Videos About Two Australian X-Photographers Using X-Pro3 Digital Rangefinder Camera, Megan Lewis and Michael Coyne, Now Online

Australian photographers rarely if ever feature in camera and lens makers’ marketing materials and few Australia female photographers are invited to become brand ambassadors whether they are based in Australia or overseas. 

Documentary photographer Megan Lewis features in one of two recently-released Fujifilm X-Photographer videos about the X-Pro3 digital rangefinder-style camera with documentary photographer Michael Coyne being her male counterpart. 

Both are long-time Fujifilm users and are well-qualified to offer their insights into the X-Pro3 as a dedicated documentary and photojournalism stills camera. 

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Fujifilm X-Pro 3 with MHG-XPRO3 grip and Fujinon XF 35mm f/2.0 R WR prime lens. I prefer equipping my cameras with handgrips and vertical battery grips for versatility, stability and security when handholding lenses in a wide range of sizes and weights, although the smaller Fujinon lenses such as this XF 35mm f/1.4 R “Fujicron” standard prime lens may not benefit as much as larger prime and zoom lenses.

I have yet to have the pleasure of meeting either photographer, though I am keen to spend time with Megan Lewis to photograph her at work for ‘Unititled’ in order to show other female photographers that one can succeed as a documentary photographer or photojournalist.

In the immortal words of Geena Davis of the Geena Davis Institute on Gender in Media, “if she can see it, she can be it”, and so stories, photo essays and videos about female creatives like Megan Lewis are crucial to creating the possibility of women succeeding in their chosen professions to the point where we gain parity with men.

FUJIFILM X Series: Megan Lewis x X-Pro3 / FUJIFILM

FUJIFILM X Series: Different Breed: Michael Coyne x X-Pro3

Fujinon lenses used by Megan Lewis and Michael Coyne in these videos

Links

Help support ‘Untitled’

Clicking on the links and purchasing through them for our affiliate accounts at Adorama, Alien Skin, B&H Photo Video, SkylumSmallRig or Think Tank Photo helps us continue our work for ‘Unititled’.

  • FUJIFILM X-Pro3 Mirrorless Digital Camera B&H
  • FUJIFILM XF 10-24mm f/4 R OIS LensB&H – used by Megan Lewis
  • FUJIFILM XF 16mm f/2.8 R WR LensB&H – used by Michael Coyne

Fujifilm X-Pro3 First Look Touch & Try Event, Ted’s World of Imaging, Sydney, Wednesday November 6, 2019

I attended Fujifilm Australia’s First Look Touch & Try event at Ted’s World of Imaging in Sydney on Wednesday, 6th November, 2019, and had a brief opportunity to handle a preproduction version of the Fujifilm X-Pro3 digital rangefinder camera that has already been well-covered in Fujifilm X-Photographer videos and articles, and first-look commentary by a range of online camera pundits. 

As the camera is in preproduction at time of writing, the usual request not to shoot or publish photographs made with it applies, so I will not  comment on its stills and video capabilities but can state that the X-Pro3 is an interesting evolution of Fujifilm’s professional rangefinder line.

Fujifilm is marketing the X-Pro3 as a camera for “street photographers” as Panasonic did for its latest rangefinder-style GX series camera, the Lumix DC-GX9, and I am hoping that with its X-Pro series Fujifilm will not be imitating Panasonic’s decision to make its GX series something less than a great camera for photojournalists and documentary photographers.

I dread the day my Lumix DMC-GX8 gives up the ghost given Panasonic so badly dropped the ball on pro-quality rangefinder-style cameras in favour of DSLR-style cameras.

Throughout my career I have relied on a range of camera styles and formats – rangefinders, rangefinder-style cameras, hand and stand sheet film cameras,  SLRs aka Single Lens Reflexes in 120 and 135  film formats, and a DSLR upon Canon’s accidental revolution in the form of the Canon EOS 5D Mark II.

My first choice for immersive documentary photography has always been rangefinder cameras and I have been hoping the X-Pro3 would receive many of the advances found in the X-H1 and X-T3.

Until I have a proper hands-on with it, I will not know whether that is truly the case, but the X-Pro3’s loss of the ability to use its otherwise improved optical viewfinder aka OVF with the Fujinon XF 18mm R moderate wide-angle prime lens is a real concern.

