its LUMIX S and G Series cameras

4th November 2020 – Panasonic has today announced the release of firmware update programs for its LUMIX S and G Series cameras, which will be available free of charge. Panasonic continues to follow its philosophy and implement advanced technology developments not only to new products but also to those already released and improve existing models via firmware update.

Available to download on 24th November 2020, the latest firmware updates will be available for S1H, S1R, S1, S5 as well as G100.

Additionally, a further firmware update (v2.0) will be available for LUMIX S1 in 2021 to enhance its functions and performance.

Firmware Update Improvements for LUMIX S Series

S1, S1R and S1H will inherit the improved autofocus technology and performance of the new LUMIX S5. In addition to the eye, face and body now the head is separately recognised by real-time detection technology. The camera keeps tracking the person even if they move quickly, turn their head or back to the camera, tilt their head or move far away. Additionally, improvements to the DFD technology have enhanced the continuous autofocus (AFC), which enables users to keep tracking small or fast-moving subjects. The AF-advancements are available for both photo shooting and video recording.

In addition, the firmware updates also include:

  • Human/Animal recognition is available in [1-Area] and [1-Area+] AF mode
  • [AF+MF] mode can be used during video recording
  • AF-Recognition during V-Log-recording has been improved (S1H/S1/S5)
  • [SS/Gain Operation] function has been added to S1R, S1 and S5
  • A recording indication frame [Red REC Frame Indicator] has been added to S1R and S1
  • Vertical video playback has been added to S1H, S1R and S1
  • 4K video files can now be transferred to a smartphone via Wi-Fi (S1H/S1R/S1)
  • The monitors of S1H and S5 now can display the images flipped when the free-angle LCDs are rotated and [Horizontal Image Flip(Monitor)] / [Vertical Image Flip(Monitor)] are activated.
  • 5K video recording has been added to S1R 2
  • 10-bit HDR video recording has been added to S1R [Like 2100/HLG]
  • High-Resolution audio recording and dedicated menu settings for the DMW-XLR1 microphone adaptor have been added to S1R 3
  • The [Luminance Level] function in S1R now supports 10-bit recording
  • 4K 60P/50P 4:2:2 10-bit video output over HDMI has been added to S1R.
  • C4K (4096×2160) video has been added to S5 4
  • [5.9K] / [4K] / [Anamorphic (4:3) 3.5K] 12-bit RAW Video Data output over HDMI has been added to S5. Also Apple ProRes RAW can be recorded on Atomos NINJA V (S5)5
  • Vector Scope display has been added to S5
  • Master Pedestal Level has been added to S5
  • [L.ClassicNeo] and [L.Monochrome S] Photo Styles have been added to S5

Further Updates for LUMIX S1 in the First Half of 2021

To meet the demands of users, the LUMIX S1 will continue to evolve. With firmware 2.0, the user will be able to manually switch the Dual Native ISO settings. As well as V-Log recording, further enhancements will be available with the purchase of DMW-SFU26, including an anamorphic mode and timecode function, in addition to 5.9K/C4K and 4K60/50p 4:2:0 10bit internal video recording and 5.9K/4K/Anamorphic (4:3) 3.5K 12-bit RAW video data recording over HDMI on an Atomos Ninja V.7

Firmware Update Improvements for LUMIX G Series

LUMIX G100 now has compatibility to the LUMIX Webcam Software (Beta) with firmware version 1.1. In addition, the G100 monitor can now display the images flipped when the free-angle LCD is rotated and [Horizontal Image Flip(Monitor)] / [Vertical Image Flip(Monitor)] is activated.

  • 1 If no model is indicated, the improvement applies to S1H, S1R, S1 and S5.
  • 2 MOV-container, 4992×3744 Pixel, 30p/25p/24p, 4.2:0 10-bit, LongGOP, 200 Mbps, LPCM audio
  • 3 MOV only
  • 4 60p/50p, 4:2:0, 8-bit, LongGOP, 150Mbps; 30p/25p/24p, 4:2:2, 10-bit, LongGOP, 150Mbps; 30p/25p/24p, 4:2:0, 8-bit, LongGOP, 100Mbps. All LPCM audio.
  • 5 All functions may not be available depending on the situation. Software that supports Apple ProRes RAW is required to edit RAW video recorded with NINJA V. Apply the LUT(Look up table ) available on the following customer supports site to make the same color grading as V-Log/V-Gamut. https://panasonic.jp/support/global/cs/dsc/download/lut/s1h_raw_lut/
  • 6 A Software Upgrade Key DMW-SFU2 (sold separately) is required to activate V-Log/MOV-function. Users who already have DMW-SFU2 installed do not need to purchase DMW-SFU2 again.
  • 7 5.9K(5888×3312) 29.97p/25p, 4K(4128×2176) 59.94p/50p, Anamorphic 3.5K(3536×2656)/50p

