Skylum: How to Make Real Estate Photos that Sell? [with Aurora HDR 2019]

https://skylum.com/blog/aurora-hdr-for-real-estate-photography

“If you saw two property listings – one with high-quality photos, and one with no preview at all, which one would you pick? 99.9% of the time you would go with the property that has photos.

It might sound drastic, but quality photos could make the difference between booking a viewing or not.

In this article, we look at Aurora HDR for real estate photography.

We look at why HDR photos are suitable for real estate photography, and why Aurora HDR, in particular, is an excellent choice as an editing program….”

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Skylum Aurora HDR provides the most feature-complete set of controls for merging and styling multiple-bracket and single-frame high dynamic range images.

Commentary

Skylum’s Aurora HDR software has reached full maturation with Aurora 2019 and has enabled me to create high dynamic range multiple-shot images that I could only visual but not achieve in previous years.

My interest in HDR imaging was first parked by its possibilities for portraiture where I was unable to carry the full complement of lights, lighting stands, power cables, power packs and filters that I used to carry and that all too often must be left behind at our home studio due to their size and weight.

I also rely on Aurora HDR when photographing cityscapes, suburban landscapes and interiors, as well as portraits and still life or product shots, when I need to present a full tonal range from deepest darks to lightest whites rather than simulate the truncated tonal look of the analog films of yesteryear such as Velvia or Ektachrome.

Photographs processed with Skylum Aurora HDR 2019

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MixingLight: Getting To Know Dolby Vision HDR – free-to-read 3-part article

https://mixinglight.com/color-tutorial/getting-know-dolby-vision-hdr-part-1/

“… Try to think about Dolby Vision as a funnel. The HDR grade is the wide end of the funnel: a high dynamic range (HDR), large color gamut, and possibly high resolution and frame rate moving image.

The Dolby Vision process analyzes your HDR grade (in the grading software), creates some metadata, and a Dolby Content Mapping Unit (CMU) reads the metadata produced by the analysis process. The metadata is embedded over SDI and in real-time the CMU creates a Standard Dynamic Range (SDR) version of the project….

… I know this is going to sound funny, but by starting with the HDR grade and deriving an SDR grade from that through the Dolby Vision process, I feel like I’m getting better SDR grades than I would have if I did the SDR version alone….”

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Blackmagic Design’s DaVinci Resolve Studio and Blackmagic Design Blackmagic eGPU for colour grading, with MacBook Pro, Blackmagic Design DaVinci Resolve Mini Panel, LG UltraFine 5K monitor and URSA cinema camera.

Commentary

That MixingLight’s Robbie Carman is achieving better Standard Dynamic Range grades by starting off with a High Dynamic Range grade is not funny at all – this result has been reported for some time before he wrote his still-relevant article.

Although I do not currently have access to the means to shoot or post-produce in Dolby Atmos and Dolby Vision, Mr Carman’s excellent three-part article is proving invaluable in better understanding the how, why and wherefor of two key Dolby Laboratories technologies that have found their way onto contemporary 4K television sets, Dolby Atmos and Dolby Vision.

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    blackmagic_pocket_cinema_camera_4k_bmpcc4k_04_1024px_60pc
    Blackmagic Pocket Cinema Camera 4K with Olympus M.Zuiko Digital ED 12-40mm f/2.8 Pro standard zoom lens and mini-XLR-to-XLR audio cable for attaching XLR microphones, mounted on Benro Aero 4 Video Travel Angel Tripod Kit. Mini-XLR cable is made by Blackmagic Design for their Video Assist monitor/recorder but is also great for connecting XLR microphones to the BMPCC 4K, product code HYPERD/AXLRMINI2.

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  • Core SWX Powerbase EDGE Battery for Blackmagic Design Pocket Cinema Camera 4KB&H

The Best HDR Image Editor There is, Skylum’s Aurora HDR 2019, is Available for Pre-Order until October 4, with Discounts

Towards the end of each photography editing software maker Skylum, formerly Macphun, announces then releases the annual major update to its two multiple award-winning flagship products, Aurora HDR and Luminar, and both are made available at pre-order discount for a certain period from announcement to the actual release date. 

Right now it is Aurora HDR’s turn, about to be updated to Aurora HDR 2019, with discounts applying until October 4 2018, and the many new additions and improvements in this version make it an absolute must-have update in my humble opinion. 

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Skylum Aurora HDR 2019, with this version blessed with more smart enhancements than ever before as well as a good list of other new features and improvements.

