“If things pan out the way they seem set to, ProRes RAW could change the way independent film and video professionals work for a long time.
In this article, we’ll briefly cover the basics of RAW, how Apple is attempting to streamline this with their new ProRes, and what that means for you as a filmmaker….
… The lightweight nature of the codecs also opens up possibilities for future minimization and streamlining of cinema cameras — similar to what previous ProRes codecs have done. Adopting a more open licensing policy with ProRes RAW could herald another new wave of cinema cameras, shattering price floors….”
“Apple has now released a new update for its flagship music recording software, Logic Pro X. While we are getting a very long list of minor tweaks and enhancements here, version 10.4 is bringing some major new features to the table along with some serious gear in the way vintage EQ emulation, new orchestral instruments, a pair of multi-effect plug-ins and hundreds of new sounds.…”
Apple’s affordable though high-end sound and visuals post-production software suites, Final Cut Pro X and Logic Pro X, have been given some impressive updates recently with the former gaining pro-quality colour grading features while the latter has received plenty of music-oriented improvements and content.
Now the stage is set for Apple to introduce some really big, long-needed improvements in its audio-editing and sound design capacity to equal or surpass the credible threat rendered by Blackmagic Design’s DaVinci Resolve 14 and its built-in Fairlight Audio page tools obtained as the result of the purchase of the legendary Fairlight audio and video hardware and software company.
Apple’s two separate post-production suites need to be made to work together in a far closer, far more intuitive way than they do at the moment to the degree that it would be unthinkable to use one without the other.
Let us hope that Apple has some pleasant surprises up its sleeves this year, but not too late in the year as Blackmagic Design is already roaring ahead with full audio integration in the free and paid-for versions of DaVinci Resolve 14.
digitalfilms, a blog by Oliver Peters – Apple Final Cut Pro X 10.4 – “The hope for an enhanced, roles-based audio mixer has once again gone unanswered. On the other hand, the built-in audio plug-ins have been updated to those used by Logic Pro X and there’s a clean path to send your audio to Logic if you want to mix there.”
digitalfilms, a blog by Oliver Peters – Blackmagic Design DaVinci Resolve 14 – “But is that enough to sway loyal Final Cut Pro X, Premiere Pro, or Media Composer editors to switch?… I wouldn’t be surprised to hear news of a TV show or small feature film being edited with Resolve in the coming year.”
“You may have heard of DaVinci Resolve as a color grading tool—it has a strong pedigree in color, and about a decade ago, you only would have seen it inside high-end post-production houses and finishing facilities, replacing the color timing workflows for film with cutting-edge digital intermediate workflows.
However, it’s also great for syncing audio, preparing dailies, conforming, and in the past few years, has even started to offer tools for editing and sound mixing. The sound mixing tools are brand new, so the industry hasn’t adopted them widely yet, and the editing tools aren’t yet as robust as what you’d see from Apple, Adobe, or Avid, but they’ll suffice in a pinch. This whole collection of tools, together, makes Resolve one of, if not the most powerful tool in post-production. It’s the glue that holds the entire post-production workflow together….”
“Fusion 9 is a massive new release with features specifically designed for the latest virtual reality, visual effects, motion graphics, and 3D workflows! The entirely new VR toolset makes Fusion indispensable for virtual reality projects, while new camera and planar tracking features make it possible to precisely track and composite objects while maintaining perspective and camera motion. Fusion 9 also includes delta keyer, with advanced image science that makes it the world’s most advanced keyer. In addition, you also get Studio Player which includes new multi user collaboration tools for tracking and managing shots, along with version history, annotation notes and more!…”