No Film School: Why I Switched to Final Cut Pro X After 25 Years of Working on Avid

https://nofilmschool.com/switched-final-cut-pro-x-after-25-years

apple_final_cut_pro_x_fcpx_10.4.1_02_1024px_60pc

“I spent a quarter of a century editing on Avid and several years on Premiere Pro, so why did I decide to ditch them both and go with Final Cut Pro X? I’ll tell ya….

There’s a small but growing number of editors who have made the jump. The process is fairly predictable.  Surprise when we first hear a fellow editor rave about FCPX. Followed by a willingness to give it a shot.  And then two weeks of massive discouragement and frustration, because it’s unlike any other edit system we’ve used before. And finally, the lightbulb moment, the “NOW I get it” realization that comes with understanding the radically different workflow….”

Links

Help support ‘Untitled’

Clicking on the links and purchasing through them for our affiliate accounts at Adorama, Alien Skin, B&H Photo Video, SkylumSmallRig or Think Tank Photo helps us continue our work for ‘Unititled’.

Advertisements

Frame.io Insider: Speed Up Your Editing Using Final Cut Pro X’s Browser

https://blog.frame.io/2018/11/05/fcpx-browser-editing/

“At last year’s FCP X World in London, people were dazzled by watching London-based commercial editor Thomas Grove Carter of Trim Editing cut together an Audi commercial live. The speed with which he conducted the edit was mesmerizing….

… But FCP X, with its magnetic timeline and the powerful tools packed into its browser, is built for lightning-paced cutting—you just have to know how to use it!

As I see it, there are two standout techniques involved in Thomas Grove Carter’s process:

  • Mastery of three-point editing (and its keyboard shortcuts)
  • Mastery of FCP X’s browser-based system of organization and labeling…”
apple_final_cut_pro_x_fcpx_10.4.1_03_1024px_60pc
Apple Final Cut Pro X on Apple 27″ iMac Pro with Retina 5K Display (Late 2017)

Links

Help support ‘Untitled’

Clicking on the links below and purchasing through them or our affiliate accounts at B&H Photo Video, SmallRig or Think Tank Photo helps us continue our work for ‘Untitled’.

  • Apple Mac ComputersB&H

fcp.co: Version Control and Collaborative Final Cut Pro X Libraries Stored in the Cloud with PostLab

http://www.fcp.co/final-cut-pro/news/2106-version-control-and-collaborative-final-cut-pro-x-libraries-stored-in-the-cloud-with-postlab

“… Final Cut Pro X is very good at certain things. Unfortunately Apple hasn’t yet cracked collaborative workflow and sharing Libraries between editors can be clunky.

Jasper Siegers at broadcaster EO in the Netherlands has been working on a project that allows all of its FCPX editors to collaborate by enabling version control. The free app is called PostLab and is available for download from the PostLab website.…”

apple_final_cut_pro_x_fcpx_10.4.1_03_1024px_60pc
Apple Final Cut Pro X on Apple 27″ iMac Pro with Retina 5K Display (Late 2017)

Links

fcp.co: Off the Tracks, the Film about Final Cut Pro X, Is Now Available to Download

http://www.fcp.co/final-cut-pro/news/2099-off-the-tracks-the-film-about-final-cut-pro-x-is-now-available-to-download

“… Ultimately this documentary is about how a tool has helped democratize movie making. It is also a product of what it preaches. Final Cut Pro X does empower storytellers and that message was what made me passionate enough to take all the time and energy to make this documentary. It’s a real meta sort of thing.…”

apple_final_cut_pro_x_fcpx_10.4.1_03_1024px_60pc
Apple Final Cut Pro X on Apple 27″ iMac Pro with Retina 5K Display (Late 2017)

Commentary

A confession: when I first cracked open Final Cut Pro X in its first iteration, I felt at home with it and its magnetic timeline concept in a way I never had with more conventional NLE products including Final Cut Pro.

And yet…

In 2011 Apple ended Final Cut Pro as we knew it and started over with a brand new video editing application: Final Cut Pro X. The disruption from this change is still being felt by the film, television, and video industries to this day.

With misinformation running amok, Off The Tracks aims to clear the air once and for all.

This documentary features exclusive interviews with the creative professionals who use the software and the developers who created it. Why did Apple make Final Cut Pro X?

Links

Help support ‘Untitled’

Clicking on these affiliate links and purchasing through them helps us continue our work for ‘Untitled: Stories of Creativity, Innovation, Success’.

