Reviews of Fujifilm Fujinon XF 16-80mm f/4.0 R OIS WR Zoom Lens Are Mixed, Possible Problems When Shooting Video

The Fujinon XF 16-80mm f/4.0 R OIS WR wide-to-long zoom lens has been one of the most long wished-for, long-awaited optics for Fujifilm’s APS-C/Super35 system cameras in recent years, and early reports from Fujifilm X-Photographer have been positive, especially regarding its apparent parfocal lens design. 

But then one might well expect brand ambassadors to wax lyrical and skip over possible pre-production and early firmware defects given reasonable expectations that Fujifilm will get it right in the end or at least in time for offical product release date. 

Not quite this time, apparently, as Fujifilm recently issued firmware version 1.02 for this now-shipping lens and some reviewers are already hoping that further firmware updates are in the pipeline. 

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Fujifilm X-T3 with Fujinon XF 16-80mm f/4.0 R OIS WR zoom lens.
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Fujifilm X-Pro3 pre-production model in Dura Black with pre-production Fujinon XF 16-80mm f/4.0 R OIS WR zoom lens, as seen at a Ted’s World of Imaging Touch-and-Try event in Sydney.

I was lucky enough to have a short time with a preproduction version of the Fujinon XF 16-80mm f/4.0 R OIS WR zoom at a recent Ted’s World of Imaging touch-and-try event for the Fujifilm X-Pro3, and found it worked well enough when shooting event stills on a Fujifilm X-H1 unequipped with firmware updates for the lens.

The lens is situated price-wise in-between the pro-quality, pro-priced red badge Fujinon XF 16-55mm f/2.8 R LM WR and the Fujinon XF 18-55mm f/2.8-4 R LM OIS kit zoom, and there was some speculation that the Fujinon XF 16-80mm f/4.0 R OIS WR might be bundled with later-release Fujifilm X-T3s or the coming X-T4 as a higher-specced kit lens, especially for video production.

The 16-80mm’s parfocal focusing is especially attractive for video use as well as the lens’ apparent 6 stops of optical image stabilization that helps make up for its f/4.0 maximum aperture when handholding in low lighting when used on non-stabilized cameras like the X-T3, X-Pro3 and the coming X-T4.

Questions about the Fujinon XF 16-80mm f/4.0 R OIS WR’s optical qualities throughout its focal range were bandied about during the long pre-release period and I have yet to find a complete set of in-depth tests of the lens’ image quality and focusing performance.

In the meantime, pal2tech’s initial and subsequent video reviews have rather dampened my enthusiasm for the Fujinon XF 16-80mm f/4.0 R OIS WR.

Are what he is seeing in action when shooting video in particular early production model teething problems, uneven quality assurance, limitations in current firmware or the outcome of too many design and engineering compromises?

Zoom lenses are a set of such compromises compared to prime lenses and a certain amount of them are to be expected, especially in a lens with a longer-than-usual focal length range, but has Fujifilm compromised way too much?

pal2tech’s videos may help you make up your own mind, but I would recommend going off in search of more reviews by video professionals before definitively deciding against the Fujinon XF 16-80mm f/4.0 R OIS WR.

While some optical and autofocusing problems can be compensated for via firmware and during processing of raw stills images, video is more demanding of lens quality given that shortfalls in optical quality cannot be corrected in video non-linear editing software.

My experiences with Micro Four Thirds cameras and lenses, as well as Fujifilm’s APS-C/Super 35 gear, have amply proven the advantages of having a stabilized zoom lens in one’s kit when shooting documentary stills and video in trying conditions and available darkness rather than available light, so the Fujinon XF 16-80mm f/4.0 R OIS WR would, theoretically, fill a yawning gap in my Fujinon lens collection.

Provided that it is as good for video as it seemed to be for stills during my all-too-short time with the Fujinon XF 16-80mm f/4.0 R OIS WR at Ted’s.

Like many others, I have had high expectations for this lens given my longtime need for a gap-filling zoom lens for video and photography, and given the poor Australian dollar and consequent high price in local online and bricks-and-mortar stores.

