Videos About Two Australian X-Photographers Using X-Pro3 Digital Rangefinder Camera, Megan Lewis and Michael Coyne, Now Online

Australian photographers rarely if ever feature in camera and lens makers’ marketing materials and few Australia female photographers are invited to become brand ambassadors whether they are based in Australia or overseas. 

Documentary photographer Megan Lewis features in one of two recently-released Fujifilm X-Photographer videos about the X-Pro3 digital rangefinder-style camera with documentary photographer Michael Coyne being her male counterpart. 

Both are long-time Fujifilm users and are well-qualified to offer their insights into the X-Pro3 as a dedicated documentary and photojournalism stills camera. 

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Fujifilm X-Pro 3 with MHG-XPRO3 grip and Fujinon XF 35mm f/2.0 R WR prime lens. I prefer equipping my cameras with handgrips and vertical battery grips for versatility, stability and security when handholding lenses in a wide range of sizes and weights, although the smaller Fujinon lenses such as this XF 35mm f/1.4 R “Fujicron” standard prime lens may not benefit as much as larger prime and zoom lenses.

I have yet to have the pleasure of meeting either photographer, though I am keen to spend time with Megan Lewis to photograph her at work for ‘Unititled’ in order to show other female photographers that one can succeed as a documentary photographer or photojournalist.

In the immortal words of Geena Davis of the Geena Davis Institute on Gender in Media, “if she can see it, she can be it”, and so stories, photo essays and videos about female creatives like Megan Lewis are crucial to creating the possibility of women succeeding in their chosen professions to the point where we gain parity with men.

FUJIFILM X Series: Megan Lewis x X-Pro3 / FUJIFILM

FUJIFILM X Series: Different Breed: Michael Coyne x X-Pro3

Fujinon lenses used by Megan Lewis and Michael Coyne in these videos

Links

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Clicking on the links and purchasing through them for our affiliate accounts at Adorama, Alien Skin, B&H Photo Video, SkylumSmallRig or Think Tank Photo helps us continue our work for ‘Unititled’.

  • FUJIFILM X-Pro3 Mirrorless Digital Camera B&H
  • FUJIFILM XF 10-24mm f/4 R OIS LensB&H – used by Megan Lewis
  • FUJIFILM XF 16mm f/2.8 R WR LensB&H – used by Michael Coyne

Fujifilm X-Pro3 First Look Touch & Try Event, Ted’s World of Imaging, Sydney, Wednesday November 6, 2019

I attended Fujifilm Australia’s First Look Touch & Try event at Ted’s World of Imaging in Sydney on Wednesday, 6th November, 2019, and had a brief opportunity to handle a preproduction version of the Fujifilm X-Pro3 digital rangefinder camera that has already been well-covered in Fujifilm X-Photographer videos and articles, and first-look commentary by a range of online camera pundits. 

As the camera is in preproduction at time of writing, the usual request not to shoot or publish photographs made with it applies, so I will not  comment on its stills and video capabilities but can state that the X-Pro3 is an interesting evolution of Fujifilm’s professional rangefinder line.

Fujifilm is marketing the X-Pro3 as a camera for “street photographers” as Panasonic did for its latest rangefinder-style GX series camera, the Lumix DC-GX9, and I am hoping that with its X-Pro series Fujifilm will not be imitating Panasonic’s decision to make its GX series something less than a great camera for photojournalists and documentary photographers.

I dread the day my Lumix DMC-GX8 gives up the ghost given Panasonic so badly dropped the ball on pro-quality rangefinder-style cameras in favour of DSLR-style cameras.

Throughout my career I have relied on a range of camera styles and formats – rangefinders, rangefinder-style cameras, hand and stand sheet film cameras,  SLRs aka Single Lens Reflexes in 120 and 135  film formats, and a DSLR upon Canon’s accidental revolution in the form of the Canon EOS 5D Mark II.

My first choice for immersive documentary photography has always been rangefinder cameras and I have been hoping the X-Pro3 would receive many of the advances found in the X-H1 and X-T3.