  • Apple 15.4″ MacBook Pro with Touch Bar (Mid 2018, Space Gray)B&H
  • Apple 27″ iMac Pro with Retina 5K Display (Late 2017)B&H
  • BenQ PV270 27″ 16:9 Rec.709 / DCI-P3 Color Accurate IPS MonitorB&H
  • Datacolor CalibrationB&H
  • Eizo MonitorsB&H
  • Flanders Scientific Inc.B&H – although movie editors and color graders regard FSI monitors as the best there are, bizarrely B&H does not appear to stock the monitors themselves but only the accessories for them. I hope that this changes soon. Check out the FSI Solutions MediaLight 6500K Bias Light products for lighting your workstation area with light that will not throw your colour judgement seriously out of whack.
  • G-Technology HDDS and SSDsB&H
  • GTI Standard Gray Neutral N8 Vinyl Latex Paint (1 Gallon)B&H – “Standard Neutral Gray Munsell N8,
    Made for the Photo and Graphic Industry, Used in Color Viewing Areas, Water-Reducible Vinyl Latex Paint, Eliminates Simultaneous Color Contrast, Reduces Color Pollution of Viewing Area”
  • HP DreamColor MonitorsB&H
  • LaCie DrivesB&H
  • LG MonitorsB&H
  • Promise Technology Drives – B&H
  • Wacom TabletsB&H
  • X-Rite ColorCheckers and ProfilersB&H

James Miller’s DELUTS Creative LUTs Discounted 25%, with New LUTs Collections and Methodologies Added

Cinematographer/Director of Photography James Miller of DELUTS has been busy of late updating and adding to his DELUTS creative LUTs collections, most recently releasing a DELUTS Universe ARRI Set, a DELUTS Lightroom ACR Looks set, DELUTS C200 Looks and Transforms, DELUTS Overlook, DELUTS Universe Red Digital Cinema IPP2 Set v1 and DELUTS Universe, a whole new concept in sequential LUT application inspired by the beauty of Log C footage from ARRI’s ALEXA cinema cameras.

james_miller_deluts_acr_look_profiles_01
Profile from DELUTS ACR Look Profiles collection applied to original TIFF file provided by James Miller of DELUTS.

“… I first started DELUTS in 2015 after years gathering look profiles that I have generated for film projects. I decided to share these and have tried to build upon this offering creative looks for Video and now for Lightroom & Photoshop using the new Profile system in CC 2018 versions.

The DELUTS Universe set was born after nearly 2 years building the back bone of the system. If you just need looks to go over the top of footage that you have already balanced, then thats the DELUTS Overlook set is a great place to start. If you are working with images and want the look of DELUTS with RAW, TIF, JPEG etc then the new DELUTS Lightroom ACR Looks is the one to use. I have offers when purchasing 2 certain sets. The DELUTS Lightroom ACR Looks & DELUTS OVERLOOK are a great match for video and stills.”

Links

Ronny Courtens: Colour Grading Workflow in Final Cut Pro X Using Chromatic

“… In his presentation at the FCP X World event at IBC, Roger Bolton from Coremelt demonstrated how you can accelerate grading, enhance client presentations and get great results quickly using the Chromatic grading tool….”

Links

fcp.co: Final Cut Pro X 10.4 Announced With New Wheels and Curves Colour Controls and 360 Tools Built-in.

http://www.fcp.co/final-cut-pro/news/2011-final-cut-pro-x-10-4-announced-with-new-wheels-and-curves-colour-controls-and-360-tools-built-in

“We’ve just got back from the Apple Presentation that’s part of the FCPX Creative Summit and we have some great news about 10.4 to share. New colour tools including wheels & curves and 360 tools built in….”

Commentary

Some interesting acronyms and abbreviations from this article:

  • 360
  • 3D
  • HDR
  • Camera LUTs
  • Custom LUTs
  • 4K RED
  • HEVC
  • 8K

Links

Larry Jordan: An HDR Workflow in Final Cut Pro X

https://larryjordan.com/articles/an-hdr-workflow-in-final-cut-pro-x/

“HDR (High-Dynamic Range) video is the newest hot topic in media creation. It features both pixels that are brighter than what we are used into in HD and with a richer level of saturation….

… Until the standards for HDR solidify and settle down, it does not make sense for smaller shops to invest in HDR monitors. It does make sense, however, to start shooting high-bit-depth material to protect our projects and clients. And edit it in such a fashion that we can extract an HDR version whenever the client decides they want to pay for it.

Now, when you are ready to step up to HDR, FCP X can handle the whole process for you….”

Links

Help support ‘Untitled’

Clicking on these affiliate links helps us continue our work for ‘Untitled: Stories of Creativity, Innovation, Success’.

  • Panasonic Lumix DC-GH5 Mirrorless Micro Four Thirds Digital Camera – B&H
  • Panasonic DMW-XLR1 XLR Microphone AdapterB&H
  • Panasonic DMW-BGGH5 Battery Grip – B&H
  • Panasonic V-Log L Function Activation Code for DMC-GH4, DC-GH5, and DMC-FZ2500B&H