New Software: ON1 Portrait AI

https://www.on1.com/products/portrait-ai/

You Will Never Need Another Portrait Editing Product

Flawless retouching is just a click away with ON1 Portrait AI. It uses machine learning to find every face in your photo and make them look great, automatically.

It analyzes each face and adds just the right amount of retouching to the skin, eyes and mouth, giving you professional results in no time at all….

on1_portraitai_01_1024px
ON1 Portrait AI automatic artificial intelligence-driven portrait retouching standalone application and plug-in.

Links

Joel Wolfson: Raw Processors Compared, There’s A Lot More To It Than Quality, Efficiency, Accuracy and Enjoyment with the Latest Fuji Raw Processors* plus Comparison Chart

http://joelwolfson.com/raw-processors-compared/

“… I’m covering a couple different categories of raw processors: Two optimized for single image processing and two that are more comprehensive hub type solutions with image management capabilities. They are Luminar 2018 (v1.1.1) and Topaz Studio (v1.8.2) for the former category and ON1 Photo Raw 2018 (v2018.1) and Lightroom Classic CC (v7.2) for the latter….

Link:

Photography Image Editing & Raw Processing Software is Going Through Interesting Times Right Now

We live in interesting times for digital photography with some great cameras now on the market and an ever-growing, ever-evolving set of choices in image editing and raw processing software available to those with deep pockets as well as those with less so. 

Photograph made with Panasonic Lumix DMC-GX8 camera and Olympus M.Zuiko Digital ED 12-40mm f2.8 Pro lens, then processed in DxO PhotoLab with DxO FilmPack plug-in, making liberal use of PhotoLab’s Nik-like U-Point masking technology to select areas within the image for application of editing controls like exposures, contrast, micro contrast and so on.

Headline news at the moment is Google selling Google Nik Collection, which it acquired when buying Nik Software for access to their Snapseed mobile image editing app, to DxO with DxO continuing Google’s recent move to give Nik Collection away for free.

DxO has stated that they will continue developing the Nik Collection though not how they will apply all the technology within it.

All hail the U Point

The company has already made good use of one key complement of all applications within the Nik Collection, its U Point technology that is a more accurate, more sophisticated alternative to using brush tools for masking.

I first came across U Point selection and masking at a photography trade show in Sydney at the Nik Software stand where Nik Collection component Viveza was being demonstrated.

I immediately bought a copy and found I could use it to bring to stunning life images shot under lighting circumstances too challenging for the image editing suites of the day to get the best out of with their then-current tool sets.

Make precise edits quickly

Use U Point® technology to selectively edit just the parts of your photos that need touching up without losing time on complex masks and selections.

As soon as I downloaded the PhotoLab trial version I put it to good use editing the monochrome image at the top of this page, relying heavily on DxO’s new iteration of U Points.

DxO is on to a winner

DxO PhotoLab was formerly named DxO OpticsPro, the Elite version of which I bought as my very first raw processor at the same time as a Canon EOS 5D Mark II, on the recommendation of a Danish photographer friend.

Photograph made with Panasonic DMC-GX8 camera with Olympus M.Zuiko Digital ED 12-40mm f/2.8 Pro lens, processed in DxO PhotoLab using the Leica M9 camera profile, with U Point applied to the dog’s face. DxO PhotoLab Elite’s big collection of excellent camera profiles are only accessible when processing raw files, not TIFFs or JPEGs.

I quickly added DxO FilmPack and DxO ViewPoint, both of which work as plug-ins extending DxO OpticsPro and now DxO PhotoLab, as well as being standalone editors and plug-ins for image editing products like the long-discontinued Apple Aperture, Adobe Photoshop and Lightroom.

I recall that Nik’s version of U Point seemed to have worked faster than DxO’s, which takes a little longer to display the tooltips that explain just what each icon represents but I am sure DxO will be ramping up its U Point display and operation speeds each new version.

It was refreshing to get back to using U Points in DxO PhotoLab as they have always been and remain my preferred selection and masking tool.

Given Google’s neglect of the Nik Collection, recent versions including the current one under the DxO aegis fail to function as plug-ins within recent versions of Photoshop and no doubt Lightroom, causing weird error messages as seen in the header image on this page.

DxO and Fujifilm X-Trans raw files

The only downside to DxO buying Nik Collection is to do with the camera sensor types that all DxO software supports.

Photograph made with Fujifilm X-Pro2 with Fujinon XF 23mm f/1.4 R lens, raw file processed with Iridient X-Transformer, exported as a DNG, converted to a TIFF in Adobe Photoshop then further processed in DxO OpticsPro applying film simulation preset via DxO FilmPack as a plug-in within OpticsPro.

