DPReview: CP+ 2019 Panasonic interview: ‘We’re proud of our cameraness’

https://www.dpreview.com/interviews/0078977575/cp-2019-panasonic-interview-we-re-proud-of-our-cameraness

“The CP+ 2019 trade show in Yokohama, Japan, gave us the chance to speak to most of the major camera makers. Panasonic put forward an extensive team to discuss the company’s move into the full-frame market….

… it’s clear that Panasonic wants its S1 and S1R to appeal specifically to professional stills photographers. When it comes to video, the company’s plans seem less well-developed. For now, at least, it seems that Panasonic sees the GH series as its main video/stills camera platform.”

Commentary

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Panasonic Leica DG Vario-Summilux 10-25mm f/1.7 wide angle zoom lens for Micro Four Thirds cameras. This is the very first zoom lens by any maker that provides the most necessary focal lengths for documentary photography and video, and it doubtless will feel right at home on a Lumix GH5, GH5S, G9 and the coming GH6 as well as the Blackmagic Pocket Cinema Camera 4K.

If by “cameraness” Panasonic means that one can pick up a Lumix S1 or S1R, feel at ease with it and start shooting good photographs or movie footage right away, then I agree with the company’s use of that word.

Here is an event where I tried out the S1 and here is the other event where I tried out an S1R, both times shooting decent photographs almost immediately after the most cursory inspection of the cameras’ controls.

Of course, that ease of use is based partly on my years-long familiarity with Panasonic’s Micro Four Thirds Lumix cameras and partly on Panasonic’s even longer history of constantly improving its cameras and lenses all by itself and in collaboration with Leica Camera AG.

Cameras and lenses by both companies share DNA and it was inevitable, in retrospect, that their long partnership would deepen into the L-Mount Alliance, pleasantly drawing lens maker Sigma in to the equation along with its wide range of top-class prime and zoom lenses for cinematography and photography.

When Panasonic staff members asked me for my first impressions of the S1 and S1R at a couple of touch-and-try events in Sydney earlier this year, my first thought was that both would be very usable cameras if I were still working in magazine editorial portrait and documentary photography where 35mm sensors are king.

That is no mean achievement for the first version of any new product range, and I look forward to seeing how Panasonic’s current S-Series cameras and their successors develop.

If I need to get back into 35mm sensor photography and video, I know where to go.

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DxOMark: Panasonic Lumix DC-S1R sensor review

https://www.dxomark.com/panasonic-lumix-s1r-sensor-review/

Panasonic has chosen a new high-resolution 47.3MP CMOS sensor for the Lumix DC-S1R—one that challenges the class-leading sensors in the Sony A7R III and the Nikon Z 7. Intriguingly, it combines attributes of both of its rivals (with some nuances) and achieves near-identical performance results overall.

With its combination of high pixel count, low noise, and exceptional color sensitivity, the Lumix DC-S1R is likely to appeal to the most demanding studio photographers….

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Panasonic Lumix DC-S1R with Panasonic Lumix S 24-105mm f/4.0 zoom lens.

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David Thorpe: Panasonic’s Lumix S1 and G9 Digital Double Act

“The S1 and the G9 Panasonics are a truly unique digital double act. How do the Full Frame S1 and Micro Four Thirds G9 stand up against one another? Is bigger better? Or is nimbler nicer?”

Commentary

Top video reviewer David Thorpe always cuts to the heart of the matter when it comes to mirrorless digital cameras and lenses, a trait no doubt formed by decades in the trenches as a Fleet Street photographer.

In this video review comparing Panasonic’s Lumix DC-G9 Micro Four Thirds mirrorless camera with the recently-released Lumix DC-S1 35mm sensor mirrorless camera, Mr Thorpe opts to continue daily carrying his G9 but appreciates the differences and similarities in both.

Links

  • David ThorpeJohnny and Max – review
  • David Thorpe – Panasonic’s Lumix S1 and G9 Digital Double Act – video
  • ePHOTOzine – Panasonic Lumix S1 Full-Frame Camera Review By David Thorpe – video with gallery of sample photographs

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Panasonic: Lumix AF Guidebook [PDF guidebooks for Lumix S1/S1R and GH5/GH5S/G9 cameras on getting the best out of autofocus]

https://www.panasonic.com/global/consumer/lumix/technologies/af.html

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Panasonic Lumix DC-S1 with Panasonic DMW-BGS1 Vertical Battery Grip and  Panasonic Lumix S 24-105mm f/4 Macro OIS lens.

LUMIX uses advanced technology to achieve high-speed, high-precision auto focusing. This guidebook allows you to utilize this auto focusing effectively at a higher level….

The LUMIX features an AF Custom Setting function that lets you finely adjust the directivity of the AF in response to the subject and situation. Here, we present the recommended settings and hints when making the setting….

External levers, buttons, and a Joystick Controller enable intuitive operation while using the finder. Users who are familiar with touch operation can seamlessly change the size of the AF area and shoot the subject by simply pressing the shutter of the touch monitor. Here we present more convenient auto focus settings designed for maximum operating ease….

Introducing original Panasonic technology for achieving high-speed, high-precision auto focusing….

