“Back in 2017 we told you that Olympus is developing and will launch a new 12mm f/1.2 PRO lens. We now found a brand newly published patent describing the lens specs in three slightly different version…”
Right now Olympus’ professional-quality M.Zuiko lineup includes three fast rectilinear prime lenses – 17mm f/1.2, 25mm f/1.2 and 45mm f/1.2 – and it is reassuring to know that the 12mm f/1.2 is on its way possibly to be released in 2018.
All good camera systems, especially if aimed at and used by professionals, need a full and well-spaced set of matched prime and zoom lenses, a fact that Canon, Leica and Nikon worked out decades ago and upon which they built their credibility and success.
Mirrorless cameras other than the Leica M-System such as Olympus and Panasonic’s Micro Four Thirds, Fujifilm’s APS-C and Sony’s APS-C and 35mm systems, need the same optical advantage in order to approach Canon, Leica and Nikon, and would do well to follow their lead.
Olympus is doing well in that regard but gaps remain in their M.Zuiko Pro prime lens line-up with the most obvious being the 10.5mm, 12mm, 14mm and 37.5mm focal lengths.
I recall that 4/3 Rumors shared news of Olympus 12mm and 14mm fast aperture lens designs back in 2017 and I look forward to the announcement and launch of the 12mm f/1.2 M.Zuiko Pro lens sometime this year.
The 12mm focal length is one of my least preferred focal lengths though, whether for stills or video, and I would much prefer 10.5mm as a super wide-angle lens for deeply immersive documentary photography and moviemaking.
While I am grateful that Olympus released its 17mm f/1.2 and 45mm f/1.2 M.Zuiko primes recently, 14mm and 37.5mm (28mm and 75mm in the 35mm sensor format) is a more effective lens pair for two-camera, two-lens documentary work in stills and moving image production.
Not all Olympus M.Zuiko Pro prime lenses need to have a maximum aperture of f/1.2.
Although some super-fast prime lenses are of real benefit in any professional lens kit, many prime lens focal lengths are perfectly useful even if a little slower, such as f/2.0, so long as they share all the other positive traits of the M.Zuiko lens collection such as manual clutch focus.
Professional stills and video cameras in the M43 format are now roaring ahead with the Olympus Olympus OM-D E-M1 Mark II, Panasonic Lumix DC-GH5, DC-GH5S, DC-G9 and DMC-GX8 (soon to be upgraded to the GX9, one hopes), and they deserve a range of equally professional and well-spaced, colour-matched lenses to suit.
- 4/3 Rumors – Newly published Olympus patent confirms a 12mm f/1.2 PRO lens is coming
- Leica Camera AG – Leica M-System
- Olympus Global – M.Zuiko Pro
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- Olympus M.Zuiko Digital ED 7-14mm f/2.8 PRO Lens – B&H
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- Olympus M.Zuiko Digital ED 25mm f/1.2 PRO Lens – B&H
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- Olympus M.Zuiko Digital ED 45mm f/1.2 PRO Lens – B&H
- Olympus M.Zuiko Digital ED 300mm f/4 IS PRO Lens – B&H
- Olympus M.Zuiko Digital MC-14 1.4x Teleconverter – B&H
- Olympus OM-D E-M1 Mark II Mirrorless Micro Four Thirds Digital Camera – B&H
- Panasonic Lumix DMC-GX8 Mirrorless Micro Four Thirds Digital Camera – B&H
- Panasonic Lumix DC-G9 Mirrorless Micro Four Thirds Digital Camera (Body Only) – B&H
- Panasonic Lumix DC-GH5 Mirrorless Micro Four Thirds Digital Camera – B&H
- Panasonic Lumix DC-GH5S Mirrorless Micro Four Thirds Digital Camera – B&H