I have dipped my toes in and out of the high dynamic range aka HDR realm for some years at least since Adobe added HDR capability to Photoshop, trying a range of HDR software whether in the form of plug-ins or standalone applications, but none really caught my attention nor got me excited by the possibilities of this form of image creation and editing until Aurora first made its appearance.

Over the years since then the Skylum team has steadily improved Aurora as well all the rest of its software with concepts and features very different from what those usually found in more conventional image editing software made by more conventional image software companies.

One of those unconventional concepts involves features that appear to derive from a side project, Photolemur, described as “the world’s first fully automated photo enhance that makes all your images great automatically with the help of Artificial Intelligence”.

The products of Photolemur’s AI advances started to find their way into Aurora HDR and Luminar a versions or two ago and, with Aurora HDR 2019’s software engine being radically updated to the brand new Quantum HDR Engine and with a number of AI and Smart features appearing in both flagship applications.

I suspect the AI integration in both will continue and look forward to seeing what will appear in Luminar 2019 in the coming months.

Skylum’s modus operandi has been to create standalone versions of its software that can also operate as plug-ins to popular host applications such as Adobe Photoshop and Adobe Photoshop Elements, and more recently to each other with, for example, Aurora HDR 2019 being able to call on Luminar and Photolemur as well as a long list other popular Photoshop plug-ins.

My personal MO when processing HDR images is to do the fundamental HDR tone mapping and basic editing in Aurora then pass the image on to Luminar directly or oftentimes export as a TIFF file with a detour through DxO ViewPoint for powerful automatic optical corrections based on my raw files’ EXIF data and sometimes though DxO FilmPack or Alien Skin Exposure as well for each application’s excellent simulations for classic and quirky analog films and printing processes.

With the addition of Look Up Tables aka LUT support in Aurora HDR 2019 as previously occurred in Luminar, I suspect I will doing less of this detouring with the benefit of applying items from an extensive LUT collection acquired over many years shooting video.

A number of those LUTs are derived from scans of classic, now often sadly discontinued, colour and monochrome movie film stocks and printing films or are based on feature film colour grading looks based on analog films, with one of the most recent such releases being Digital Film Stock aka DFS by LookLabs.

There is a host of similar LUT collections available on the Web for free or very reasonable prices given their quality and if you are new to the world of LUTs I recommend searching and trying to see what LUTs can do with the benefit of Aurora HDR 2019’s new LUT Mapping tool.

Screenshots, Aurora HDR 2019 user interface

The new and improved features in Aurora HDR 2019

User Interface / Performance

  • Tone-mapping technology for bracketed images with the Quantum HDR Engine.
  • Tone-mapping technology for single images with the Quantum HDR Engine.

Editing

  • HDR Smart Structure for realistic and artifact-free structure.
  • All new Aurora HDR Looks to enhance and stylize images.
  • LUT Mapping filter for creative color and tone adjustments.
  • Eleven integrated LUTs to use with the LUT Mapping filter.
  • HDR Details Boost filter that allows for high-resolution tuning while adjusting – improved.
  • Adjustable Gradient filter with new controls for Shadows and Highlights– improved.

Open / Plugin / Export

  • Photoshop plugins support.
  • Photolemur plugin support.
  • Plugins menu for both Mac® and Windows® users
.

A quick tryout, resurrecting ghosts

Unlike most of the photographers who rely on HDR, I use this style of photography not so much for landscapes, cityscapes, architecture or interiors but for portraits, product shots and stills for use in videos often for use with the Ken Burns effect.

For portraits and product shots in particular, most often shot with a mixture of natural and artificial light and increasingly with rather challenging natural light conditions, the HDR plus Aurora HDR combo results in images where textures acquire a hyperrealism that enhances the feeling of actually being in front of that person or those objects.

But I digress.

The 3-bracket HDR image above is one of my less frequently shot scenic photographs and my rather unsophisticated quick and dirty edit in Aurora HDR 2019 in the middle shows just how far Skylum’s software engineers have come with their Quantum HDR Engine and its radically improved processing quality and speed.

Instead of needing a fair bit of work to get a typical HDR image natural looking, Aurora HDR 2019 creates a very realistic tone mapping rendering from the word go, then allows you to choose from a large and growing selection of naturalistic or highly creative presets, or even more image editing controls than in previous versions of Aurora.

From the evidence of the list above of new and improved features in Aurora HDR 2019, and the results of my quick and dirty tryout scene, I will be rethinking my use of HDR imaging and especially how I will be processing future HDR images. 

