Videos About Two Australian X-Photographers Using X-Pro3 Digital Rangefinder Camera, Megan Lewis and Michael Coyne, Now Online

Australian photographers rarely if ever feature in camera and lens makers’ marketing materials and few Australia female photographers are invited to become brand ambassadors whether they are based in Australia or overseas. 

Documentary photographer Megan Lewis features in one of two recently-released Fujifilm X-Photographer videos about the X-Pro3 digital rangefinder-style camera with documentary photographer Michael Coyne being her male counterpart. 

Both are long-time Fujifilm users and are well-qualified to offer their insights into the X-Pro3 as a dedicated documentary and photojournalism stills camera. 

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Fujifilm X-Pro 3 with MHG-XPRO3 grip and Fujinon XF 35mm f/2.0 R WR prime lens. I prefer equipping my cameras with handgrips and vertical battery grips for versatility, stability and security when handholding lenses in a wide range of sizes and weights, although the smaller Fujinon lenses such as this XF 35mm f/1.4 R “Fujicron” standard prime lens may not benefit as much as larger prime and zoom lenses.

I have yet to have the pleasure of meeting either photographer, though I am keen to spend time with Megan Lewis to photograph her at work for ‘Unititled’ in order to show other female photographers that one can succeed as a documentary photographer or photojournalist.

In the immortal words of Geena Davis of the Geena Davis Institute on Gender in Media, “if she can see it, she can be it”, and so stories, photo essays and videos about female creatives like Megan Lewis are crucial to creating the possibility of women succeeding in their chosen professions to the point where we gain parity with men.

FUJIFILM X Series: Megan Lewis x X-Pro3 / FUJIFILM

FUJIFILM X Series: Different Breed: Michael Coyne x X-Pro3

Fujinon lenses used by Megan Lewis and Michael Coyne in these videos

Links

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  • FUJIFILM X-Pro3 Mirrorless Digital Camera B&H
  • FUJIFILM XF 10-24mm f/4 R OIS LensB&H – used by Megan Lewis
  • FUJIFILM XF 16mm f/2.8 R WR LensB&H – used by Michael Coyne

Fujifilm X-Pro3 First Look Touch & Try Event, Ted’s World of Imaging, Sydney, Wednesday November 6, 2019

I attended Fujifilm Australia’s First Look Touch & Try event at Ted’s World of Imaging in Sydney on Wednesday, 6th November, 2019, and had a brief opportunity to handle a preproduction version of the Fujifilm X-Pro3 digital rangefinder camera that has already been well-covered in Fujifilm X-Photographer videos and articles, and first-look commentary by a range of online camera pundits. 

As the camera is in preproduction at time of writing, the usual request not to shoot or publish photographs made with it applies, so I will not  comment on its stills and video capabilities but can state that the X-Pro3 is an interesting evolution of Fujifilm’s professional rangefinder line.

Fujifilm is marketing the X-Pro3 as a camera for “street photographers” as Panasonic did for its latest rangefinder-style GX series camera, the Lumix DC-GX9, and I am hoping that with its X-Pro series Fujifilm will not be imitating Panasonic’s decision to make its GX series something less than a great camera for photojournalists and documentary photographers.

I dread the day my Lumix DMC-GX8 gives up the ghost given Panasonic so badly dropped the ball on pro-quality rangefinder-style cameras in favour of DSLR-style cameras.

Throughout my career I have relied on a range of camera styles and formats – rangefinders, rangefinder-style cameras, hand and stand sheet film cameras,  SLRs aka Single Lens Reflexes in 120 and 135  film formats, and a DSLR upon Canon’s accidental revolution in the form of the Canon EOS 5D Mark II.

My first choice for immersive documentary photography has always been rangefinder cameras and I have been hoping the X-Pro3 would receive many of the advances found in the X-H1 and X-T3.

Until I have a proper hands-on with it, I will not know whether that is truly the case, but the X-Pro3’s loss of the ability to use its otherwise improved optical viewfinder aka OVF with the Fujinon XF 18mm R moderate wide-angle prime lens is a real concern.

For many documentary photographers and photojournalists, as it has long been for me, the 28mm focal length (on 35mm sensor cameras) is our default and its 18mm APS-C equivalent works well on the X-Pro2 and especially in its OVF.

Since 2015 I have been daydreaming of a radically improved X-Pro3 being released alongside an even more radically upgraded Fujinon XF 18mm lens with both aimed at documentary photographers and photojournalists, but Fujifilm seems to have decided on setting its sights lower than that, upon street photographers whom I humbly suggest might be better served by the forthcoming X100V.

Time will tell where Fujifilm is heading with its cameras, but I hope that it will not forget its documentary and photojournalism customers as Panasonic has.

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Warrewyk Williams of Fujifilm Australia presenting the Fujifilm X-Pro3 digital rangefinder camera at Fujifilm X-Pro3 FIRST LOOK + Touch & Try event at Ted’s World of Imaging in Sydney on Wednesday November 6, 2019.
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Warrewyk Williams of Fujifilm Australia presenting on the Fujifilm X-Pro3 digital rangefinder camera.
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Fujifilm X-Pro3 pre-production model with pre-production Fujinon XF 16-80mm f/4.0 R OIS WR zoom lens.
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Fujifilm X-T30 dwarfed by the Fujinon XF 16-80mm f/4.0 R OIS WR standard zoom lens.
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Fujifilm X-Pro3 pre-production model with limited edition silver grey Fujinon XF 23mm f/2.0 R WR prime lens.
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Handing over the Fujifilm X-Pro3 pre-production model with limited edition silver grey Fujinon XF 23mm f/2.0 R WR prime lens.
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Fujifilm’s smaller, more affordable “Fujicron” lenses are particularly suitable for the X-Pr03 and its processor the X-Pro2, given how the front elements of the larger, costlier “Fujilux” lenses protrude into the lower right of both cameras’ optical viewfinders.
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I have yet to have the pleasure of trying out the Fujifilm GFX-100 medium format camera but it appears particularly suited to the style of portrait photography I used to carry out with 120 roll film and sheet film cameras during the analog era.
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The X-Pro3 finds its way into some female hands.
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Ditto, though with the suitable oversight of a gentleman’s expertise.