Panasonic Lumix DC-S5, S1, S1R, S1H and G100

Images courtesy of Panasonic Australia.

Links

Imaging Resource: Fujifilm Q&A: COVID impact, GFX strategy, shrinking IBIS, secrets of a 300,000-cycle shutter and more

https://www.imaging-resource.com/news/2020/09/04/fujifilm-interview-covid-gfx-strategy-shrinking-ibis-300K-cycle-shutter

“… Shin Udono: We continue to investigate future X-H cameras. The X-T4 is not a replacement for X-H1, so we keep our minds open about future X-H models.

Dave Etchells: Ah, OK. So you can’t say specifically, but it’s not your intent for the X-T4 to replace the X-H1. You see a separate market.

Shin Udono: But we will clearly differentiate from the X-T line.

Dave Etchells: So what is that differentiation? What separates X-T and X-H?

Shin Udono: Difficult to say now; we need some sort of the breakthrough, probably.

Jun Watanabe: But actually, after we announced X-T4, studios received a lot of customer’s requests that they want that H1 style.

Shin Udono: Bigger grip, and also…

Toshi Iida: …the command dial control.

Shin Udono: But just having the bigger grip with the X-T4 is not enough for the X-H2. I think that if future X-H models come to reality, we have to have something more revolutionary….”

Fujifilm X-H1 and X-T4

Commentary

panasonic_lumix_dmw-xlr1_mic_adapter_03_1024px
Fujifilm needs one of these for its cameras. Panasonic DMW-XLR1 Microphone Adapter for Panasonic Lumix G and S-Series cameras. Image courtesy of Panasonic Australia.

Good to read that Fujifilm continues to work on the X-H2 professional APS-C/Super 35 hybrid camera and that the company is looking for further differentiation between it and the X-T4.

Here is what I want to see in the X-H2 at the very least, and there is plenty more on my wishlist:

  • Larger grip than the X-H1.
  • Command control dial for extra speed in applying exposure compensation.
  • XLR audio input device such as Panasonic and Sony make for their cameras.
  • Video features that match if not surpass those of Panasonic’s Lumix S and GH cameras, and especially no recording limits.
  • Fully-articulated monitor taking a lesson from the one on Panasonic’s Lumix DC-S1H.

Here is what I want to see in the X-Pro 4:

  • In-body image stabilization aka IBIS so the camera is more suitable for shooting in all sorts of light and especially available darkness.
  • Bright frame for 18mm in the optical viewfinder aka OVF.

Here is what I want to see in lenses for Fujifilm’s X-Series:

  • An upgraded 18mm lens, at least in a ‘Fujicron’ design for documentary and photojournalism work with X-Pro cameras but better yet a ‘Fujilux’ design with manual clutch focus and larger filter diameter as in the Fujinon XF 14mm, 16mm and 23mm lenses.
  • A 70mm lens for portraiture, in effect the Fujinon answer to Nikon’s justifiably legendary 105mm lenses.
  • Prime and zoom lenses better suited for video with radically improved autofocus and manual clutch focus: right now there are only three MCF primes and very few lenses that perform acceptably for video production, shocking given Fujifilm’s reputation for fine-quality cinema and broadcast lenses for other mounts.
  • A fast aperture, superwide-to-standard zoom lens for video production that learns lessons from Panasonic’s Leica DG Vario-Summilux 10-25mm f/1.7 Aspheric zoom, Sigma’s 18-35mm f/1.8 DC HSM Art zoom lens and the recently announced Olympus M. Zuiko Digital ED 8-25mm f/4.0 Pro.
  • A serious commitment to upgrading all the older Fujinon prime and zoom lenses to meet contemporary stills and video needs: lenses remain their largest weak point.

