Tripod Innovator 3 Legged Thing Revamps Product Range and Website, Releases QR11 Universal L-Bracket

Wildly innovative British tripod and tripod accessories maker 3 Legged Thing has updated its website while launching its new QR11 Universal L-Bracket, with the side benefit of making the entire 3 Legged Thing product range more comprehensible via plenty of product shots and descriptions. An unexpected revelation of the new website is the addition of a second pro tripod colourway alongside established bronze and blue Equinox in the form of the more subdued Eclipse. 

A Fujifilm X-Pro2 APS-C mirrorless camera attached to a 3 Legged Thing Airhed 360 professional panoramic tripod head via 3 Legged Thing QR11-LC L-Plate in Equinox Copper.

3 Legged Thing describes its new Eclipse colourway as “metallic slate with subtle hints of British Racing Green”, appealing perhaps to the patriots and Anglophiles in the photographic community but also useful in potentially drawing less unwanted attention to the presence of a tripod-using photographer in places where tripod laws and regulations still reign.

I rather like 3 Legged Thing’s beautifully anodized blue and bronze Equinox colourway and find mostly-grey Eclipse dull by comparison though the copper orange accents shared by each spice up the Eclipse look as much as it does Equinox.

Although I do not own a 3 Legged Thing tripod yet, I was lucky enough to try one out when I began the Untitled: Stories of Creativity, Innovation, Success project and learned firsthand how innovatively designed and carefully manufactured 3 Legged Thing’s products are.

3 Legged Thing’s 3 Professional tripod range – Leo, Albert and Winston

My experiences with the Equinox Leo Carbon Fibre Tripod System & AirHed Light, now updated in the form of the Equinox Leo Kit that includes the Airhed Switch, were so positive that I added the next model up, the Equinox Albert Kit which includes the Airhed 360, to my stills photography wishlist.

In the course of the tryout I discovered that the jewel-like colours and finish of the Equinox Leo drew in and even fascinated portrait sitters so they focussed more on the experience of being before camera and tripod, taking their minds off innate self-consciousness.

I was reminded how the relatively unusual sheet film and 120 roll film cameras I favoured for portraiture during the analog era created a similar fascination in my sitters and concluded that any hardware with that capability had to be a good thing.

Today’s digital cameras are bland-looking things in comparison to those hand-made marvels of optical and mechanical design and engineering to the point where I often blend into the crowd, or the darkness, even when standing right in front of a subject mere centimetres away from their eyes.

A tripod-shaped place in my heart

The legendary Leitz Tiltall tripod in silver and black. My first tripod was a black Tiltall, purchased after seeing so many great US female and male photographers relying on them in books and magazines. I still miss my Tiltall and it has a special place in my heart even though it was stolen years ago.

After almost a lifetime of being a tripod and monopod user when shooting photography and video, I have owned, sold off or lost through theft a great many of them and none has won a special place in my heart apart from the very first, a black Leitz Tiltall exactly the same as one depicted in the first photography book I bought about the work of two female photographers in the United States.

That first tripod of mine was described by its US makers as “The Leica of Tripods” and its high quality design and engineering prompted me to investigate Leica cameras, after which I quickly sold off my Nikons and invested in Leica M-System rangefinder cameras and lenses.

As the demands of my professional work increased, so did the size and weight of the tripods with which I attempted to replace my lost Tiltall.

Not one could have been considered a “micro-traveler” or even a “travel tripod”, terms 3 Legged Thing rightly uses to describe its Leo and Albert, and were more in the league of 3 Legged Thing’s Winston and beyond.

I owned all those many tripods in the days before carbon fibre and portability were considered common standards to aspire to and one British-made tripod in particular, bought for corporate photography assignments in the deserts of Western Australia, presented a real transportation challenge due to its size and weight.

Despite that, it was a stellar performer in the nastiest of conditions and I miss it still when needing a tripod capable of bizarre angles or positioning, or of carrying the heaviest of heavy loads; pity that particular model was discontinued when the company sold itself and the new owners chose to truncate the product range.

The QR11 Universal L-Bracket

The 3 Legged Thing QR11 Universal L-Bracket is available in Equinox Copper as model QR11-LC or in Eclipse Grey as QR11-LG.

3 Legged Thing’s new universal L-Bracket is available to two versions, the Equinox Copper-coloured QR11-LC and the Eclipse Metallic Slate-coloured QR11-LG. Your choice will hinge on how much attention you want to draw and whether you like 3LT’s Copper colour.

