Leeming LUT One for Panasonic Cameras to get Version 503 before Mid-Year with Even Better Colour and Tone than Ever – UPDATE

Paul Leeming of Leeming LUT One and Visceral Psyche Films is like a dog with a bone that he just will not let go insofar as improving and updating Leeming LUT One, “the world’s first unified, corrective Look Up Table (LUT) system for supported cameras, designed to maximise dynamic range, fix skin tones, remove unwanted colour casts and provide an accurate Rec709 starting point for further creative colour grading.”

Paul Leeming of Leeming LUT One and Visceral Psyche Films in V-Log L footage made with Panasonic Lumix GH5 then processed with Leeming LUT One for Panasonic cameras, version 503 beta.

Mr Leeming has just shared an early version 503 beta for Panasonic V-Log L with me and, after applying it to some V-Log L footage of my own, it is clear that he has worked out how obtain even better, even more realistic colour and tonal rendering than before.

The more accurate and true-to-life the starting point obtained by applying Leeming LUT One before adding creative aka looks LUTs and other colour grading controls in your non-linear editing suite or colour grading software of choice, the richer and more satisfying the final result.

While this first version 503 beta is only for Panasonic V-Log L footage, Leeming LUT One version 503 for Panasonic cameras will be released for Cinelike D, HLG and V-Log L.

If version 503 has you as excited as I am, please do not put off purchasing it until later this year as version 502 is already streets ahead of any other camera LUT that I have tried out so far and purchasers of 502 now will receive 503 when it is finalized.

Leeming LUT One for Panasonic V-Log L 503 beta, footage by Paul Leeming

Leeming LUT One for Panasonic V-Log L 502 compared to 503 beta

Leeming LUT One for Panasonic V-Log L version 502
Leeming LUT One for Panasonic V-Log L version 503 beta
Leeming LUT One for Panasonic V-Log L version 503 beta plus Leeming LUT Quickie Basic Brighter v2

Leeming LUT One 503 beta as a base for creative LUTs

Leeming LUT One for Panasonic V-Log L version 503 beta plus Leeming LUT Quickie Basic Brighter v2 plus LookLabs Digital Film Stock Fuji 64D
Leeming LUT One for Panasonic V-Log L version 503 beta plus Leeming LUT Quickie Basic Brighter v2 plus LookLabs Digital Film Stock Fuji Reala 500D
Leeming LUT One for Panasonic V-Log L version 503 beta plus Leeming LUT Quickie Basic Brighter v2 plus LookLabs Digital Film Stock Kodak 5245

Sneak Peek, Leeming LUT One 601 for Panasonic, Cinelike D

leeming_lut_601_gx8_cinelike_d_P1070265_601_1920px_60%
Leeming LUT One 601 for Panasonic Cinelike D, from 8-bit 4:2:0 4K UHD video shot on Lumix GX8 with Olympus M.Zuiko Digital ED 12-40mm f/2.8 lens, LUT plus other minimal grading applied.

Links

Image Credit

Header image concept and hack by Carmel D. Morris.

Help support ‘Untitled’

Clicking on these affiliate links helps us continue our work for ‘Untitled: Stories of Creativity, Innovation, Success’.

  • Angelbird 64GB AV Pro UHS-II SDXC Memory CardB&H
  • Angelbird 128GB AV Pro UHS-II SDXC Memory CardB&H
  • Angelbird 256GB Match Pack for the Panasonic EVA1B&H – special promotional packaging of two Angelbird 128GB AV Pro UHS-II SDXC memory cards that are just as usable in other cameras than the AU-EVA1 that also have UHS-II SD card slots.
  • Atomos Ninja Inferno 7″ 4K HDMI Recording Monitor and accessoriesB&H
  • Panasonic 128GB UHS-II SDXC Memory CardB&H
  • Panasonic DMW-BGGH5 Battery Grip – B&H
  • Panasonic Lumix DC-GH5 Mirrorless Micro Four Thirds Digital Camera – B&H
  • Panasonic Lumix DC-GH5S Mirrorless Micro Four Thirds Digital CameraB&H
  • Panasonic V-Log L Function Activation Code for DMC-GH4, DC-GH5, and DMC-FZ2500B&H
Advertisements

Paul Leeming’s Leeming LUT One for the Panasonic GH5 Now at Version 502 for HLG, V-Log L and Cinelike D – UPDATED

Australian cinematographer/director Paul Leeming has issued the version 502 update to his unified corrective LUT (Look Up Table) system Leeming LUT One for the Panasonic Lumix GH5 and its three major video picture profiles, HLG, V-Log L and Cinelike D. 

