Fujifilm Global: Fujifilm releases new mirrorless digital camera “FUJIFILM X-T30 ”

http://www.fujifilm.com/news/n190214_01.html

“Fujifilm releases new mirrorless digital camera “FUJIFILM X-T30 ”

– Equipped with new image sensor and image processing engine into a compact and lightweight body for the ultimate image quality
– Highly-accurate AF performance across the frame and fast / silent continuous shooting of up to 30fps* to capture every decisive moment
– Fine and smooth 4K video with high-resolution audio, meeting the needs of full-scale video production

February 14, 2019

FUJIFILM Corporation (President: Kenji Sukeno) is delighted to announce the launch of the FUJIFILM X-T30 mirrorless digital camera (X-T30) in late March 2019, the latest model to join the X Series, known for superior image quality delivered with the company’s proprietary color reproduction technology.

In its compact body that weighs just 383g, the X-T30 features the 26.1MP X-Trans™ CMOS 4 sensor** and the fast X-Processor 4 image processing engine to achieve the ultimate image quality. Furthermore, it offers highly accurate AF performance across the entire frame and silent continuous shooting capability of up to an impressive 30 fps*, ensuring that you would never miss a decisive photo opportunity in a variety of situations. The camera can also record 4K/30P*** video while applying “Film Simulation mode”, including the “ETERNA” with rich color grading, based on Fujifilm’s proprietary color reproduction technology. Its ability to record fine and smooth 4K video with high-resolution audio will meet the needs of those involved in full-scale video production.

The X-T30 inherits popular exterior design features of the current model, FUJIFILM X-T20 (X-T20), while providing excellent operability with a new grip design that enhances stable grip when holding the camera, a touchscreen panel display with improved response performance, and the “Focus Lever” that facilitates faster focusing operation. The camera is also equipped with the “Auto Mode Selector Lever” that allows you to instantaneously switch to a fully-automatic shooting mode, making it a perfect mirrorless digital camera for a broad range of users who want to enjoy premium-quality pictures.

*Only available when using the electronic shutter. The camera offers fast and silent continuous shooting of up to 30fps in a cropped frame equivalent to 16.6MP.

**X-Trans™ is a trademark or registered trademark of FUJIFILM Corporation. With the use of a proprietary highly aperiodic color filter array, the sensor minimizes moiré effects and false colors without the use of an optical low-pass filter.

***Capable of recording smooth 4K video at 30fps

1. Compact camera body that weighs just 383g and is equipped with the X Trans™ CMOS 4 sensor and high-speed X Processor 4 image processing engine to deliver ultimate image quality and versatile photographic expressions.

The X-T30’s compact camera body that weighs just 383g features the X-Trans™ CMOS 4 sensor (APS-C, no low pass filter) and high-speed X-Processor 4 image processing engine. Together, they deliver the class-leading 26.1MP resolution for digital cameras with an APS-C-size sensor, and achieve excellent noise-reduction performance. Furthermore, the sensitivity of ISO160, previously*4 available only as extended ISO, is now part of the normal ISO range. This is particularly useful when shooting in bright daylight outdoors or trying to achieve beautiful bokeh with a fast large-aperture lens.

The “Film Simulation mode”, which provides versatile color expressions with Fujifilm’s proprietary technology, now has the new “ETERNA mode”. This camera also offers “monochrome adjustments” for Film Simulation’s “ACROS” and “Monochrome” modes to achieve warm black and cool black.

The “Color Chrome Effect” produces deeper colors and gradation to broaden diversity in your photographic expressions.

*4 When compared to the X-Trans™ CMOS III sensor

2. Highly accurate AF performance across the entire frame and fast / silent continuous shooting capability of up to 30fps to capture a decisive moment in a wide range of situations

The X-Trans™ CMOS 4 sensor has 2.16 million phase detection pixels, about 4 times that of previous models*4, to expand the highly-accurate phase detection AF area to the entire frame (approximately 100%). When using the electronic shutter, the camera can deliver fast and silent continuous shooting of up to 30fps in a cropped frame equivalent to 16.6MP (1.25x crop). This means even a fast-moving subject, positioned away from the center of the frame, can be autofocused at an amazing speed and accuracy, ensuring that you will not miss a decisive shutter moment.

The X-Processor 4’s high processing speed and improved AF algorithm has boosted the camera’s capability to accurately detect human faces and eyes. The “Face Select function” has been also introduced to provide priority auto-focus on the face of a selected subject when multiple faces have been detected within a frame. The low-light limit for phase detection AF has been extended from +0.5EV on previous models*5 to -3EV, making on-screen phase detection AF available in very poor lighting such as at night or under a light source of limited luminosity, such as candlelight.

Evolved functionality of the “Advanced SR Auto mode” can be activated instantaneously with the use of the “Auto Mode Selector lever”, positioned on the camera body’s top panel. The camera automatically chooses the optimum shooting settings for a given scene out of 58 presets so that you can achieve the best image quality without having to worry about settings yourself.