Given I am considering buying an Equinox Albert travel tripod for easy carrying to shoot portrait-orientation head-and-shoulders portraits and landscape-orientation environmental portraits, I may well opt for a QR11-LC.

Being about to dip my toes into the multicoloured Equinox colourway, why not go that little bit further with an orange-ish L-Bracket to match the orangeish accents on the Albert?

Until coming across QR11 online, I had never seriously considered a universal L-bracket of any brand. Despite digital cameras of all formats being more similar in their sizes and designs than analog cameras of all formats could ever be, any “universal” accessory must of necessity be a compromise, neither fish nor fowl, good in parts but not perfect in all of them.

I had been leaning towards custom L-Brackets for all my cameras for the obvious reason that each is designed to fit its intended cameras perfectly, allowing full access to the camera’s functions and especially its battery and card compartments.

Then the downside of relying on a range of third party custom accessories marks became apparent, with sudden discontinuation of L-Brackets for still-current cameras, as well as the many variations between third party brands, and their design and manufacturing quality.

The last straw was when the only L-Bracket made for my number one portrait camera suddenly vanished off its maker’s website never to be seen again, just as I was ready to place my order.

Strike that particular accessories maker off the wishlist for L-Brackets and perhaps everything else they make. Unreliability is the last thing one needs in a supplier and makes one wonder whether that particular company is flakey in other ways as well. Their recommended substitute for their now-dead GX8 L-Bracket is pathetic, a simple square Arca-Swiss plate, hardly inspiring confidence.

From what I can tell by looking at 3 Legged Things’ product shots, the QR11 is one of the better-designed universal L-Brackets. I love its two camera strap attachment bars given I have standardized on a Peak Design Clutch and Cuff for every camera I own, only attaching conventional neck or shoulder camera straps when doing the two-camera documentary thing.

Another potentially useful element in the QR11’s design is its 1/4″-20 threaded hole for attaching accessories, making the QR11 a little more like a cage and less of a conventional L-Bracket.

Given the nature of compromise, the QR11 does not work perfectly  with every camera in common use nowadays, but the 3LT team has tried out and documented its usability with a range of cameras from makers including Canon, Fujifilm, Nikon and Sony and I hope that they will soon add the results of their tests with current Panasonic cameras like the GX8, GH4 and GH5.

Other essential accessories for your 3 Legged Thing tripod

The 3 Legged Thing product world is built upon the Arca-Swiss quick release system and benefits from a working relationship with Peak Design, as proven by 3LT’s adoption of Peak Design’s square Arca-Swiss camera plate.

3LT makes quick release camera plates other than its square QR4, such as the rectangular QR6 and QR7. I am considering the QR7 with its strap connector and 62mm length as compared to the 38mm of the QR4 that comes with every 3LT tripod.

Many is the time I have put a camera equipped with QR4 or its Peak Design equivalent Standard Plate down upon a flat surface to watch it suddenly tilt over, with dismay at possible dire consequences to camera and lens. Will a longer quick release plate like the QR7 prevent this?

I am planning on converting all my tripods and tripod plates over to the Arca-Swiss system whether they are designed for stills photography or video and have been researching custom and third-party Arca-Swiss clamps. I have yet to make my final decision but 3LT’s two current clamps, the lever-operated Switch Clamp and panoramic 360-Clamp, are possible candidates.

Likewise I like the look of 3LT’s Stilettoz, Heelz and Clawz Footwear solutions for replacing the Bootz rubber feet that come with each 3LT tripod as standard.

I have photography and video tripods and monopods that come equipped with soft rubber or hard plastic feet that can be screwed upwards to reveal short metal spikes. Again, a neither fish nor fowl solution that could be bettered with exchangeable feet designed for each specific surface in varieties of hard or soft as 3 Legged Thing’s Footz have been.

Mould, the ever-present danger

A friend recently brought over his 3 Legged Thing Leo tripod and showed me how the synthetic pad attached to the strap of the 3LT tripod bag was covered in mould. Being justifiably paranoid about the presence of mould near photographic equipment, we immediately cleaned the mould off with Hydrogen Peroxide in the backyard then made this photograph.

At a certain point in this ongoing global warming aka climate change that out political overlords insist does not exist, mould suddenly appeared throughout apartments and houses in suburbs that had never experienced it before.