Should I be reconsidering the Fujinon XF 18-55mm f/2.8-4 R LM OIS kit zoom lens instead, and go off to ebay to look for the latter secondhand?

pal2tech: Fuji 16-80 Lens Review

pal2tech: Fujifilm 16-80mm Lens Firmware Update 1.01

pal2tech: Fujifilm 16-80 Lens Focus Problem Fix — Possible Solution

pal2tech: Fujifilm 16-80 Lens Firmware Update 1.02 – Can’t Test (and my thoughts)

Links

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Clicking on the links and purchasing through them for our affiliate accounts at Adorama, Alien Skin, B&H Photo Video, SkylumSmallRig or Think Tank Photo helps us continue our work for ‘Unititled’.

  • FUJIFILM X-H1 Mirrorless Digital Camera Body with Battery Grip KitB&H – bundled with the unstabilized Fujinon XF 16-55mm f/2.8 R LM WR, this stabilized camera may still be the current best option for video despite its older generation sensor and processor.
  • FUJIFILM X-Pro3 Mirrorless Digital CameraB&H
  • FUJIFILM X-T3 Mirrorless Digital CameraB&H
  • FUJIFILM XF 16-55mm f/2.8 R LM WR LensB&H
  • FUJIFILM XF 16-80mm f/4 R OIS WR Lens B&H
  • FUJIFILM XF 18-55mm f/2.8-4 R LM OIS LensB&H

Three Blind Men and An Elephant Productions: FujiFilm X-Pro3: Dangerous!

“A modest dissertation on the X-Pro3 development announcement, clickbait and the diminution of language.”

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Image of pre-production Fujifilm X-Pro3 from video of Fujifilm X Summit Shibuya 2019 on September 20, 2019.

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Clicking on the links and purchasing through them for our affiliate accounts at Adorama, Alien Skin, B&H Photo Video, SkylumSmallRig or Think Tank Photo helps us continue our work for ‘Unititled’.

  • Fujifilm Cameras B&H
  • Fujifilm LensesB&H

bigheadtaco: First Look: Fujifilm XF16-80mm f/4 R OIS WR

“It’s been a while since Fujifilm released a wide to medium range zoom lens, especially with both OIS and WR. Previously, the only general range zoom lens that had both features was the big and bulky XF18-135mm lens. My hope was that Fujifilm would re-make the XF18-55mm f/2.8-4 R LM OIS lens to be XF16-55mm f/2.8-4 R LM OIS WR. Instead, Fujifilm decided to keep the original kit lens and create the new XF 16-80mm f/4 R OIS WR. Who is this lens for? It really depends. If you own the X-T3 and you really want a mid-range zoom lens with both OIS and WR, this is the only option you have. However, if you own the X-H1, would you be better off with the XF 16-55mm f/2.8 and put up with the size and weight of a professional lens? “

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Fujifilm X-T3 with Fujinon XF 16-80mm f/4.0 R OIS WR zoom lens.

Commentary

Good to see that photographers are receiving pre-production copies of Fujifilm’s Fujinon XF 16-80mm f/4.0 R OIS WR and, as usual, even more reviews will be appearing when production versions of the lens make their way into the world.

When I was photographing the climate strike rally in Sydney on September 20, I found myself wondering how the 16-80mm f/4.0 zoom lens might change and even improve the way I cover such subjects.

See my personal Instagram account for documentary photographs of the rally and other events, recently mostly using prime lenses on Fujifilm cameras as Panasonic Lumix camera and lens loaners have been in short supply.

Links

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Clicking on the links and purchasing through them for our affiliate accounts at Adorama, Alien Skin, B&H Photo Video, SkylumSmallRig or Think Tank Photo helps us continue our work for ‘Unititled’.

  • Fujifilm Cameras B&H
  • Fujifilm LensesB&H

Fuji Rumors: Fujifilm X-H1: Full English Press Release and More Images with MK Lenses

https://www.fujirumors.com/fujifilm-x-h1-full-english-press-release-images-mk-lenses/

“In case you missed it, I have google translated to English the entire press release leaked in German as well as manually translated the full specs sheet (see below). You can also download the specs sheet in English here at my dropbox….”

