Blackmagic Design: Blackmagic Design Adds Blackmagic RAW to Blackmagic Pocket Cinema Camera 4K

https://www.blackmagicdesign.com/media/release/20190305-02

Blackmagic Design Adds Blackmagic RAW to Blackmagic Pocket Cinema Camera 4K

New Blackmagic Camera 6.2 update adds Blackmagic RAW to the Blackmagic Pocket Cinema Camera 4K!

Fremont, California, USA – March 5, 2019 – Blackmagic Design today announced Blackmagic Camera 6.2 update which adds support for Blackmagic RAW to the Blackmagic Pocket Cinema Camera 4K.

Blackmagic Camera 6.2 update is available as a free download from the Blackmagic Design website.

Blackmagic RAW, a revolutionary next generation codec that combines the quality and benefits of RAW with the ease of use, speed and file sizes of traditional video formats. Blackmagic RAW is a more intelligent format that gives customers stunning images, incredible performance, cross platform support and a free developer SDK.

With Blackmagic Camera 6.2 update, customers using the Blackmagic Pocket Cinema Camera 4K now have the ability record images using Blackmagic RAW for the first time. This allows them to capture the highest possible quality images in smaller files, giving them much longer recording times with the media they already own. For example, customers can record over 2 hours of full cinematic quality Blackmagic RAW footage in 4K on a single 256GB SD UHS-II card. With Blackmagic RAW 12:1 you can even record 4K DCI images to an SD card, giving you stunning cinematic quality images on incredibly small, inexpensive cards. In addition, Blackmagic RAW gives customers an even faster, more fluid and higher quality editing and color correction workflow in DaVinci Resolve than ever before.

Once the camera has been updated, customers can choose between 3:1, 5:1, 8:1 and 12:1 constant bit-rate recording or between constant quality Q0 and Q5 recording. This lets them prioritize image quality or file size. The constant bit-rate encoding options give customers incredible images at predictable and consistent file sizes. Constant quality Q0 and Q5 use variable bitrate encoding so complex frames are encoded at higher data rates, preserving the maximum amount of detail and quality possible. Blackmagic Design Generation 4 Color Science is used for superior imaging that results in extremely accurate skin tones and gorgeous, lifelike colors. Blackmagic RAW images are encoded using a custom non-linear 12-bit space designed to provide the maximum amount of color data and dynamic range.

In addition, Blackmagic RAW features extensive metadata support, highly optimized GPU and CPU accelerated processing on the desktop and more.

Traditional RAW codecs have large file sizes and are processor intensive, making them hard to work with. Video file formats are faster, but suffer quality problems due to the use of 4:2:2 video filters that reduce color resolution. Blackmagic RAW solves these problems, giving customers the same quality, bit depth, dynamic range and controls as RAW, but with much better performance and smaller file sizes than most popular video codecs. Once files are brought into DaVinci Resolve, additional GPU and CPU acceleration make decoding of frames incredibly fast, so customers get extremely smooth performance for editing and grading.

When the Blackmagic RAW settings are changed in DaVinci Resolve, a .sidecar file can be generated or updated if one already exists. When opened in other software applications that support Blackmagic RAW, the .sidecar file, which contains the Blackmagic RAW settings made in DaVinci Resolve, will be automatically used to display the image. If the .sidecar file is removed then the file will be displayed using the embedded metadata instead. This innovative new workflow gives customers a non-destructive way to change Blackmagic RAW settings while working between different applications.

Blackmagic RAW is much more than a simple RAW container format. Its intelligent design actually understands the camera and the sensor. This means the image data, along with the unique characteristics of the image sensor, are encoded and saved into the Blackmagic RAW file, giving customers much better image quality, even at higher compression settings, as well as total control over features such as ISO, white balance, exposure, contrast, saturation and more.

In addition, Blackmagic RAW uses Blackmagic Design Generation 4 Color Science for superior imaging that results in reproducing extremely accurate skin tones and gorgeous, lifelike colors that rival those of cameras costing tens of thousands of dollars more. Images are encoded using a custom non-linear 12-bit space designed to provide the maximum amount of color data and dynamic range.

Blackmagic RAW also makes it easy for any software developer to access all this technology. The free developer SDK lets any third party software application add Blackmagic RAW support on Mac, Windows and Linux. The Blackmagic RAW developer SDK automatically handles the embedded sensor profile metadata, along with Blackmagic Design color science, for predictable and accurate image rendering that yields consistent color throughout the entire pipeline.

Blackmagic RAW features two types of file compression. Customers can choose either constant quality or constant bitrate encoding options, depending on the kind of work they are doing. This lets them prioritize image quality or file size. Constant quality uses variable bitrate encoding so complex frames are encoded at higher data rates to preserve detail and maintain the highest possible quality. Blackmagic RAW Q0 has minimum quantization and yields the highest quality, while Blackmagic RAW Q5 uses moderate quantization for more efficient encoding and a smaller file size. Blackmagic RAW 3:1, 5:1, 8:1 and 12:1 use constant bitrate encoding to give customers the best possible images with predictable and consistent file sizes. The ratios are based on the unprocessed file size of a single frame from the camera’s sensor, making it easy to understand the relative amount of compression being used.