Australian director/cinematographer Paul Leeming of Leeming LUT One fame with his Panasonic Lumix GH4 rigged for shooting feature films.

The Leeming LUT One system was developed in order to help cinematographers obtain the best image quality from their cameras by providing custom settings and LUTs to maximize dynamic range while minimizing noise and other artefacts such as banding and YUV chroma smearing.

Mr Leeming advises cinematographers to adhere to the expose-to-the-right aka ETTR principle, which he demonstrates in his website.

Still frame of Paul Leeming, shot on Panasonic Lumix GH5 in HLG HDR mode then processed in Blackmagic Design DaVinci Resolve Studio 14 using Leeming LUT One for Panasonic HLG version 501.

He has produced Leeming LUT One custom settings and LUTs for cameras including those made by Canon, DJI, GoPro, JVC, Panasonic, Sony with potential support for cameras made by FujifilmDigital Bolex and Samsung should there be sufficient demand.

Panasonic Lumix GH5 HLG Footage and Leeming LUT One for HLG, Before and After

Still frames from GH5 4K 10-bit 4:2:2 HLG footage exposed using ETTR, the ‘Leeming LUT One – Panasonic HLG v502.cube’ applied followed by ‘Leeming LUT Quickie – Basic Balanced v2.cube’ from ‘Leeming LUT Quickies 1 version 2’.

Mr Leeming will be updating his free ‘Leeming LUT Quickies’ collection soon to reflect the improvements made to the most recent version of Leeming LUT One for Panasonic cameras.

Our recent weather has been heavily hit by the effects of extreme climate change and global warming, and we have experienced few pristine Sydney summer days with their classic cobalt skies for some time now.

With many skies almost becoming high ultra-violet light boxes, the excellent highlight roll-off of the HLG profile in the GH5 is becoming even more important, and Leeming LUT One for HLG does a great job of maintaining the original look and feel of a scene while preserving realistic colour and especially skin colour.

Initial grading as in these still frames provides a good starting point that can be further enhanced with some of the many creative aka looks LUTs or analog film simulation being made available by a range of LUTs makers.

Links

Image Credits

Header image concept and hack by Carmel D. Morris.

Help support ‘Untitled’

Clicking on these affiliate links helps us continue our work for ‘Untitled: Stories of Creativity, Innovation, Success’.

  • Panasonic Lumix DC-GH5 Mirrorless Micro Four Thirds Digital Camera – B&H
  • Panasonic DMW-BGGH5 Battery Grip – B&H
  • Panasonic V-Log L Function Activation Code for DMC-GH4, DC-GH5, and DMC-FZ2500B&H
  • Atomos Ninja Inferno 7″ 4K HDMI Recording Monitor and accessoriesB&H

Taking a Panasonic Lumix GH5 Equipped with a Guerrilla G-Cup for GH5 on a Brisk Walk Through Gloomy Sydney

I took a much-needed break from fulltime caring to travel into the city of Sydney CBD for a walkabout with the Panasonic Lumix GH5, Olympus M.Zuiko Digital ED 12-40mm f/2.8 Probreakthrough  standard zoom lens, Breakthrough Photography X4 ND and X4 UV filters and Guerrilla G-Cup for GH5 replacing the GH5’s provided eyecup, all carried in Cosyspeed’s excellent Camslinger Streetomatic Plus camera bag in black faux leather.

Panasonic Lumix GH5 with Olympus M.Zuiko Digital ED 12-40mm f/2.8 Pro zoom lens with Breakthrough Photography X4 UV filter, and Guerrilla G-Cup for GH5 attached instead of the GH5’s supplied eyecup. I usually attach Peak Design Clutch and Cuff camera straps to my cameras.

The day was dark and gloomy with prevailing light far from my favourite for putting hardware and software to the test.

My intention was to shoot HLG HDR (hybrid log-gamma high dynamic range) footage for sharing as SDR (standard dynamic range) as below after applying the latest iteration of Paul Leeming’s Leeming LUT One camera settings, camera LUT and custom LUT for the Panasonic GH5 HLG.

