Sony: IMX294CJK Diagonal 21.63 mm (Type 4/3) Approx. 10.71M-Effective Pixel Color CMOS Image Sensor

https://www.sony-semicon.co.jp/products_en/new_pro/may_2017/imx294cjk_e.html

“Sony Semiconductor Solutions Corporation has commercialized the “IMX294CJK” Type 4/3 back-illuminated CMOS image sensor with approximately 10.71M-effective pixels for the expanding security camera market.

The “IMX294CJK” is the first in-house image sensor for security cameras to adopt the Type 4/3 format, and realizes output of the number of pixels needed for 4K at 120 frame/s (in ADC 10-bit output mode). In addition, use of a large-size pixel achieves SNR1s of 0.14 lx*1, and use of a Quad Bayer pixel structure (see Figure 1) realizes an HDR (High Dynamic Range) function with no time difference, enabling video imaging with a wide dynamic range….”

sony_starvis_IMX294CJK_multiaspect_ratios_sensor_01_1024px_60pc
Is Sony’s IMX294CJK “Diagonal 21.63 mm (Type 4/3) Approx. 10.71M-Effective Pixel Color CMOS Image Sensor” the sensor used in the Panasonic Lumix DC-GH5S and Blackmagic Design Blackmagic Pocket Cinema Camera 4K? Image from Panasonic UK and Ireland product page for Panasonic Lumix DC-GH5S.

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Three Blind Men and An Elephant Productions: MONGO Panasonic G9 AF + GH5 Hack Review

“It’s taken me so long to figure out what I’m actually seeing in Panasonic G9’s autofocus performance that now we have to address YodaYeo’s GH5 hack as well. Which I do. And a WHOLE lot more. I’m exhausted….”

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Sony 128GB M-Series UHS-II SDXC Memory Cards 2-Pack, R: 260 MB/s, W: 100 MB/s

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  • Movcam Cage Kit for Panasonic GH5B&H
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DPReview: Panasonic Lumix DC-GH5S Review

https://www.dpreview.com/reviews/panasonic-lumix-dc-gh5s-review

“… The GH5S produces the best quality video of any camera we’ve ever tested, with its high bitrate, high bit-depth footage proving impressively flexible. The a7S II can outperform it in low light if you can tolerate the shallower depth-of-field that comes with it, but beyond those specific circumstances, the GH5S would probably be our choice. The fact it works just like a GH5 and fits perfectly into the accessory and support ecosystem that’s grown up around it means the GH5S is an easy camera to just start shooting with…..”

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Panasonic Lumix DC-GH5S with Panasonic Leica DG Vario-Elmarit 12-60mm f/2.8-4.0 Aspheric zoom

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  • Movcam Cage Kit for Panasonic GH5B&H
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Leeming LUT One for Panasonic Cameras to get Version 503 before Mid-Year with Even Better Colour and Tone than Ever – UPDATE

Paul Leeming of Leeming LUT One and Visceral Psyche Films is like a dog with a bone that he just will not let go insofar as improving and updating Leeming LUT One, “the world’s first unified, corrective Look Up Table (LUT) system for supported cameras, designed to maximise dynamic range, fix skin tones, remove unwanted colour casts and provide an accurate Rec709 starting point for further creative colour grading.”

Paul Leeming of Leeming LUT One and Visceral Psyche Films in V-Log L footage made with Panasonic Lumix GH5 then processed with Leeming LUT One for Panasonic cameras, version 503 beta.

Mr Leeming has just shared an early version 503 beta for Panasonic V-Log L with me and, after applying it to some V-Log L footage of my own, it is clear that he has worked out how obtain even better, even more realistic colour and tonal rendering than before.

The more accurate and true-to-life the starting point obtained by applying Leeming LUT One before adding creative aka looks LUTs and other colour grading controls in your non-linear editing suite or colour grading software of choice, the richer and more satisfying the final result.

While this first version 503 beta is only for Panasonic V-Log L footage, Leeming LUT One version 503 for Panasonic cameras will be released for Cinelike D, HLG and V-Log L.

