While researching for my previous article on the ever-growing Meike Cinema Primes collection of manual ciné lenses for Micro Four Thirds, Sony E and Fujifilm X mount cameras, some images of other possible upcoming new lenses caught my eye.
Given the praise that Blackmagic Design’s 6K raw-capable Blackmagic Pocket Cinema Camera 6K aka BMPCC 6K is receiving, it appears to be a more attractive alternative to the smaller sensor-equipped BMPCC 4K provided it is used with so-called “full frame” or 35mm sensor lenses, or lenses designed for motion picture industry standard Super 35 cameras.
I will be intrigued to see what focal lengths Meike will be releasing in these formats, how good they are and how affordably they may be priced.
“I have my preconceived notions, just like anyone else. A long while back the video techs told me we were stocking Veydra Primes in multiple focal lengths for m4/3 mounts. I just rolled my eyes and passed on by. Another boutique lens that would have poor resolution, ridiculous copy-to-copy variation, and a shelf-life-until-broken measured in weeks. Not interested.
But I noticed we were stocking more and more of them because they rented well; and added them in E-mount, too. I also saw they rarely came to repair. Then I did a little checking and found that our techs, who can check out any gear they want for their weekend shoots (it is an excellent perk, isn’t it?) were taking Veydras home pretty often. So I figured it was time to test them….”