fcp.co: Steve Bayes Explains Colorlab Ai, the Color Grading System Powered by Artificial Intelligence

https://www.fcp.co/final-cut-pro/articles/2306-steve-bayes-explains-colorlab-ai-the-color-grading-system-powered-by-artificial-intelligence

The artificial intelligence based colour grading system Colorlab Ai certainly looks like it could transform the grading process. Colorlab AI advisor and investor Steve Bayes explains why he became involved and how this technology should eventually become available to Final Cut Pro X users.

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Leeming LUT One for Panasonic Cameras to get Version 503 before Mid-Year with Even Better Colour and Tone than Ever – UPDATE

Paul Leeming of Leeming LUT One and Visceral Psyche Films is like a dog with a bone that he just will not let go insofar as improving and updating Leeming LUT One, “the world’s first unified, corrective Look Up Table (LUT) system for supported cameras, designed to maximise dynamic range, fix skin tones, remove unwanted colour casts and provide an accurate Rec709 starting point for further creative colour grading.”

Paul Leeming of Leeming LUT One and Visceral Psyche Films in V-Log L footage made with Panasonic Lumix GH5 then processed with Leeming LUT One for Panasonic cameras, version 503 beta.

Mr Leeming has just shared an early version 503 beta for Panasonic V-Log L with me and, after applying it to some V-Log L footage of my own, it is clear that he has worked out how obtain even better, even more realistic colour and tonal rendering than before.

The more accurate and true-to-life the starting point obtained by applying Leeming LUT One before adding creative aka looks LUTs and other colour grading controls in your non-linear editing suite or colour grading software of choice, the richer and more satisfying the final result.

While this first version 503 beta is only for Panasonic V-Log L footage, Leeming LUT One version 503 for Panasonic cameras will be released for Cinelike D, HLG and V-Log L.

If version 503 has you as excited as I am, please do not put off purchasing it until later this year as version 502 is already streets ahead of any other camera LUT that I have tried out so far and purchasers of 502 now will receive 503 when it is finalized.

Leeming LUT One for Panasonic V-Log L 503 beta, footage by Paul Leeming

Leeming LUT One for Panasonic V-Log L 502 compared to 503 beta

Leeming LUT One for Panasonic V-Log L version 502
Leeming LUT One for Panasonic V-Log L version 503 beta
Leeming LUT One for Panasonic V-Log L version 503 beta plus Leeming LUT Quickie Basic Brighter v2

Leeming LUT One 503 beta as a base for creative LUTs

Leeming LUT One for Panasonic V-Log L version 503 beta plus Leeming LUT Quickie Basic Brighter v2 plus LookLabs Digital Film Stock Fuji 64D
Leeming LUT One for Panasonic V-Log L version 503 beta plus Leeming LUT Quickie Basic Brighter v2 plus LookLabs Digital Film Stock Fuji Reala 500D
Leeming LUT One for Panasonic V-Log L version 503 beta plus Leeming LUT Quickie Basic Brighter v2 plus LookLabs Digital Film Stock Kodak 5245

Sneak Peek, Leeming LUT One 601 for Panasonic, Cinelike D

leeming_lut_601_gx8_cinelike_d_P1070265_601_1920px_60%
Leeming LUT One 601 for Panasonic Cinelike D, from 8-bit 4:2:0 4K UHD video shot on Lumix GX8 with Olympus M.Zuiko Digital ED 12-40mm f/2.8 lens, LUT plus other minimal grading applied.

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Image Credit

Header image concept and hack by Carmel D. Morris.

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  • Angelbird 256GB Match Pack for the Panasonic EVA1B&H – special promotional packaging of two Angelbird 128GB AV Pro UHS-II SDXC memory cards that are just as usable in other cameras than the AU-EVA1 that also have UHS-II SD card slots.
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  • Panasonic Lumix DC-GH5S Mirrorless Micro Four Thirds Digital CameraB&H
  • Panasonic V-Log L Function Activation Code for DMC-GH4, DC-GH5, and DMC-FZ2500B&H

Paul Leeming’s Leeming LUT One for the Panasonic GH5 Now at Version 502 for HLG, V-Log L and Cinelike D – UPDATED

Australian cinematographer/director Paul Leeming has issued the version 502 update to his unified corrective LUT (Look Up Table) system Leeming LUT One for the Panasonic Lumix GH5 and its three major video picture profiles, HLG, V-Log L and Cinelike D. 

Australian director/cinematographer Paul Leeming of Leeming LUT One fame with his Panasonic Lumix GH4 rigged for shooting feature films.

The Leeming LUT One system was developed in order to help cinematographers obtain the best image quality from their cameras by providing custom settings and LUTs to maximize dynamic range while minimizing noise and other artefacts such as banding and YUV chroma smearing.

Mr Leeming advises cinematographers to adhere to the expose-to-the-right aka ETTR principle, which he demonstrates in his website.

