“I spent a quarter of a century editing on Avid and several years on Premiere Pro, so why did I decide to ditch them both and go with Final Cut Pro X? I’ll tell ya….
There’s a small but growing number of editors who have made the jump. The process is fairly predictable. Surprise when we first hear a fellow editor rave about FCPX. Followed by a willingness to give it a shot. And then two weeks of massive discouragement and frustration, because it’s unlike any other edit system we’ve used before. And finally, the lightbulb moment, the “NOW I get it” realization that comes with understanding the radically different workflow….”
LumaForge – “Jellyfish shared storage is designed for one thing and one thing only: collaborative editing. This requires a respect for the programs that make video creation intuitive to you. We’re platform agnostic because we believe the problem isn’t with the NLE you’ve chosen, but rather with the lack of ingenuity in the shared storage experience. It’s hard enough to find software you love. We’re making it possible for you to work seamlessly with the programs you’re comfortable with, while no longer needing to continuously pass drives back and forth.”
“At last year’s FCP X World in London, people were dazzled by watching London-based commercial editor Thomas Grove Carter of Trim Editing cut together an Audi commercial live. The speed with which he conducted the edit was mesmerizing….
… But FCP X, with its magnetic timeline and the powerful tools packed into its browser, is built for lightning-paced cutting—you just have to know how to use it!
As I see it, there are two standout techniques involved in Thomas Grove Carter’s process:
Mastery of three-point editing (and its keyboard shortcuts)
Mastery of FCP X’s browser-based system of organization and labeling…”
“… Final Cut Pro X is very good at certain things. Unfortunately Apple hasn’t yet cracked collaborative workflow and sharing Libraries between editors can be clunky.
Jasper Siegers at broadcaster EO in the Netherlands has been working on a project that allows all of its FCPX editors to collaborate by enabling version control. The free app is called PostLab and is available for download from the PostLab website.…”
“… Ultimately this documentary is about how a tool has helped democratize movie making. It is also a product of what it preaches. Final Cut Pro X does empower storytellers and that message was what made me passionate enough to take all the time and energy to make this documentary. It’s a real meta sort of thing.…”
A confession: when I first cracked open Final Cut Pro X in its first iteration, I felt at home with it and its magnetic timeline concept in a way I never had with more conventional NLE products including Final Cut Pro.
In 2011 Apple ended Final Cut Pro as we knew it and started over with a brand new video editing application: Final Cut Pro X. The disruption from this change is still being felt by the film, television, and video industries to this day.
With misinformation running amok, Off The Tracks aims to clear the air once and for all.
This documentary features exclusive interviews with the creative professionals who use the software and the developers who created it. Why did Apple make Final Cut Pro X?
Flanders Scientific Inc. – B&H – although movie editors and color graders regard FSI monitors as the best there are, bizarrely B&H does not appear to stock the monitors themselves but only the accessories for them. I hope that this changes soon. Check out the FSI Solutions MediaLight 6500K Bias Light products for lighting your workstation area with light that will not throw your colour judgement seriously out of whack.
GTI Standard Gray Neutral N8 Vinyl Latex Paint (1 Gallon) – B&H – “Standard Neutral Gray Munsell N8,
Made for the Photo and Graphic Industry, Used in Color Viewing Areas, Water-Reducible Vinyl Latex Paint, Eliminates Simultaneous Color Contrast, Reduces Color Pollution of Viewing Area”
“… In his presentation at the FCP X World event at IBC, Roger Bolton from Coremelt demonstrated how you can accelerate grading, enhance client presentations and get great results quickly using the Chromatic grading tool….”
CoreMelt – Chromatic – “Chromatic is the most complete and flexible grading plugin for Final Cut Pro X. Featuring integrated mask tracking with the Academy Award wining mocha tracker, powerful color keying, full RGB and HSL curves, three way colors wheels, auto white balance, exposure and color temperature. Unlike other solutions, in Chromatic all these functions and more are available in one powerful product.”
“The editor of a film or television show shapes the very core and fabric of the program in so many ways. Nowhere is this more prevalent than in documentary filmmaking.
But did you know that as a documentary filmmaker, even if you’re editing a documentary driven 100% by interviews and archival footage (i.e. there is no narration to script), you can lay a valid claim to the credit Writer?…
…To find out exactly how an editor can also be writer, I interviewed Doug Pray and Lasse Järvi, the two main editors who were also credited as writers on HBO’s hit documentary series “The Defiant Ones.”…”