Here is what I want to see in Fujifilm’s GFX-Series cameras:

  • An affordable medium format camera for portraiture, documentary and photojournalism, and architectural photography.

Links

extrashot: Panasonic S1H – Amazing cinema camera or DSLM?

“Paul takes a first look at the Panasonic S1H. Is this simply a full frame GH5S or is there more to this DSLM? Perfect camera for vloggers or a real cinema competitor?”

shape_panasonic_lumix_s-series_sih_02_1024px
Shape camera cage and rigging for Panasonic Lumix DC-S1, DC-S1R and DC-S1H 35mm sensor mirrorless hybrid cameras.

Commentary

Things have been quiet over at Panasonic Australia it seems since the release of the Lumix DC-GH5 and I have not heard a sound from the company’s PR people, so have not had any extended hands-on time with the Lumix DC-GH5S, Lumix DC-G9, Lumix DC-GX9, Lumix DC-S1, Lumix DC-SiR or the recently released Lumix DC-S1H.

So I am grateful for Paul of extrashot for this first look at the S1H, especially in the light of Netflix certifying the camera for use in Netflix 4K Originals productions.

I look forward to more in-depth reviews of the camera for use in movie productions appearing soon.

Panasonic’s longtime weak point has been its depth-from-defocus (DFD) Contrast Detection Auto Focus (CDAF) system that many users would prefer was actually Phase Detection Auto Focus (PDAF), but is this a big problem given potential users of the Lumix DC-S1H are more likely to use manual focus with it, as illustrated in the product shot above?

Links

Help support ‘Untitled’

Clicking on the links and purchasing through them for our affiliate accounts at Adorama, Alien Skin, B&H Photo Video, SkylumSmallRig or Think Tank Photo helps us continue our work for ‘Unititled’.

  • Atomos StoreB&H
  • L-Mount LensesB&H – native mount lenses for Leica, Panasonic and Sigma mirrorless cameras.
  • Panasonic DMW-BGS1 Battery GripB&H
  • Panasonic DMW-BLJ31 Rechargeable Lithium-Ion Battery (7.2V, 3100mAh)B&H
  • Panasonic DMW-RS2 Remote ShutterB&H
  • Panasonic Lumix DC-S1H Mirrorless Digital Camera (Body Only) B&H
  • Panasonic Lumix DC-S1H Mirrorless Digital Camera Filmmaker’s KitB&H
  • Panasonic Lumix DC-S1H Mirrorless Digital Camera with Camera Cage KitB&H
  • Panasonic Lumix S 24-105mm f/4 Macro O.I.S. LensB&H
  • Panasonic Lumix S PRO 24-70mm f/2.8 LensB&H
  • Panasonic Lumix S PRO 50mm f/1.4 LensB&H
  • SHAPE Camera Cage with Top Handle for Panasonic Lumix S1/S1R/S1HB&H
  • Zacuto Camera Cage for Panasonic S1B&H
  • Zacuto StoreB&H

Imaging Resource: Why did Panasonic wait before demolishing the video competition with the S1H? Find out in our interview

https://www.imaging-resource.com/news/2019/09/03/why-did-panasonic-wait-before-demolishing-video-competition-with-s1h

“Last week, Panasonic figuratively blew the doors off its competition in the pro video space with the introduction of the Lumix S1H. It offers truly high-end video capability for pro videographers and cinematographers at an unprecedented price point….

… I had a chance to sit down briefly with Yosuke Yamane, Director of Panasonic Corp.’s Imaging Business Unit, Smart Life Network Business Division, Appliances Company, to ask a few questions related to its development and release….”

zacuto_panasonic_dc-s1h_camera-caged_02_1024px
Panasonic Lumix DC-S1H rigged with Zacuto moviemaking accessories.

Links

Help support ‘Untitled’

Clicking on the links and purchasing through them for our affiliate accounts at Adorama, Alien Skin, B&H Photo Video, SkylumSmallRig or Think Tank Photo helps us continue our work for ‘Unititled’.