If version 503 has you as excited as I am, please do not put off purchasing it until later this year as version 502 is already streets ahead of any other camera LUT that I have tried out so far and purchasers of 502 now will receive 503 when it is finalized.

Leeming LUT One for Panasonic V-Log L 503 beta, footage by Paul Leeming

Leeming LUT One for Panasonic V-Log L 502 compared to 503 beta

Leeming LUT One for Panasonic V-Log L version 502
Leeming LUT One for Panasonic V-Log L version 503 beta
Leeming LUT One for Panasonic V-Log L version 503 beta plus Leeming LUT Quickie Basic Brighter v2

Leeming LUT One 503 beta as a base for creative LUTs

Leeming LUT One for Panasonic V-Log L version 503 beta plus Leeming LUT Quickie Basic Brighter v2 plus LookLabs Digital Film Stock Fuji 64D
Leeming LUT One for Panasonic V-Log L version 503 beta plus Leeming LUT Quickie Basic Brighter v2 plus LookLabs Digital Film Stock Fuji Reala 500D
Leeming LUT One for Panasonic V-Log L version 503 beta plus Leeming LUT Quickie Basic Brighter v2 plus LookLabs Digital Film Stock Kodak 5245

Sneak Peek, Leeming LUT One 601 for Panasonic, Cinelike D

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Leeming LUT One 601 for Panasonic Cinelike D, from 8-bit 4:2:0 4K UHD video shot on Lumix GX8 with Olympus M.Zuiko Digital ED 12-40mm f/2.8 lens, LUT plus other minimal grading applied.

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Image Credit

Header image concept and hack by Carmel D. Morris.

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  • Panasonic V-Log L Function Activation Code for DMC-GH4, DC-GH5, and DMC-FZ2500B&H

News Shooter: Sky News Washington cameraman Duncan Sharp on shooting with the GH5

http://www.newsshooter.com/2018/01/26/sky-news-washington-cameraman-duncan-sharp-shooting-gh5/

“Sky News Washington cameraman Duncan Sharp has been shooting one-hour documentaries and “Special Reports” almost entirely on the Panasonic GH5….

… Duncan’s body of work is certainly impressive and it just shows you what is capable with a small, compact camera kit. As I always say, it’s not about the kit, it’s how you use it. In the hands of a highly skilled operator such as Duncan, the GH5 can be used to great effect.”

 

panasonic_lumix_dc-gh5_8-18mm_splashproof_white_square_1024px_60%
Panasonic DC-GH5 with Panasonic Leica DG Vario-Elmarit 8-18mm f/2.8-4.0 Aspheric zoom lens

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Lumix G Experience: Using the 20x magnification focus-assist feature in the GH5s

https://www.lumixgexperience.panasonic.co.uk/learn/expert-advice/using-the-20x-magnification-focus-assist-feature-in-the-gh5s/

“One of the new features introduced in the Lumix GH5s that I’m really enjoying is the 20x magnification assistant for manual focusing. In all other Lumix bodies we get a maximum magnification of 6x, which is often good enough, but when using manual focus lenses wide open it’s great to be able to check a little closer to make sure the focus is falling on the eyes, for example, rather than the ears….”

panasonic_lumix_gh5s_square_09_1024px_60%
Panasonic Lumix DC-GH5S

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  • Movcam Cage Kit for Panasonic GH5B&H
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Lumix G Experience: The Videographer’s View – Jim Marks on the GH5s

https://www.lumixgexperience.panasonic.co.uk/learn/expert-advice/the-videographers-view-jim-marks-on-the-gh5s/#.WmdYLqhl9jE

“‘The Lumix GH5s is a very complete little package’, says professional film maker Jim Marks, who has been trying out a pre-production body before the official launch. ‘It’s ability to work in low light makes my life very much easier and means I can spend more time thinking about composition and story-telling rather than worrying what the camera is up to. The dual native ISO allows me to film almost anywhere and to work in very low light conditions without the penalty of excessive noise.’…”

panasonic_lumix_gh5s_square_04_1024px_60%
Panasonic Lumix DC-GH5S with Panasonic Leica DG Vario-Elmarit 12-60mm f/2.8-4.0 Power OIS zoom lens.