Until I have a proper hands-on with it, I will not know whether that is truly the case, but the X-Pro3’s loss of the ability to use its otherwise improved optical viewfinder aka OVF with the Fujinon XF 18mm R moderate wide-angle prime lens is a real concern.

For many documentary photographers and photojournalists, as it has long been for me, the 28mm focal length (on 35mm sensor cameras) is our default and its 18mm APS-C equivalent works well on the X-Pro2 and especially in its OVF.

Since 2015 I have been daydreaming of a radically improved X-Pro3 being released alongside an even more radically upgraded Fujinon XF 18mm lens with both aimed at documentary photographers and photojournalists, but Fujifilm seems to have decided on setting its sights lower than that, upon street photographers whom I humbly suggest might be better served by the forthcoming X100V.

Time will tell where Fujifilm is heading with its cameras, but I hope that it will not forget its documentary and photojournalism customers as Panasonic has.

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Warrewyk Williams of Fujifilm Australia presenting the Fujifilm X-Pro3 digital rangefinder camera at Fujifilm X-Pro3 FIRST LOOK + Touch & Try event at Ted’s World of Imaging in Sydney on Wednesday November 6, 2019.
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Warrewyk Williams of Fujifilm Australia presenting on the Fujifilm X-Pro3 digital rangefinder camera.
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Fujifilm X-Pro3 pre-production model with pre-production Fujinon XF 16-80mm f/4.0 R OIS WR zoom lens.
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Fujifilm X-T30 dwarfed by the Fujinon XF 16-80mm f/4.0 R OIS WR standard zoom lens.
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Fujifilm X-Pro3 pre-production model with limited edition silver grey Fujinon XF 23mm f/2.0 R WR prime lens.
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Handing over the Fujifilm X-Pro3 pre-production model with limited edition silver grey Fujinon XF 23mm f/2.0 R WR prime lens.
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Fujifilm’s smaller, more affordable “Fujicron” lenses are particularly suitable for the X-Pr03 and its processor the X-Pro2, given how the front elements of the larger, costlier “Fujilux” lenses protrude into the lower right of both cameras’ optical viewfinders.
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I have yet to have the pleasure of trying out the Fujifilm GFX-100 medium format camera but it appears particularly suited to the style of portrait photography I used to carry out with 120 roll film and sheet film cameras during the analog era.
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The X-Pro3 finds its way into some female hands.
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Ditto, though with the suitable oversight of a gentleman’s expertise.

Fujifilm X-Pro3 Articles, Videos and Reviews By and About Fujifilm Brand Ambassadors, Staff Members and Others, Including Two Female X-Photographers!

Videos by and about camera brand ambassadors as well as product reviews by them, more properly referred to as articles given their often fiscal relationship with those brands, can be often frustrating affairs when needing to know how well the cameras and lenses in question perform in the field in the hands of users not unlike me. 

That is, self-funded independent documentary photographers and videographers.

I would love it if camera and lens makers made early efforts to get their gear to people like me for use in real assignments so we can hear how well or not it performs in the often demanding conditions in which we work.

The too-often generic overviews of just-released new gear by brand ambassadors and professional YouTube reviewers have their uses in painting broad-brush pictures, but they need to be rapidly followed by in-depth insights into performance in the field during real projects and for use in a range of specific moviemaking and photographic genres.

In my humble opinion.

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Fujifilm X-Pro 3 in Dura Black finish with MHG-XPRO3 grip and Fujinon XF 35mm f/2.0 R WR prime lens. I am a fan of hand grips and vertical battery grips for cameras, especially when shooting documentary stills and video or portraits in available light and especially when shooting in available darkness, for better grip and stability handheld. I always default to all-black cameras when I can to maintain some degree of stealth and so am in two minds about the “black” and “silver” DuraTect finishes on the two Dura versions of the X-Pro2. Should X-Pro3 purchasers trade stealth for durability? Is Dura Black as recessive as plain old black paint and thus less noticeable than Dura Silver?