  • Atomos StoreB&H
  • L-Mount LensesB&H – native mount lenses for Leica, Panasonic and Sigma mirrorless cameras.
  • Panasonic DMW-BGS1 Battery GripB&H
  • Panasonic DMW-BLJ31 Rechargeable Lithium-Ion Battery (7.2V, 3100mAh)B&H
  • Panasonic DMW-RS2 Remote ShutterB&H
  • Panasonic Lumix DC-S1H Mirrorless Digital Camera (Body Only) B&H
  • Panasonic Lumix DC-S1H Mirrorless Digital Camera Filmmaker’s KitB&H
  • Panasonic Lumix DC-S1H Mirrorless Digital Camera with Camera Cage KitB&H
  • Panasonic Lumix S 24-105mm f/4 Macro O.I.S. LensB&H
  • Panasonic Lumix S PRO 24-70mm f/2.8 LensB&H
  • Panasonic Lumix S PRO 50mm f/1.4 LensB&H
  • Zacuto Camera Cage for Panasonic S1B&H
  • Zacuto StoreB&H

Zacuto: Panasonic S1H EXCLUSIVE FIRST LOOK & Interview with Matt Frazer from Panasonic!!! – Part 1 of 6

“Zacuto owners and Director & Cinematographer team Steve Weiss and Jens Bogehegn sat down with Matt Frazer from Panasonic for an EXCLUSIVE First Look at the Panasonic S1H. In episode 1, we discuss the ergonomics of the camera from dials and LCDs to card slots and more. We also cover what specific differences S1 and S1R users will see in the new S1H….

Stay tuned for new episodes in this First Look series…

zacuto_panasonic_dc-s1h_camera-caged_01_1024px
Panasonic Lumix DC-S1H rigged with Zacuto moviemaking accessories.

All Episodes

Commentary

Zacuto’s new camera review videos are always great introductions to new gear and the company is outdoing itself with this six-part series on the amazing Panasonic Lumix DC-S1H.

I will be adding links to each new instalment as they appear so please keep coming back.

Links

Help support ‘Untitled’

Clicking on the links and purchasing through them for our affiliate accounts at Adorama, Alien Skin, B&H Photo Video, SkylumSmallRig or Think Tank Photo helps us continue our work for ‘Unititled’.

  • Atomos StoreB&H
  • L-Mount LensesB&H – native mount lenses for Leica, Panasonic and Sigma mirrorless cameras.
  • Panasonic DMW-BGS1 Battery GripB&H
  • Panasonic DMW-BLJ31 Rechargeable Lithium-Ion Battery (7.2V, 3100mAh)B&H
  • Panasonic DMW-RS2 Remote ShutterB&H
  • Panasonic Lumix DC-S1H Mirrorless Digital Camera (Body Only) B&H
  • Panasonic Lumix DC-S1H Mirrorless Digital Camera Filmmaker’s KitB&H
  • Panasonic Lumix DC-S1H Mirrorless Digital Camera with Camera Cage KitB&H
  • Panasonic Lumix S 24-105mm f/4 Macro O.I.S. LensB&H
  • Panasonic Lumix S PRO 24-70mm f/2.8 LensB&H
  • Panasonic Lumix S PRO 50mm f/1.4 LensB&H
  • Zacuto Camera Cage for Panasonic S1B&H
  • Zacuto StoreB&H

Wex Photo Video: Panasonic LUMIX S1H Full Overview | 6K Test Footage and System Review | First Look

“Flashback to 2014 and the headlines in the mirrorless filmmaking world was that of the LUMIX GH4 being the very first hybrid mirrorless camera capable of recording in UHD 4K, without the need for an external recorder – how times have quickly changed. With the recent release of the Blackmagic Pocket Cinema Camera 6K, and now the official release of the LUMIX S1H, it looks like 6K video within these compact camera bodies is now a thing. Panasonic LUMIX did of course share some of the top headline specs of this new camera a few months ago, teasing us filmmakers with what was promising to be the most powerful hybrid camera for filmmaking to date – and it seems like they’ve delivered. In this video, Kriss runs you through the main features of the S1H and shares his thoughts on how he found shooting with a pre-production model in the HD, 4K and 6K recording modes.”

panasonic_lumix_dc-s1h_b&h_14_1024px
Panasonic Lumix DC-S1H with Panasonic Lumix S Pro 24-70mm f/2.8 standard zoom lens.

