Blackmagic Design: Blackmagic Design Adds Blackmagic RAW to Blackmagic Pocket Cinema Camera 4K

https://www.blackmagicdesign.com/media/release/20190305-02

Blackmagic Design Adds Blackmagic RAW to Blackmagic Pocket Cinema Camera 4K

New Blackmagic Camera 6.2 update adds Blackmagic RAW to the Blackmagic Pocket Cinema Camera 4K!

Fremont, California, USA – March 5, 2019 – Blackmagic Design today announced Blackmagic Camera 6.2 update which adds support for Blackmagic RAW to the Blackmagic Pocket Cinema Camera 4K.

Blackmagic Camera 6.2 update is available as a free download from the Blackmagic Design website.

Blackmagic RAW, a revolutionary next generation codec that combines the quality and benefits of RAW with the ease of use, speed and file sizes of traditional video formats. Blackmagic RAW is a more intelligent format that gives customers stunning images, incredible performance, cross platform support and a free developer SDK.

With Blackmagic Camera 6.2 update, customers using the Blackmagic Pocket Cinema Camera 4K now have the ability record images using Blackmagic RAW for the first time. This allows them to capture the highest possible quality images in smaller files, giving them much longer recording times with the media they already own. For example, customers can record over 2 hours of full cinematic quality Blackmagic RAW footage in 4K on a single 256GB SD UHS-II card. With Blackmagic RAW 12:1 you can even record 4K DCI images to an SD card, giving you stunning cinematic quality images on incredibly small, inexpensive cards. In addition, Blackmagic RAW gives customers an even faster, more fluid and higher quality editing and color correction workflow in DaVinci Resolve than ever before.

Once the camera has been updated, customers can choose between 3:1, 5:1, 8:1 and 12:1 constant bit-rate recording or between constant quality Q0 and Q5 recording. This lets them prioritize image quality or file size. The constant bit-rate encoding options give customers incredible images at predictable and consistent file sizes. Constant quality Q0 and Q5 use variable bitrate encoding so complex frames are encoded at higher data rates, preserving the maximum amount of detail and quality possible. Blackmagic Design Generation 4 Color Science is used for superior imaging that results in extremely accurate skin tones and gorgeous, lifelike colors. Blackmagic RAW images are encoded using a custom non-linear 12-bit space designed to provide the maximum amount of color data and dynamic range.

In addition, Blackmagic RAW features extensive metadata support, highly optimized GPU and CPU accelerated processing on the desktop and more.

Traditional RAW codecs have large file sizes and are processor intensive, making them hard to work with. Video file formats are faster, but suffer quality problems due to the use of 4:2:2 video filters that reduce color resolution. Blackmagic RAW solves these problems, giving customers the same quality, bit depth, dynamic range and controls as RAW, but with much better performance and smaller file sizes than most popular video codecs. Once files are brought into DaVinci Resolve, additional GPU and CPU acceleration make decoding of frames incredibly fast, so customers get extremely smooth performance for editing and grading.

When the Blackmagic RAW settings are changed in DaVinci Resolve, a .sidecar file can be generated or updated if one already exists. When opened in other software applications that support Blackmagic RAW, the .sidecar file, which contains the Blackmagic RAW settings made in DaVinci Resolve, will be automatically used to display the image. If the .sidecar file is removed then the file will be displayed using the embedded metadata instead. This innovative new workflow gives customers a non-destructive way to change Blackmagic RAW settings while working between different applications.

Blackmagic RAW is much more than a simple RAW container format. Its intelligent design actually understands the camera and the sensor. This means the image data, along with the unique characteristics of the image sensor, are encoded and saved into the Blackmagic RAW file, giving customers much better image quality, even at higher compression settings, as well as total control over features such as ISO, white balance, exposure, contrast, saturation and more.

In addition, Blackmagic RAW uses Blackmagic Design Generation 4 Color Science for superior imaging that results in reproducing extremely accurate skin tones and gorgeous, lifelike colors that rival those of cameras costing tens of thousands of dollars more. Images are encoded using a custom non-linear 12-bit space designed to provide the maximum amount of color data and dynamic range.

