LumaForge: LumaForge NAB 2017 Recap Video Playlist

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Core Melt Reveals Beta Versions of Two Radical New Final Cut Pro X Plug-Ins, Chromatic and Scribeomatic

The Australian movie industry can lay claim to at least seven Australian-born production hardware and software success stories making oversized waves around the world – Atomos, Blackmagic Design, CoreMelt, Intelligent Assistance, LumaForge, Miller Tripods and Røde Microphones. CoreMelt makes some of the most innovative, most essential plug-ins for Final Cut Pro X including Lock&Load, SliceX, TrackX and DriveX, and more recently LUTx, the first five plug-ins I would install into any new FCPX installation. 

CoreMelt Chromatic Color Grading Beta Reveal at Faster Together Stage 25th April 2017, NAB Las Vegas

Scribeomatic: Beta Reveal at Faster Together Stage, 24th April 2017 at NAB Las Vegas 2017

CoreMelt’s Roger Bolton revealed two new FCPX plug-ins at NAB, Chromatic and Scribeomatic, and I strongly suspect that list of five most essential new-install plug-ins is about to grow to seven.

Links:

Take Back Your Movies from the Gatekeepers with LumaForge’s Free 5-Part ‘Off the Grid’ Workflow Training

Independent moviemaking has been undergoing a sure and steady process of rebirth since Canon accidentally kicked off the DSLR video revolution with the EOS 5D Mark II hybrid stills/video camera in 2008.

Indie filmmaking’s evolution since then has followed a rocky path, with hardware, software and workflows evolving at different paces.

Workflows have lagged behind hardware and software, but now, it is poised to catch up with Final Cut Pro X workflow experts LumaForge releasing their five-part training series Off the Grid via movie industry website fcp.com.

Part one, Off The Grid: A Modern FCPX-RED-Resolve Narrative Workflow – Part 1- Introduction and On-Set Editorial, signals that the series is based on a We Make Movies TV pilot named Off the Grid, shot with RED digital cinema cameras and using Apple’s Final Cut Pro X and Blackmagic Design’s DaVinci Resolve in the post-production to release process along with a number of third-party desktop and mobile applications.

The authors of the Off the Grid training, Australian-in-LA editor, colorist and producer Sam Mestman and Patrick Southern, Chief Workflow Engineer at LumaForge, describe the training series thus:

This 5 part series should be looked at as a cheat sheet on how to make a movie, pilot, or doc without limits in the modern age.

My hope then is that Off the Grid will be as instructive for self-funded one-person-crew independent moviemakers working with affordable but high quality small cameras like the coming Panasonic Lumix DMC-GH5 as those with bigger budgets and multiple crew-members using larger camera systems like those made by RED.

As my own broadcast and film festival moviemaking experiences have indicated, modern moviemaking at all levels is subject to the whims of a gauntlet of gatekeepers anyone of whom can sink your project without a trace.

Even if you manage to fund and shoot all your footage and record all your audio, then take it to rough or final cut by yourself, you are still dependent on funders, broadcasters and post-production houses to get your movie to a broadcastable or projectable stage.

As Mestman and Southern so aptly state:

Filmmaking is the only artistic medium where most artists can’t afford to make their art the way they want to. My aim is to remove that hurdle along with all others so the only limitation in making a movie is one’s own creativity.

A terrific statement from at least one member of We Make Movies, a community-funded production company with the inspirational mottos “Dedicated to making the movie industry not suck.” and  “The DIY film collective that’s got your back.”

The Off the Grid Training:

Image Credits:

Header photoillustration aka featured image created for this website in Photoshop by Carmel D. Morris.