Commentary

This is one of the best Panasonic Lumix DC-S1H review videos so far with excellent sample footage and plenty of insights from a working cinematographer, hopefully with in-depth follow up videos to come.

Links

Help support ‘Untitled’

Clicking on the links and purchasing through them for our affiliate accounts at Adorama, Alien Skin, B&H Photo Video, SkylumSmallRig or Think Tank Photo helps us continue our work for ‘Unititled’.

  • Atomos StoreB&H
  • L-Mount LensesB&H – native mount lenses for Leica, Panasonic and Sigma mirrorless cameras.
  • Panasonic DMW-BGS1 Battery GripB&H
  • Panasonic DMW-BLJ31 Rechargeable Lithium-Ion Battery (7.2V, 3100mAh)B&H
  • Panasonic DMW-RS2 Remote ShutterB&H
  • Panasonic Lumix DC-S1H Mirrorless Digital Camera (Body Only) B&H
  • Panasonic Lumix DC-S1H Mirrorless Digital Camera Filmmaker’s KitB&H
  • Panasonic Lumix DC-S1H Mirrorless Digital Camera with Camera Cage KitB&H
  • Panasonic Lumix S 24-105mm f/4 Macro O.I.S. LensB&H
  • Panasonic Lumix S PRO 24-70mm f/2.8 LensB&H
  • Panasonic Lumix S PRO 50mm f/1.4 LensB&H

The AU Review: Lumix Launch Cinematic Flagship S1H Camera & Two New Lenses

http://launch.theaureview.com/technology/lumix-s1h-camera/

“Imagine a VariCam and a GH5 fell in love and had a brilliant baby – a small, powerful full-frame camera baby capable of shooting 6K V-Log video and 96 megapixel raw images and with image stabilisation so impressive it all but eliminates the need for gimbals. That’s the new flagship S series cinema camera from Panasonic, the Lumix S1H – and from what we know so far, it’s a filmmaker’s dream….”

panasonic_lumix_dc-s1h_press_05_1024px
Panasonic Lumix DC-S1H with Panasonic Lumix S PRO 24-70mm f/2.8 zoom lens.

Commentary

It goes without saying that I would be the very last person who would ever be invited to launch events like this though I was always on the invitation list for similar events overseas and for the Australian branch of one particular camera company whose then PR person was a family friend.

Hence, having to cobble together information about new hardware and software releases of interest to my not inconsiderable daily readership from press releases, articles and videos created by others.

If I am lucky I get to hear about public launch events held at or by Sydney retailers and can obtain a brief hands-on there in less than ideal conditions, and if I am even luckier I may be loaned the item in question some months or years after its local release.

Small mercies!

Mustn’t grumble.

I am incredibly grateful for any kind assistance that is rendered by hardware and software makers and their public relations officers and consultants and am glad to be able to share with you anything that I can.

Meanwhile I am pleased to share this report on the Sydney launch of the Panasonic Lumix DC-S1H and am glad that at least one female was invited to the event though it would have been terrific if she was a cinematographer as well as a stills photographer and thus better able to assess the video-oriented S1H’s potential.

Event photographs shared by Panasonic Australia on its Facebook page

Links

Help support ‘Untitled’

Clicking on the links and purchasing through them for our affiliate accounts at Adorama, Alien Skin, B&H Photo Video, SkylumSmallRig or Think Tank Photo helps us continue our work for ‘Unititled’.

  • Atomos StoreB&H
  • L-Mount LensesB&H – native mount lenses for Leica, Panasonic and Sigma mirrorless cameras.
  • Panasonic DMW-BGS1 Battery GripB&H
  • Panasonic DMW-BLJ31 Rechargeable Lithium-Ion Battery (7.2V, 3100mAh)B&H
  • Panasonic DMW-RS2 Remote ShutterB&H
  • Panasonic Lumix DC-S1H Mirrorless Digital Camera (Body Only) B&H
  • Panasonic Lumix DC-S1H Mirrorless Digital Camera Filmmaker’s KitB&H
  • Panasonic Lumix DC-S1H Mirrorless Digital Camera with Camera Cage KitB&H
  • Panasonic Lumix S 24-105mm f/4 Macro O.I.S. LensB&H
  • Panasonic Lumix S PRO 24-70mm f/2.8 LensB&H
  • Panasonic Lumix S PRO 50mm f/1.4 Lens – B&H

PanasonicLumixVideo: LUMIX S | LUMIX S1H Sizzle Reel – videos

“This is the sizzle reel of a variety of films shot by four film creators with the new LUMIX S1H full-frame mirrorless camera.”