Blackmagic RAW also makes it easy for any software developer to access all this technology. The free developer SDK lets any third party software application add Blackmagic RAW support on Mac, Windows and Linux. The Blackmagic RAW developer SDK automatically handles the embedded sensor profile metadata, along with Blackmagic Design color science, for predictable and accurate image rendering that yields consistent color throughout the entire pipeline.

Blackmagic RAW features two types of file compression. Customers can choose either constant quality or constant bitrate encoding options, depending on the kind of work they are doing. This lets them prioritize image quality or file size. Constant quality uses variable bitrate encoding so complex frames are encoded at higher data rates to preserve detail and maintain the highest possible quality. Blackmagic RAW Q0 has minimum quantization and yields the highest quality, while Blackmagic RAW Q5 uses moderate quantization for more efficient encoding and a smaller file size. Blackmagic RAW 3:1, 5:1, 8:1 and 12:1 use constant bitrate encoding to give customers the best possible images with predictable and consistent file sizes. The ratios are based on the unprocessed file size of a single frame from the camera’s sensor, making it easy to understand the relative amount of compression being used.

The pristine camera native quality of Blackmagic RAW Q0 and 3:1 are perfect for effects heavy feature film and commercial work. Blackmagic RAW Q5 and 5:1 are extremely high quality making them great for episodic television and independent films. Blackmagic RAW 8:1 and 12:1 offer high quality and speed, making it suitable for productions that wouldn’t normally consider shooting RAW. Now, more customers than ever will be able to use high quality Blackmagic RAW images in an incredibly efficient way that was impossible before.

Featuring a fully scalable design and completely modern CPU and GPU acceleration, Blackmagic RAW is optimized for AVX, AVX2 and SSE4.1 enabled processors, multi-threaded, works across multiple CPU cores and is GPU accelerated with support for Apple Metal, CUDA and OpenCL. Frame decoding and image processing is extremely fast, making it super smooth for editing, color correction and visual effects in DaVinci Resolve. Another benefit of media being stored as single files, and not image sequences, is it makes media management easier and file copying much faster.

The free Blackmagic RAW Developer SDK is available on Mac OS, Windows and Linux. This SDK takes care of all the work for developers, so adding support for Blackmagic RAW to third party software applications is easy and fast. Developers get access to GPU and CPU accelerated algorithms for decoding files, along with unique information about the camera’s image sensor so their applications can accurately decode and display the files. The SDK features highly descriptive and flexible metadata options designed to support today’s modern workflows. Metadata is embedded directly in the .braw file or it can be stored in a .sidecar file. Metadata is important because it contains the Blackmagic RAW settings along with information for the slate, iris, focus, focal length, white balance and a lot more. The metadata in .sidecar files can be used on top of the embedded metadata without overwriting it. Blackmagic RAW also supports frame based metadata so customers can access values, such as focus distance, that often change on a frame by frame basis.

“Blackmagic RAW has been incredibly successful since we introduced it last fall on URSA Mini Pro,” said Grant Petty, Blackmagic Design CEO. “The new Blackmagic Camera 6.2 update is exciting because it makes this incredible new technology available to Blackmagic Pocket Cinema Camera 4K customers absolutely free! They get the visually lossless image quality of RAW with the speed of traditional video workflows!”

Availability

Blackmagic Camera 6.2 update is available today as a free download from the Blackmagic Design website http://www.blackmagicdesign.com/support

Press Photography

Product photos of Blackmagic Pocket Cinema Camera 4K, and all other Blackmagic Design products, are available at http://www.blackmagicdesign.com/media/images

About Blackmagic Design

Blackmagic Design creates the world’s highest quality video editing products, digital film cameras, color correctors, video converters, video monitoring, routers, live production switchers, disk recorders, waveform monitors and real time film scanners for the feature film, post production and television broadcast industries. Blackmagic Design’s DeckLink capture cards launched a revolution in quality and affordability in post production, while the company’s Emmy™ award winning DaVinci color correction products have dominated the television and film industry since 1984. Blackmagic Design continues ground breaking innovations including 6G-SDI and 12G-SDI products and stereoscopic 3D and Ultra HD workflows. Founded by world leading post production editors and engineers, Blackmagic Design has offices in the USA, UK, Japan, Singapore and Australia. For more information, please go to http://www.blackmagicdesign.com

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Blackmagic Design’s Blackmagic Pocket Cinema Camera 4K aka BMPCC 4K.