For many documentary photographers and photojournalists, as it has long been for me, the 28mm focal length (on 35mm sensor cameras) is our default and its 18mm APS-C equivalent works well on the X-Pro2 and especially in its OVF.

Since 2015 I have been daydreaming of a radically improved X-Pro3 being released alongside an even more radically upgraded Fujinon XF 18mm lens with both aimed at documentary photographers and photojournalists, but Fujifilm seems to have decided on setting its sights lower than that, upon street photographers whom I humbly suggest might be better served by the forthcoming X100V.

Time will tell where Fujifilm is heading with its cameras, but I hope that it will not forget its documentary and photojournalism customers as Panasonic has.

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Warrewyk Williams of Fujifilm Australia presenting the Fujifilm X-Pro3 digital rangefinder camera at Fujifilm X-Pro3 FIRST LOOK + Touch & Try event at Ted’s World of Imaging in Sydney on Wednesday November 6, 2019.
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Warrewyk Williams of Fujifilm Australia presenting on the Fujifilm X-Pro3 digital rangefinder camera.
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Fujifilm X-Pro3 pre-production model with pre-production Fujinon XF 16-80mm f/4.0 R OIS WR zoom lens.
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Fujifilm X-T30 dwarfed by the Fujinon XF 16-80mm f/4.0 R OIS WR standard zoom lens.
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Fujifilm X-Pro3 pre-production model with limited edition silver grey Fujinon XF 23mm f/2.0 R WR prime lens.
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Handing over the Fujifilm X-Pro3 pre-production model with limited edition silver grey Fujinon XF 23mm f/2.0 R WR prime lens.
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Fujifilm’s smaller, more affordable “Fujicron” lenses are particularly suitable for the X-Pr03 and its processor the X-Pro2, given how the front elements of the larger, costlier “Fujilux” lenses protrude into the lower right of both cameras’ optical viewfinders.
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I have yet to have the pleasure of trying out the Fujifilm GFX-100 medium format camera but it appears particularly suited to the style of portrait photography I used to carry out with 120 roll film and sheet film cameras during the analog era.
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The X-Pro3 finds its way into some female hands.
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Ditto, though with the suitable oversight of a gentleman’s expertise.

Fujifilm X-Pro3 Articles, Videos and Reviews By and About Fujifilm Brand Ambassadors, Staff Members and Others, Including Two Female X-Photographers!

Videos by and about camera brand ambassadors as well as product reviews by them, more properly referred to as articles given their often fiscal relationship with those brands, can be often frustrating affairs when needing to know how well the cameras and lenses in question perform in the field in the hands of users not unlike me. 

That is, self-funded independent documentary photographers and videographers.

I would love it if camera and lens makers made early efforts to get their gear to people like me for use in real assignments so we can hear how well or not it performs in the often demanding conditions in which we work.

The too-often generic overviews of just-released new gear by brand ambassadors and professional YouTube reviewers have their uses in painting broad-brush pictures, but they need to be rapidly followed by in-depth insights into performance in the field during real projects and for use in a range of specific moviemaking and photographic genres.

In my humble opinion.

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Fujifilm X-Pro 3 in Dura Black finish with MHG-XPRO3 grip and Fujinon XF 35mm f/2.0 R WR prime lens. I am a fan of hand grips and vertical battery grips for cameras, especially when shooting documentary stills and video or portraits in available light and especially when shooting in available darkness, for better grip and stability handheld. I always default to all-black cameras when I can to maintain some degree of stealth and so am in two minds about the “black” and “silver” DuraTect finishes on the two Dura versions of the X-Pro2. Should X-Pro3 purchasers trade stealth for durability? Is Dura Black as recessive as plain old black paint and thus less noticeable than Dura Silver?

Fujifilm has, in its marketing material, pitched the X-Pro3 at street photographers and photojournalists, and given photographing in the street is a form of documentary, one I prefer to know by the name of urban documentary, and the X-Pro3’s rangefinder form factor is just as appropriate to portraiture, event photography, other forms of documentary, fine art photography, travel photography and more genres besides given this camera has apparently radically improved on its predecessor’s optical viewfinder and electronic viewfinder.