Reservations that I used to have about HDR due to haloing and processing speed have now gone and I am looking forward to counting on HDR and Aurora HDR 2019 far more than I ever have before.

Portraiture tryout, 7 brackets, straight tone mapping and minimal processing

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Expressing exhaustion and resignation via Aurora HDR 2019 and a film emulation LUT.

A friend I have often used as a test subject dropped by and I decided to try out Aurora HDR 2019 as a portrait processing toolset.

This is the result, above, after minimal processing entirely in Aurora HDR 2019.

During my editorial photography career in the analog era, I specialized in making emotive close-up portraits and information-packed environmental portraits for magazines and newspaper colour supplements, using colour transparency films, Polaroid Type 55 instant positive/negative film and Kodak Tri-X using sheet film and 120 roll film cameras of various types.

That career was interrupted at its height due to succumbing to photochemical allergies followed by conceiving and cofounding “not only Black+White” magazine, a project that helped further my longtime ambitions to help bring about positive change in how photography was understood and used as a means of communication and as an art form in Australia.

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The light in the café where this was shot is amongst the worst that I have shot in over the years and previous attempts using earlier versions of Aurora HDR have been disappointing. This attempt processed with Aurora HDR 2019 is much better. HDR portraiture benefits from expressive lighting, whether natural or artificial, rather than this sort of dull overhead illumination.

My portraiture practice was intimately shaped by the cameras, lenses, films and processing and printing materials and methods of the time.

I carted my 4″x5″ sheet film camera with a medium wide and a medium long lens, sheet film and 120 roll film holders, Broncolor 3-light electronic flash kit, tripod and light stands, with my two Leica M-4P rangefinder cameras and lenses as backups, around the city and suburbs on assignment, photographing creative people, chefs, actors, celebrities and businessmen.

It was fun while it lasted and I used it as an opportunity to introduce my clients to new ways of processing, printing and reproducing my work all the better to communicate the emotions I wanted readers to experience when looking at my photographs in those magazines.

I have long wanted to get back to those forms of photography but this time unencumbered by all that gear, stripping my means of production back to just me, a handheld camera and uncomplicated but expressive processing methods.

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Portrait of a real estate agent on a day of smokey sunlight due to burning off in the local national park nearby.

Will Aurora HDR 2019 allow me to do that?

I hope so, based on the results of this quick and dirty test above.

Time to take a good, hard look at the current state of the magazine editorial photography landscape here in Australia now?

Definitely time to build a new portrait portfolio, and Aurora HDR 2019 may well be an important factor in that.

One of my aims in portraiture was and is to create the impression in the viewer’s mind that they are in the same room as the subject.

High dynamic range photography appears to assist in helping form that impression, though I have much to try and much to learn about how and why, and how to get the best out of it for portraiture.

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RedShark: We’ve tried the Blackmagic Pocket Cinema Camera 4K. Here’s all you need to know

https://www.redsharknews.com/production/item/5766-we-ve-tried-the-blackmagic-pocket-cinema-camera-4k-here-s-all-you-need-to-know

“This week Blackmagic Design held a launch event for the new Pocket Cinema Camera 4K in the UK ahead of the forthcoming IBC show. It was a chance for the company to show off the highlights of the new camera to a select group of journalists, and to give us an opportunity to have a very solid amount of hands on time with the new device.

One thing that stood out at the event was how proud the company was of the new camera. A lot of work has been going into it to get it just right, with aspects such as the user interface and, importantly, the colour science being a big focus of that effort. In fact Blackmagic sees the product as another leap forward in its coming of age as a camera manufacturer….”

blackmagic_pocket_cinema_camera_4k_bmpcc4k_04_1024px_60pc
Blackmagic Pocket Cinema Camera 4K with Olympus M.Zuiko Digital ED 12-40mm f/2.8 Pro standard zoom lens and mini-XLR-to-XLR audio cable for attaching XLR microphones, mounted on Benro Aero 4 Video Travel Angel Tripod Kit. Mini-XLR cable is made by Blackmagic Design for their Video Assist monitor/recorder but is also great for connecting XLR microphones to the BMPCC 4K, product code HYPERD/AXLRMINI2.

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Olympus M.Zuiko Digital ED 17mm f/1.2 Pro, Olympus M.Zuiko Digital ED 25mm f/1.2 Pro and Olympus M.Zuiko Digital ED 45mm f/1.2 Pro professional prime lenses with manual clutch focusing, brilliant for shooting video or stills where accurate focus is absolutely critical.

