DPReview: Fujifilm interview: ‘We want the X-H1 to be friendly for DSLR users’ – COMMENTARY

https://www.dpreview.com/interviews/6430541330/fujifilm-interview-we-want-the-x-h1-to-be-friendly-for-dslr-users

“… How did you decide on what video features to include in the camera? Some expected features – like zebra – are missing.

Honestly, we couldn’t add zebra because of hardware constraints. The processor cannot support it. It requires too much processing power. At this time, we’ve achieved the best possible performance for the processor….

Is 8-bit capture enough, for F-Log recording?

There are 10-bit cameras on the market, but we recommend using Eterna to short-cut the recording process. We think 8-bit is enough for good quality….”

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Fujifilm X-H1 with Fujifilm VPB-XH1 Vertical Power Booster Grip

Commentary

With the X-H1 Fujifilm has successfully pulled off the in-body image stabilization that we were told was simply not possible, and what a success Fujifilm’s IBIS appears to be with a maximum of 5.5 stops for non-stabilized lenses like the Fujinon XF 35mm f/1.4 R.

The X-H1 specifications list includes other useful new features including feather-touch shutter button, internal F-Log, Eterna movie film simulation, touchscreen, flicker reduction and 68 weather resistance sealing points on the camera body with a further 26 on the battery grip.

With the X-H1 positioned as a hybrid for stills photographers and independent moviemakers, the camera’s other specifications are something of a compromise and that is also due to being equipped with the same X-Trans CMOS III APS-C sensor and X-Processor Pro used in its older Fujifilm siblings such as the X-Pro2 and X-T2.

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Right now the Fujifilm X-Pro2 fills many of my documentary photography needs and I am looking forward to the next versions of Fujifilm’s X-Trans sensor and X-Processor Pro coming to the X-Pro3 as well as the X-T3 and X-H2. I have been hanging out for a companion for my X-Pro2 for wider lenses than 18mm and longer lenses than 56mm, but if the X-H2 comes with the essential features left out of the X-H1, then I may choose an X-H2 instead. Time will tell.

The rumor sites have reported, though, that the Fujifilm X-T3 DSLR-style camera will be announced later in the year at photokina and will have a new X-Trans sensor of between 24 and 30 megapixels, and a new X-Processor Pro, although no IBIS.

With a more powerful processing engine on the way, Fujifilm may be able to add three crucial features missing from the X-H1 – exposure zebras, 10-bit 4:2:2 4K video and 4K 60fps – to its successor, presumably to be named the X-H2.

I am hoping that this new sensor and processor will find its way into the successor to my beloved X-Pro2, probably to be named the X-Pro3, along with a much improved electronic viewfinder (EVF) to match the already high quality of the X-Pro2’s Advanced Hybrid optical viewfinder and monitor.

The X-Pro2 is the almost perfect, affordable documentary photography and photojournalism rangefinder camera and I am looking forward to adding wider and perhaps longer Fujinon X-Mount lenses to my kit for use with a brighter, clearer and more colour-accurate EVF on a zebra-equipped X-Pro3.

The X-H1 is a remarkable advance in Fujifilm’s DSLR-style offerings and will be snapped up by those of us still able to work commercially or with large enough budgets to acquire each new camera that appears.

Being a self-funded documentarian nowadays, I have to be more cautious with new gear and so am looking forward to the X-H2 and especially the X-Pro3.

Links

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  • Fujifilm EC-XH Wide EyecupB&H
  • Fujifilm MKX18-55mm T2.9 Lens (Fuji X-Mount)B&H
  • Fujifilm MKX50-135mm T2.9 Lens (Fuji X-Mount)B&H
  • Fujifilm VPB-XH1 Vertical Power Booster GripB&H
  • Fujifilm X-H1 Mirrorless Digital Camera with 16-55mm Lens and Battery Grip KitB&H
  • Fujifilm X-H1 Mirrorless Digital Camera with 50-140mm Lens and Battery Grip KitB&H
  • Fujifilm X-H1 Mirrorless Digital Camera with 100-400mm Lens and Battery Grip KitB&H
  • Fujifilm X-H1 Mirrorless Digital Camera Body with Battery Grip KitB&H
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Fujifilm X-H1: DSLR-Style Stills Camera on Steroids, 5-Axis IBIS 8-Bit 4:2:2 Video Contender, or Both? – List of Links and Videos

Fujifilm has announced the Fujifilm X-H1 photography and video hybrid APS-C Super 35 DSLR-style camera, and it comes with a range of new features and features yet to arrive and that may appear in firmware updates later in the year or not at all. 

Fujifilm also announced the long-awaited X-Mount versions of its first two affordable parfocal cinema zoom lenses for use with its X-Mount Super 35/APS-C cameras and especially the X-H1, the Fujinon MKX 18-55mm T2.9 and Fujinon MKX 50-135mm T2.9, 

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Fujifilm X-H1 with the excellent Fujinon XF 18-55mm f/2.8-4.0 R LM OIS kit zoom lens and Fujifilm VPB-XH1 Vertical Power Booster Grip

Fujifilm X-H1

Fujifilm Fujinon MKX 18-55mm T2.9 and Fujinon MKX 50-135mm T2.9 parfocal cinema zoom lenses

Articles & Reviews

Articles or reviews by female moviemakers or photographers with pre-announcement access to the Fujifilm X-H1 = 1 (one)

Press releases

Product Pages

Videos by Fujifilm

Fujifilm videos about female moviemakers or photographers = 3 (three), as part of the Markus&Koala celebrity and fashion photography duo.

