“This adapter is made by STC with precise CNC machinery, designed for Olympus M.ZUIKO 7-14mm f/2.8 Pro Lens to utilize UV, CPL or ND filters while providing increased protection to the front lens element. The lens adapter includes two parts assembled to fit a 105mm screw-in filter.
It is delicately made by aluminum and sandblasting the adapter surface of interior side to reduce significantly reflection and flare. The tenon design can fully integrate with the tulip lens hood without vignetting. STC ultra slim UV, CPL and ND 105mm filter opens up opportunities for photographers to create more vivid, expressive and evocative images….”
Breakthrough Photography – X4 UV – offers 105mm brass traction-framed circular filter with frame that may be thin enough to fit the STC adapter without vignetting.
Micro Four Thirds rumours website 4/3 Rumors, sister site of Fujifilm rumours website Fuji Rumors, has uncovered an interview by Japanese digital camera site D.C Watch with the designers of the Olympus M.Zuiko Digital ED 25mm f/1.2 Pro prime lens about further such professional quality M.Zuiko Pro lenses to come. The interview is a good read even in its machine-translated English version.
The interview’s most promising revelation is that Olympus has been actively listening to customers and so the prime lens side of the M-Zuiko Pro series will soon be gaining a second f/1.2 maximum aperture lens, the Olympus M.Zuiko Digital ED 17mm f/1.2 Pro.
The 4/3 Rumors folks previously reported that Olympus had already designed two more fast f/1.2 primes, one of them being the 17mm. I wonder what the other is?
I am an unrepentant former Leica M-System rangefinder lens user from my magazine, newspaper and corporate photography days and became accustomed to the idea of mechanically superb, optically extraordinary, near-indestructible, colour-matched prime lens sets.
Although I did not manage to build a Leica lens lineup as well-populated as the one illustrated below, I came close and happily relied on them for many years. Each focal length was just right for the tasks for which I bought it and each earned its place in my lens kit again and again.
Three Well-Spaced Lens Lineups
The current Olympus M.Zuiko Pro prime and zoom lens range from 8mm through to 300mm focal lengths.
My personal benchmark for well-spaced colour-matched sets of professional-quality primes, Leica’s Summicron-M f/2 lenses with the 21mm Summilux-M thrown in at the wide end.
The current Veydra Mini Prime cinema lens lineup, from 12mm through to 85mm all at a maximum aperture of T2.2.
Contemporary videography and stills photography make more demands of lenses than stills photography as I practiced it during the analog era ever did. Now that we are in the midst of the 4K era and Panasonic’s Lumix GH5 is introducing us to 6K video through its video-based 6K Photo functionality, optics must be sharper, better corrected and more highly resolved.
I am now a zoom lens convert thanks to the Olympus M.Zuiko Digital ED 12-40mm f/2.8 Pro and its f/2.8 sister zooms in the 7-14mm and 40-150mm focal lengths but they have their limitations when shooting in available darkness.
That essential three-zoom lens kit needs to be supplemented with matching high speed prime lenses when light is in limited supply and when bokeh and subject against background separation is an essential storytelling element.
The Olympus M.Zuiko Digital ED 25mm f/1.2 Pro fills the gap in the middle of the focal length range and the Olympus M.Zuiko Digital ED 17mm f/1.2 Pro, with that focal length being my most relied-on of all time, will be a welcome second.
I would love to see several other M.Zuiko Pro primes make their appearance soon and the obvious focal lengths would be 10.5mm, 14mm and 42.5mm. The latter would clearly benefit from an f/1.2 maximum aperture though it would not be absolutely crucial for the wider two.
I know that Olympus makes some excellent prime lenses in its Premium lens range, but the M.Zuiko Pro lenses are a leap above as professional instruments able to endure some of the most challenging conditions in which documentary photographs and movies are made.
I have non-M.Zuiko Pro lenses for less challenging work, but my Leica days raised the bar high and the M.Zuiko Pro zooms and prime lenses approach that high standard.