Mould infestations were formerly only the thing of inner city terrace houses with poor ventilation, tiny windows, no insulation, and little to no heating or cooling.

Cameras and lenses hate mould and so do I. Certain plastics and almost all leathers attract mould which embeds its spores into them then sprouts pale grey powder onto the outer surfaces. It is the simplest thing to accidentally transfer the powder onto your equipment then watch in horror as mould invades its insides and outsides.

I implore the 3 Legged Thing team to look into their plastics for process to mould infestation and replace them with anti-mould alternatives.

Future 3 Legged Thing products

The updated 3 Legged Thing website has helped me better understand their product range and many items in it go together. It has boosted my interest in them as a brand  and, from my time with an Equinox Pro Leo & Airhed Light Kit, one clearly capable of coming with uniquely creative and innovative hardware.

The folks at 3LT have hinted that more products are on the horizon and have not denied one persistent rumour, that a video tripod may be one of them.

I have two very good video tripods at the moment, one large and one small that is designed for travel. Both are far from what I really need, so I am looking forward to seeing what 3 Legged Thing comes up with.

Links

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  • 3 Legged Thing Albert Carbon Fiber Travel Tripod with AirHed 360 Ball HeadB&H
  • 3 Legged Thing Leo Carbon Fiber Tripod System & AirHed Switch Ball HeadB&H
  • 3 Legged Thing Winston Carbon Fiber Tripod with AirHed 360 Ball Head B&H
  • 3 Legged Thing QR11-LC Universal L-BracketB&H
  • 3 Legged Thing Toolz Multi-ToolB&H
  • 3 Legged Thing Equinox Switch Clamp KitB&H
  • 3 Legged Thing Equinox 360 Pano Clamp KitB&H
  • 3 Legged Thing QR7-EQ Quick Release PlateB&H

Great News! Director/Cinematographer Mike Figgis Has Redesigned The Legendary, Innovative Fig Rig Video Camera Rig

Just as I was wondering if we would ever see the likes again of movie director Mike Figgis’ innovative, legendary Fig Rig, welcome news arrives of the Fig Rig’s redesign for more contemporary video camcorders and hybrid cameras courtesy of The Guardian newspaper’s culture webchat with the creator of the Fig Rig himself, Mr Mike Figgis

First version of the Mike Figgis-designed Fig Rig, made for the HD and SD camcorders of the pre-4K DSLR and DSLM digital moviemaking era.

Here is the relevant extract from the webchat:

artmod asks: Do you still use your Fig Rig?

Mike Figgis, 19 June 2017 1:17pm: Good question. I use it all the time. And have spent the last two months redesigning and updating it, based on using a 15-mm bar system, combining it with bits of equipment acquired cheaply from the internet. And it has been a revelation.

I’m using it with a Canon C300 and the new Nikon D5, adding follow focus and a 7-inch monitor and it is working beautifully.
I’m talking to Manfrotto about relaunching it and if not them, would love to find a small British company and stay local.

Great news indeed and I hope that Mr Figgis finds a good new manufacturing and marketing partner for Fig Rig version 3 – Manfrotto made and marketed Fig Rig in its first and second, Sympla, versions – or hashes out a great deal with Manfrotto ensuring that Fig Rig 3 will be affordably priced, well distributed and better marketed than its predecessors.

Although I have not had the pleasure of seeing and trying out a Fig Rig, and one was not available for purchase when I was searching, the short movie above showing Mr Figgis using a Fig Rig version 1 reveals its uniqueness as a camera-supporting solution, one based on the human body and natural human movement in a way foreign to better-known movie camera stabilization solutions such as shoulder-mounts, gimbals, Steadicam and the like.

Mr Figgis shared that he has been using Canon’s Cinema EOS C300 camcorder and Nikon’s D5 DSLR lately and so has based his Fig Rig redesign around them.

It is likely that Fig Rig 3 will function equally well with other mid-sized camcorders and cinema cameras such as Panasonic’s AU-EVA1 Super 35 Handheld Cinema Camera and smaller DSLM cameras such as Panasonic’s Lumix DC-GH5 Super 16 hybrid with or without camera cages, battery grips, audio or video recorders and the like.

If so, colour me very excited indeed.

Links:

Image Credits:

Header image concept and hack by Carmel D. Morris.