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  • Blackmagic Design Pocket Cinema Camera 4K B&H
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  • Breakthrough PhotographyB&H – the finest brass traction-framed ND, UV and CPL filters as well as the best step-up rings (sadly only sold direct on the company’s own website at present).
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  • Olympus M.Zuiko Digital ED 7-14mm f/2.8 PRO LensB&H
  • Olympus M.Zuiko Digital ED 8mm f/1.8 Fisheye PRO LensB&H
  • Olympus M.Zuiko Digital ED 12-100mm f/4 IS PRO LensB&H
  • Olympus M.Zuiko Digital ED 17mm f/1.2 PRO LensB&H
  • Olympus M.Zuiko Digital ED 25mm f/1.2 PRO LensB&H
  • Olympus M.Zuiko Digital ED 40-150mm f/2.8 PRO LensB&H
  • Olympus M.Zuiko Digital ED 45mm f/1.2 PRO LensB&H
  • Olympus M.Zuiko Digital ED 300mm f/4 IS PRO LensB&H

Frank Glencairn: Why the new Pocket Cinema Camera 2.0 isn’t actually a successor of the original Pocket, and why it doesn’t mat[t]er.

https://frankglencairn.wordpress.com/2018/04/19/why-the-new-pocket-cinema-camera-2-0-isnt-actually-a-successor-of-the-original-pocket-and-why-it-doesnt-mater/

“… So it’s that time of the year, when the whole industry looks at Vegas, eagerly awaiting the new game-changer collection. And this time, Blackmagic pretty much mopped the floor, with all the other new cameras that came out this year, by taking the GH5s (IMX294 or variant) sensor, building a better camera with it, and selling it for have [sic] of the price, while throwing in a full blown, Hollywood grade postproduction package on top of it….

… It’s not as small and stealthy as the original Pocket, but it’s a pretty amazing camera, that still lets you steal shots, while looking like a tourist with a DSLR, if you have to (come on – we all did that at least a few times).

It’s a good size and weight to put it on a one hand gimbal and run all day with it. And if you don’t have the budget for an Ursa, it’s a great camera that you can rig up cine style with all the bells and whistles, and shoot commercials or even narrative….”

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Blackmagic Design’s Blackmagic Pocket Cinema Camera 4K aka BMPCC 4K with Olympus M.Zuiko Digital ED 12-40mm f/2.8 Pro zoom lens, able to be easily handheld in ways that its Blackmagic cinema and production camera ancestors never could.

Blackmagic Production Camera 4K aka BMPC 4K in EF and PL mounts

Now that Blackmagic Design has removed the pages for its Blackmagic Cinema and Production cameras with Canon EF, Micro Four Thirds and PL lens mounts from its website, good quality product shots are harder to find and so worth preserving here for future reference and comparison with new products like the Blackmagic Pocket Cinema Camera 4K.

The images in this gallery are of the last models in Blackmagic Design’s now-defunct camera series, the Blackmagic Production Camera 4K with EF or PL lens mounts, and apparently were intended for use in the production of serial television series rather than cinema productions.

I have not had the pleasure of using any of Blackmagic Design’s cinema or production cameras, but the proprietor of a production equipment rental service once told me that local well-funded documentary producers were particularly fond of using his Blackmagic rental cameras with Canon EF L-series lenses and adapted Nikon stills photography lenses.

Australian-based Director of Photography John Brawley has often had early access to Blackmagic Design cameras and has shared early footage from them, so it is worth checking his blog every so often.

Mr Brawley is an enthusiast for Micro Four Thirds system lens and Olympus M43 cameras, and it will be interesting to see what he makes of the BMPCC 4K in conjunction with his ever-growing collection of Olympus and SLR Magic lenses, illustrated above.

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  • Blackmagic Design Pocket Cinema Camera 4KB&H
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Blackmagic Design: Blackmagic Design Announces Blackmagic Pocket Cinema Camera 4K

https://www.blackmagicdesign.com/media/release/20180409-02

“Blackmagic Design today announced the all new Blackmagic Pocket Cinema Camera 4K, a handheld digital film camera with full 4/3 HDR sensor, dual native ISO with up to 25600 ISO for incredible low light performance as well as 13 stops of dynamic range. It also eliminates expensive external recorders, as it features a unique new USB-C Expansion Port, which allows customers to record using the internal SD/UHS-II and CFast recorders or directly to the same external disks they will use for editing and color correction. The Blackmagic Pocket Cinema Camera 4K will be available from Blackmagic Design resellers worldwide later this year for only US$1,295….”

