“… The most active and influential street tribes have been top heavy with men. And they defined the language and culture of street in their image, a legacy that is largely intact today.
That explains why some women experience the street community as a boys club. They feel tolerated, but don’t feel like they fully belong, and that the deck is stacked against them. And that’s not just the view of women; many men I’ve spoken to are also alienated by the overtly male culture of street.
That situation isn’t unique to street photography; it’s a legacy of history….”
“… For every man we celebrate and also shield from the effects of his misdeeds, there’s a woman who’s left the industry because of all the harassment and undermining they’ve faced. This isn’t a hypothetical. We know women who have. They’ve given up their dreams. They’ve given up on their careers. Their mental health suffers. Who knows how many important stories have gone untold because they’ve left the industry. The total loss from this toxic culture is incalculable….”
“It is the policy of the Australian Cinematographers Society (ACS) that every member of the Society and the greater Film and Television industry has the right to work in an environment free from any gender, race, disability, religious, sexual orientation discrimination or harassment and bullying of any kind. This includes any verbal, emotional, physical, cyber or sexual harassment.
The Society will not tolerate any behaviour that is considered threatening or disrespectful towards or by any of our members or guests….”
Although the buzz across the Internet about the Panasonic Lumix DC-GH5 still seems to be focussed on its remarkable video capabilities, the fact remains that the GH5 is also an excellent camera for stills photography.
I proved that to my own satisfaction during the loan of a GH5, producing stills as effective and as high quality as the video I made with the same camera and lenses.
The buzz on the many photography and movie industry fora that I visit continues to centre on the GH5’s video capabilities, ignoring or denying that it can be used to make great stills as well, so showing how professional photographers rely on the GH5 makes good sense.
About the Lumix Stories project
Photographers are dropping the DSLR in favor of lighter and more media diverse mirrorless cameras. Panasonic lead the development of the first mirrorless digital camera to replace the aging DSLR platform in 2008 with the LUMIX G series.
Today photographers are experiencing the benefits and flexibility of a lighter more compact interchangeable lens system camera that adds modern features like 4K video, in camera video to still conversion, combined body and lens image stabilization, and touch screen controls.
Follow the stories of several Lumix Ambassador professional photographers as they explore why the LUMIX G Mirrorless Micro Four Thirds system camera works for them.
“The Nikon D850 is quite the beast of a camera. It holds a massive 45.7-megapixel full-frame sensor that can record 4k video and create 8k time-lapses…. The only problem with such an amazing monster of a camera is that Nikon thinks it’s too much for women to handle….
… I myself can think of a large number of women photographers that would be more than capable of producing spectacular images with any camera, let alone this camera. But when Nikon created a team of 32 professional photographers to be the faces of the Nikon D850, they didn’t choose a single woman photographer….”
“Although there seems to be more focus on the gender disparity issue lately—some are even cynically saying it’s a fashionable trend to talk about gender and diversity—the fact remains that women are less represented and less awarded in the profession of visual journalism….”
Women Photograph – “an initiative that launched in 2017 to elevate the voices of female visual journalists.”
“…The X-E3 is, in a nutshell, all my favourite things, in an even smaller package than its predecessor. It’s like Yoda. You think it’s a small frog, then it turns out to be a Jedi Master….
… I’ve been using the X-Pro2 since November 2015, and I still love everything about it, so I’m stoked to have that same image quality and high ISO capability… in a smaller body. And it is really tiny…
… The X-E3 is a tiny machine that packs a punch. If you’re a Pro2 shooter looking for a smaller, stripped down body to throw in your bag, this is it. If you’re a beginner looking for something rangefinder-like that will help you along with your learning curve, this is it. Me? I just love it.”
“… Sexism—from paternalism to discrimination to outright harassment—is a problem in just about every work setting, and the photo industry is no exception. As photographer Nadiya Nacorda puts it, “Sexism does not stop at the photo industry’s doorstep. It comes inside, and goes in your fridge, cracks open a beer, and sits on the couch.” Female photographers we interviewed expressed anger, frustration and resignation over the sexism they frequently encounter. They also expressed defiance—and hope….”