Fujifilm has, in its marketing material, pitched the X-Pro3 at street photographers and photojournalists, and given photographing in the street is a form of documentary, one I prefer to know by the name of urban documentary, and the X-Pro3’s rangefinder form factor is just as appropriate to portraiture, event photography, other forms of documentary, fine art photography, travel photography and more genres besides given this camera has apparently radically improved on its predecessor’s optical viewfinder and electronic viewfinder.

When I wrote about the X-Pro2, I saw it as three cameras in one – a Leica or Contax-style OVF camera, an EVF camera like my Panasonics and a miniature view camera thanks to its excellent fixed LCD monitor.

Over the years I have relied on my X-Pro2 in all three camera guises, for architectural photography, portrait photography, photojournalism, urban documentary and product shots, just as I did with a range of rangefinder-style cameras in film formats from 35mm through 120 roll film up to 4″x5″ sheet film.

Even, in a pinch, for shooting 4K video in a way not dissimilar to how I used 8mm and Super 8 rangefinder movie cameras during the height of the analog era.

Seeing the world OVF-style is a rather different thing to seeing EVF-style and even DSLR-style when shooting stills and video, I have found, and it is good to get out of one’s comfort zone in a regular basis.

I have yet to study the X-Pro3’s specifications in any depth, and the same applies to the videos and articles I am sharing on this page, but it appears that the X-Pro3’s video capabilities are well beyond that of the X-Pro2 though they do not, of course, match those of the amazing X-T3 and are somewhat in the ball park of the oddly-timed X-H1.

Videos

Four videos featuring two female X-Photographers, one female retail store staff member and one unnamed female photographer against the usual slew of male photographers and professional reviewers. Surely camera makers can do better than this in this day and age?