Panasonic Lumix DC-S1J rigged with Zacuto moviemaking accessories.

[NEW] LUMIX S | S1H Short Film “Kepler 138” shot by Jacob Schwarz

This film is shot by Jacob Schwarz (MYSTERY BOX) with LUMIX S1H. “ ‘Kepler 138’ is the emotional story of Charles, a blind father who connects with his daughter Claire, and how a space mission to explore new worlds guides them both to see. A short film that crafts a dramatic and emotionally stirring short film reminding viewers that love transcends time and space.”

[NEW] LUMIX S | S1H Short Film “In Hope of Nothing” shot by Peter Hamblin

This film is shot by Peter Hamblin with LUMIX S1H. “ ‘In Hope Of Nothing’ aimed to speak to film-makers about the trials and tribulations of film-making.”

[NEW] LUMIX S | S1H Short Film “Alive” shot by Carissa Dorson

This film is shot by Carissa Dorson with LUMIX S1H. “In ‘Alive’, a laundromat worker wishes there was more to her life, so she imagines herself dancing without inhibition throughout her day.”

[NEW] LUMIX S | Behind-the-scenes of filming with LUMIX S1H

This is behind-the-scenes of filming with the LUMIX S1H full-frame mirrorless camera.

[NEW] LUMIX S | LUMIX S PRO 24-70mm F2.8 (S-E2470) Lens Based on L-Mount System

This film is shot through LUMIX S PRO 24-70mm F2.8 (S-E2470) on LUMIX S1H. Panasonic is proud to introduce a new interchangeable standard zoom lens, the LUMIX S PRO 24-70mm F2.8 (S-E2470) based on the L-Mount system for the LUMIX S Series Full-frame Digital Single Lens Mirrorless Camera. Specially focusing on professional use, the LUMIX S Series pursues uncompromising photographic expression with its high-quality cameras and lenses. The LUMIX S PRO 24-70mm F2.8 (S-E2470) is a large-aperture standard zoom lens that boasts high descriptive performance across the entire zoom range. The optical performance of this LUMIX S PRO lens is remarkably high to clear stringent LEICA standards. Ensuring versatile use for landscapes, snaps and portraits with its 24-70mm focal length, the LUMIX S PRO 24-70mm F2.8 features stunningly high resolution and high contrast at each focal length point. The full-range F2.8 high-speed aperture provides smooth defocus gradation from the focus peak to the neighboring area of the image to achieve a beautiful bokeh effect as well as a rich perspective.

Commentary

Congratulations are due to Panasonic for going some way towards evening up the gender balance with one of these videos being made by a woman and two by men, with a possible second female-made movie coming by Alicia Robbins.

Links

Help support ‘Untitled’

Clicking on the links and purchasing through them for our affiliate accounts at Adorama, Alien Skin, B&H Photo Video, SkylumSmallRig or Think Tank Photo helps us continue our work for ‘Unititled’.

  • Atomos StoreB&H
  • L-Mount LensesB&H – native mount lenses for Leica, Panasonic and Sigma mirrorless cameras.
  • Panasonic DMW-BGS1 Battery GripB&H
  • Panasonic DMW-BLJ31 Rechargeable Lithium-Ion Battery (7.2V, 3100mAh)B&H
  • Panasonic DMW-RS2 Remote ShutterB&H
  • Panasonic Lumix DC-S1H Mirrorless Digital Camera (Body Only) B&H
  • Panasonic Lumix DC-S1H Mirrorless Digital Camera Filmmaker’s KitB&H
  • Panasonic Lumix DC-S1H Mirrorless Digital Camera with Camera Cage KitB&H
  • Panasonic Lumix S 24-105mm f/4 Macro O.I.S. LensB&H
  • Panasonic Lumix S PRO 24-70mm f/2.8 LensB&H
  • Panasonic Lumix S PRO 50mm f/1.4 LensB&H