When I wrote about the X-Pro2, I saw it as three cameras in one – a Leica or Contax-style OVF camera, an EVF camera like my Panasonics and a miniature view camera thanks to its excellent fixed LCD monitor.

Over the years I have relied on my X-Pro2 in all three camera guises, for architectural photography, portrait photography, photojournalism, urban documentary and product shots, just as I did with a range of rangefinder-style cameras in film formats from 35mm through 120 roll film up to 4″x5″ sheet film.

Even, in a pinch, for shooting 4K video in a way not dissimilar to how I used 8mm and Super 8 rangefinder movie cameras during the height of the analog era.

Seeing the world OVF-style is a rather different thing to seeing EVF-style and even DSLR-style when shooting stills and video, I have found, and it is good to get out of one’s comfort zone in a regular basis.

I have yet to study the X-Pro3’s specifications in any depth, and the same applies to the videos and articles I am sharing on this page, but it appears that the X-Pro3’s video capabilities are well beyond that of the X-Pro2 though they do not, of course, match those of the amazing X-T3 and are somewhat in the ball park of the oddly-timed X-H1.

Videos

Four videos featuring two female X-Photographers, one female retail store staff member and one unnamed female photographer against the usual slew of male photographers and professional reviewers. Surely camera makers can do better than this in this day and age?