  • AdoramaFujifilm X PRO3 | Hands On with Daniel Norton – “… X-Pro3 is a true photographer’s tool that combines all the feeling of film with all the quality of digital.”
  • bigheadtacoFirst Look: The Titanium Clad Fujifilm X-Pro3 – “Warning: This is a long and nerdy video. If you want a shorter version, check out my shooting impressions video (link down below). Come back here if you want more details”
  • bigheadtacoFirst Shooting Impressions: Fujifilm X-Pro3 – “… I enjoyed using the unique articulating screen, the HVF is improved, and the updated firmware using the X Processor IV is impressive. “
  • Charlene WinfredX Pro3, A Different Breed – “Filmed o[n] the Fujifilm X-T3 and Fujinon XF 18-135mm F3.5-5.6”
  • DPReviewDPReview TV: Fujifilm X-Pro3 Preview – Carbon Coated Classic or Titanium Trinket? – “Some might argue that Fujifilm’s new X-Pro3 rangefinder-style camera takes a page from the Leica playbook, omitting a full-time rear screen in favor of a more ‘pure’ shooting experience. Is the X-Pro3 a carbon-coated classic or a titanium trinket? Chris and Jordan aim to find out.”
  • Fuji Guys ChannelFuji Guys – FUJIFILM X-Pro3 – First Look – “Fuji Guys Francis and Billy give you a first look preview of the FUJIFILM X-Pro3.”
  • FUJIFILM France – Imaging BusinessCyril ABAD X Pro3 – “… Mes attentes en terme de vitesse d’AF, de réactivité, de fluidité de l’EVF sont satisfaites. Le X-Pro3 est plus rapide, plus précis.”
  • FUJIFILM UKLooking back, moving forward. – The New X-Pro3! – “Say hello to the all-new X-Pro3. The exciting newcomer to our X-Pro range has been designed to minimise distractions, keeping you focused on the craft of photography. Watch the video to discover some of its exciting new features.” – depicts an unnamed female photographer.
  • Fujifilm X / GFX España OficialX-Photographer Matías Costa – Fujifilm X-Pro3 – “El #XPhotographer Matías Costa fue seleccionado por FUJIFILM Corporation como uno de los integrantes del selecto grupo de probadores oficiales de la cámara #Fujifilm #XPro3. El resultado de su trabajo es el proyecto “La triple frontera de Gibraltar”. “
  • FUJIFILM X SeriesDifferent Breed: Alberto Selvestrel x X-Pro3 – “Italian photographer Alberto Selvestrel shoots on FUJIFILM X-Pro3.”
  • FUJIFILM X SeriesDifferent Breed: Eric Bouvet x X-Pro3 – “French X-Photographer Eric Bouvet shoots on FUJIFILM X-Pro3.”
  • FUJIFILM X SeriesDifferent Breed: Patrick La Roque x X-Pro3 – “Canadian X-Photographer Patrick La Roque shoots on FUJIFILM X-Pro3.”
  • FUJIFILM X SeriesDifferent Breed: Tomasz Lazar x X-Pro3 – “Polish X-Photographer Tomasz Lazar shoots on X-Pro3”
  • FUJIFILM X Series“FUJIFILM X-Pro3 “Create within Chaos” / FUJIFILM” – “Create within Chaos” X-Pro3″
  • Fujifilm X SingaporeFujifilm Singapore x Mindy Tan: Episode 1- Fuji Girl Series (X-PRO3)“Using the Fujifilm X-Pro3, how can we photograph strangers? What motivates this documentary photographer? Learn from Mindy Tan, a Fujifilm X-photographer.”
  • Gerald UndoneFUJIFILM X-Pro3: 7 Things to Love About This Camera
  • Gordon LaingFujifilm X-Pro 3 preview: HANDS-ON first looks – “Hands-on first-looks preview of the Fujifilm X-Pro 3 camera! CORRECTION: Sorry, no 10 bit video, it’s 8-bit only, but the USB C can be used for headphones.”
  • Kai WFujifilm X-Pro 3 Hands on First Impressions – “What the flip?!”
  • Kevin MullinsFujifilm X-Pro 3 Review and Feature Overview – “… It’s a camera that may divide opinion, but if you are looking for a camera that will last forever, is amazingly quick, tactile and, in my opinion, the best Fujifilm camera fro Street Photography and Reportage work – this is the camera for you….”
  • Lee ZavitzFujifilm X-Pro3 – Hands On Review – “So I was able to test out the new Fuji X-Pro3 for a week now and I made sure to shoot with it a lot! So much that I feel like it’s safe to call this a review. How do you feel about the hidden screen / Sub display? Love it or No?”
  • Matt BrandonFujifilm X-Pro3 – Review – “Just days before the official release of the new Fujifilm X-Pro3, I managed to get my Friends at Fujifilm Malaysia to send me a sample camera. It was a preproduction. I say this because it had some very beta firmware in it, making it impossible to test out many of the new features. But the real buzz about this camera isn’t the latest software or new features like HDR and even the new film simulation, it is about the new design of the camera. The new LDC display or lack of it – so to speak. It features a controversial hidden display. In this video, only hours after I received the camera, I took it for a spin. Special thanks for Fujifilm Malaysia for the loan of the camera.”
  • Matti HaapojaFUJIFILM X-Pro 3 REVIEW – Film Look Straight In Camera?
  • The Art of PhotographyHANDS ON with the Fujifilm X-Pro 3!! – “It doesn’t have all the video options that the X-T3 does, but this camera is designed for still shooters. Having said that you still get 4k video and 8 bit log. I filmed all of the b-roll footage of the actual camera with an X-Pro 3.”
  • Theoria ApophasisX-PRO3 CLOSE LOOK & UNIQUE DETAILS!
  • Wex Photo Video –Fujifilm X-Pro3: Vintage Meets Tech | Real-world Test“… in this video Amy gets her hands on the new Fujifilm X-Pro3, along with several fast prime lenses.”

Articles, Reviews and Other Links

Two articles with more to come by Fujifilm Nordic X-Photographer Charlene Winfred, who is featured in the video at the top of this page.