Some time ago, the DxO people told me that they will never support X-Trans raw files due to their non-Bayer technology and would only ever support Bayer pattern sensors.

Right now, though I am wondering if the name change of DxO OpticsPro to DxO PhotoLab might be signalling grander intentions for DxO’s key software product.

More than a sophisticated raw developer?

If they are intending to turn DxO PhotoLab into more than a very fine raw processor with built-in camera, lens and analog film simulation profiles, with the addition of all the many image editing features of the Nik Collection, then surely they must be considering adding support for Fujifilm’s X-Trans and non-X-Trans sensors, cameras and lenses.

As I have found time and again, it can be a real pain having to process Fujifilm rare files in one raw processor then raw files from all one’s other, non-Fujifilm cameras in another raw processor, then editing them all together in an image editor once having imported them as TIFF or PSD files.

Always best to do as much as one can in one raw processor regardless of camera used, preserving the ability go back make non-destructive changes.

A range of cameras and sensor types

Like many photographers and cinematographers these days, I rely on a range of camera, lens and sensors types in order to best suit my subjects and how I wish to depict them, and having limitations imposed on me by software companies being unwilling or unable to support all my hardware is a massive pain.

I have yet to establish a fixed workflow that gets the best out of all my gear and continue to try out various options.

Now that Iridient Digital has released the first version of its Iridient X-Transformer aimed at converting Fujifilm X-Trans raw files to DNG files, I have begun running files from my X-Pro2 through X-Transformer then opening them in various image editing applications to see which may work best with them.

DxO’s three core products, PhotoLab, FilmPack and ViewPoint, accept and process TIFF and JPEG files as well as raw files from Bayer image sensors, minus certain core functionality, so they can be introduced into your workflow after your initial raw file processing stage.

Meanwhile, other developments

Lest what started as a small article grows too large and boring, let me list other recent developments in raw processing software.

Adobe recently outraged and panicked many dedicated Adobe Photoshop Lightroom (to use its full name) users by signalling the end of the non-suscriber version of Lightroom aka Lightroom CS in favour of the subscription-only version named Lightroom CC, those initials standing for Creative Cloud.

Like a surprising number of Australian pro photographer colleagues, I have never been a serious Lightroom user having stuck with Photoshop and Camera Raw for years and then jumping ship to DxO OpticsPro and other image editing software.

Irish photographer Thomas Fitzgerald is quite the expert on the pros and cons of various raw processors and image editors as well as workflows, so I will refer you to his Thomas Fitzgerald Photography blog for further details and clarification of Adobe’s now more confusing naming conventions for its two current versions of Lightroom.

Coming from a traditional photography technical background, Mr Fitzgerald is also a highly recommended authority on other software such as Capture One Pro, Macphun (now Skylum) Luminar, ON1 Photo Raw, Apple Photos and plenty more besides.

I highly recommend making him a regular stop on your daily photography reading list.

Meanwhile I will be catching up on the other new developments in software and will be covering them here soon.

My photo editing and raw processing watch list

These are the brands and products I try to keep an eye on, or have used and liked, and I currently use a subset of them in my work.

There are quite a few more of them, paid-for and open source, but I can’t keep an eye on everything out there!

Tastes and needs are different for everyone, so this list may be useful for you when working out your own photography workflow.

Trial versions are generally available.

Header Image Notes

The header image is based on a DxO OpticsPro raw sample photograph that I edited in DxO PhotoLab using the Nik Collection’s U Point adapted by DxO since buying it from Google.

The biggest difference between DxO’s version of U Point and Nik Collections’ is that DxO’s displays icons first and then tool tips appear later after hovering your cursor over an icon.

Given that there is no universally understood icon language, are icons the best solution for a GUI like this or should DxO revert to the Nik Collection’s text-only U Point GUI?

I exported the file from DxO PhotoLab as a TIFF then imported it into Adobe Photoshop where I attempted to apply the Nik Collection Analog Efex Pro 2, resulting in the error message depicted in this screenshot.

ON1, Inc.: ON1 Photo RAW 2017.6 – More Features, More Speed, More Updates

https://www.on1.com/blog/on1-photo-raw-2017-6-more-features-more-speed-more-updates/

“… ON1 Photo RAW 2017.6 features our new super fast and state-of-the-art raw processing engine and image-processing pipeline, ON1 Photo RAW. It also includes the best new and must have ON1 editing features and tools for opening, viewing, and editing photos in an instant. This next generation of ON1 Photo works where you need it, as a standalone app, a plug-in for Adobe® Photoshop® & Lightroom®, or a host app for other editing apps….”

