Meike Hints at ‘Full Frame’ aka 35mm and Super 35 Cinema Lenses Coming Soon

While researching for my previous article on the ever-growing Meike Cinema Primes collection of manual ciné lenses for Micro Four Thirds, Sony E and Fujifilm X mount cameras, some images of other possible upcoming new lenses caught my eye. 

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Meike 35mm T2.1 Super 35 cinema prime lens mounted on Blackmagic Design’s Blackmagic Pocket Cinema Camera 6K aka BMPCC 6K. Sign of things to come? Image courtesy of Meike Global.
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Meike cinema prime lenses marked “6K” in 25mm, 35mm, 50mm, 65mm and 85mm focal lengths. Mockups or coming new releases? Image courtesy of Meike Global.
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Meike 50mm T2.1 “Full Frame” cinema prime lens for 35mm sensor cameras and presumably for Super 35 cameras too, as well as smaller sensor cameras via adapters. Image courtesy of Meike Global.
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Meike poster image for Meike 50mm f/1.2 “Full Frame” lens for Nikon Z-mount camera with 35mm sensor. What other mounts might this lens be coming in? Image courtesy of Meike Global.
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Meike T2.2 Series 6x Cine lens Kit for MFT + Cine Lens Case, containing Meike cinema prime lenses for Micro Four Thirds cameras. Looks like a great option for users of Micro Four Thirds cinema and video cameras including Blackmagic Design’s Blackmagic Pocket Cinema Camera 4K aka BMPCC 4K and Panasonic’s M43 cameras. Will Meike be making kits like this available for its possible coming Super 35 and “full frame” cinema prime lenses? Image courtesy of Meike Global.

Given the praise that Blackmagic Design’s 6K raw-capable  Blackmagic Pocket Cinema Camera 6K aka BMPCC 6K is receiving, it appears to be a more attractive alternative to the smaller sensor-equipped BMPCC 4K provided it is used with so-called “full frame” or 35mm sensor lenses, or lenses designed for motion picture industry standard Super 35 cameras.

I will be intrigued to see what focal lengths Meike will be releasing in these formats, how good they are and how affordably they may be priced.

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Lensrentals: Veydra Cine Mini Prime MTF Optical Bench Tests

https://www.lensrentals.com/blog/2018/03/veydra-cine-mini-prime-mtf-optical-bench-tests/

“I have my preconceived notions, just like anyone else. A long while back the video techs told me we were stocking Veydra Primes in multiple focal lengths for m4/3 mounts. I just rolled my eyes and passed on by. Another boutique lens that would have poor resolution, ridiculous copy-to-copy variation, and a shelf-life-until-broken measured in weeks. Not interested.

But I noticed we were stocking more and more of them because they rented well; and added them in E-mount, too. I also saw they rarely came to repair. Then I did a little checking and found that our techs, who can check out any gear they want for their weekend shoots (it is an excellent perk, isn’t it?) were taking Veydras home pretty often. So I figured it was time to test them….”

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Veydra Mini Prime colour-matched, geared manual-focus cinema prime lenses, from left, 12mm T2.2, 16mm T2.2, 19mm T2.2, 25mm T2.2, 35mm T2.2, 50mm T2.2 and 85mm T2.2 for Micro Four Thirds and APS-C sensor cameras. Just one thing prevents me from investing in a kit of these, the lack of anything wider than 12mm which is a focal length I rarely use instead preferring 10.5mm aka 21mm in 35mm sensor equivalent or wider.

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