Links

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Clicking on the links below and purchasing through them or our affiliate accounts at B&H Photo Video, SmallRig or Think Tank Photo helps us continue our work for ‘Untitled’.

  • Atomos StoreB&H
  • Blackmagic Design Pocket Cinema Camera 4K and accessoriesB&H

News Shooter: Of Two Lands gives their initial impressions of the BMPCC 4K

https://www.newsshooter.com/2018/10/08/of-two-lands-gives-their-initial-impressions-of-the-bmpcc-4k/

“The Blackmagic Design Pocket Cinema Camera 4K has started shipping, although in relatively small numbers. Florent from Of Two Lands was lucky enough to pre-order the camera as soon as it was announced and has been using the BMPCC 4K for the last few weeks….

… To me the biggest strengths of this camera are the image quality, being able to record 4K 60P with very strong codecs, great low light performance, and the price point. Also, I should mention the screen again, it is just massive. I like that I can record high-quality content without having people looking at the camera that would be normally much bigger. It allows me to get shots that I wouldn’t be able to get with a large rig….”

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Blackmagic Pocket Cinema Camera 4K mounted in an 8Sinn cage with included cable clamp, improved lens support and Scorpio too handle, with the new 8Sinn holder for the popular Samsung Portable T5 SSD available in capacities from 250GB through to 2TB.

Commentary

I don’t expect to get to see much less try out a Blackmagic Pocket Cinema Camera 4K any time soon, so Matthew Allard ACS of News Shooter and Florent of Of Two Lands have my gratitude for sharing this article and the videos at Two Lands’ YouTube channel.

I have added links to other videos shot with the BMPCC 4K here as well and hope they help form a useful impression of whether this remarkable Australian camera will be of benefit to you in your own work.

Links

Image Credits

Header image concept and hack by Carmel D. Morris.

Help support ‘Untitled’

Olympus M.Zuiko Digital ED 17mm f/1.2 Pro, Olympus M.Zuiko Digital ED 25mm f/1.2 Pro and Olympus M.Zuiko Digital ED 45mm f/1.2 Pro professional prime lenses with manual clutch focusing, brilliant for shooting video or stills where accurate focus is absolutely critical.

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Indie Shooter: Filmmaker Jody Eldred On The Blackmagic Pocket Cinema Camera 4K, DaVinci Resolve & More

http://indieshooter.com/filmmaker-jody-eldred-blackmagic-pocket-cinema-camera-4k-davinci-resolve/

“Filmmaker Jody Eldred has been an evangelist of Blackmagic Design products for some time now and has always been willing to give us his expert take on how best to use them. So he was the perfect choice to give us a rundown of the new Pocket Cinema Camera 4K, as well as some of the other cameras and latest updates to DaVinci Resolve and how they help support his creative vision….”

blackmagic_pocket_cinema_camera_front_lens_01_1024px_60pc
Blackmagic Pocket Cinema Camera 4K (BMPCC 4K) with Olympus M.Zuiko Digital ED 12-40mm f/2.8 Pro zoom lens with manual clutch focus, great for manual focussing. I like the longer image-stabilized Olympus M.Zuiko Digital ED 12-100mm f/4.0 IS Pro zoom for available light daily walkabout needs for video and stills.

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blackmagic_pocket_cinema_camera_4k_bmpcc4k_04_1024px_60pc
Blackmagic Pocket Cinema Camera 4K (BMPCC 4K) with Blackmagic Design Mini XLR Cable for Video Assist/4K, Set of 2, 19.5″, HYPERD/AXLRMINI2 for audio in.

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  • Olympus M.Zuiko Digital ED 17mm f/1.2 PRO LensB&H – this and the 25mm and 45mm f/1.2 prime lenses below are highly recommended as top-quality, fast lenses for video production with manual clutch focus for accurate and repeatable manual focussing.
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  • Olympus M.Zuiko Digital ED 45mm f/1.2 PRO LensB&H
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Blackmagic Design: Blackmagic Design Announces DaVinci Resolve 15

https://www.blackmagicdesign.com/media/release/20180409-01

“Blackmagic Design today announced DaVinci Resolve 15, a massive update that fully integrates visual effects and motion graphics, making it the world’s first solution to combine professional offline and online editing, color correction, audio post production, multi user collaboration and now visual effects together in one software tool. DaVinci Resolve 15 adds an entirely new Fusion page with over 250 tools for compositing, paint, particles, animated titles and more. In addition, DaVinci Resolve 15 includes a major update to Fairlight audio, along with over 100 new features and improvements that professional editors and colorists have asked for….”