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Fujifilm X-H1 with battery grip and Fujinon XF 18-55mm f/2.8-4.0 R LM OIS kit zoom, image released by Nokishita and republished at Fuji Rumors.

Commentary

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Fujifilm X-H1 with Fujinon MK 18-55mm T2.9 X-Mount Cinema Zoom

Fuji Rumors has outdone itself on the Fujifilm X-H1 with heavily detailed specifications lists, press releases, images and size comparisons between the X-H1 and other hybrid stills/video cameras whether mirrorless or DSLR, in advance of Fujifilm’s official X-H1 product announcement on February 15.

That announcement will no doubt also include the X-Mount versions of Fujifilm’s MK Series 18-55mm T2.9 and 50-135mm T2.9 cinema zoom lenses, previously released in E-Mount versions for Sony cinema and Sony Alpha hybrid cameras in the α7 and α9 series.

I will be publishing official product photographs, specifications, and links to articles and videos by moviemakers and photographers who have been working with pre-production versions of the Fujifilm X-H1 and X-Mount versions of the Fujinon MK Series zoom lenses after Fujifilm’s announcement on the 15th and no doubt that article will be a lengthy one.

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Samsung NX1 with Samsung Premium S 50-150mm f/2.8 ED OIS zoom lens, still the benchmark for up-to-date Super 35mm hybrid video cameras, though it missed out on a fully-articulated monitor and 10-bit 4:2:2.

With the leaks by DigiCame-Info, Fuji Rumors and Nokishita, there has been much discussion and speculation at online moviemaking fora, much of it comparing the X-H1’s video specifications to Panasonic’s Lumix DC-GH5 and DC-GH5S Super 16/Micro Four Thirds cameras, and Samsung’s discontinued but still revolutionary Super 35/APS-C NX1.

All three cameras raised the bar for mirrorless video very high indeed.

This is the set of video-centric features I have been hoping to see appear in the X-H1:

  • 4K UHD and 4K DCI 200 Mbit
  • 4K 60p
  • 5-axis in-body image stabilization (IBIS) that works in conjunction with optical image stabilization (OIS)
  • 10-bit 4:2:2
  • Battery grip with full controls for vertical/portrait orientation
  • Decent battery sizes
  • Decent body grip
  • Decent set of of well-spaced colour-matched native X-Mount prime and zoom lenses with manual clutch focus or at least linear focus-by-wire
  • Dual memory card slots
  • Exposure zebras with ability to set percentages/IRE levels
  • External recording via HDMI 2.0+
  • Full 10-bit internal F-Log
  • Fully-articulated monitor
  • Fully-customizable picture profiles
  • In-body audio-monitoring aka headphone port
  • Unlimited recording duration
  • Viable eye and face autofocus
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Is this the camera that inspired Fujifilm’s X-H1 designers? The Contax N1 autofocus analog SLR, last in a long line of Kyocera-made Contax cameras licensing the Contax brand from Zeiss, released in 2000. Kyocera also made Yashica brand cameras.

How many of these boxes, as it were, will the DSLR-style Fujifilm X-H1 tick and how much will any non-inclusion of essential features mitigate against the X-H1 in being a viable, up-to-date video camera for the sorts of productions that warrant Super 35 image quality?

Or, will that good old Australian saying, “close enough is good enough”, be applicable enough in the case of the Fujifilm X-H1?

Links

Fujifilm Announces Fujinon XC 15-45mm f/3.5-5.6 OIS PZ Collapsible Power Zoom Lens, Affordable Option for Documentary Photos and Videos?

Fujifilm has announced the Fujinon XC 15-45mm f/3.5-5.6 OIS PZ collapsible power zoom lens and the first Fujifilm APS-C/Super 35 rangefinder-style cameras for which it will be the bundled kit zoom, the X-A5 and X-A20. 