The latest version of Leeming LUT One for Panasonic cameras was 501 at the time but that has since been replaced with version 502, offering some refinements for a current limitation in Apple’s otherwise excellent Final Cut Pro X non-linear editing suite.

I also applied a small selection of analog film simulation LUTs from LookLabs’ Digital Film Stock (DFS) 3D LUT collection to some of the footage to enhance the look and feel of the scene depicted.

Still frames from Panasonic GH5 HLG HDR footage

Links

Image Credits

Header image concept and hack by Carmel D. Morris. Photograph of Panasonic Lumix DC-GH5 with Guerrilla G-Cup for GH5 shot as 3-bracket HDR image then processed in Skylum Aurora HDR 2018 followed by Skylum Luminar 2018.

Help support ‘Untitled’

Clicking on these affiliate links and purchasing through them helps us continue our work for ‘Untitled: Stories of Creativity, Innovation, Success’.

  • COSYSPEED CAMSLINGER Streetomatic Plus Camera BagB&H
  • Olympus M.Zuiko Digital ED 12-40mm f/2.8 PRO LensB&H
  • Olympus M.Zuiko Digital ED 17mm f/1.2 PRO LensB&H
  • Olympus M.Zuiko Digital ED 25mm f/1.2 PRO LensB&H
  • Olympus M.Zuiko Digital ED 45mm f/1.2 PRO LensB&H
  • Panasonic Lumix DC-GH5 Mirrorless Micro Four Thirds Digital CameraB&H

Paul Leeming’s Leeming LUT One for Panasonic GH5 Soon the be at Version 501 for HLG, V-Log L and Cinelike D

NOTE: Since this article was written some time ago, Leeming LUT One has been updated and improved again with version 502.

You may wish to read this more recent article here:

Australian cinematographer/director Paul Leeming is about to issue the latest update to his unified corrective LUT (Look Up Table) system for a range of popular hybrid mirrorless and DSLR cameras and camcorders, Leeming LUT One, with first camera to receive the version 501 update for V-Log L and Cinelike D being the Panasonic Lumix GH5. 

Panasonic’s VariCam 35 3DLUT V-Log to V-709
Leeming LUT One for Panasonic GH5 V-Log L version 405
Leeming LUT One for Panasonic GH5 V-Log L version 501

The Leeming LUT One system was developed in order to help cinematographers obtain the best image quality from their cameras by providing custom settings and LUTs to maximize dynamic range while minimizing noise and other artefacts such as banding and YUV chroma smearing.

Mr Leeming has produced Leeming LUT One custom settings and LUTs for cameras including those made by Canon, DJI, GoPro, JVC, Panasonic, Sony with potential support for cameras made by Digital Bolex and Samsung should there be enough demand.

Selected still-frames from GH5 V-Log L footage

The GH5’s 10-bit 4:2:2 colour and V-Log L really come into their own when shooting long dynamic range subjects and especially those containing whites as below. The GH5’s expose-to-the-right enabling exposure zebras are also an asset in setting optimum exposure and one that Fujifilm, for instance, can learn from.

More GH5 V-Log L still frames processed with Leeming LUT One version 501

Mr Leeming has not notified us of when to expect the version 501 Leeming LUT One update for the Panasonic Lumix GH5 but we will report here at ‘Untitled’ when it becomes available.

Links

Image Credits

Header image concept and hack by Carmel D. Morris. Still frames from Panasonic Lumix GH5 V-Log L footage kindly supplied by Paul Leeming.

Help support ‘Untitled’

Clicking on these affiliate links helps us continue our work for ‘Untitled: Stories of Creativity, Innovation, Success’.