Still frame of Paul Leeming, shot on Panasonic Lumix GH5 in HLG HDR mode then processed in Blackmagic Design DaVinci Resolve Studio 14 using Leeming LUT One for Panasonic HLG version 501.

He has produced Leeming LUT One custom settings and LUTs for cameras including those made by Canon, DJI, GoPro, JVC, Panasonic, Sony with potential support for cameras made by FujifilmDigital Bolex and Samsung should there be sufficient demand.

Panasonic Lumix GH5 HLG Footage and Leeming LUT One for HLG, Before and After

Still frames from GH5 4K 10-bit 4:2:2 HLG footage exposed using ETTR, the ‘Leeming LUT One – Panasonic HLG v502.cube’ applied followed by ‘Leeming LUT Quickie – Basic Balanced v2.cube’ from ‘Leeming LUT Quickies 1 version 2’.

Mr Leeming will be updating his free ‘Leeming LUT Quickies’ collection soon to reflect the improvements made to the most recent version of Leeming LUT One for Panasonic cameras.

Our recent weather has been heavily hit by the effects of extreme climate change and global warming, and we have experienced few pristine Sydney summer days with their classic cobalt skies for some time now.

With many skies almost becoming high ultra-violet light boxes, the excellent highlight roll-off of the HLG profile in the GH5 is becoming even more important, and Leeming LUT One for HLG does a great job of maintaining the original look and feel of a scene while preserving realistic colour and especially skin colour.

Initial grading as in these still frames provides a good starting point that can be further enhanced with some of the many creative aka looks LUTs or analog film simulation being made available by a range of LUTs makers.

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Image Credits

Header image concept and hack by Carmel D. Morris.

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Clicking on these affiliate links helps us continue our work for ‘Untitled: Stories of Creativity, Innovation, Success’.

  • Panasonic Lumix DC-GH5 Mirrorless Micro Four Thirds Digital Camera – B&H
  • Panasonic DMW-BGGH5 Battery Grip – B&H
  • Panasonic V-Log L Function Activation Code for DMC-GH4, DC-GH5, and DMC-FZ2500B&H
  • Atomos Ninja Inferno 7″ 4K HDMI Recording Monitor and accessoriesB&H

Taking a Panasonic Lumix GH5 Equipped with a Guerrilla G-Cup for GH5 on a Brisk Walk Through Gloomy Sydney

I took a much-needed break from fulltime caring to travel into the city of Sydney CBD for a walkabout with the Panasonic Lumix GH5, Olympus M.Zuiko Digital ED 12-40mm f/2.8 Probreakthrough  standard zoom lens, Breakthrough Photography X4 ND and X4 UV filters and Guerrilla G-Cup for GH5 replacing the GH5’s provided eyecup, all carried in Cosyspeed’s excellent Camslinger Streetomatic Plus camera bag in black faux leather.

Panasonic Lumix GH5 with Olympus M.Zuiko Digital ED 12-40mm f/2.8 Pro zoom lens with Breakthrough Photography X4 UV filter, and Guerrilla G-Cup for GH5 attached instead of the GH5’s supplied eyecup. I usually attach Peak Design Clutch and Cuff camera straps to my cameras.

The day was dark and gloomy with prevailing light far from my favourite for putting hardware and software to the test.

My intention was to shoot HLG HDR (hybrid log-gamma high dynamic range) footage for sharing as SDR (standard dynamic range) as below after applying the latest iteration of Paul Leeming’s Leeming LUT One camera settings, camera LUT and custom LUT for the Panasonic GH5 HLG.

The latest version of Leeming LUT One for Panasonic cameras was 501 at the time but that has since been replaced with version 502, offering some refinements for a current limitation in Apple’s otherwise excellent Final Cut Pro X non-linear editing suite.

I also applied a small selection of analog film simulation LUTs from LookLabs’ Digital Film Stock (DFS) 3D LUT collection to some of the footage to enhance the look and feel of the scene depicted.

Still frames from Panasonic GH5 HLG HDR footage

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Image Credits

Header image concept and hack by Carmel D. Morris. Photograph of Panasonic Lumix DC-GH5 with Guerrilla G-Cup for GH5 shot as 3-bracket HDR image then processed in Skylum Aurora HDR 2018 followed by Skylum Luminar 2018.

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  • COSYSPEED CAMSLINGER Streetomatic Plus Camera BagB&H
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  • Olympus M.Zuiko Digital ED 25mm f/1.2 PRO LensB&H
  • Olympus M.Zuiko Digital ED 45mm f/1.2 PRO LensB&H
  • Panasonic Lumix DC-GH5 Mirrorless Micro Four Thirds Digital CameraB&H

time in pixels: False Color Plugin 3

https://timeinpixels.com/false-color-plugin/

“One of the most useful tools for exposure monitoring and shot matching. Bring your camera tool to the post-processing environment!

Available for various platforms including OpenFX hosts: DaVinci Resolve, Scratch, Nuke, Sony Vegas Pro as well as Adobe CC: Premiere Pro and After Effects…..”

