Photoism by Mastin Labs: Which Film or Preset Should I Use? A Guide by Mastin Labs.

https://www.mastinlabs.com/photoism/articles/which-film-or-preset-should-i-use-a-guide-by-mastin-labs

Mastin Labs’ Kodak Everyday Original is now available for Capture One Pro. Will Mastin Labs’ other film simulation preset packs also be migrated over to Capture One Pro, one of the most popular top-quality raw image processing applications?

“Film is a 127-year-old medium with many contributors throughout its history. Unlike digital capture, film stocks were not made to accurately reflect reality, but to offer different aesthetic choices to the photographer.

Factors such as the culture where the film company was located and who was available at the time as test subjects greatly determined the characteristics of each film stock. This is one of the reasons that Kodak films render colors differently compared to Fuji films (for example.)…

PLEASE NOTE: Any film can technically be used for any subject or lighting condition, but if you pair the right film with the right subject, you’ll get ideal results….”

Commentary

I follow either of two essentially different paths when processing my raw stills photography files, based on available time and emotional effect.

If time is of the essence and I must quickly process a collection of selects from a project, in effect a set of proofs ready for client viewing or social media, then I always choose to apply film simulation aka emulation presets through software like DxO PhotoLab and its siblings DxO FilmPack and DxO ViewPoint, Alien Skin Exposure X4, Capture One Pro equipped with film styles from 1style.pro, or several other such options including film emulation look-up tables aka LUTs.

My choice of host application and film emulations depends on what films are available which combination and it can vary a great deal.

If there is plenty of time for slower, more thoughtful processing and experimentation with a range of possible looks, then I will spend some time in products like Skylum’s Luminar and Aurora Pro exploring their many highly original, unconventional filters and controls to follow in entirely new image processing directions.

Most of the time, though, time is of the essence and I would rather be creating new images rather than editing older ones.

Capture One Pro is one of the two raw processing applications I am most likely to turn to when time is limited, beside DxO PhotoLab and its plug-ins, and it is good to see film simulation presets specialist Mastin Labs supporting it now.

Kirk Mastin’s presets are rather pricey compared to others, but I have read nothing but praise for them from photographers working digitally as well as in analog photography.

I have yet to try Mastin Labs’ first collection for Capture One Pro, Kodak Everyday Original consisting of presets based on Kodak Ektar 100, Kodak Gold 200 and Kodak Tri-X 400 as well as tone profiles, custom white balance settings, and 35mm and 120 roll film grain simulations.

The analog films upon which this set is based are not necessarily my first choice though I shot Tri-X film in 35mm, 120 and sheet film formats for many years during my magazine editorial photography and corporate photography careers.

The Mastin Labs presets I am more likely to want to use these days are included in their other collections – Fujicolor Original, Fujicolor Pushed, Ilford Original, Portra Original and Portra Pushed – so I hope that we will see these collections released for Capture One Pro in future.

Meanwhile, there are other ways of achieving acceptable analog film simulation or something similar in a number of host applications including Capture One Pro itself, and the list of links below points to some of them.

Links

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  • Phase One Capture One Pro B&H

Daniel J. Cox: Micro Four Thirds Triad-Part 1 and Part 2

“Moving to the smaller, lighter, less expensive​ Panasonic Lumix Micro Four Thirds cameras has made my photography travel life much more enjoyable. Gone are the days of carrying around 12 pound lenses. Getting the most from the smaller systems I’ve started following what I call the Micro Four Thirds Triad. This first video, of my two-part series, explains the cameras and lenses needed to follow the Micro Four Thirds Triad. Watch this video to find out how you can downsize and still get the most possible out of these smaller cameras that save you cash and physical pain. Part two will be released shortly that explains the last part of the triad which is software. Software that solves most problems we have with the smaller cameras so you can produce images that compete beautifully with the larger full frame​ systems….”

panasonic_lumix_dc-g9_battery_grip_hero_frontal_1024px_60%
Panasonic DC-G9 with DMW-BGG9 battery grip and Panasonic Leica DG Vario-Elmarit 12-60mm f/2.8-4.0 Aspheric Power OIS zoom lens.