The XC 15-45mm offers a short standard focal length range of 15mm to 45mm in APS-C sensor format, the equivalent of 23mm to 69mm in the 35mm sensor format, and is well-priced for purchase separately from either camera at less than half the cost of Fujfilm’s XF series kit zoom, the Fujinon XF 18-55mm f/2.8-4 R LM OIS

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Fujifilm Fujinon XC 15-45mm f/3.5-5.6 OIS PZ power zoom lens
Fujifilm’s Fujinon XF 18-55mm f/2.8-4.0 LM OIS kit zoom lens, in effect the longer equivalent of the new Fujinon XC 15-45mm f/3.5-5.6 OIS PZ power zoom kit lens.

Since purchasing my Fujifilm X-Pro 2 with an eye to using it for fly-on-the-wall documentary stills and video, along with two of Fujifilm’s best available darkness prime lenses, the Fujinon XF 23mm f/1.4 R and XF 56mm f/1.2 R, I have experienced twinges of regret for not being able to add the XF 18-55mm lens at the time for access to some of my other favourite documentary focal lengths – 18mm, 27mm and 50mm – or the 21mm-equivalent XF 14mm f/2.8 R.

Although I have yet to try either of Fujifilm’s current XC zoom lenses, the Fujinon  XC 16-50mm f/3.5-5.6 OIS and the XC 50-230mm f/4.5-6.7 OIS, I have read about them being surprisingly good for the price.

My ideal 35mm prime lens lineup from my Leica M-System rangefinder documentary photography days, comprising 21mm, 18mm, 35mm, 50mm (I preferred the all-too-rare 40mm though), 75mm and 90mm focal lengths. In APS-C format, these are 14mm, 18mm, 23mm, 35mm, 50mm and 60mm.

I look forward to reading about the Fujinon XC 15-45mm f/3.5-5.6 OIS PZ’s performance in coming in-depth hands-on reviews by well-qualified photographers and moviemakers.

Will I be adding the Fujinon XC 15-45mm f/3.5-5.6 OIS PZ or the Fujinon XF 18-55mm f/2.8-4.0 LM OIS kit zoom lens to my Super 35/APS-C documentary moviemaking and photography kit?

Will either grant me access to some of my favourite focal lengths that I miss despite the incredible image quality of my two fast prime lenses?

Will either zoom lenses’ optical image stabilization help compensate for their slower variable maximum apertures?

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    • Fujifilm X-A5 Mirrorless Digital Camera with 15-45mm LensB&H
    • Fujifilm XC 15-45mm f/3.5-5.6 OIS PZ LensB&H
    • Fujifilm XC 16-50mm f/3.5-5.6 OIS II LensB&H
    • Fujifilm XC 50-230mm f/4.5-6.7 OIS II Lens (Black)B&H
    • Fujifilm XC 50-230mm f/4.5-6.7 OIS II Lens (Silver)B&H
    • Fujifilm XF 18-55mm f/2.8-4 R LM OIS Zoom LensB&H
    • Fujifilm XF 23mm f/1.4 R LensB&H
    • Fujifilm LH-XF23 Lens Hood for XF 23mm f/1.4 RB&H
    • Fujifilm XF 56mm f/1.2 R LensB&H

Fujifilm People with Cameras Sydney Event, Chippendale Green, October 29 2017

I attended my second Sydney Fujifilm People with Cameras event in Chippendale on Sunday, October 29, 2017. Here is a selection of photographs, shot on a Fujifilm X-Pro2 with Fujinon XF 23mm f/1.4 using the full ERF image within the OVF in manual mode with back-button focussing for the technically inquisitive, then quickly processed to proof quality in Capture One Pro. 

Tech Notes

I stared writing some tech notes to go with this gallery article and then they expanded far beyond the few words I had originally intended.

So now I have spun them off into their own fully-fledged article that can be found here:

Links

Fujifilm Australia: Up to $1,300 Cash Back on Selected Fujifilm X Series Cameras and Selected XF Lenses, 16 October 2017 to 7 January 2018

https://fujifilm.cashback.com.au/129