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Paul Leeming’s Leeming LUT One for Panasonic GH5 Soon the be at Version 501 for HLG, V-Log L and Cinelike D

NOTE: Since this article was written some time ago, Leeming LUT One has been updated and improved again with version 502.

You may wish to read this more recent article here:

Australian cinematographer/director Paul Leeming is about to issue the latest update to his unified corrective LUT (Look Up Table) system for a range of popular hybrid mirrorless and DSLR cameras and camcorders, Leeming LUT One, with first camera to receive the version 501 update for V-Log L and Cinelike D being the Panasonic Lumix GH5. 

Panasonic’s VariCam 35 3DLUT V-Log to V-709
Leeming LUT One for Panasonic GH5 V-Log L version 405
Leeming LUT One for Panasonic GH5 V-Log L version 501

The Leeming LUT One system was developed in order to help cinematographers obtain the best image quality from their cameras by providing custom settings and LUTs to maximize dynamic range while minimizing noise and other artefacts such as banding and YUV chroma smearing.

Mr Leeming has produced Leeming LUT One custom settings and LUTs for cameras including those made by Canon, DJI, GoPro, JVC, Panasonic, Sony with potential support for cameras made by Digital Bolex and Samsung should there be enough demand.

Selected still-frames from GH5 V-Log L footage

The GH5’s 10-bit 4:2:2 colour and V-Log L really come into their own when shooting long dynamic range subjects and especially those containing whites as below. The GH5’s expose-to-the-right enabling exposure zebras are also an asset in setting optimum exposure and one that Fujifilm, for instance, can learn from.

More GH5 V-Log L still frames processed with Leeming LUT One version 501

Mr Leeming has not notified us of when to expect the version 501 Leeming LUT One update for the Panasonic Lumix GH5 but we will report here at ‘Untitled’ when it becomes available.

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Image Credits

Header image concept and hack by Carmel D. Morris. Still frames from Panasonic Lumix GH5 V-Log L footage kindly supplied by Paul Leeming.

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The Edit Room: How to track a mask using Chromatic from Coremelt

“In this video, I show you a brief look at Chromatic from Coremelt, which you can download [as] a free trial at https://www.coremelt.com/products/chr…

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CoreMelt Releases Chromatic High-End Colour Grading Plug-in for Final Cut Pro X

On every new installation of Apple’s Final Cut Pro X non-linear editing suite, the very first third-party plug-ins that should be added are those made by Australian specialist FCPX plug-in developer CoreMelt. Roger Bolton’s CoreMelt product range includes Lock and Load, SliceX, TrackX, DriveX,  LUTx, V2 Plugin Set as well as several free plug-ins, all of them essentials in my opinion, and now Chromatics is here as the most essential third party FCPX plug-in of them all. 

What is Chromatics and why are CoreMelt’s plug-ins different from those of other FCPX plug-in makers? To answer the second question first, CoreMelt’s arrangement with Imagineer Systems, maker of Academy Award-winning planar tracking software mocha Pro, ensures that mocha’s tracking technology is available for new CoreMelt products and so Chromatics contains mocha-based tracking.

Mocha tracking is found in other CoreMelt products including Lock and Load, SliceX, TrackX and DriveX, and its presence in Chromatic distinguishes this latest CoreMelt plug-in from the host of colour grading plug-ins on the market.

As well as its tracking capabilities, Chromatic has other essential top quality colour grading features such as LUTs, masks, auto white balance, RGB curves, HSL Curves, Lab Curves, Lift Gamma Gain, Lows Mids Highs, and colour replace. Chromatic will be gaining plenty of other features  including a grade management system, LUT export and more in the near future.

Chromatics launch special

CoreMelt is offering a time-limited launch special on Chromatics and a Full Chromatics Looks Bundle including 150+ LUTs at a bonus value of US$99.00, available at a cost of US$99.00 for one week only ending at midnight Pacific Standard Time on 7th August 2017.

The LUTx Look Collection Bundle included in the special offer contains looks LUTs collections including the LUTx LOMO Collection, LUTx Sci Fi Collection, LUTx Social Media Collection, Feature Looks Collection and the Beauty Fashion Food Collection.

A time-limited trial version of Chromatics is available to download.

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Let’s Motion: Color Finale 1.7 sneak peak — HSL Curves tool

“I hasten to inform you that I was very lucky! I ended up in the team of beta testers Color Finale 1.7 and it’s really amazing product.
I’m not a colorist at all, quite the contrary! But even I managed to make a quick and acceptable color correction in Color Finale 1.7
Whats new:
– HSL Curves
– Rewritten Color Wheels with better response
– New LUT Gallery
– Export LUTs
– CDL Import/Export
– Undo is rewritten
– Lots of bugs fixed ( some added)
If you are interested – you can write to support@colorfinale.com, and offer to become a beta tester. Hurry to try, release soon!
And yes — upgrade from previous version is for FREE!”

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