  • AdoramaFujifilm X PRO3 | Hands On with Daniel Norton – “… X-Pro3 is a true photographer’s tool that combines all the feeling of film with all the quality of digital.”
  • bigheadtacoFirst Look: The Titanium Clad Fujifilm X-Pro3 – “Warning: This is a long and nerdy video. If you want a shorter version, check out my shooting impressions video (link down below). Come back here if you want more details”
  • bigheadtacoFirst Shooting Impressions: Fujifilm X-Pro3 – “… I enjoyed using the unique articulating screen, the HVF is improved, and the updated firmware using the X Processor IV is impressive. “
  • Charlene WinfredX Pro3, A Different Breed – “Filmed o[n] the Fujifilm X-T3 and Fujinon XF 18-135mm F3.5-5.6”
  • DPReviewDPReview TV: Fujifilm X-Pro3 Preview – Carbon Coated Classic or Titanium Trinket? – “Some might argue that Fujifilm’s new X-Pro3 rangefinder-style camera takes a page from the Leica playbook, omitting a full-time rear screen in favor of a more ‘pure’ shooting experience. Is the X-Pro3 a carbon-coated classic or a titanium trinket? Chris and Jordan aim to find out.”
  • Fuji Guys ChannelFuji Guys – FUJIFILM X-Pro3 – First Look – “Fuji Guys Francis and Billy give you a first look preview of the FUJIFILM X-Pro3.”
  • FUJIFILM France – Imaging BusinessCyril ABAD X Pro3 – “… Mes attentes en terme de vitesse d’AF, de réactivité, de fluidité de l’EVF sont satisfaites. Le X-Pro3 est plus rapide, plus précis.”
  • FUJIFILM UKLooking back, moving forward. – The New X-Pro3! – “Say hello to the all-new X-Pro3. The exciting newcomer to our X-Pro range has been designed to minimise distractions, keeping you focused on the craft of photography. Watch the video to discover some of its exciting new features.” – depicts an unnamed female photographer.
  • Fujifilm X / GFX España OficialX-Photographer Matías Costa – Fujifilm X-Pro3 – “El #XPhotographer Matías Costa fue seleccionado por FUJIFILM Corporation como uno de los integrantes del selecto grupo de probadores oficiales de la cámara #Fujifilm #XPro3. El resultado de su trabajo es el proyecto “La triple frontera de Gibraltar”. “
  • FUJIFILM X SeriesDifferent Breed: Alberto Selvestrel x X-Pro3 – “Italian photographer Alberto Selvestrel shoots on FUJIFILM X-Pro3.”
  • FUJIFILM X SeriesDifferent Breed: Eric Bouvet x X-Pro3 – “French X-Photographer Eric Bouvet shoots on FUJIFILM X-Pro3.”
  • FUJIFILM X SeriesDifferent Breed: Patrick La Roque x X-Pro3 – “Canadian X-Photographer Patrick La Roque shoots on FUJIFILM X-Pro3.”
  • FUJIFILM X SeriesDifferent Breed: Tomasz Lazar x X-Pro3 – “Polish X-Photographer Tomasz Lazar shoots on X-Pro3”
  • FUJIFILM X Series“FUJIFILM X-Pro3 “Create within Chaos” / FUJIFILM” – “Create within Chaos” X-Pro3″
  • Fujifilm X SingaporeFujifilm Singapore x Mindy Tan: Episode 1- Fuji Girl Series (X-PRO3)“Using the Fujifilm X-Pro3, how can we photograph strangers? What motivates this documentary photographer? Learn from Mindy Tan, a Fujifilm X-photographer.”
  • Gerald UndoneFUJIFILM X-Pro3: 7 Things to Love About This Camera
  • Gordon LaingFujifilm X-Pro 3 preview: HANDS-ON first looks – “Hands-on first-looks preview of the Fujifilm X-Pro 3 camera! CORRECTION: Sorry, no 10 bit video, it’s 8-bit only, but the USB C can be used for headphones.”
  • Kai WFujifilm X-Pro 3 Hands on First Impressions – “What the flip?!”
  • Kevin MullinsFujifilm X-Pro 3 Review and Feature Overview – “… It’s a camera that may divide opinion, but if you are looking for a camera that will last forever, is amazingly quick, tactile and, in my opinion, the best Fujifilm camera fro Street Photography and Reportage work – this is the camera for you….”
  • Lee ZavitzFujifilm X-Pro3 – Hands On Review – “So I was able to test out the new Fuji X-Pro3 for a week now and I made sure to shoot with it a lot! So much that I feel like it’s safe to call this a review. How do you feel about the hidden screen / Sub display? Love it or No?”
  • Matt BrandonFujifilm X-Pro3 – Review – “Just days before the official release of the new Fujifilm X-Pro3, I managed to get my Friends at Fujifilm Malaysia to send me a sample camera. It was a preproduction. I say this because it had some very beta firmware in it, making it impossible to test out many of the new features. But the real buzz about this camera isn’t the latest software or new features like HDR and even the new film simulation, it is about the new design of the camera. The new LDC display or lack of it – so to speak. It features a controversial hidden display. In this video, only hours after I received the camera, I took it for a spin. Special thanks for Fujifilm Malaysia for the loan of the camera.”
  • Matti HaapojaFUJIFILM X-Pro 3 REVIEW – Film Look Straight In Camera?
  • The Art of PhotographyHANDS ON with the Fujifilm X-Pro 3!! – “It doesn’t have all the video options that the X-T3 does, but this camera is designed for still shooters. Having said that you still get 4k video and 8 bit log. I filmed all of the b-roll footage of the actual camera with an X-Pro 3.”
  • Theoria ApophasisX-PRO3 CLOSE LOOK & UNIQUE DETAILS!
  • Wex Photo Video –Fujifilm X-Pro3: Vintage Meets Tech | Real-world Test“… in this video Amy gets her hands on the new Fujifilm X-Pro3, along with several fast prime lenses.”

Articles, Reviews and Other Links

Two articles with more to come by Fujifilm Nordic X-Photographer Charlene Winfred, who is featured in the video at the top of this page.

Help support ‘Untitled’

Clicking on the links and purchasing through them for our affiliate accounts at Adorama, Alien Skin, B&H Photo Video, SkylumSmallRig or Think Tank Photo helps us continue our work for ‘Unititled’.

  • FUJIFILM X-Pro3 Mirrorless Digital Camera B&H
  • Fujifilm XF LensesB&H

Capture One Pro: Capture One & Fuji with Eivind Røhne

“Eivind Røhne is an editorial and commercial photographer based in Oslo, Norway. He photographs people, fashion, architecture and industrial subjects for national and international clients.

Eivind is also a Fuji X photographer, a brand ambassador for Fuji cameras.

Therefore, in this webinar Eivind will show us his processing techniques in Capture One, specifically to optimise images from X-Trans cameras.”

Links

Help support ‘Untitled’

Clicking on these affiliate links and purchasing through them helps us continue our work for ‘Untitled: Stories of Creativity, Innovation, Success’.