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Blackmagic Pocket Cinema Camera 4K with Olympus M.Zuiko Digital ED 12-40mm f/2.8 Pro standard zoom lens and mini-XLR-to-XLR audio cable for attaching XLR microphones, mounted on Benro Aero 4 Video Travel Angel Tripod Kit. Mini-XLR cable is made by Blackmagic Design for their Video Assist monitor/recorder but is also great for connecting XLR microphones to the BMPCC 4K, product code HYPERD/AXLRMINI2.
blackmagic_design_blackmagic_pocket_cinema_camera_4k_rigged_01_1024px_60pc
Rigged Blackmagic Design Blackmagic Pocket Cinema Camera 4K with adapted Fujinon MK 18-55mm T2.9 lens, Wooden Camera handle, NATO rail and matte box, and Sachtler video tripod.

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Blackmagic Cinema Camera mounted on Benro Aero 4 Video Travel Angel Tripod Kit. For heavy duty use and fast set-ups you may wish to consider the Sachtler flowtech 75 tripod.

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  • Benro Aero 4 Video Travel Angel Tripod KitB&H
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  • Blackmagic Design Pocket Cinema Camera 4KB&H
  • Fujinon MK18-55mm T2.9 Lens (Sony E-Mount)B&H
  • HPRC 6200TRI Hard Case with Soft Interior Kit for TripodsB&H – suitable for smaller video travel tripods.
  • HPRC 6400TRIB Wheeled Hard Case for Tripods with Soft Interiors Kit (Black)B&H – suitable for carrying a Sachtler flowtech 75 tripod.
  • Olympus M.Zuiko Digital ED 12-40mm f/2.8 PRO LensB&H – highly-recommended professional-quality standard zoom lens with manual clutch focus.
  • Olympus M.Zuiko Digital ED 12-100mm f/4 IS PRO LensB&H – excellent travel zoom with longer reach though slower fixed maximum aperture, and manual clutch focus for accurate and repeatable manual focussing.
  • Olympus M.Zuiko Digital ED 17mm f/1.2 PRO LensB&H – this and the 25mm and 45mm f/1.2 prime lenses below are highly recommended as top-quality, fast lenses for video production with manual clutch focus for accurate and repeatable manual focussing.
  • Olympus M.Zuiko Digital ED 25mm f/1.2 PRO LensB&H
  • Olympus M.Zuiko Digital ED 45mm f/1.2 PRO LensB&H
  • Sachtler System FSB 4 Fluid Head with Sideload Plate, Flowtech 75 Carbon Fiber Tripod with Mid-Level Spreader and Rubber FeetB&H

Atomos: Atomos introduces Ninja V – a stealthy 5.2″ 4Kp60 HDR daylight- viewable 1000nit monitor/recorder

https://s3.amazonaws.com/atomos-web-uploads/press/AtomosNinjaVPressRelease.pdf

The latest incarnation of the famous Atomos Ninja line is here. Seven years after the world’s most popular portable Apple ProRes recorders burst onto the scene, Atomos is delighted to introduce Ninja V – an all new compact 5.2″ 1000nit high bright HDR monitor/recorder with unrivalled advanced features. It has a sleek modern design and weighs just over 11oz…”

atomos_ninja_v_panasonic_lumix_gh5s_01_1024px_60pc
Atomos Ninja V 5-inch monitor/recorder

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Mystery Box: Panasonic GH5S & Shooting HDR10

https://www.mysterybox.us/blog/2018/1/8/panasonic-gh5s-hdr10

“… Whether you’re new to shooting and delivering in HDR, or have been practicing for a while, the Panasonic GH5S with V-Log L enabled provides a fantastic starting point for an all-HDR10 workflow.  From monitoring what you’re shooting in HDR10 to delivering your content through the color grading process, the LUTs and workflow we’ve created will accelerate your ability to leverage HDR10 on nearly any size budget…”

The Panasonic Lumix DC-GH5S Super 16/M43 hybrid video camera.

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Production and equipment rental company Mystery Box, LLC has published a number of articles about aspects of shooting and post-producing HDR video that are useful reading for those needing to dig deep into how to get the best out of it all.

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Austrian manufacturer Angelbird makes more affordable V90 SDXC cards than Panasonic’s own alternative and they are reportedly just as reliable.

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  • Angelbird 64GB AV Pro UHS-II SDXC Memory CardB&H
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  • Angelbird 256GB Match Pack for the Panasonic EVA1B&H – special promotional packaging of two Angelbird 128GB AV Pro UHS-II SDXC memory cards that are just as usable in other cameras than the AU-EVA1 that also have UHS-II SD card slots.
  • Angelbird Atomos Master Caddy 4K RAW (500GB)B&H
  • Angelbird Atomos Master Caddy 4K RAW (1TB)B&H
  • Atomos Ninja Inferno 7″ 4K HDMI Recording MonitorB&H
  • Atomos Shogun Inferno 7″ 4K HDMI/Quad 3G-SDI/12G-SDI Recording MonitorB&H
  • Atomos SUMO19M 19″ HDR/High-Brightness MonitorB&H
  • Atomos Sumo 19″ HDR/High Brightness Monitor RecorderB&H
  • Panasonic 128GB UHS-II SDXC Memory CardB&H
  • Panasonic DMW-BGGH5 Battery GripB&H
  • Panasonic Lumix DC-GH5S Mirrorless Micro Four Thirds Digital CameraB&H

Panasonic Lumix GH5S, Unstabilized Genius of Low Light Cinematic Video – Giant List of Links and Videos

Panasonic drew back the curtains today at CES 2018 in Las Vegas on one of the most controversial cameras of the last twelve months, one the existence of which has been hotly debated and even more hotly denied by potential buyers right up to the moment Panasonic’s curtain-puller really started itching to pull the strings to revealed the company’s available darkness cinematic video-shooting genius, the Lumix DC-GH5S, to all the world. 

Panasonic Lumix DC-GH5S camera with DMW-BGG5 battery grip and Panasonic Leica DG Vario-Elmarit 12-60mm f/2.8-4.0 Aspheric zoom lens.

As we have been preoccupied with serious health matters here at ‘Untitled’, we will be doing some catching up with our research into and coverage of the Panasonic Lumix GH5S over the next several days, but for now here are some lists of links to articles, press releases and videos about the camera and its pros and cons.

We will be adding further material as it appears and will add our own commentary as appropriate.

FYI, “unstable” refers to the GH5S’ controversial lack of in-body image stabilization aka IBIS and “genius” relates to the GH5S’ apparent low-light video capabilities.

Panasonic Lumix DC-GH5S

Apologies to my many female readers for the very real impression given by the links below that new product releases and trade shows like CES are “boys’ clubs” aka “sausage fests” aka “sausage parties” just like the movie and television industries themselves.

That is the reality of media production in all its forms worldwide as well as the usual situation for female brand ambassadors, moviemakers, product reviewers and members of the press both traditional and digital.

I have heard that there are signs things are changing but those days cannot come fast enough.

As Geena Davis of the Geena Davis Institute of Gender in Media states, “if she can see it, she can be it” and female visibility makes a huge difference to female participation.

Meanwhile many thanks to Panasonic Australia and its press relations consultants and staff members for all their kind assistance with assets for use in these articles.

Articles

Press Releases

Product Pages

Videos

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Austrian manufacturer Angelbird makes more affordable V90 SDXC cards than Panasonic’s own alternative and they are reportedly just as reliable.

Clicking on these affiliate links and purchasing through them helps us continue our work for ‘Untitled: Stories of Creativity, Innovation, Success’.

  • Angelbird 64GB AV Pro UHS-II SDXC Memory CardB&H
  • Angelbird 128GB AV Pro UHS-II SDXC Memory CardB&H
  • Angelbird 256GB Match Pack for the Panasonic EVA1B&H – special promotional packaging of two Angelbird 128GB AV Pro UHS-II SDXC memory cards that are just as usable in other cameras than the AU-EVA1 that also have UHS-II SD card slots.
  • Angelbird Atomos Master Caddy 4K RAW (500GB)B&H
  • Angelbird Atomos Master Caddy 4K RAW (1TB)B&H
  • Atomos Ninja Inferno 7″ 4K HDMI Recording MonitorB&H
  • Atomos Shogun Inferno 7″ 4K HDMI/Quad 3G-SDI/12G-SDI Recording MonitorB&H
  • Atomos SUMO19M 19″ HDR/High-Brightness MonitorB&H
  • Atomos Sumo 19″ HDR/High Brightness Monitor RecorderB&H
  • Panasonic 128GB UHS-II SDXC Memory CardB&H
  • Panasonic DMW-BGGH5 Battery GripB&H
  • Panasonic Lumix DC-GH5S Mirrorless Micro Four Thirds Digital CameraB&H