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Lumix G9 Pro, Lumix GH5 and Lumix GH5S at Pa`nasonic Japan’s website. Where is the professional successor to the pro flagship rangefinder-stye GX8?

Commentary

With a number of pundits asking whether Panasonic has got it right yet with the company’s unique approach to autofocusing, it is timely to look deeper into the autofocus capabilities of Panasonic’s new S-Series 35mm sensor Lumix cameras and its established Micro Four Thirds sensor-equipped Lumix GH5, GH5S and G9 cameras.

It is reasonable to assume that Panasonic is currently working on its M43 cameras’ successors, and I would love to see the company produce a GH6 that combines the best of all three of them for stills photography and video, with the very best autofocusing that technology can offer.

Although I would love it if all manufacturers made lenses equally adept for use with manual focusing and autofocusing, equipped with the hard stops and manual clutch focus that have proven so effective on some Fujifilm X-mount and Olympus M.Zuiko Pro lenses, the fact is that autofocus will always play a part in using almost all lenses made nowadays.

Even back button focus in manual mode relies on good autofocusing capabilities on the cameras on which it features, so their autofocus needs to be the best possible.

If autofocus on Panasonic’s current camera generation remains lacking then best to study how it can be tailored to obtain result close to what you need rather than waiting for DSLR-quality autofocus in a future generation.

I was impressed by the Human Body Detection and Face/Eye Detection features of the Lumix S1 and S1R when I briefly tried them out at two public events in Sydney, so I hope that Panasonic will continue to improve the cameras’ autofocus via firmware updates, and radically improve autofocus in it coming generations to the point where it matches if not surpasses that of the best current DSLRs.

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PhotoJoseph: LUMIX S1 & S1R Battery Grip BGS1

“The LUMIX S Series S1 and S1R have an optional battery grip, the BGS1. This is a tour and explanation of how to use it and what it can do!…”

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Panasonic Lumix DC-S1 with Panasonic DMW-BGS1 Vertical Battery Grip and Panasonic Lumix S 24-105mm f/4 Macro OIS lens.

Panasonic accessories for Panasonic Lumix S-Series cameras

Commentary

Panasonic’s accessories for its new S-Series 35mm sensor cameras received little attention during the two public launch events I attended earlier this year, yet they and especially the DMW-BGS1 Vertical Battery Grip displayed the same carefully attention to detail and keen listening to professional users’ lengthy lists of features requests as the Panasonic Lumix DC-S1 and DC-S1R cameras themselves.

Since buying into Panasonic’s Micro Four Thirds system with the Lumix with the Lumix DMC-GH4 some years ago, I have considered vertical battery grips essential items to be bought with any new camera, if the manufacturer has thought to provide one, and this applies to the DMW-BGS1 Vertical Battery Grip as well as several other S-Series accessories.

I am especially impressed by the fact that Panasonic has included the Panasonic DMW-EC6 Eyecup in the list of accessories for the S1 and S1R.

I have had to rely on third-party rubber eyecups made by JJC and Guerrilla for Fujifilm X and Panasonic G cameras, except for my Lumix GX8 where an optional long eyecup was made available by Panasonic, due to wearing eyeglasses and needing to block out laser beam sunlight or harsh indoor lighting.

Both these accessories will come in handy when using both cameras for video, portrait and documentary photography.

I had a chance to try out the vertical battery grip on a Lumix S1R with 50mm f/1.4 lens and it made the camera much easier to use when shooting vertical/portrait orientation with the camera’s very welcome 3:4 aspect ratio, perfectly matched to the average single magazine page.

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Richard Wong: Interview with director of Panasonic Imaging Division – Yosuke Yamane San

“I had the honour to interview Yosuke Yamane-san during the Asia Pacific regional Lumix S series launch event in Tasmania, Australia. In this interview, we talked about the development of Panasonic Lumix S1 & S1R, the L-Mount alliance, Lumix GH6, DFD Autofocus, and a few other things….”

panasonic_lumix_s1r_02_1024px
Panasonic Lumix DC-S1R with Panasonic Lumix S 24-105mm f/4.0 zoom lens.

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Panasonic Releases ‘Lumix GH5 | GH5S | G9 AF Guidebook’ on How to Get the Best Out of Autofocusing the Latest Panasonic Lumix Cameras

Using autofocus on Panasonic’s Lumix DC-GH5, DC-GH5S and DC-G9 Micro Four Thirds mirrorless hybrid cameras whether shooting stills or video has been a hot topic of debate online for quite some time. 

Panasonic chose to buck the trend began by other camera makers who adopted PDAF aka ‘Phase Detection Autofocus’, instead basing the autofocus system in the Lumix DMC-GH4 onwards upon DFD aka ‘Depth from Defocus’. 

Panasonic’s recent announcement of its Lumix S1 and Lumix S1R 35mm digital cameras mentioned the phrase ‘Deep Learning Technology’, and now the company has shared more information about that as well as how to get the best out of autofocusing its latest cameras with ‘Lumix GH5 | GH5S | G9 AF Guidebook’, an essential downloadable PDF guide book on the subject.

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Image Credits

Header image concept and hack by Carmel D. Morris.

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