  • Panasonic Lumix DC-GH5 Mirrorless Micro Four Thirds Digital Camera (Body Only)B&H
  • Panasonic Lumix DC-GH5 Mirrorless Micro Four Thirds Digital Camera with 8-18mm Lens KitB&H
  • Panasonic Lumix DC-GH5 Mirrorless Micro Four Thirds Digital Camera with 12-35mm Lens KitB&H
  • Panasonic Lumix DC-GH5 Mirrorless Micro Four Thirds Digital Camera with 12-60mm LensB&H
  • Panasonic DMW-BGGH5 Battery Grip – B&H
  • Panasonic V-Log L Function Activation Code for DMC-GH4, DC-GH5, and DMC-FZ2500B&H
  • Atomos Ninja Inferno 7″ 4K HDMI Recording Monitor and accessoriesB&H

Paul Leeming’s Leeming LUT One for the Panasonic GH5 Now at Version 405 for Cinelike D and V-Log L

NOTE:

Since this article was written quite some time ago, Leeming LUT One has been updated and improved many times with support for the Panasonic Lumix GH5’s new Hybrid Log Gamma (HLG) added in a recent update. 

You may wish to read those more recent articles by typing “Leeming LUT” into this website’s search box. 


05/17/2017:

Cinematographer/director Paul Leeming has released version 405 of Leeming LUT One for the Panasonic Lumix DC-GH5 Micro Four Thirds Super 16 stills/video hybrid camera and he has nailed it in obtaining the best video tone, colour and dynamic range of which the camera’s sensor is capable. Leeming LUT One version 405 for the GH5 comes in two versions, one for Cinelike D and one for V-LogL. 

Leeming LUT One version 4.0.5 for Panasonic Lumix GH5 applied to V-Log footage along with a looks LUT for a filmic look and feel. Footage shot with Contax Zeiss 35mm f1.4 lens at f2, mounted on Metabones Speed Booster after modification.
Leeming LUT One version 405 for Panasonic Lumix GH5 applied to V-Log footage along with a looks LUT for a filmic look and feel. Footage shot by Paul Leeming with Contax Zeiss 35mm f1.4 lens at f2, mounted on Metabones Speed Booster after modification.

Mr Leeming also supplies a GH5 monitoring LUT, LL1_V40x.vlt, for viewing the corrected colour and tonal range in camera, or an external monitor or monitor/recorder such as those made by Atomos, Blackmagic Design, Convergent DesignSmallHDVideo Devices and others.

From the evidence, Panasonic has got it right with V-LogL given the GH5’s 10-bit 4:2:2 option that was unavailable on its predecessor the 8-bit 4:2:0 GH4.

Mr Leeming’s recommended settings whether using Cinelike D or V-LogL in combination with expose-to-the-right (ETTR) making shooting  great footage an attractive possibility for GH5 owners including those less experienced in grading now that version 4.0.5 of the Leeming LUT One for the GH5 is available.

Shot on GH5 with V-LogL, Leeming LUT One version 405 for V-Log applied, no looks LUTs, before and after

Shot on GH5 with Cinelike D, Leeming LUT One version 405 for Cinelike D applied, no looks LUTs, before and after

Add the current generation of LUT-savvy NLEs, plug-ins and colour grading suites into the mix and getting the best out of the GH5’s Rec. 709 Cinelike D or flat logarithmic V-LogL footage is the easiest it has ever been.

Another benefit of Mr Leeming’s effort to create a version of Leeming LUT One for every popular video-shooting camera upon which he can lay his hands upon is ease of colour matching footage from a range of cameras used in the same project.

Using a mix of cameras, sensors and thus native colour science has become common but colour matching footage without benefit of a tool like Leeming LUT One is a time-consuming chore better spent elsewhere.

I look forward to Mr Leeming releasing versions of Leeming LUT One for other cameras that I use to shoot video, soon.

Testing the GH5 Cinelike D Leeming LUT One with Lumix GX8 Cinelike D footage

Panasonic’s Lumix DMC-GX8 rangefinder-style is one of my favourite cameras for shooting stills and video, and is favoured by other moviemakers like documentary cinematographer Rick Young of Movie Machine.

The GX8’s sensor has been described by some as between those in the GH4 and the GH5 in quality and colour response. Paul Leeming is working on a version of Leeming LUT One for the GX8, and tells me that it may work well with his GH5 Cinelike D Leeming LUT One.

I tried it out during an overcast late autumn day and here are the results. I applied some looks LUTs from the Leeming LUT Quickies free collection to some of these screenshots, on top of the GH5 Leeming LUT for Cinelike D.

Links

Image Credits

Header image concept and hack by Carmel D. Morris. Still frames from Panasonic Lumix GH5 V-Log L footage kindly supplied by Paul Leeming.

Help support ‘Untitled’

Clicking on these affiliate links helps us continue our work for ‘Untitled: Stories of Creativity, Innovation, Success’.

  • Panasonic Lumix DC-GH5 Mirrorless Micro Four Thirds Digital Camera (Body Only)B&H
  • Panasonic Lumix DC-GH5 Mirrorless Micro Four Thirds Digital Camera with 8-18mm Lens KitB&H
  • Panasonic Lumix DC-GH5 Mirrorless Micro Four Thirds Digital Camera with 12-35mm Lens Kit – B&H
  • Panasonic Lumix DC-GH5 Mirrorless Micro Four Thirds Digital Camera with 12-60mm LensB&H
  • Panasonic DMW-BGGH5 Battery Grip – B&H
  • Panasonic V-Log L Function Activation Code for DMC-GH4, DC-GH5, and DMC-FZ2500B&H
  • Atomos Ninja Inferno 7″ 4K HDMI Recording Monitor and accessoriesB&H

Panasonic Lumix GH5 10-bit 4:2:2 V-Log Footage to Download and Practice Grading

Still needing more Panasonic Lumix GH5 exposure, as it were? One keenly anticipated aspect of the GH5 is its ability to record V-Log 10-bit 4:2:2 footage internally instead of only via an external monitor/recorder. Emmanuel Pampuri is kindly sharing some footage that can be downloaded in order to practice grading it with NLEs’ colour grading functionality or in colour grading software like BlackMagic’s DaVinci Resolve. 

The current line-up of Veydra Mini Prime cinema lenses, from 12mm at left through 16mm, 19mm, 25mm, 35mm, 50mm to 85mm. Veydra sells these lenses in kits or individually. A focally well-spaced set of matched Veydra primes would be a real asset and a more practical alternative than trying to assemble a set of non-matched non-cinema stills primes in various brands.

Mr Pampuri shot his footage with Veydra mini cinema prime lenses, “built for mirrorless cameras with Micro4/3 and S35 sensors” and with “multiple mounting options including Micro 4/3, Sony E-Mount, and C-Mount”.

Although I have yet to see Veydra lenses in the flesh, as it were, they sound like an excellent solution for making feature films and documentaries with Super 16 cameras like the GH5 and its M43 stablemates and competitors.

At time of writing, Mr Pampuri had mistakenly uploaded the footage as 8-bit 4:2:o but will be replacing that with 10-bit 4:2:2 footage soon.

Emmanuel Pampuri – PANASONIC LUMIX GH5 C4K Ungraded 4:2:2 10 Bits V-log 150mbs “Constance Flowers”

Links

Image Credits

Header image hack and concept by Carmel D. Morris, apologies to RJ Matson.

Help support ‘Untitled’

Clicking on these affiliate links helps us continue our work for ‘Untitled: Stories of Creativity, Innovation, Success’.

Camera, Kits, Battery Grip and V-Log L

  • Panasonic Lumix DC-GH5 Mirrorless Micro Four Thirds Digital Camera (Body Only)B&H
  • Panasonic Lumix DC-GH5 Mirrorless Micro Four Thirds Digital Camera with 8-18mm Lens KitB&H
  • Panasonic Lumix DC-GH5 Mirrorless Micro Four Thirds Digital Camera with 12-35mm Lens Kit – B&H
  • Panasonic Lumix DC-GH5 Mirrorless Micro Four Thirds Digital Camera with 12-60mm LensB&H
  • Panasonic DMW-BGGH5 Battery Grip – B&H
  • Panasonic V-Log L Function Activation Code for DMC-GH4, DC-GH5, and DMC-FZ2500B&H

SDXC V90 cards

  • Angelbird 64GB AV Pro UHS-II V90 SDXC Memory CardB&H
  • Angelbird 128GB AV Pro UHS-II V90 SDXC Memory CardB&H
  • Panasonic 128GB UHS-II V90 SDXC Memory CardB&H

L-Plates

  • Really Right Stuff L-Plate Set for Panasonic Lumix DC-GH5 Camera Body  – B&H

Camera Cages

  • Movcam Cage for Panasonic GH5B&H
  • Movcam Cage Kit for Panasonic GH5B&H
  • Seercam GH5 CageB&H
  • Seercam Cage for GH5 with Classic HandleB&H
  • Seercam Extension Kit for CUBE GH5 CageB&H