Panasonic UK Lumix Ambassador Nick Driftwood has released a free collection of his custom settings for Panasonic’s versatile and eminently programmable Lumix BGH1 Micro Four Thirds cinema camera and they are available via his website at this page:
“The DWDBGH1 settings are programmed to best suit each scenario. The manual settings have the Shutter programmed for the bottom right ‘programmable’ function button. The ‘P’ (aperture/Shutter Program Control settings keep the WB (White Balance on the bottom right because they don’t need shutter control (it does it for you). Inside you will find ideal settings and frame rates for all scenarios. It’s simple to switch between them from the Custom setting menu.”
“Music by Nick Driftwood. This is a 10-bit 420 encode using Handbrake HEVC x265. Now you can use Handbrake to encode your HLG Rec2020 / videos. This is an extreme example at hi rez anamorphic but basically the settings for handbrake h265 HEVC encodes are the same. Use the CRF constant Rate Factor to slide/change quality (lower is better quality but longer encodes).
Use chrome or other compatible browser to view upto 8K (Anamorphic x2 desqueeze to 9 884 pixels x 3 744 pixels in great quality INTRA).
Since I wrote this article near the beginning of 2017, a number of camera cages for the Panasonic Lumix GH5 have appeared on the market and I have been able to take a look online at many of them. In the case of one GH5 cage, Seercam’s Cube GH5, I have been kindly sent one and have had the opportunity of taking a closer look than websites permit.
I admit to a degree of well-informed bias. I have a Seercam cage for my GH4 and it has served me and my GH4 well, amply living up to Seercam’s mission of providing the best protection possible. If it were not for that cage, my GH4 might be in pieces due to an accident that occurred shortly after I bought it. The cage took the impact and my GH4 was saved.
Seercam, by the way, is the new international trading brand name for the South Korean camera accessories company Motion9 and so my GH4 cage was branded as a Motion9 product.
If those accessories were still in production, I would snap them up in a second as they solve the single biggest problem I had with the GH4 cage back then, the need to rapidly remove and reattach the CubeMix GH4/3’s three handles when working fast on location.
Quick release accessories, whether attached via dovetail rails, NATO rails or Arri rosettes, are clearly the way to go for speed and efficiency and permit safely carrying your caged camera about in a backpack or shoulder bag then quickly removing it and snapping on handles and other quick release accessories ready for work.
None of my current shoulder bags or backpacks are dedicated video camera bags permitting carriage of fully assembled video rigs, but Peak Design’s 30-litre Everyday Backpack with its flexible internal space has proven to be a good solution for carrying cage-mounted cameras and other oddly-shaped and sized video equipment.
Sometimes though, transporting a fully assembled video rig is beyond the capabilities of even the best and biggest bag. Nick Driftwood’s GH5 rig for anamorphic moviemaking above, also depicted further down this page, is a case in point.
Anamorphic lenses aside, big rigs like Mr Diftwood’s are not uncommon when shooting full-length documentaries, the main purpose for which I bought my GH4 then added Motion9’s CubeMix GH4/3 cage followed by a Panasonic DMW-BGGH3 battery grip for stability and added power in handheld video and stills photography.
Communications with the Seercam team reveal they are working on further GH5 solutions including an international-standard external battery pack, a special longer rod for the Extension Kit for Cube GH5, left and right side handles and an updated quick release rod riser.
With the March 2017 release of Panasonic’s Lumix GH5 Super 16/Micro Four Thirds looming, my attention turns to the many and various accessories needed to make the most of this revolutionary camera. One essential accessory for filmmakers seriously considering the GH5 is a cage, and at least two cage-makers are known to be working on designs at the moment.
I am most familiar with two brands of cage makers – SmallRig and Seercam, formerly Motion9, links below. I currently own one cage made by each and would definitely consider purchasing from both again.
The folks at SmallRig design their new products via a crowdsourcing process, as it were, seeking input and new ideas from users. Seercam is interested in hearing from potential users and I have, accordingly, sent them the photograph of Nick Driftwood’s GH5 anamorphic rig below.
More images of SmallRig’s GH5 cage currently in development
The Seercam folks tell me that they are waiting to test one of the three GH5s currently available in South Korea and will finish their design at the beginning of March. They will be showing it and other products off at NAB in April.
Nick Driftwood’s GH5 rig for anamorphic moviemaking
At the very least a cage must offer protection for the camera within and prevent twisting and damage when accessories are mounted on it.
I am not fond of mounting large or heavy microphones or recorders on hotshoes – I would much prefer to attach them via coldshoes on a cage. If something untoward happens to the coldshoe then it can be replaced. Not so a hotshoe.
I am becoming enamoured of battery grips especially when shooting battery-sucking 10-bit 4:2:2 4K or DCI. I prefer attaching recorders beneath the camera and attaching mics to them via coiled XLR cables.
At present I don’t use a rig like the one in Mr Driftwood’s photograph, but I may well need a rig like that minus the anamorphic lens when shooting a feature-length documentary.
The rest of the time my typical rig will be stripped right down for MOS (without sound) handheld video, or with a recorder beneath camera-plus-battery-grip and a microphone on top of the cage. Plus variations.
If a cage and its accessories can be made to accommodate all the typical scenarios one encounters in the course of a typical working career in stills and video – I often use cages for both applications – then I will be very happy indeed.
I have been reading about the many Panasonic Lumix GH5 roadshows that have been going on elsewhere in the world with no small amount of envy. There has been no news of any such events happening here so I am sharing the next best thing, a graphic featuring Brighton-based moviemaker Nick Driftwood presenting his Panasonic Lumix GH5 Top 10.
Panasonic brand ambassador Mr Driftwood has been touring the UK with a pre-production GH5 and has some years of experience with Lumix and Panasonic video cameras and camcorders.