“It’s a joy to contemplate the photography of June Newton, a.k.a. Alice Springs. The Australian-born Springs is the 95-year-old widow of the provocative fashion photographer Helmut Newton, but that’s the least interesting thing about her.
Under Springs’s gaze, world-famous actresses like Catherine Deneuve, Charlotte Rampling, and Audrey Hepburn look like people, not icons — conversational, intent, their eyes telegraphing depths beneath. Springs respects their beauty, but doesn’t accept it as a mask. There are shadows beneath Deneuve’s perfect features; Hepburn looks gorgeous, but her age….”
While preparing for an extensive documentary portrait photography project on Australian female creatives and innovators, I came across this article about June Newton aka Alice Springs published earlier this year along with a series of links to other articles about her and her work as a photographer and director of the Helmut Newton Foundation in Berlin.
Sheila: A Foundation for Women in Visual Art was officially launched in Perth yesterday (28 May). The initiative comes out of a swelling need for greater gender equality within the visual arts.
‘According to The Countess Report (a Sheila-funded project) women are 75 per cent of art school graduates but only 34 per cent of artists exhibited in our state museums and galleries. Gender inequality is apparent in art prizes, representation of female artists in media and the proportion of female artists represented in exhibitions at state museums,’ reminded Sheila Cruthers on the occasion of the launch.
Sheila aims to redress that in a multi-prong way: to provide scholarships for art historians and curators, assist the purchase and commission works by women artists, and run annual lecture and symposiums focused on women’s art….
Sheila: A Foundation for Women in Visual Art – website
“As revolutions go, this one got off to a quiet and unassuming start in the early 1970s. It was achieved slowly, one female photographer at a time, each hired by The New York Times for her talent with a camera and her desire to practice the best journalism possible.
The men who hired the first of those women quite likely weren’t thinking about altering the prevailing concepts of photojournalism. But over time, as more women were hired and gained acceptance, they began to push successfully for publication of images that were different, for the truths they saw in people and events, for assignments that had once been denied them and for assignments that had not been envisioned before….”
“Not one woman was nominated for this year’s best director Oscar. But some of the hottest forthcoming movies are female-led – so has gender discrimination in the industry been busted?…
… “I think you have a generation of women who will never know if they could have been successes because they never had the opportunity,” says Melissa Silverstein, founder of Women and Hollywood, which campaigns for diversity and equality. The factors preventing women from having sustained movie careers are numerous, Silverstein says. There is institutional sexism, conscious and unconscious, as well as motherhood….”
“There are benefits to being a photographer who happens to be a woman: you’re welcomed into secret worlds, invited into homes, and trusted with the most delicate subjects. Then there are the downsides: fighting to be taken seriously by a male-dominated industry, entering dangerous and unpredictable situations, and tackling stereotypes about where women should go and the topics they should cover. We asked National Geographic’s women photographers from across the world for memories and reflections on how gender is intertwined with their work, the opportunities for young women coming after them, and the future of their field….”
I accidentally discovered that a DJI boutique has opened in the Sydney central business district – aka CBD – at World Square while on the way back to the ‘burbs from an International Women’s Day event that I had been covering.
Two handheld gimbals were on display as well as several drones of various sizes.
One gimbal was the recently released Ronin-S, a product in which I am interested, but did not dare pick it up and try it out as the Canon DSLR mounted on it had a defective lens mount lock and the Canon EF 24-105mm kit zoom lens looked like it was in danger of dropping off at any moment.
It is great that a standalone store is now showing off and selling DJI products in Sydney now.
Although a subset of DJI products and other brands of drones and gimbals can be found in some city and suburban camera stores, none so far have a a substantial collection of such products to see, try and buy.
I would love to find a place that stocks Zhiyun-Tech handheld gimbals so I can try them out as well, in order to make an informed purchasing choice and so I can make informed recommendations to readers of ‘Untitled’.
It would also be terrific to find a store where the staff do not ignore me as if I were invisible.
Do they assume that an unaccompanied female cannot afford to buy their products?
“We put a spotlight on these acclaimed Australian technicians – including their career highlights and how they shot them – as part of International Women’s Day.
To gain accreditation from the Australian Cinematographers Society (ACS) is no mean feat.
It requires a minimum number of years working within the industry and a body of work which represents not just that you can do the job, but with a level of creativity and innovation that exceeds the norm.
A sub-committee then assesses the work and from there you may be awarded your ‘letters’ – the ACS that appears after your name.
To date, 15 women have been awarded that elite title (only 5.6%), and the ACS hopes that will grow. As part of International Women’s Day, we celebrate their achievements, and hear in their own words about career highlights, cameras, lenses, and what draw them to cinematography (in order of accreditation year)….”
“Photographers Jennifer McCord, Iulia David, Holly-Marie Cato and Amy Shore are leading the charge to get more women behind the lens. They will be passing on their knowledge at the Women Who Photo event to be held at The Photography Show in Birmingham.
Here we showcase a selection of their work and learn what inspires them….”
“Push-ups and photography aren’t normal bed partners. But when Cybele Malinowski was starting out as a young photography assistant in 2005, she was told to do 100 push-ups a day. The reason? To “match the strength of a man”….
… As her career gathered pace, Malinowski battled discrimination beyond heavy gear. Often when she arrived on set, the client would assume that her male assistant was the photographer, or that she was the makeup artist or stylist. More recently, when she became pregnant, Malinowski suddenly found herself losing jobs: clients told her they feared she just wasn’t “up to it”….
… Trying to get sexism off the couch has become Malinowski’s mission. Last year she co-founded Agender, a platform for female photographers designed to exchange ideas and advance careers, with the former investment banker turned entrepreneur Angela Liang. Their second annual exhibition, Balance for Better, will open on 9 March to mark International Women’s Day, with 50% of sale profits donated to Sydney Women’s Fund.
“This exhibition, on the one hand, is held to celebrate women and it’s also trying to put a mirror up on the industry itself: [to say] look at these incredible women, why are they still a minority?” says Malinowski….”