Help support ‘Untitled’

Clicking on the links and purchasing through them for our affiliate accounts at Adorama, Alien Skin, B&H Photo Video, SkylumSmallRig or Think Tank Photo helps us continue our work for ‘Unititled’.

  • FUJIFILM X-Pro3 Mirrorless Digital Camera B&H
  • Fujifilm XF LensesB&H

TheSnapChick: IBIS, Dynamic Range and a Clever Coyote! Fujifilm X-H1 is an X Series Gem

“I ran around with the Fujifilm X-H1 for three weeks. I loved it. More detailed thoughts and photos/videos in the review!…

My channel is about photography as an art form and as a lifestyle, with a healthy dose of technology thrown in!”

fujifilm_x-h1_50-140mm_01_1024px_60%
Fujifilm X-H1 with Fujinon XF 50-140mm f/2.8 R LM OIS WR professional zoom lens.

Commentary

Longtime Canon and Nikon DSLR user Brittany Leigh has published a series of video reviews of Fujifilm’s X-Mount APS-C/Super 35 mirrorless cameras and I hope she will review more Fujifilm cameras and Fujinon lenses including the company’s new three medium format G-Mount cameras.

Female reviewers of photography and cinematography gear are far too rare, and female reviewers working in documentary photography, photojournalism or documentary moviemaking are even more rare.

Ms Leigh appears to photograph mostly landscape and wildlife, neither of which are genres I practice, but her technical and usability insight is excellent especially given her DSLR and SLR background, very useful for those from the same background contemplating modernizing by joining the mirrorless revolution.

I have just discovered Brittany Leigh via her TheSnapChick Youtube channel, and so far her analyses of the Fujifilm X100F, X-H1, X-T3 and, I assume, the X-T30, are spot on.

I have yet to experience the X-T30 but given how remarkable its larger sibling the X-T3 has proven to be, the former is doubtless just as remarkable in its own way.

Fujifilm is rather unique in the way it produces cameras with not dissimilar internals to fill a range of usability niches, suiting a wide range of users across all genres.

Fujifilm is not a one-size-fits-all camera and lens maker, and I hope that the granularity of its current offerings becomes even more apparent in future cameras and lenses.

Using the X100 series is a pure photography rangefinder-style experience with all the benefits of a fixed lens in one of the most useful focal length equivalents, a Fujinon 23mm f/2.0 prime at the equivalent of 35mm in the 35mm sensor format.

I do not use the misleading “full frame”, “full format” and “crop sensor” terminology, product of the marketing department rather than designers and engineers, by the way.

The X-T3, and one assumes the X-T30, is a brilliant state of the art Super 35 video camera as well as an APS-C stills camera capable of producing image quality rivalling 35mm sensor-equipped cameras.

The X-H1, which I have been trying out thanks to the kindness of Fujifilm Australia and its PR agency, is a harbinger of pro-level things to come and had I the spare change for one of the current amazing deals comprising camera, vertical battery grip, lens and accessories, then I would snap one up immediately to fill the gaps between the X-Pro2 and the X-T3.

There being no one-size-fits-all camera in the Fujifilm X and GFX systems, each camera needs to be considered for its strengths and weaknesses.

When working professionally, one needs to carry a range of cameras and lenses, often with some degree of overlap should the worst occur on location, and the size, weight and relative affordability of Fujifilm’s APS-C/Super 35 X-Mount cameras and lenses makes it possible to transport it all in a backpack or hard case.

Links

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Clicking on the links and purchasing through them for our affiliate accounts at Adorama, Alien Skin, B&H Photo Video, SkylumSmallRig or Think Tank Photo helps us continue our work for ‘Unititled’.

  • Fujifilm Cameras B&H
  • Fujifilm LensesB&H

The Cut: The Electric Intimacy of Alice Springs

https://www.thecut.com/2019/02/alice-springs-fashion-photographer.html

“It’s a joy to contemplate the photography of June Newton, a.k.a. Alice Springs. The Australian-born Springs is the 95-year-old widow of the provocative fashion photographer Helmut Newton, but that’s the least interesting thing about her.