blackmagic_design_davinci_resolve_15_01_1024px_60pc
Blackmagic Design DaVinci Resolve 15, Edit page

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9to5Mac: Logic Pro X gets major update: ChromaVerb, Vintage EQs, Multi Effects, more

https://9to5mac.com/2018/01/25/logic-pro-x-update-chromaverb-vintage-eq/

Apple has now released a new update for its flagship music recording software, Logic Pro X. While we are getting a very long list of minor tweaks and enhancements here, version 10.4 is bringing some major new features to the table along with some serious gear in the way vintage EQ emulation, new orchestral instruments, a pair of multi-effect plug-ins and hundreds of new sounds.…”

apple_logic_pro_x_imac_square_1024px_60%
Apple updates Logic Pro X to version 10.4 with the addition of new temporary detection technology, powerful new plugins, new Drummers, 800 additional loops and a new library for Alchemy synths with 150 cinematic presets.

Commentary

Apple’s affordable though high-end sound and visuals post-production software suites, Final Cut Pro X and Logic Pro X, have been given some impressive updates recently with the former gaining pro-quality colour grading features while the latter has received plenty of music-oriented improvements and content.

Now the stage is set for Apple to introduce some really big, long-needed improvements in its audio-editing and sound design capacity to equal or surpass the credible threat rendered by Blackmagic Design’s DaVinci Resolve 14 and its built-in Fairlight Audio page tools obtained as the result of the purchase of the legendary Fairlight audio and video hardware and software company.

Apple’s two separate post-production suites need to be made to work together in a far closer, far more intuitive way than they do at the moment to the degree that it would be unthinkable to use one without the other.

Let us hope that Apple has some pleasant surprises up its sleeves this year, but not too late in the year as Blackmagic Design is already roaring ahead with full audio integration in the free and paid-for versions of DaVinci Resolve 14.

Links

Nick Driftwood: 8K Lumix GH5 Hi Rez Anamorphic – Hybrid Log Gamma – All Intra HLG Pro Rez to HEVC using Handbrake

“Music by Nick Driftwood. This is a 10-bit 420 encode using Handbrake HEVC x265. Now you can use Handbrake to encode your HLG Rec2020 / videos. This is an extreme example at hi rez anamorphic but basically the settings for handbrake h265 HEVC encodes are the same. Use the CRF constant Rate Factor to slide/change quality (lower is better quality but longer encodes).

Use chrome or other compatible browser to view upto 8K (Anamorphic x2 desqueeze to 9 884 pixels x 3 744 pixels in great quality INTRA).

Download special commit of Handbrake or info to build your own from here: https://goo.gl/AzFyLt

The critical thing to remember is to insert the text ‘transfer=arib-std-b67’ into the Additional Options box.”

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Blackmagic Design: Blackmagic Design Announces
 DaVinci Resolve 14 is Now Shipping

https://www.blackmagicdesign.com/media/release/20170907-02

“… DaVinci Resolve 14 is the biggest release in the history of the product, and has been designed to be a complete revolution in post production. DaVinci Resolve 14 is the world’s only fully integrated professional editing, color correction and audio solution. It scales from a single user all the way up to the largest collaborative studio workflows.

New features include up to 10 times performance improvement, a whole new audio post production suite with Fairlight audio built in, and multi user collaboration tools that let multiple people edit, color and mix audio from multiple systems, all in the same project at the same time. In addition, DaVinci Resolve 14 includes hundreds of new features for editors and colorists, including over 20 new effects such as automatic facial recognition and tracking so customers can quickly refine and enhance faces in their shots.

DaVinci Resolve 14 is like 3 high end applications in one. Customers get professional editing, color correction and new Fairlight audio tools. All it takes is a single click to switch between editing, color and audio. For multi user studios, DaVinci Resolve 14 Studio features bin and timeline locking, secure chat, a graphical timeline comparison tool for accepting and merging changes, and more. These features dramatically change post production from a linear to a parallel workflow. Customers no longer have to import, export, translate or conform projects. Everyone can work on the same project at the same time….”