Commentary

panasonic_lumix_gx8_square_waterspray_1024px_60%
The now sadly discontinued Panasonic Lumix DMC-GX8 with Panasonic Leica DG Summilux 12mm f/1.4 Aspheric prime lens, still going strong as a Micro Four Thirds professional-quality hybrid stills and video camera.

It is timely that wildlife photographer and Panasonic Lumix Ambassador Daniel J. Cox has released his two video about the Micro Four Thirds triad – cameras, lenses and raw image processing – when Panasonic’s Lumix S-Series 35mm sensor format cameras have been announced and are now showing up in touch-and-try events at camera stores around the world.

There is plenty of life left still in the M43 sensor format for photography and video, and many M43 users will doubtless be resisting the temptation to swap over to the larger 35mm sensor format, also misleadingly known as “full frame” and “full format”, and its consequently larger, heavier and costlier cameras and lenses.

I have yet to experience the pleasure of touching and trying Panasonic’s Lumix S1 and S1R cameras and lenses, and am looking forward to several touch-and-try events in Sydney CBD camera stores next week.

Right now I do have some years of experience using Panasonic’s excellent little M43 camera and lenses, as well as Olympus’ M.Zuiko Pro professional-quality lenses, for photography and video, and can attest to the high image quality that can obtained from the M43 sensor format.

olympus_m-zuiko_pro_collection_2017_1024px_80pc
The Olympus M.Zuiko Pro professional prime and zoom lens collection as of late 2017, all with manual clutch focus, invaluable for fast, accurate and repeatable manual focusing as well as linear focus-by-wire and autofocus.

When I first tried out M43 cameras and lenses, I was struck at how well-suited they are to documentary photography and photojournalism due to their small size and oftentimes innocuous appearance quite unlike that of the big and heavy DSLR cameras and three-zoom-lens kits of which my former magazine and newspaper colleagues still seem to be fond.

There is nothing wrong with larger cameras, as I amply proved every day during my editorial photography career when I would rely on 4″x5″ sheet film, 120 roll film and 35mm rangefinder cameras far more than I did on the regulation 35mm analog film SLRs of the day.

The Panasonic Lumix S1R with its almost-50 megapixels of resolution, for example, is an intriguing proposition for shooting portraits to be printed extra large for exhibiting in gallery shows.

But meanwhile Daniel J. Cox is sharing some good advice in these videos on how to produce image files large and detailed enough to print up to 24″ x 36″ for exhibition and sale to collectors.

I can attest to the quality and speed of using Mr Cox’s number one raw processing software choice, DxO PhotoLab, as well as the utility value of ON1, Inc.’s ON1 Resize 2018 software which is also available as a component of ON1 Photo Raw.

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Big, heavy and expensive 35mm sensor format DSLRs and their zoom lenses remain the gear of choice for local newspaper photographers, if their necks and backs can take the strain.

I note that he lists Phase One’s Capture One Pro as his second choice for raw image processing and image editing, and can attest that it makes a great choice when processing Fujifilm X-Trans image files which are, sadly, not supported by DxO PhotoLab.

I often carry a Panasonic M43 camera alongside a Fujifilm APS-C camera, most often my X-Pro2 along with my Lumix GX8, for their distinctly different ways of seeing and recording the world, and it can be difficult to tell which picture was shot with what camera when processing both in Capture One Pro, especially when applying film simulation styles from any of 1stylespro’s three collections – Portrait Styles, Film Styles or Film Styles Extended.

Links

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Clicking on the links below and purchasing through them or our affiliate accounts at B&H Photo Video, SmallRig or Think Tank Photo helps us continue our work for ‘Untitled’.

  • Olympus lensesB&H
  • Panasonic camerasB&H
  • Panasonic lensesB&H
  • Phase One Capture One ProB&H

thomas fitzgerald: Capture One Express Fujifilm: An Overview

“In this video I give you a quick walkthrough of Capture One Express for Fujifilm (Also for Sony) to get you up to speed, starting with importing, then some basic editing, and finally how to export….”

Commentary

Now that Phase One has released its free Capture One Express raw processing software for Fujifilm, I can wholeheartedly recommend it.

I learned how to use Capture One Pro, the full version that supports hundreds of different cameras and lenses, some years ago by watching free training videos on the Web, and can highly recommend Thomas Fitzgerald as a Capture One teacher as well.

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  • Phase One Capture On Pro 11 – B&H

Phase One Releases Capture One Fujifilm Raw Processor and Image Editing Software, Free Express and Paid Pro Versions Available

All raw processing and image editing software is not created equal although all such products I have used in recent years, whether open source and free or purchased, are very capable of achieving great results even if some products’ interfaces could do with a little modernizing. 

One of my favourite raw image processors and image editors is Phase One’s Capture One Pro, and it is especially good for processing photographs containing skin tones. 

Hardly surprising given Capture One is primarily aimed at fashion, portrait and wedding photographers and also has a large user base amongst architectural and landscape photographs, especially those working with large sensor cameras and who often need to print their images large, really large. 

phase_one_fujifilm_express_01_1024px_60pc
Phase One Capture One Express Fujifilm, professional image editor and raw processor application for Fujifilm GFX and X camera users.

Capture One Pro has ably though partially supported Fujifilm X Series cameras for some time now but according to statements made by Phase One staff members and reported in the specialist online press, supporting Fujifilm’s GFX Series medium format cameras would not be on the cards due to a perceived conflict of interest.

Phase One has long been a major player in the medium format camera and sensor world with its own ranges of excellent though expensive cameras and digital backs.

The release of two versions aimed directly at Fujifilm camera users, the free Capture One Express Fujifilm and the licensed Capture One Pro Fujifilm, comes as a pleasant surprise.

The latest version of Capture One Pro 11 supports Fujifilm X-T3 raw files, as indicated by the test I did this afternoon with the three X-T3 images above, and I will look for a GFX raw file to try out soon.

This has been a great day for Fujifilm product announcements and now this unexpected bonus comes too.

Raw files from Fujifilm X-T3, processed in Capture One Pro 11.3.0.26 with 1Styles.pro styles

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  • Phase One Capture On Pro 11 – B&H

1Styles.pro Offers 200+ Excellent Film Emulation Styles for Capture One Pro at 40% Off, Until July 9

Photography has a glorious and long pre-digital history in form of black-and-white aka monochrome, colour in the form of colour transparency film and colour negative film, and colour and monochrome in the form of instant films. 

Little wonder, then, that for many of us who grew up in the analog era analog film emulations provide an essential array of image processing presets, ways of interpreting images based on how films and printing methods shaped tone and colour and thus emotion and information. 

One raw digital negative, three interpretations using 1Styles.pro film emulation presets for Phase One Capture One Pro – Kodak Portra 160VC v2, Kodak Ektachrome mid-1970s (blue) and Kodak Royal Gold 400 v4 Winter.

I often rely on film emulation software in the form of look-up tables aka LUTs, presets, plug-ins and standalone software whether editing stills or video, and one of my favourite film emulation preset collections is made by Alexander Svet of 1Styles.pro.

Mr Svet’s Capture One Film Styles and Capture One Film Styles Extended Set play a big role in how I use Phase One’s Capture One Pro raw image processing software and both sets’ 200in-total film emulation styles are, in my opinion, essentials for anyone needing to make the most out of image editing in Capture One.

I cannot recommend them too highly.

Here, at 1Styles.pro, we started a great sale: 40% discount on all the Film Styles for Capture One till July 9.

If you’re following AlexOnRAW for a while, you know – that’s a big deal. Discounts on our styles are a quite rare, and it’s 100% worth to grab.
Let me remind you how our styles can improve your Capture One workflow:

Original Film Styles Set – https://sellfy.com/p/c9Em/

$29.97 (regular price – $49.95, you save $19.98)
100 styles which emulate classic films. That’s a great tool to find a glorious color correction for your images quickly.

Extended Film Styles Set – https://sellfy.com/p/ufdj/

$41.97 (regular price – $69.95, you save $27.98)
Additional 100 new film styles! All styles are unique, there are no duplicates in both sets. Extended Set delivers more artistic emulation of film picture, plus it offers film grain emulation styles.