Under Springs’s gaze, world-famous actresses like Catherine Deneuve, Charlotte Rampling, and Audrey Hepburn look like people, not icons — conversational, intent, their eyes telegraphing depths beneath. Springs respects their beauty, but doesn’t accept it as a mask. There are shadows beneath Deneuve’s perfect features; Hepburn looks gorgeous, but her age….”

Charlotte Rampling. Photo: © Alice Springs / Maconochie Photography

Commentary

While preparing for an extensive documentary portrait photography project on Australian female creatives and innovators, I came across this article about June Newton aka Alice Springs published earlier this year along with a series of links to other articles about her and her work as a photographer and director of the Helmut Newton Foundation in Berlin.

Links

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Clicking on the links and purchasing through them for our affiliate accounts at Adorama, Alien Skin, B&H Photo Video, SkylumSmallRig or Think Tank Photo helps us continue our work for ‘Unititled’.

Visual ArtsHub: A new foundation for Australian women’s art

https://visual.artshub.com.au/news-article/news/visual-arts/visual-arts-writer/a-new-foundation-for-australian-womens-art-258076

Sheila: A Foundation for Women in Visual Art was officially launched in Perth yesterday (28 May). The initiative comes out of a swelling need for greater gender equality within the visual arts.

‘According to The Countess Report (a Sheila-funded project) women are 75 per cent of art school graduates but only 34 per cent of artists exhibited in our state museums and galleries. Gender inequality is apparent in art prizes, representation of female artists in media and the proportion of female artists represented in exhibitions at state museums,’ reminded Sheila Cruthers on the occasion of the launch.

Sheila aims to redress that in a multi-prong way: to provide scholarships for art historians and curators, assist the purchase and commission works by women artists, and run annual lecture and symposiums focused on women’s art….

Links

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Opening Night, The 2019 Loud and Luminous Exhibition, St Leonards, NSW, Australia, April 11 2019

I attended the launch of the 2019 Loud and Luminous Exhibition by the Loud and Luminous collective of Australian women and non-binary photographers at Contact Sheet, “an education and mentorship space, a gallery and a co-working space” in the Sydney north shore suburb of St Leonards, located in a complex of creative spaces supported by TWT Developments, Building Hope Foundation and Brand X. 

This is the first time I have encountered these organizations and there may well be some intriguing stories and documentary subjects to be found within them. 

Links

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Ted’s World of Imaging: ‘Women of Influence’ with Lisa Wilkinson & Daniel Linnet, Saturday 23rd March

“In Collaboration with Canon Master Daniel Linnet, Lisa Wilkson presents her photographic exhibition “Women of Influence” comprising powerful portraits of ten Australian women who have inspired her and influenced modern Australia. In her own words, Lisa reveals why she is captivated by storytelling through photography and why she chose to photograph Asher Keddie, Deborra-Lee Furness, Dame Marie Bashir, Peta Credlin, Turia Pitt, Evonne Goolagong Cawley, Cate McGregor, Gretel Packer, Mia Freedman and Dr. Susan Carland for this powerful and personal exhibition. As creative director of the shoot, Daniel will be able to your questions around the many different elements that need to come together to pull off a shoot of this level.”

Links

Flash Forward Flash Back: Female Dynamics: The Presence of Women in Commercial Photography

http://flashforwardflashback.com/female-dynamics/

“As the #MeToo movement as shown, no industry sector is immune from the throes of gender inequity. In editorial and commercial photography, men still largely outnumber women, despite the fact that much of advertising and is geared towards a more feminine audience. However, the status quo may not endure much longer; photographers, producers and creative directors are fighting for change, either through personal endeavours or collective undertakings. Five photographers and art producers, in discussion with Heather Morton, explain why and how….”

Cover photo of Laurie Metcalf, Glenda Jackson, and Alison Pill by Mackenzie Stroh.

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