Reviews of Fujifilm Fujinon XF 16-80mm f/4.0 R OIS WR Zoom Lens Are Mixed, Possible Problems When Shooting Video

The Fujinon XF 16-80mm f/4.0 R OIS WR wide-to-long zoom lens has been one of the most long wished-for, long-awaited optics for Fujifilm’s APS-C/Super35 system cameras in recent years, and early reports from Fujifilm X-Photographer have been positive, especially regarding its apparent parfocal lens design. 

But then one might well expect brand ambassadors to wax lyrical and skip over possible pre-production and early firmware defects given reasonable expectations that Fujifilm will get it right in the end or at least in time for offical product release date. 

Not quite this time, apparently, as Fujifilm recently issued firmware version 1.02 for this now-shipping lens and some reviewers are already hoping that further firmware updates are in the pipeline. 

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Fujifilm X-T3 with Fujinon XF 16-80mm f/4.0 R OIS WR zoom lens.
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Fujifilm X-Pro3 pre-production model in Dura Black with pre-production Fujinon XF 16-80mm f/4.0 R OIS WR zoom lens, as seen at a Ted’s World of Imaging Touch-and-Try event in Sydney.

I was lucky enough to have a short time with a preproduction version of the Fujinon XF 16-80mm f/4.0 R OIS WR zoom at a recent Ted’s World of Imaging touch-and-try event for the Fujifilm X-Pro3, and found it worked well enough when shooting event stills on a Fujifilm X-H1 unequipped with firmware updates for the lens.

The lens is situated price-wise in-between the pro-quality, pro-priced red badge Fujinon XF 16-55mm f/2.8 R LM WR and the Fujinon XF 18-55mm f/2.8-4 R LM OIS kit zoom, and there was some speculation that the Fujinon XF 16-80mm f/4.0 R OIS WR might be bundled with later-release Fujifilm X-T3s or the coming X-T4 as a higher-specced kit lens, especially for video production.

The 16-80mm’s parfocal focusing is especially attractive for video use as well as the lens’ apparent 6 stops of optical image stabilization that helps make up for its f/4.0 maximum aperture when handholding in low lighting when used on non-stabilized cameras like the X-T3, X-Pro3 and the coming X-T4.

Questions about the Fujinon XF 16-80mm f/4.0 R OIS WR’s optical qualities throughout its focal range were bandied about during the long pre-release period and I have yet to find a complete set of in-depth tests of the lens’ image quality and focusing performance.

In the meantime, pal2tech’s initial and subsequent video reviews have rather dampened my enthusiasm for the Fujinon XF 16-80mm f/4.0 R OIS WR.

Are what he is seeing in action when shooting video in particular early production model teething problems, uneven quality assurance, limitations in current firmware or the outcome of too many design and engineering compromises?

Zoom lenses are a set of such compromises compared to prime lenses and a certain amount of them are to be expected, especially in a lens with a longer-than-usual focal length range, but has Fujifilm compromised way too much?

pal2tech’s videos may help you make up your own mind, but I would recommend going off in search of more reviews by video professionals before definitively deciding against the Fujinon XF 16-80mm f/4.0 R OIS WR.

While some optical and autofocusing problems can be compensated for via firmware and during processing of raw stills images, video is more demanding of lens quality given that shortfalls in optical quality cannot be corrected in video non-linear editing software.

My experiences with Micro Four Thirds cameras and lenses, as well as Fujifilm’s APS-C/Super 35 gear, have amply proven the advantages of having a stabilized zoom lens in one’s kit when shooting documentary stills and video in trying conditions and available darkness rather than available light, so the Fujinon XF 16-80mm f/4.0 R OIS WR would, theoretically, fill a yawning gap in my Fujinon lens collection.

Provided that it is as good for video as it seemed to be for stills during my all-too-short time with the Fujinon XF 16-80mm f/4.0 R OIS WR at Ted’s.

