Exhibition Opening, Shan Turner-Carroll’s ‘Relics’ at Grace Cossington-Smith Gallery, 11th November 2017

An exhibition by photographer and multi-disciplinary artist Shan Turner-Carroll was launched at the Grace Cossington-Smith Gallery located in the Abbotsleigh private girls school grounds on Saturday, 11th November 2017. 

We attended the launch event and made the photographs in this gallery. 

The cluster of Sydney North Shore suburbs where we live in Ku-ring-gai and nearby was once known for the visual artists who lived and worked here – Grace Cossington-Smith, Jimmy Bancks, Lionel Lindsay, Russell Drysdale, Sidney Nolan – and the architects, actors, filmmakers, musicians and writers who lived, grew up, went to school, built, worked or rehearsed here – Adam Garcia, Carmel D. MorrisCate Shortland, Dorothea MackellarEleanor Cullis-Hill, Errol Flynn, Glenn MurcuttHarry SeidlerHoward Joseland, Hugh Jackman, KamahlMel Gibson, Midnight Oil, Mi-Sex, Penelope SeidlerPeter Garrett, Richard Clapton, William Hardy Wilson – but one would be hard-pressed to name creative people of that stature who live here now, other than an ever-enduring Kamahl.

We enjoyed meeting and conversing with other creative people at the launch and look forward to attending and documenting many more.

Tech Notes

Franke & Heidecke’s Rolleiflex twin lens reflex cameras permitted viewing one’s subjects in a number of different ways and angles.
Panasonic’s Lumix DMC-GX8 Micro Four Thirds/Super 16 hybrid stills/video camera is unique in its tilting viewfinder that mimics the effect of twin lens reflex analog cameras’ waist level viewfinders.

These photographs were made with a Panasonic Lumix DMC-GX8 Micro Four Thirds camera with a Panasonic Lumix G 25mm f1.7 Aspheric lens.

I chose the GX8 specially for its unique tilting electronic viewfinder (EVF) that allows me to shoot looking downwards like waist level viewfinders on some of my favourite analog cameras, or at a range of other angles.

Using a GX8 in this way permits placing the camera lower than eye level and makes it easier for subjects to ignore me.

The 25mm f/1.7 came with the GX8 as part of a promotion and it is a very sharp and well optically-corrected lens that focusses by wire as opposed to the Olympus M.Zuiko Pro 25mm f/1.2 lens that offers repeatable manual focus via its manual clutch focussing mechanism.

Another Panasonic lens to consider for this approach is the Lumix G 20mm f/1.7 prime that also focusses by wire.

I processed the raw files in Alien Skin Exposure X3 using the Kodak Panasonic-X and Platinum split-toning presets, with minimal further image adjustments.

I chose to emulate the look of platinum printing as I was reminded, on entering the gallery, of the many exhibitions I have seen overseas where the photographs were printed in the platinum printing process.

Links

Image Credits

Header image concept and hack by Carmel D. Morris.

Help support ‘Untitled’

Clicking on these affiliate links and purchasing through them helps us continue our work for ‘Untitled: Stories of Creativity, Innovation, Success’.

  • Olympus M.Zuiko Digital ED 25mm f/1.2 Pro LensB&H
  • Panasonic Leica DG Summilux 25mm f/1.4 Aspheric LensB&H
  • Panasonic Lumix DMC-GX8 Mirrorless Micro Four Thirds Digital CameraB&H
  • Panasonic Lumix G 20mm f/1.7 II Aspheric LensB&H
  • Panasonic Lumix G 25mm f/1.7 Aspheric LensB&H
  • Photographers’ Formulary Sensitizer A and B for Platinum and Palladium PrintingB&H

TheCameraStoreTV: Focus By Wire: Why It Sucks (Featuring Possible Solutions!)

“It seems every other TCSTV episode, Jordan Drake is complaining about focus-by-wire lenses. So Jordan and Chris Niccolls decided to explain what focus-by-wire is, and why you probably don’t want it if you’re shooting video.”

Links

  • Fujifilm X lenses – Fujifilm makes some manual clutch focus prime lenses like the excellent Fujinon XF 14mm f/2.8 R, Fujinon XF 16mm f/1.4 R WR and Fujinon XF 23mm f/1.4 R but the company really needs to add more such lenses to prove that it is serious about professional Super 35 video.
  • Olympus M.Zuiko Pro lenses – The best lenses for Super 16 video shot with Micro Four Thirds cameras like the Panasonic Lumix GH5 due to  their having manual clutch focus mechanisms. Draw back the focussing ring to switch from focus by wire into manual clutch focus with the benefit of fast, repeatable focussing without the variable focussing speed of focus by wire.

Help support ‘Untitled’

Clicking on these affiliate links helps us continue our work for ‘Untitled: Stories of Creativity, Innovation, Success’.

  • Fujifilm XF 14mm f/2.8 R Ultra Wide-Angle LensB&H
  • Fujifilm XF 16mm f/1.4 R WR LensB&H
  • Fujifilm XF 23mm f/1.4 R LensB&H
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