Fujifilm videos featuring actresses portraying non-professional moviemakers or photographers = 1 (one)

Videos by Retailers, Reviewers and Vloggers

Videos by female moviemakers, photographers or retail store staff members with pre-announcement access to the Fujifilm X-H1 = 1 (one)

Image Credit

Header image concept and hack by Carmel D. Morris.

Help support ‘Untitled’

Clicking on and purchasing through these affiliate links helps us continue our work for ‘Untitled: Stories of Creativity, Innovation, Success’.

  • Fujifilm EC-XH Wide EyecupB&H
  • Fujifilm MKX18-55mm T2.9 Lens (Fuji X-Mount)B&H
  • Fujifilm MKX50-135mm T2.9 Lens (Fuji X-Mount)B&H
  • Fujifilm VPB-XH1 Vertical Power Booster GripB&H
  • Fujifilm X-H1 Mirrorless Digital Camera with 16-55mm Lens and Battery Grip KitB&H
  • Fujifilm X-H1 Mirrorless Digital Camera with 50-140mm Lens and Battery Grip KitB&H
  • Fujifilm X-H1 Mirrorless Digital Camera with 100-400mm Lens and Battery Grip KitB&H
  • Fujifilm X-H1 Mirrorless Digital Camera Body with Battery Grip KitB&H

Fuji Rumors: Fujifilm X-H1: Full English Press Release and More Images with MK Lenses

https://www.fujirumors.com/fujifilm-x-h1-full-english-press-release-images-mk-lenses/

“In case you missed it, I have google translated to English the entire press release leaked in German as well as manually translated the full specs sheet (see below). You can also download the specs sheet in English here at my dropbox….”

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Fujifilm X-H1 with battery grip and Fujinon XF 18-55mm f/2.8-4.0 R LM OIS kit zoom, image released by Nokishita and republished at Fuji Rumors.

Commentary

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Fujifilm X-H1 with Fujinon MK 18-55mm T2.9 X-Mount Cinema Zoom

Fuji Rumors has outdone itself on the Fujifilm X-H1 with heavily detailed specifications lists, press releases, images and size comparisons between the X-H1 and other hybrid stills/video cameras whether mirrorless or DSLR, in advance of Fujifilm’s official X-H1 product announcement on February 15.

That announcement will no doubt also include the X-Mount versions of Fujifilm’s MK Series 18-55mm T2.9 and 50-135mm T2.9 cinema zoom lenses, previously released in E-Mount versions for Sony cinema and Sony Alpha hybrid cameras in the α7 and α9 series.

I will be publishing official product photographs, specifications, and links to articles and videos by moviemakers and photographers who have been working with pre-production versions of the Fujifilm X-H1 and X-Mount versions of the Fujinon MK Series zoom lenses after Fujifilm’s announcement on the 15th and no doubt that article will be a lengthy one.

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Samsung NX1 with Samsung Premium S 50-150mm f/2.8 ED OIS zoom lens, still the benchmark for up-to-date Super 35mm hybrid video cameras, though it missed out on a fully-articulated monitor and 10-bit 4:2:2.

With the leaks by DigiCame-Info, Fuji Rumors and Nokishita, there has been much discussion and speculation at online moviemaking fora, much of it comparing the X-H1’s video specifications to Panasonic’s Lumix DC-GH5 and DC-GH5S Super 16/Micro Four Thirds cameras, and Samsung’s discontinued but still revolutionary Super 35/APS-C NX1.

All three cameras raised the bar for mirrorless video very high indeed.

This is the set of video-centric features I have been hoping to see appear in the X-H1:

  • 4K UHD and 4K DCI 200 Mbit
  • 4K 60p
  • 5-axis in-body image stabilization (IBIS) that works in conjunction with optical image stabilization (OIS)
  • 10-bit 4:2:2
  • Battery grip with full controls for vertical/portrait orientation
  • Decent battery sizes
  • Decent body grip
  • Decent set of of well-spaced colour-matched native X-Mount prime and zoom lenses with manual clutch focus or at least linear focus-by-wire
  • Dual memory card slots
  • Exposure zebras with ability to set percentages/IRE levels
  • External recording via HDMI 2.0+
  • Full 10-bit internal F-Log
  • Fully-articulated monitor
  • Fully-customizable picture profiles
  • In-body audio-monitoring aka headphone port
  • Unlimited recording duration
  • Viable eye and face autofocus
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Is this the camera that inspired Fujifilm’s X-H1 designers? The Contax N1 autofocus analog SLR, last in a long line of Kyocera-made Contax cameras licensing the Contax brand from Zeiss, released in 2000. Kyocera also made Yashica brand cameras.

How many of these boxes, as it were, will the DSLR-style Fujifilm X-H1 tick and how much will any non-inclusion of essential features mitigate against the X-H1 in being a viable, up-to-date video camera for the sorts of productions that warrant Super 35 image quality?

Or, will that good old Australian saying, “close enough is good enough”, be applicable enough in the case of the Fujifilm X-H1?

Links