Fringer: Fringer EF-FX Pro II is released

https://www.fringeradapter.com/blog/fringer-ef-fx-pro-ii-is-released

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Fringer EF-FX Pro II adapter for mounting Canon EF-Mount lenses on Fujifilm X-Mount cameras.

Main improvements of the 2nd generation of EF-FX Pro include

– Redesigned aperture ring for more convenient operation

– New MCU (more powerful, more resources for firmware update)

– Better light absorbing design

The functions and performance of gen1 and gen2 are the same….

Fringer EF-FX Pro II lens adapter for mounting Canon EF-mount lenses on Fujifilm X-mount cameras

Commentary

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Sigma 18-35mm f/1.8 DC HSM Art zoom lens for APS-C sensors and for adapting to M43 with Metabones SpeedBoosters, lens available in Canon EF or Nikon mounts.

Gaps still remain in Fujifilm’s native X-mount lens collection for the company’s APS-C sensor format cameras such as the X-T3, X-H1, X-T30, X-Pro2 and the rest so some cinematographers, wishing to take advantage of Fujifilm’s recently upgraded video capabilities, have been exploring adapting third party lenses like Sigma’s 18-35mm f/1.8 DC HSM Art zoom lens.

With Smart Adapter and Speed Booster stalwart Metabones missing in action when it comes to adapting Canon EF-mount lenses popular with moviemakers, space was created for formerly unknown adapter makers like Fringer to enter the fray with its Fringer EF-FX and Fringer EF-FX Pro smart adapters.

If I were contemplating doing the same as several cinematographers of my acquaintance, I would choose the Pro version given its built-in aperture ring and better yet, Fringer’s EF-FX Pro II with its much-needed hardware and firmware improvements.

I have just one Canon EF-mount lens remaining in my collection, a Canon RF 24-105mm f/4L IS USM kit zoom lens suffering from the far-too-common detached internal ribbon connector problem that renders it completely unusable so have been treading water on an EF-to-X-mount adapter until I can afford Canon’s over-priced repair bill for this problematic though popular lens.

I have been considering investing in a Sigma 18-35mm f/1.8 zoom lens but was not quite convinced by Fringer’s EF-FX Pro version 1 adapter.

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Canon EF 24-105mm f/4.0 L USM zoom lens, prone to the all-too-common aperture control ribbon cable failure that can apparently cost a small fortune to have fixed in Australia. Bundled as a kit zoom lens with some Canon DSLRs and popular amongst videographers despite not having the most amazing optical or mechanical qualities.

The imminent release of the Fringer EF-FX Pro II may well tip the balance.

A Sigma 18-35mm f/1.8 with smart adapter would give me access to one of the documentary photographer’s and photojournalist’s most-needed focal lengths, 18mm in APS-C which is equivalent to 28mm in the 35mm sensor format, as well as one of the most useful focal length ranges for documentary moviemaking.

On the other hand, Fujifilm’s Fujinon XF 18-55mm f/2.8-4.0 R LM OIS has its uses for stills and video and adds optical image stabilization to both, a benefit I do not have on any of my current Fujifilm lenses.

And then there is the coming Fujinon XF 16-80mm f/4.0 R OIS zoom lens, to be released sometime late this year according to rumours, with its highly useful additions to the wide and long ends of the scale.

Time to do some number crunching and crystal ball gazing, methinks, and hope for the best.

Native glass often proves to be the best solution given third-party adapters can have their downsides.

The upside of EF-mount lenses adapted for use on APS-C and Micro Four Thirds cameras such as those made by Fujifilm, Panasonic and Blackmagic Design is that they can be pressed into maximum service and prove their value in a wide range of applications.

Imagine a Sigma 18-35mm f/1.8 DC HSM Art, or a Canon EF 24-105mm f/4L IS USM zoom lens for that matter, really proving its value for shooting Blackmagic Raw cinematic video on a Blackmagic Pocket Cinema Camera 4K, Super 16 HLG video on Panasonic’s MFT cameras, Super 35 HLG video on the Fujifilm X-T3, and documentary stills and portrait photography in a number of different sensor formats.

As a self-funded independent documentary photographer and video-maker, obtaining maximum value from minimum expenditure is a constant battle especially in this economic climate when the Australian banks are all-too-ready to screw-over regular folks like us, wrecking our plans and financially throwing us to the wolves, hence all this rumination over how to get the most out of my gear while spending as little as possible to add extra functionality.

Focal lengths longer than 85mm in equivalence would come in handy right now for portraiture on my Fujifilm APS-C cameras, as would a stabilized zoom lens with equivalent focal lengths from 36mm through to 157.5mm for handheld Super 35 video.

I could do with something similar for my M43 cameras, providing equivalent focal lengths of 48mm through to 210mm for portraiture and video as well as macro product photography.

Add a Metabones Speed Booster to my current Metabones Smart Adapter and even more focal lengths would become available on those cameras as well as a Blackmagic Design Pocket Cinema Camera 4K, the cheapest option now available for cinematic raw video.

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Meyer Optic USA: Bring back the Fabulous Wonder Bokeh Lens: P 58 f1.9 – Updates: Sad news

https://www.kickstarter.com/projects/meyeroptik/bring-back-the-fabulous-wonder-bokeh-lens-primopla/posts/2256824

“A few weeks ago, our founder, CEO and main investor Stefan Immes had a serious traffic accident, which he barely survived. Although we have been able to talk to him and although, for a very short time of the day he has become the astute, humorous and positive entrepreneur we know, it is now clear that due to the severity of the injuries he will not be able to continue running the company in the foreseeable future.

For a company of 15 employees only, this entails a large number of changes. Currently, we are in the process of reorganization and are trying to establish a working system as no successor regulation can yet be found for the Net SE Group. For this reason, we are currently undergoing a restructuring process with an as yet unknown outcome for the individual divisions….”

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Meyer Optik Görlitz Primoplan P58 58mm f/1.9 Art prime lens for Canon EF mount, M42 mount, Nikon F mount and Pentax K mount.

Other Meyer Optik Görlitz lenses as of August 2018

Commentary

Sad news indeed about Meyer Optik Görlitz CEO Stefan Immes and I hope that the company can successfully reorganize and get back into full production of its innovative and revived art lenses.

I wish to see more, not fewer, makers of these characterful lens types in the world and would hate to see the end of the Meyer Optik Görlitz initiative especially given their aims as stated in their latest Kickstarter campaign:

We restored the Meyer-Optik brand to build lenses that are distinguished in their uniqueness. Today, our lenses are made for those who want more than standard shots for their everyday photography. These lenses are special hand-made optics designed for the artistic photographer who craves a special unique look.

Although I appreciate the precision of most contemporary lens designs, I have had practical firsthand experience of antique and revived historical lenses aka “fine art” or “art” lenses and know there is a place for them in almost every photographer’s and moviemaker’s gear kit.

I wish the Meyer Optik Görlitz company the very best in their reorganization, and look forward to them reviving and updating many more famous and historical lenses in future.

Meanwhile I am glad to know that other companies such as Lomography are also on the classic lens revival trail and look forward to one day being able to try out a cross section of such lenses.

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novoflex_nikon_f_to_fujifilm_g_adapter_01_1024px_80pc
Novoflex Nikon F to Fujifilm G lens adapter on Fujifilm GFX 50S camera.

Clicking on these affiliate links and purchasing through them helps us continue our work for ‘Untitled: Stories of Creativity, Innovation, Success’.

  • Lensbaby lensesB&H
  • Lomography lensesB&H
  • Metabones Nikon F Lens to Fujifilm X-Mount Camera T AdapterB&H
  • Metabones Nikon F Lens to Micro Four Thirds Camera T Adapter IIB&H
  • Metabones Nikon F Lens to Sony E-Mount Camera T Adapter IIB&H
  • Metabones Speed Booster lens adapters for Nikon lenses to various camerasB&H
  • Meyer Optik Görlitz LensesB&H
  • Novoflex Nikon F Lens to Fujifilm G-Mount Camera AdapterB&H
  • Novoflex Adapter for Nikon Mount to Fujifilm X Mount Digital CamerasB&H
  • Novoflex Nikon to Micro Four Thirds Lens AdapterB&H
  • Novoflex Adapter for Nikon F Lens to Sony E-Mount CameraB&H

Atlas Releases Affordable, Quality Orion 2x Anamorphic Prime Lenses, 40mm, 65mm and 100mm T2, in EF and PL Mounts

Atlas Lens Co. has released the first three lenses in its Orion Series of relatively affordable cinema quality anamorphic prime optics, comprising 40mm, 65mm and 100mm focal lengths, all at a maximum aperture of T2 and with a choice of Arri PL or Canon EF mount. 

The Orion 40mm T2 lens may well make an excellent first anamorphic lens for anyone wishing to explore or seriously shoot in the CinemaScope Anamorphic format on Panasonic Lumix cameras like the GH5 and GH4, whether renting or purchasing the lens.

The makers recommend adapters for those wishing to use the Orion Series lenses on cameras without EF or PL mounts:

An Interchangeable Mount System means you can use Orion Series Anamorphic lenses on any PL Mount camera one day, and any compatible EF,  E-mount, or Micro 4/3 camera with appropriate adapters for your next shoot or second unit.

One possibility may be to attach an Orion 40mm T2 to your GH5 or GH4 via a Metabones EF-to-M43 Speed Booster or Smart Adapter, thus obtaining different effective focal lengths from the one lens.

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David Thorpe: A Look At The Metabones Speed Booster For Micro Four Thirds Cameras

“This is my take on the Metabones Speed Booster Nikon Version for Micro Four Thirds, M43, M4/3, MFT cameras….”

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  • Olympus M.Zuiko Digital MC-14 1.4x TeleconverterB&H