*5 When compared to the X-T20

3. Newly-redesigned grip shape and the inclusion of the “Focus Lever” for outstanding operability

The X-T30 inherits popular exterior design features of the X-T20, while adopting a new grip design that makes the camera body sit comfortably in your hand. It also has the “Focus Lever”, replacing the “Selector Button”, to afford extra grip space at the rear. These design enhancements have created added hand-holding stability despite the camera’s compact and lightweight body, even when it is mounted with a large lens such as a telephoto zoom.

The rear LCD monitor uses a touchscreen panel display 1.3mm thinner than that on the X-T20. Its improved touchscreen response enables faster and more intuitive camera operations.

The X-T30 is available in the popular Black version the Silver version for a premium look with greater sheen, and the Charcoal Silver version*6, all representing a sense of high quality and robustness.

*6 Will be in store later than the Black and Silver version

4. Extensive video functions that meet the needs of full-scale video production

The X-T30’s new video features include the capability to record with high-resolution audio and track human eyes even during video recording. Smooth 4K/30P video can be recorded at 8bit 4:2:0 on an SD card, and also output to external storage media via the HDMI port at 10bit 4:2:2 to include more color information. The camera is also capable of F-log recording, which captures footage in wider gamut for later editing of color tones and luminosity. These extensive video functions cater to the needs of full-scale video production.

Video data, greater than what is required for 6K video, is scaled down to 4K to achieve advanced sharpness with minimal moiré. The camera supports recording in the DCI format (17:9 aspect ratio), used in digital cinemas, for dynamic video footage in high resolution.

The X-T30 can apply “Film Simulation mode”, popular for stills, while recording video, so that you can enjoy a diverse range of unique effects, including the “ETERNA” for rich color grading….”

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Fujifilm X-T3 with Fujinon XF 16mm f/2.8 R WR “Fujicron” prime lens. Photograph by Jonas Rask for Fujifilm.

Fujifilm X-T30

Commentary

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Fujifilm’s “Fujicron” fast, compact prime lens collection as of February 2019 comprising the Fujinon XF 16mm f/2.8 R WR, Fujinon XF 23mm f/2.0 R WR, Fujinon XF 35mm f/2.0 R WR and Fujinon XF 50mm f/2.0 R WR lenses. These lenses are particularly suited to Fujifilm’s smaller cameras, while the Fujinon XF 27mm f.2.8 prime and Fujinon XF 18-55mm f/.28-4.0 R LM OIS are also well worth considering for use on the X-T30 and its compact siblings as well as larger Fujifilm cameras.

Fujifilm’s X-T30 DSLR-style APS-C premium compact hybrid camera has an impressive list of specifications   that position it just below the amazing X-T3 and make it a more than suitable companion, backup or replacement camera depending on the demands of your project.

I have yet to try it or its predecessor the Fujifilm X-T20 out yet so cannot speak to the pros and cons of its smaller size compared to its larger siblings, but based on my experience of the X-T3 assume that the X-T30 may be better suited to Fujifilm’s smaller lenses at right than the company’s larger, heavier optics.

I also suggest looking out for hand grips and L-plates to fit the X-T30 in order to give it a little more heft when mounting larger lenses.

Fujifilm’s product page indicates that its Hand Grip MHG-XT10 metal hand grip will fit and as I use the company’s hand grips on several Fujifilm cameras can strongly recommend them.

Fujifilm is portraying the X-T30 as “The Little Giant” and from its specifications list alone it clearly lives up to that nickname.

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Lumix G | Experience: Panasonic Lumix LX100 II – a look at the new features

https://www.lumixgexperience.panasonic.co.uk/news/panasonic-lumix-lx100-ii-a-look-at-whats-new/

“… It isn’t like Panasonic to have Mk II versions of its cameras in Europe but it is easy to see why this particular model is being presented as a ‘version’ rather than as a LX200 might have been. The LX100 II is clearly an update of the LX100, bringing the feature-set of the four-year-old compact into line with that of the company’s current G series cameras. At first, second and third glance, the new model is very much like the original in look and feel as almost all the changes have happened inside not outside the body….

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Panasonic Lumix DC-LX100 II

Commentary

fujifilm_x10_03_1024px_60pc
Fujifilm X10 with fixed collapsible zoom lens fully extended, a terrific complement to the Fujifilm X100 fixed prime lens camera. Brilliant for stills photography, not so much for video.

Although Panasonic classes its Lumix DC-LX100 II as a camera for enthusiasts, this stratification of camera models into professional, enthusiast and beginner is just a little off the mark especially given the varying needs of independent documentary moviemakers and photographers.

Few professionals rely on just the top-end flagship cameras and lenses in any product range.

When I felt the need to supplement the revolutionary Fujifilm X100 “enthusiasts” camera with something similar I chose Fujifilm’s X10 and relied on both for professional-level photography assignments for my voluntary work for a health and human rights charity.