  • Phase One Capture One Pro 10 (Download)B&H
  • Fujifilm X-E3 Mirrorless Digital CameraB&H
  • Fujifilm X-Pro2 Mirrorless Digital CameraB&H
  • Fujifilm X-T2 Mirrorless Digital CameraB&H
  • Fujifilm X-T20 Mirrorless Digital CameraB&H
  • Fujifilm X100F Digital CameraB&H

Fujifilm X-Pro2 User Peter Dareth Evans Namechecks Six Photographic Greats with His Seven Excellent JPEG Film Simulation Settings

At the moment I don’t rely on JPEGs from any cameras as my SOOC (straight-out-of-camera) originals for online or print reproduction. Several reasons, prime of which is our lousy national broadband upload speeds and allocations. Then there is the fact that I use and love two different mirrorless camera systems for their different video capabilities and when shooting stills I prefer to edit raw files to colour match projects shot with both. Lastly, I don’t have any clients that demand fast turnaround and online transmission soon after shooting. 

I do, however, like to set custom JPEG and video profiles on each system’s cameras and my preference is looks emulating some of the great analog films of yesteryear. Using as many of them as I could lay hands on, processing and printing my own negatives and transparencies, may have wrecked my health but it exposed me to a vast range of analog tone and colour possibilities that I now apply to visualizing and processing digital images.

Although my workflow does not require film simulation presets when shooting, it is fun to have them in-camera as custom settings. The latest firmware for for Fujifilm’s X-Pro2 and X-T2 permits renaming all seven custom settings. Until Peter Dareth Evans of Pete Takes Pictures shared his custom settings, I had both of Kevin Mullins’ wedding photojournalism customs settings installed but yearned for other looks as well.

Six of the greats plus one

Mr Evans seven custom settings pay homage to some of the greats of photography – William Eggleston, Joel Sternfeld, Mary Ellen Mark, Daido Moriyama, Garry Winogrand and John Bulmer – and one Fujifilm X-Photographer member of the KAGE Collective, Patrick LaRoque.

Those six greats, or at least the photographic schools of thought to which they belong, have been important to my own development as a photographer and moviemaker, so I quickly overwrite my custom settings with them and custom named them according to Mr Evans’ own descriptions.

I am looking forward to putting them to the test with some serious photography soon. Meantime I applied them to some quick and dirty X-Pr02 videos of domestic scenes and was impressed.

The downside of Fujifilm’s implementation of video on the X-Pro2, other than being 1080p only, is that only the film simulation part of the settings apply. Dynamic Range, Grain Effect, Highlight Tone, Shadow Tone, Colour, Noise, Grain, Sharpness settings have no effect on video though they do on JPEGs.

My quick and dirty workaround is to apply a tone recovery LUT from my ever-growing collection of free and paid-for LUTs, in this case FilmContrast_Light.cube from CoreMelt’s LUTx Feature Looks Collection or either of the two recovery LUTs from James Miller’s DeLUTS Fujifilm X-Pro2 LUT set.

Fujifilm, give us exposure zebras on all your cameras PLEASE!

Although Fujifilm continues to improve its cameras’ video capabilities, the company has several blindspots that have me wondering about its commitment to moviemakers using their cameras.

None of Fujifilm’s cameras’ firmware includes exposure zebras, the most essential tool for obtaining correct exposure of video and stills via ETTR – expose to the right. I rely on zebras when shooting video and stills on all my cameras of another mirrorless brand and zebras’ absence from the X-T2 is a major factor in not purchasing one despite its otherwise promising video support.

Crippling the application of custom settings to the X-Pro2’s video capability is deeply disappointing though it did not deter me from purchasing the X-Pro2. I have been yearning for an affordable digital interchangeable lens OVF camera for years now and the X-Pro2 has satisfied that desire for my stills photography work.

Shooting movies with OVF cameras is a passion and pleasure, perhaps peculiar to someone like me who began making short movies with old OVF film cameras. I so wish that the X-Pro2 supported zebras in its EVF, monitor and ERF, and allowed me to fine-tune my custom settings for video in the way that Messers Evans and Mullins do for stills photography.

Credits:

Thanks to Fuji Rumors for sharing This Guy Fine Tuned his Fujifilm Film Simulation Settings Inspired by the Work of Great Film Photographers. See “Chrome Eggleston” & More.

Links: