Viltrox To Release More X-Mount Lenses After Its Viltrox PFU RBMH 85MM F1.8 STM Telephoto Prime

Chinese lens, lights and accessories maker Viltrox appears to have successfully reverse-engineered Fujifilm’s lens-to-camera communications protocol and recently released its first X-Mount autofocus prime lens for Fujifilm X cameras, the Viltrox PFU RBMH 85MM F1.8 STM telephoto. 

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Viltrox PFU RBMH 85MM F1.8 STM prime lens for Fujifilm X-Mount cameras.
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Leica worked out the best prime lens focal length line-up for documentary photography and photojournalism in 35mm years ago and it remains the benchmark and role model for other lens makers to this very day. The only focal length missing from this lens collection is 40mm, which Leica made for the Leica CL rangefinder camera which was later taken over by Minolta as the Minolta CLE with 40mm standard lens as well as a 28mm and 90mm lens. Too many contemporary lens makers leave out 28mm and 75mm lenses and their equivalents for other sensor formats. Why? Both these focal lengths are the most essential for documentary photography and photojournalism.

According to reports from Fuji Rumors, the next three Viltrox X-mount cabs off the rank, as it were, will be 23mm f/1.4, 33mm f/1.4 and 56mm f/1.4 autofocus prime lenses and I am hoping for more after that.

I am also hoping that Viltrox will come up with other focal lengths useful in documentary cinematography and photography, such as those equivalent to 21mm, 28mm, 75mm and 105mm in the 35mm sensor format.

Fujifilm does not appear to be in any hurry to update its ageing and quirky Fujinon XF 18mm f/2.0 prime lens, equivalent to the documentary-essential 28mm focal length, and there is no sign on the Fujifilm X-mount lens roadmap of the documentary and portrait-essential focal length of 70mm, that is, 105mm in the 35mm sensor format.

Early reviews of the Viltrox PFU RBMH 85MM F1.8 STM prime lens note that it may not be as sharp or have as much micro-contrast and resolution as Fujifilm’s own X-mount lenses, but given Viltrox’s much lower prices and the fact that many cinematographers do not need nor want maximum sharpness in their lenses, a matched set of Viltrox prime lenses may be very attractive for some.

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You either love it or hate it. Canon EF 24-105mm f/4.0 L USM zoom lens, prone to the all-too-common aperture control ribbon cable failure that can apparently cost a fortune to have fixed in Australia. Otherwise a remarkably popular lens with videographers using it natively and adapted on a wide range of cameras and sensor sizes.

Why else would Canon’s also optically-quirky and poorly-manufactured Canon EF 24-105mm f/4L IS USM kit zoom lens have proven to be popular amongst cinematographers whether adapted or not, despite better-designed and better-made alternatives such as Sigma’s 24-105mm f/4 DG OS HSM Art lens for Canon EF or two other Canon alternatives such as the Canon EF 24-105mm f/3.5-5.6 IS STM lens and the Canon EF 24-105mm f/4L IS II USM kit zoom?

I happily used the 24-105mm f/4L IS USM kit zoom that came with my Canon EOS 5D Mark II for some applications in cinematography and photography until it fell apart just after its warranty expired, and hope to be using this lens again soon, when it is finally repaired, this time mated to my Fujifilm cameras via an EF-to-X adapter.

Links

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  • Viltrox EF-FX2 0.71x Lens Mount Adapter for Canon EF-Mount Lens to FUJIFILM X-Mount CameraB&H
  • Viltrox EF-M2 II Canon EF Lens to Micro Four Thirds Camera Mount AdapterB&H
  • Viltrox PFU RBMH 85mm f/1.8 STM Lens for FUJIFILM X B&H

Gobe is an Australian Lens Adapter and Filter Company That Plants Five Trees for Every Purchase Made

Cinematographer/director Paul Leeming of Leeming LUT Pro dropped by yesterday and very kindly gave us two vintage M42-mount manual-focus prime lenses, a Panagor MC 28mm f/2.8 and a Pentacon 50mm f/1.8. 

Both lenses are in excellent condition and are a reminder of how useful such lenses are for shooting video with recent and current generations of hybrid cameras equipped with focus peaking. 

This morning I googled adapters for these lenses and an Australian camera accessories company came up in the search results – Gobe Corp Pty Ltd, headquartered in Byron Bay. 

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Gobe M42 to Fujifilm X-mount lens adapter.

I don’t know anything about Gobe’s products other than what is published in their website so cannot make any recommendations right now, but am pleased to note that they state that they plant five trees for every purchase made of their their products.

I will now be looking for hands-on reviews of Gobe products, especially of their fixed and variable neutral density filters, UV filters and lens adapters.

Links

  • Camera-wiki.org – Panagor– “[Jaca Corporation] are most famous for their Elicar and Panagor brand lenses, made by a variety of Japanese lens manufacturers which included Komine and Kino Precision.”
  • Gobe – website
  • Leeming LUT Pro – “Leeming LUT Pro™ is the world’s first unified, corrective Look Up Table ( LUT ) system for supported cameras, designed to maximise dynamic range, fix skin tones, remove unwanted colour casts and provide an accurate Rec709 starting point for further creative colour grading. Multi-camera shoots are now much easier, because you are starting with a common, colour-matched baseline, meaning much less time trying to match cameras in post before starting your creative grading.
  • WikipediaPentacon – “The name Pentacon is derived from the brand Contax of Zeiss Ikon Kamerawerke in Dresden and Pentagon, as a Pentaprism for Single-Lens Reflex (SLR) cameras was for the first time developed in Dresden. The cross section of this prism has a pentagonal shape. Pentacon is best known for producing the SLR cameras of the Praktica-series as well as the medium formatcamera Pentacon Six, the Pentacon Super and various cameras of the Exa series.”

Help support ‘Untitled’

Clicking on the links and purchasing through them for our affiliate accounts at Adorama, Alien Skin, B&H Photo Video, SkylumSmallRig or Think Tank Photo helps us continue our work for ‘Unititled’.