I could have used my Canon EOS 5D Mark II for the job but it would have been the most inappropriate choice given the circumstances and sensitivities of my subjects and the places and events where they were to be found.

My X100 has been honourably retired though it sometimes comes out for documentary projects where discretion is demanded, and my X10 has found a home with a friend needing a great little travel camera.

The only downside to both cameras was Fujifilm’s then lack of commitment to top quality video, so I switched over to Panasonic’s groundbreaking Lumix DMC-GH4 as my prime stills and video camera with a Lumix DMC-GX8 as a backup which rived so capable in its own right that I often carry it every day equipped with the sadly underestimated Lumix G Vario 12-32mm f/3.5-5.6 Aspheric Mega OIS zoom that I bought secondhand via eBay.

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SmallRig Cage for Panasonic Lumix LX100 2198, enabling easy attachment of handles, monitors and other accessories to the camera.

The only downside to both cameras is that neither is as compact as Fujifilm’s two offerings and had I known about the Lumix DMC-LX100 chances are that I would have added one of those to my kit.

I still miss the ability to carry a small, lightweight camera with me each and every day either stowed in a larger bag or in its own dedicated detachable belt pouch such as Think Tank Photo’s Stuff It! or better yet Little Stuff It!

Panasonic’s Lumix LX100 was unique in its day for mating a top-quality wide aperture Leica, no less, zoom lens with a variable Micro Four Thirds sensor and still has no equivalent in other brands other than Leica’s D-LUX (Typ 109), an outcome of the Panasonic-Leica camera and lens joint production exercise.

The announcement of the Lumix LX100’s successor as a newer version rather than a complete new replacement in the form of the long-expected Lumix LX200 has come as a surprise and casts doubt on whether and when the hoped-for vamped-up LX200 may ever appear.

Meanwhile I will be keeping an eye out for hands-on reviews of the Lumix LX100 II, adding them to this page, and am hoping that the camera will provide a worthy supplement to its predecessor which clearly still has some life left in it yet albeit with a slightly reduced feature set compared to the Lumix LX100 II.

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Fujifilm Announces Fujinon XC 15-45mm f/3.5-5.6 OIS PZ Collapsible Power Zoom Lens, Affordable Option for Documentary Photos and Videos?

Fujifilm has announced the Fujinon XC 15-45mm f/3.5-5.6 OIS PZ collapsible power zoom lens and the first Fujifilm APS-C/Super 35 rangefinder-style cameras for which it will be the bundled kit zoom, the X-A5 and X-A20. 

The XC 15-45mm offers a short standard focal length range of 15mm to 45mm in APS-C sensor format, the equivalent of 23mm to 69mm in the 35mm sensor format, and is well-priced for purchase separately from either camera at less than half the cost of Fujfilm’s XF series kit zoom, the Fujinon XF 18-55mm f/2.8-4 R LM OIS

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Fujifilm Fujinon XC 15-45mm f/3.5-5.6 OIS PZ power zoom lens
Fujifilm’s Fujinon XF 18-55mm f/2.8-4.0 LM OIS kit zoom lens, in effect the longer equivalent of the new Fujinon XC 15-45mm f/3.5-5.6 OIS PZ power zoom kit lens.

Since purchasing my Fujifilm X-Pro 2 with an eye to using it for fly-on-the-wall documentary stills and video, along with two of Fujifilm’s best available darkness prime lenses, the Fujinon XF 23mm f/1.4 R and XF 56mm f/1.2 R, I have experienced twinges of regret for not being able to add the XF 18-55mm lens at the time for access to some of my other favourite documentary focal lengths – 18mm, 27mm and 50mm – or the 21mm-equivalent XF 14mm f/2.8 R.

Although I have yet to try either of Fujifilm’s current XC zoom lenses, the Fujinon  XC 16-50mm f/3.5-5.6 OIS and the XC 50-230mm f/4.5-6.7 OIS, I have read about them being surprisingly good for the price.

My ideal 35mm prime lens lineup from my Leica M-System rangefinder documentary photography days, comprising 21mm, 18mm, 35mm, 50mm (I preferred the all-too-rare 40mm though), 75mm and 90mm focal lengths. In APS-C format, these are 14mm, 18mm, 23mm, 35mm, 50mm and 60mm.

I look forward to reading about the Fujinon XC 15-45mm f/3.5-5.6 OIS PZ’s performance in coming in-depth hands-on reviews by well-qualified photographers and moviemakers.

Will I be adding the Fujinon XC 15-45mm f/3.5-5.6 OIS PZ or the Fujinon XF 18-55mm f/2.8-4.0 LM OIS kit zoom lens to my Super 35/APS-C documentary moviemaking and photography kit?

Will either grant me access to some of my favourite focal lengths that I miss despite the incredible image quality of my two fast prime lenses?

Will either zoom lenses’ optical image stabilization help compensate for their slower variable maximum apertures?

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