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Movcam cage for Panasonic Lumix DC-GH5 and GH5S

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Lucas Pfaff: JTZ DP30 Cage and Shoulder-Kit | Filmmaker System REVIEW

“The JTZ DP30 Filmmaker System offers a great set of classic rig-parts in a high-end fashion. JTZ is the high-end brand from Fotga!…”

jtz_dp30_cage_plus_for_gh5s_gh5_gh4_gh3_square_01_1024px_60%
The JTZ DP30 camera cage and shoulder- mount kit for mirrorless cameras like Panasonic’s Lumix GH5S, GH5 and GH4.

Commentary

Every so often I wonder whether I should look further into the idea of shoulder-mounting mirrorless hybrid video cameras in order to approach the way I once used the Super 8 and Super 16 movie cameras on which I learned cinematography.

Then I take a serious look into the prices and the carrying weight of contemporary shoulder mount systems and set that idea aside for another day.

Until I came across Lucas Pfaff’s series of videos on the JTZ DP30 system.

JTZ, Lucas Pfaff tells us, is the higher-end brand of Fotga, the Chinese camera accessories makers whose DP500 follow focus device is used by documentary moviemaker Sol March of Suggestion of Motion.

Neither Fotga nor JTZ appear to have their own websites or retail through B&H Photo Video, so the only recourse is to buy from Amazon or ebay.

Meanwhile I will be looking for videos and other reviews of the JTZ DP300 in action on location to see how it bears up in the field.

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  • Panasonic 128GB UHS-II SDXC Memory CardB&H
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  • Panasonic Lumix DC-GH5 Mirrorless Micro Four Thirds Digital CameraB&H
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Lucas Pfaff: Return of the display loupe? VARY-i cage for GH5s Review

“Nifty, well fitting cage for the Panasonic GH4, GH5 and the new GH5s! A remarkable little set!…”

VARY-i Cage Combination for Panasonic Lumix GH4, GH5 and GH5S with multi angle LCD viewfinder loupe and two VARY-Grips.

Commentary

When I first got back into photography and video with the then revolutionary Canon EOS 5D Mark II, thanks to the advice of my partner who worked in Canon’s R&D division at the time, I looked at several LCD magnifying loupe options online and in Sydney’s inner city professional camera store, now sadly defunct.

None of the solutions available then completely solved the problem of needing to view the camera’s LCD in order to effectively focus and shoot video, and so I set aside the idea of handheld video for a while until a chance encounter with a Panasonic GH3 in a duty-free store, which led to purchasing the GH4 when it became available.

Despite not investing in one at the time, I always thought there might be more potential in the loupe concept if done right and that they could be more affordable than the incredibly expensive third-party electronic viewfinders and graticals that have appeared to take their place.

Lucas Pfaff’s video look at the VARY-i loupe plus case combination for Panasonic’s Lumix GH4, GH5 and GH5S make it look like a very attractive solution for handheld video with the GH5’s in-body image stabilization (IBIS) or the GH4 and GH5S with Panasonic lenses with optical image stabilization (OIS).

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  • Angelbird 64GB AV Pro UHS-II SDXC Memory CardB&H
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  • Angelbird 256GB Match Pack for the Panasonic EVA1B&H – special promotional packaging of two Angelbird 128GB AV Pro UHS-II SDXC memory cards that are just as usable in other cameras than the AU-EVA1 that also have UHS-II SD card slots.
  • Panasonic 128GB UHS-II SDXC Memory CardB&H
  • Panasonic DMW-BGGH5 Battery GripB&H
  • Panasonic Lumix DMC-GH4 Mirrorless Micro Four Thirds Digital CameraB&H
  • Panasonic Lumix DC-GH5 Mirrorless Micro Four Thirds Digital CameraB&H
  • Panasonic Lumix DC-GH5S Mirrorless Micro Four Thirds Digital CameraB&H