Like many others, I have had high expectations for this lens given my longtime need for a gap-filling zoom lens for video and photography, and given the poor Australian dollar and consequent high price in local online and bricks-and-mortar stores.

Should I be reconsidering the Fujinon XF 18-55mm f/2.8-4 R LM OIS kit zoom lens instead, and go off to ebay to look for the latter secondhand?

pal2tech: Fuji 16-80 Lens Review

pal2tech: Fujifilm 16-80mm Lens Firmware Update 1.01

pal2tech: Fujifilm 16-80 Lens Focus Problem Fix — Possible Solution

pal2tech: Fujifilm 16-80 Lens Firmware Update 1.02 – Can’t Test (and my thoughts)

Links

Help support ‘Untitled’

Clicking on the links and purchasing through them for our affiliate accounts at Adorama, Alien Skin, B&H Photo Video, SkylumSmallRig or Think Tank Photo helps us continue our work for ‘Unititled’.

  • FUJIFILM X-H1 Mirrorless Digital Camera Body with Battery Grip KitB&H – bundled with the unstabilized Fujinon XF 16-55mm f/2.8 R LM WR, this stabilized camera may still be the current best option for video despite its older generation sensor and processor.
  • FUJIFILM X-Pro3 Mirrorless Digital CameraB&H
  • FUJIFILM X-T3 Mirrorless Digital CameraB&H
  • FUJIFILM XF 16-55mm f/2.8 R LM WR LensB&H
  • FUJIFILM XF 16-80mm f/4 R OIS WR Lens B&H
  • FUJIFILM XF 18-55mm f/2.8-4 R LM OIS LensB&H

Three Blind Men and An Elephant Productions: FujiFilm X-Pro3: Dangerous!

“A modest dissertation on the X-Pro3 development announcement, clickbait and the diminution of language.”

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Image of pre-production Fujifilm X-Pro3 from video of Fujifilm X Summit Shibuya 2019 on September 20, 2019.

Links

Help support ‘Untitled’

Clicking on the links and purchasing through them for our affiliate accounts at Adorama, Alien Skin, B&H Photo Video, SkylumSmallRig or Think Tank Photo helps us continue our work for ‘Unititled’.

  • Fujifilm Cameras B&H
  • Fujifilm LensesB&H

bigheadtaco: First Look: Fujifilm XF16-80mm f/4 R OIS WR

“It’s been a while since Fujifilm released a wide to medium range zoom lens, especially with both OIS and WR. Previously, the only general range zoom lens that had both features was the big and bulky XF18-135mm lens. My hope was that Fujifilm would re-make the XF18-55mm f/2.8-4 R LM OIS lens to be XF16-55mm f/2.8-4 R LM OIS WR. Instead, Fujifilm decided to keep the original kit lens and create the new XF 16-80mm f/4 R OIS WR. Who is this lens for? It really depends. If you own the X-T3 and you really want a mid-range zoom lens with both OIS and WR, this is the only option you have. However, if you own the X-H1, would you be better off with the XF 16-55mm f/2.8 and put up with the size and weight of a professional lens? “

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Fujifilm X-T3 with Fujinon XF 16-80mm f/4.0 R OIS WR zoom lens.

Commentary

Good to see that photographers are receiving pre-production copies of Fujifilm’s Fujinon XF 16-80mm f/4.0 R OIS WR and, as usual, even more reviews will be appearing when production versions of the lens make their way into the world.

When I was photographing the climate strike rally in Sydney on September 20, I found myself wondering how the 16-80mm f/4.0 zoom lens might change and even improve the way I cover such subjects.

See my personal Instagram account for documentary photographs of the rally and other events, recently mostly using prime lenses on Fujifilm cameras as Panasonic Lumix camera and lens loaners have been in short supply.

Links

Help support ‘Untitled’

Clicking on the links and purchasing through them for our affiliate accounts at Adorama, Alien Skin, B&H Photo Video, SkylumSmallRig or Think Tank Photo helps us continue our work for ‘Unititled’.

  • Fujifilm Cameras B&H
  • Fujifilm LensesB&H

Fujifilm X: A Quick Look at XF16-80mmF4 R OIS WR by Huseyin Aldirmazm – UPDATED

https://fujifilm-x.com/global/stories/a-quick-look-at-xf16-80mmf4-r-ois-wr-by-huseyin-aldirmaz/

“If we consider the zoom range and fixed f4 aperture in the FUJINON lenses in this segment, to me, the most reasonable option is XF16-80mm. From wide-angle to a medium telephoto zoom range makes this lens ideal especially for street and travel photographers. Even for general architectural shots (no ultra-wide angle), the lens has high-end features that will satisfy anyone who wants to work with a single lens. Let’s look at the other details….”

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Fujifilm Fujinon XF 16-80mm f/4.0 R OIS WR zoom lens.

FUJIFILMglobal: Huseyin Aldirmaz x XF16-80mmF4 R OIS WR / FUJIFILM

Commentary

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Fujifilm X-H1 with VPB-XH1 battery grip and Fujinon XF 16-55mm f/2.8 R LM WR professional zoom lens.

Each year I always look forward to the Sydney edition, as it were, of Fujifilm Australia’s People with Cameras event and that anticipation is no less eager this year with the event coming up for tomorrow, Saturday September 7th, 2019.

I will be carrying my trusty Fujifilm X-Pro2 and a handful of Fujifilm Fujinon prime lenses, along with an X-H1 kindly loaned by Fujifilm Australia’s PR folks.

I have been enjoying the many virtues of the X-H1, and am hoping that an X-H2 is on the horizon for release early 2020, if we are lucky.

The X-H1 in combo with my X-Pro2 is a powerful kit when engaged in documentary work and portrait photography.

The X-H1 is, of course, the better option of the two for top-quality video using the Pro Neg Standard, Eterna Cinema or F-Log profile depending on taste and need, and I highly recommend using Paul Leeming’s settings below when shooting with the X-H1, X-T3 or X-Pro2, as well as their other cameras.

When shooting video, or stills for that matter, always best to expose to the right aka ETTR in order to avoid burnout at the shoulder end of the exposure scale.

Paul Leeming’s video settings for Fujifilm cameras:

  • Pro Neg Std (best option on the X-Pro2), Eterna Cinema, F-log (or HLG for the X-T3)
  • H265 recording format
  • DR100 for all profiles
  • Highlight tone 0
  • Shadow tone 0
  • Color 0
  • Sharpness -4
  • Noise Reduction -4
  • Zebra level 100%
fujinon_xf_18mm_f2_r_01_1024px_60pc
Fujinon XF 18mm f/2.0 R prime lens, regrettably much too slow to focus manually or via autofocus and its aperture ring too flakey and quirky for fast-paced professional work in stills and video, though some folks seem to like it for the quirkiness that makes it frustrating for me. I have been trying out this lens again recently but am still searching for the ideal substitute, given how crucial this 28mm equivalent focal length is for documentary cinematography and photography.

I have been hoping a lens like Fujifilm’s Fujinon XF 16-80mm f/4.0 R OIS WR would turn up for quite some time since acquiring my first interchangeable lens Fujifilm camera, a standard zoom lens offering better quality than the Fujinon XF 18-55mm f/2.8-4.0 R LM OIS kit zoom which has, however, proven surprisingly good for its class though the latter is not everything I might wish for.

The X-Pro2 and X-T3’s lack of in-body image stabilization ruled out considering the Fujinon XF 16-55mm f/2.8 R LM WR, a lens that appears better suited to a gripped IBIS-equipped X-H1 than the two smaller cameras.

My time in DSLR-land with the Canon EOS 5D Mark II and its Canon EF 24-105mm f/4L IS USM kit zoom lens taught me the value of lenses with optical image stabilization and a bit extra on the long end of the focal length scale when shooting documentary stills and video.

The in-development announcement of the Fujinon XF 16-80mm f/4.0 R OIS WR came as a pleasant surprise to many of us who had been hoping for a one-lens replacement for several prime lenses when weight and size would be an issue and Hüseyin Aldırmaz’s report on his experience with a pre-production copy looks promising.

Now to the Fujinon XF 16-80mm f/4.0 R OIS WR’s release and falling into the hands of well-qualified non-Fujifilm Ambassadors for some in-depth reviews so we have some idea of whether this is the all-purpose standard zoom lens we have been waiting for.

PostScript

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Guest at the Fujifilm Australia event, People with Cameras Sydney 2019, People with Cameras Creative Space, Doltone House, Darling Island Wharf, Pyrmont, Sydney, Saturday September 7, 2019. Photographed with Fujifilm X-T3 and Fujinon XF 16-80mm f/4.0 R OIS WR standard zoom lens.

I was lucky enough to spend a very short time with a pre-production model of the Fujinon XF 16-80mm f/4.0 R OIS WR at last Saturday’s Fujifilm People With Cameras event in Sydney and can report that the lens feels good and solid with fast autofocus and good balance on the Fujifilm X-T3 upon which it was mounted.

I was asked not to save any photographs or video shot with it so my assessment is limited.

Thanks to the ever-keen eyes of the folks at Fuji Rumors, I have now added some reviews of pre-production versions of the Fujinon XF 16-80mm f/4.0 R OIS WR to the links list below.

Enjoy, until the first in-depth reviews of the production version of this lens start appearing.

Links

  • Bill FortneyThe New Mid-Range King! – “I will cut to the chase and tell you now it will replace the 18-135 as my standard middle zoom.  In fact for my upcoming trip to the UP of Michicgn and Acadia N.P, it and the 10-24, and 100-400 will be my three zoom package. “
  • Bjorn Moerman PhotographyFUJIFILM XF16-80mm f4 REVIEW – Comparison with XF18-135 – “It might also be a replacement lens for those that presently own the XF18-55 and/or XF18-135 lens(es). Personally I’m looking at replacing my XF18-135 with the XF16-80.”
  • Fuji Rumors
  • Fuji RumorsFujinon XF 16-80mm f/4: Pros and Cons, First Looks and Thougths [sic] – contains links to Rico Pfirstinger’s eight-part article at the Fuji X Secrets Facebook page and sample images at flickr.
  • Fujifilm XFUJINON XF16-80mmF4 R OIS WR
  • Fujifilm South AfricaTHOUGHTS ON THE FUJINON 16-80MM F/4 – Anton Bosman – “For professionals who are looking for an all day carry around lens and for the traveller who is looking for a compact carrying kit, yet they still want the ability to create images that will hold their own against the best on any platform. For videographers there is good news, the lens has very little breathing.
  • FUJIFILMglobalHuseyin Aldirmaz x XF16-80mmF4 R OIS WR / FUJIFILM – video
  • Hüseyin AldırmazInstagram account
  • Hüseyin Aldırmazwebsite
  • Ivan Joshua LohXF16-80mm. – “If you are looking for a zoom lens; this could be it. Of course there is the XF18-135mm lens but I would go for the XF16-80mm. I would prefer a wider advantage than a tele. I would not use this lens professionally as the optically on a different level when compare with XF16-55mm F2.8”
  • jonasrask|photographyFujinon XF 16-80mm f/4 R OIS WR first look preview – “The XF16-80mm f/4 R WR OIS is without a doubt one of the new Fujinon XF classics. It is a phenomenal performer with great image stabilisation, and good IQ throughout the zoom range. Especially at 50-80mm. It’s sharp and has good looking out-of focus rendering. It focuses very fast and precise, and the build quality is fantastic.”
  • Leeming LUT Pro – production of Paul Leeming’s LUT pack for Fujifilm XF cameras is currently under way.
  • WikipediaExposing to the right

Help support ‘Untitled’

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Fujinon XF 10-24mm f/4.0 R OIS zoom lens. A suitable mid-price mid-range wide-angle companion zoom lens for the Fujinon XF 16-80mm f/4 R OIS WR.

Clicking on the links and purchasing through them for our affiliate accounts at Adorama, Alien Skin, B&H Photo Video, SkylumSmallRig or Think Tank Photo helps us continue our work for ‘Unititled’.

  • FUJIFILM XF 8-16mm f/2.8 R LM WR LensB&H
  • FUJIFILM XF 10-24mm f/4 R OIS LensB&H
  • FUJIFILM XF 16-55mm f/2.8 R LM WR LensB&H
  • FUJIFILM XF 16-80mm f/4 R OIS WR Lens B&H
  • FUJIFILM XF 18-55mm f/2.8-4 R LM OIS LensB&H
  • FUJIFILM XF 50-140mm f/2.8 R LM OIS WR LensB&H

Fujifilm Australia’s People with Cameras, Darling Island Wharf, Sydney, September 7, 2019

I always try to attend Fujifilm’s annual People with Cameras in Sydney each year and was able to be there for much of this year’s event held at Doltone House on Darling Island Wharf in Pyrmont on Saturday the 7th September 2019. 

More female photographers seem to attend each year, a welcome trend given the low numbers of female photographers and moviemakers who manage to make it professionally in Australia in particular and globally in general. 

Those low numbers are not from want of talent but from systemic issues favouring male practitioners and thus the peculiarities of the male gaze and the male power structure, but I am hopeful that female representation in all aspects of photography and moviemaking will continue increasing to the point of parity, rapidly rather than slowly. 

Gentleman behind the Fujifilm Australia table, photographed with Fujifilm X-H1 and Fujifilm XF 50-140mm f/2.8 R LM OIS WR telephoto zoom lens as raw file processed with Adobe Photoshop and Alien Skin Exposure X4 using a modified Polaroid Type 55 preset. I borrowed the lens to make this shot then returned it, but would love to try it out extensively before considering buying one.
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Attendee trying out Fujifilm GFX 100 medium format camera, photographed with Fujifilm X-T3 and Fujinon XF 16-80mm f/4 R OIS WR standard zoom lens.


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Fujifilm X-H1 with Fujinon XF 50-140mm f/2.8 R LM OIS WR Red Badge professional zoom lens.

I carried a Think Tank Photo MindShift Gear BackLight 26L backpack containing my Fujifilm X-Pro2, a borrowed Fujifilm X-H1, a Fujinon XF 16mm f/2.8 R WR and a Fujinon XF 18mm f/2.0 R lens both of which were also borrowed, and my own Fujinon XF 23mm f/1.4 R, Fujinon 27mm f/2.8 and Fujinon XF 56mm f/1.2 R lenses.

I managed to very briefly borrow a Fujinon XF 50-140mm f/2.8 R LM OIS WR and a pre-production model of the Fujinon XF 16-80mm f/4.0 R OIS WR standard zoom lens which is due for release later this year.

I ended up swapping between my 56mm lens and the borrowed 18mm lens for this event but wondered if I might have been better served by the 50-140mm zoom lens or the 50mm f/2.0 prime in conjunction with the 16mm lens or the reportedly excellent Fujinon XF 16mm f/1.4 R WR.

Help support ‘Untitled’

slr_magic_microprime_18mm_t2.8_01_1024px
SLR Magic MicroPrime Cinema 18mm T2.8 Fujifilm X-Mount.

Clicking on the links and purchasing through them for our affiliate accounts at Adorama, Alien Skin, B&H Photo Video, SkylumSmallRig or Think Tank Photo helps us continue our work for ‘Unititled’.

  • FUJIFILM XF 16mm f/1.4 R WRB&H
  • FUJIFILM XF 16mm f/2.8 R WRB&H
  • FUJIFILM XF 18mm f/2 R LensB&H
  • FUJIFILM XF 16-80mm f/4 R OIS WR LensB&H
  • FUJIFILM XF 50mm f/2 R WR LensB&H
  • FUJIFILM XF 50-140mm f/2.8 R LM OIS WR LensB&H
  • FUJIFILM XF 56mm f/1.2 R LensB&H
  • FUJIFILM X-H1 Mirrorless Digital Camera Body with Battery Grip KitB&H
  • FUJIFILM X-Pro2 Mirrorless Digital CameraB&H
  • MindShift Gear BackLight 26L BackpackB&H

Fuji Rumors: Fuji Guy Billy: APS-C Crop Factor Cheating? :: f/2 X Mount Zoom Lenses? :: Fast G Mount Lenses Potentially Coming :: And More

https://www.fujirumors.com/fuji-guy-billy-aps-c-crop-factor-cheating-f-2-x-mount-zoom-lenses-fast-g-mount-lenses-potentially-coming-and-more/

… XF16-80mm f/4

  • XF16-80mm f/4 is going to be an all in one beautiful lens, great for stills and video
  • coming later this year [September]…
  • Billy loves images with blown out background, and subjects to stand out, hence he brings prime lenses. Prime lenses also are sharper
  • Often Billy does not bring a zoom lens
  • Slowing down with primes, gets him more keepers
  • with zoom lenses he tends to get too lazy, just stand, zoom, and snap images
  • He would sacrifice primes to get 1 zoom for long hikes or so
  • He looks forward to XF16-80. Sharp lens, great all-rounder…
  • Zoom lenses can make things “easy”, but if you stick to constantly choose the frame, to work on the picture, you can get great images with zooms
  • If you struggle to find your frame, set your zoom to one focal length, and shoot only with that, so you start to take pictures more consciously…
fujinon_xf_16-80mm_f4.0_r_wr_ois_06_1024px.jpg
Fujifilm X-T3 with Fujinon XF 16-80mm f/4.0 R OIS WR zoom lens.

Commentary

Although I am primarily a prime lens user in whichever camera system and sensor size, zoom lenses containing just the right focal lengths are invaluable when the two-camera, two-primes solution or swapping prime lenses from camera to bag and back again is out of the question when shooting documentary video and stills in fast-moving and intensive, highly immersive situations.

panasonic_leica_dg_vario-summilux_10-25mm_f1.7_aspheric_g9_01_1024px
Panasonic Lumix DC-G9 with Panasonic Leica DG Vario-Summilux 10-25mm f/1.7 Aspheric wide to standard zoom lens.

The Fujinon XF 16-80mm f/4.0 R OIS WR for Fujifilm’s APS-C/Super 35 cameras and the Panasonic Leica DG Vario-Summilux 10-25mm f/1.7 Aspheric for M43/Super 16 cameras including those made by Blackmagic Design, Olympus and Panasonic are two such zoom lenses and both have been highly anticipated since their in-development announcements a while ago.

Fuji Guy Billy is a respected in-house commentator on Fujifilm’s hardware and firmware, and it is reassuring to read his own assessment of the Fujinon XF 16-80mm f/4.0 R OIS W, supported by videos featuring photographers working in different genres while using the lens.

I look forward to the Fujinon XF 16-80mm f/4.0 R OIS W’s arrival in-store and into the hands of well-qualified independent reviewers soon.

Fujifilm Fujinon XF 16-80mm f/4.0 R OIS WR

Links

Help support ‘Untitled’

Clicking on the links and purchasing through them for our affiliate accounts at Adorama, Alien Skin, B&H Photo Video, SkylumSmallRig or Think Tank Photo helps us continue our work for ‘Unititled’.

  • FUJIFILM XF 16-80mm f/4 R OIS WR LensB&H