Film Styles Bundle – https://sellfy.com/p/uGx5/

$57 (regular price – $95, you save $38)

200+ film styles in a bundle with additional 20% discount. That’s a fantastic source of inspiration for your editing.

All the color styles work with layers in Capture One Pro 11. Each B&W style has four versions with different opacities: 100%, 75%, 50% and 25%.

You can download 12 sample styles for free to try them before buying – https://goo.gl/SoHVa3

If you had thought of purchasing Film Styles before – this is the moment.

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Clicking on these affiliate links and purchasing through them helps us continue our work for ‘Untitled: Stories of Creativity, Innovation, Success’.

  • Phase One Capture One ProB&H

photographylife: Why Capture One Cannot Replace Adobe Lightroom

https://photographylife.com/why-capture-one-cannot-replace-adobe-lightroom

“Many photographers, including our team at PL, have been frustrated with Adobe’s latest move to discontinue the standalone version of Lightroom, something Adobe said it would not do in the past. As a result, a number of us (including myself) have been looking for alternative post-processing tools that can replace Lightroom completely….

… After looking at the release notes of Capture One Pro 11, I came to conclusion that Phase One has no plans to support the GFX 50S or any other medium format camera on the market to protect its own medium format system. For this reason alone, Capture One could never replace Lightroom as post-processing software for many photographers out there….”

Links

  • AdobeAdobe Lightroom CC
  • AdobeAdobe Lightroom Classic CC
  • Camera BitsPhoto Mechanic – “Photo Mechanic isn’t just for photojournalists; its speed and organizational tools now help all professional photographers work faster and more efficiently. For 19 years and counting, Photo Mechanic remains the go-to software for professional photographers around the world.”
  • Phase OneCapture One Pro

Help support ‘Untitled’

Clicking on these affiliate links and purchasing through them helps us continue our work for ‘Untitled: Stories of Creativity, Innovation, Success’.

  • Fujifilm GFX 50S Medium Format Mirrorless CameraB&H
  • Phase One Capture One Pro 10 (Download)B&H – Although B&H’s product page states that it is for version 10, I strongly suspect that purchasers will receive a licence to version 11. I have asked the staff at B&H about this and will report their response back here when I receive it.

Alex on RAW: Capture One Pro 11, All the New Features Overview

http://alexonraw.com/capture-one-11/

“… Capture One Pro 11 is something totally new. Today Phase One re-invented RAW processing and undermined all the competitors on the market.

Now, let’s discuss how Capture One 11 plans to redesign your workflow completely….”

Links

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Clicking on these affiliate links and purchasing through them helps us continue our work for ‘Untitled: Stories of Creativity, Innovation, Success’.

  • Phase One Capture One Pro 10 (Download)B&H – Version 11 of Capture One Pro will be coming soon to B&H.

Image Alchemist: Capture One Pro 11 Review

https://imagealchemist.net/capture-one-pro-11-review/

“This Capture One Pro 11 review learns [sic] you what is new and how you benefit. Are you doing all the edits yourself and in Capture One only, or do you have a retoucher to whom you need to pass along your instructions? Either way, you will enjoy the new tricks Capture One 11 has on its sleeve….”

Links

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Clicking on these affiliate links and purchasing through them helps us continue our work for ‘Untitled: Stories of Creativity, Innovation, Success’.

  • Phase One Capture One Pro 10 (Download)B&H – Version 11 of Capture One Pro will be coming soon to B&H.

Fujifilm People with Cameras Sydney Event, Chippendale Green, October 29 2017

I attended my second Sydney Fujifilm People with Cameras event in Chippendale on Sunday, October 29, 2017. Here is a selection of photographs, shot on a Fujifilm X-Pro2 with Fujinon XF 23mm f/1.4 using the full ERF image within the OVF in manual mode with back-button focussing for the technically inquisitive, then quickly processed to proof quality in Capture One Pro. 

Tech Notes

I stared writing some tech notes to go with this gallery article and then they expanded far beyond the few words I had originally intended.

So now I have spun them off into their own fully-fledged article that can be found here:

Links