Links:

ON1 Photo Raw 2017 Updated, Improved Fujifilm Raw Support, ON1 Photo Kit: Raw 2017 Essentials Now Available at Discount

ON1 Photo Raw 2017, the standalone non-destructive raw processor and image editor cum mega plug-in suite for your favourite image editor, has been updated to version 2017.0.2 with improvements for Fujifilm camera users, raw file support for a range of new cameras as well as performance updates and bug fixes. 

From the ON1 blog post:

  • Added support for Compressed Lossless Fujifilm RAW photos.
  • Improved processing quality for Fujifilm Trans sensors.
  • Improved highlight recovery.
  • New raw file support for cameras including Olympus SH-2, E-M5 MKII, E-M1 MKII, Pentax K5 II, Nikon D5600, Panasonic DMC FZ2000, Panasonic DMC G2, Panasonic DMC G5, Panasonic DMC TZ80, Leica M10, Leica TL, Canon EOS 500D, Panasonic DMC LX15.
  • Over 20 improvements to performance in Browse which is an area ON1 will continue improving.
  • Several more performance updates and bug fixes are also included in this release.

ON1, Inc. also recently announced is ON1 Photo Kit: Raw 2017 Essentials including ebooks, workflow training videos and presets, all invaluable aids to getting the best out of your images and out of the huge range of tools that comprise ON1 Photo Raw 2017.

This last year, 2016-2017, has seen some exciting developments in stills photography software and hardware, and I look forward to seeing how ON1 Photo Raw 2017 develops over the coming months.

Although this current updater does not support raw files from Fujifilm’s X100F – currently being trialled here for review soon – I am confident that support for this amazing new version of the classic X100 will be coming shortly as well as for Fujifilm’s other imminent new camera releases such as the X-T20 and the GFX 50S.

Postscript:

ON1 Photo Kit: Raw Essentials has now been released and is available at a discount price of US$49.99 for a limited time only.

Links:

Affinity Photo Update 1.5.1 Adds Camera and Lens Profiles, Focus Merge, HDR Merge, Batch Processing and More

This year, 2016, has been stellar for new raw processing and image editing software and updates to well-established products like Adobe Photoshop and Lightroom, and up-and-comers such as Macphun Aurora HDR 2017 and Luminar, Serif Affinity Photo, DxO OpticsPro 11, Capture One Pro 10PixelmatorAlien Skin Exposure X2 and soon-to-appear On1 Photo Raw by On1, Inc. And let’s not forget Photolemur, currently in beta. 

Affinity Photo raw developing with lens corrections applied.
Affinity Photo raw developing with lens corrections applied. Photograph made with Panasonic Lumix DMC-GX8 camera and Olympus M. 40-150mm f/4.0-5.6 R lens.
Affinity Photo 1.5.1 has an excellent HDR merge function and a set of presets including this one, Detailed. Three-bracket HDR image merged from raw files shot on Fujifilm X-T2 with Fujinon XF 14mm f/2.8 R lens.
Having been developed from scratch without years’ worth of legacy code and concepts to build upon, Affinity Photo is fast, contemporary and contains features not usually seen in more traditional image editors. For example, a video-editing vectorscope view. Photograph made with Fujifilm X-T2 with Fujinon XF 18-135mm f/3.5-5.6 R LM OIS WR lens.

Serif has just released its version 1.5.1 update for Affinity Photo and the subset of additions and improvements in its full feature list is a doozy, and too long to cover in depth here.

Affinity Photo’s photographically-oriented additions and improvements include camera and lens profiles for raw processing, HDR merging and 32-bit photo processing, panorama image stitching, focus merging for deep-focus still-life close-up photography, 360-degree editing for immersive interactive images, dust and scratches filter, batch processing, live perspective projection and more.

As Affinity Photo is made for graphic designers as well as photographers, it contains a host of design-oriented features too including close integration with Affinity Designer, Serif’s vector graphics application and the coming Affinity Publisher, its offline and online publishing software.

Affinity Photo and Affinity Designer are made for the Mac and Windows.

Postscript

I have noticed some queries on online photography fora about Affinity Photo’s support for lens and sensor profiles. The folks at Affinity kindly sent me these links:

I am pleased to note that the list of Serif Labs-supported cameras includes the Fujifilm X-Pro2 and X-T2 flagships as well as a vast array of other digital stills and video cameras. The Lensfun list of supported lenses includes seven Fujinon XF zoom and prime lenses, a good start that I hope will grow to encompass all of Fujifilm’s interchangeable lenses.