The pristine camera native quality of Blackmagic RAW Q0 and 3:1 are perfect for effects heavy feature film and commercial work. Blackmagic RAW Q5 and 5:1 are extremely high quality making them great for episodic television and independent films. Blackmagic RAW 8:1 and 12:1 offer high quality and speed, making it suitable for productions that wouldn’t normally consider shooting RAW. Now, more customers than ever will be able to use high quality Blackmagic RAW images in an incredibly efficient way that was impossible before.

Featuring a fully scalable design and completely modern CPU and GPU acceleration, Blackmagic RAW is optimized for AVX, AVX2 and SSE4.1 enabled processors, multi-threaded, works across multiple CPU cores and is GPU accelerated with support for Apple Metal, CUDA and OpenCL. Frame decoding and image processing is extremely fast, making it super smooth for editing, color correction and visual effects in DaVinci Resolve. Another benefit of media being stored as single files, and not image sequences, is it makes media management easier and file copying much faster.

The free Blackmagic RAW Developer SDK is available on Mac OS, Windows and Linux. This SDK takes care of all the work for developers, so adding support for Blackmagic RAW to third party software applications is easy and fast. Developers get access to GPU and CPU accelerated algorithms for decoding files, along with unique information about the camera’s image sensor so their applications can accurately decode and display the files. The SDK features highly descriptive and flexible metadata options designed to support today’s modern workflows. Metadata is embedded directly in the .braw file or it can be stored in a .sidecar file. Metadata is important because it contains the Blackmagic RAW settings along with information for the slate, iris, focus, focal length, white balance and a lot more. The metadata in .sidecar files can be used on top of the embedded metadata without overwriting it. Blackmagic RAW also supports frame based metadata so customers can access values, such as focus distance, that often change on a frame by frame basis.

“Blackmagic RAW has been incredibly successful since we introduced it last fall on URSA Mini Pro,” said Grant Petty, Blackmagic Design CEO. “The new Blackmagic Camera 6.2 update is exciting because it makes this incredible new technology available to Blackmagic Pocket Cinema Camera 4K customers absolutely free! They get the visually lossless image quality of RAW with the speed of traditional video workflows!”

Availability

Blackmagic Camera 6.2 update is available today as a free download from the Blackmagic Design website http://www.blackmagicdesign.com/support

Press Photography

Product photos of Blackmagic Pocket Cinema Camera 4K, and all other Blackmagic Design products, are available at http://www.blackmagicdesign.com/media/images

About Blackmagic Design

Blackmagic Design creates the world’s highest quality video editing products, digital film cameras, color correctors, video converters, video monitoring, routers, live production switchers, disk recorders, waveform monitors and real time film scanners for the feature film, post production and television broadcast industries. Blackmagic Design’s DeckLink capture cards launched a revolution in quality and affordability in post production, while the company’s Emmy™ award winning DaVinci color correction products have dominated the television and film industry since 1984. Blackmagic Design continues ground breaking innovations including 6G-SDI and 12G-SDI products and stereoscopic 3D and Ultra HD workflows. Founded by world leading post production editors and engineers, Blackmagic Design has offices in the USA, UK, Japan, Singapore and Australia. For more information, please go to http://www.blackmagicdesign.com

blackmagic_pocket_cinema_camera_4k_bmpcc4k_06_1024px_60pc
Blackmagic Design’s Blackmagic Pocket Cinema Camera 4K aka BMPCC 4K.

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James Miller’s DELUTS Releases DELUTS Blackmagic Pocket Cinema Camera 4K Creative Looks

https://sellfy.com/p/gg0m/

“DELUTS BMPCC4K Creative Looks, Base transforms for use with Blackmagic ‘Film’ profile for use with BRAW and ProRes.

75 Luts designed for the Blackmagic Pocket Cinema Camera 4K (This set is also compatable with Blackmagic Ursa Mini 4.6k & Blackmagic Ursa Mini 4.6k Pro using ‘Film’ profile)

• 4 Base Tranforms when working with the Blackmagic Film profile.
• 9 Monotone Creative Looks
• 62 Colour Creative Looks

Davinci Resolve Legacy .cube format Luts. For use in FCPx (Version 4 or Higher), Adobe Premiere Pro CC, Adobe Photoshop, Davinci Resolve and many more supporting applications.

Luts supplied in x64, x33 and x17 resolution. Use x64 for Davinci Resolve, x33 for FCPx and limited adjustment layers with Adobe Premiere CC, x17 for Adobe Premiere CC general use….”

James Miller’s DELUTS Blackmagic Pocket Cinema Camera 4K Creative LUTs for use with Blackmagic raw aka BRAW and Blackmagic camera film profiles.

Commentary

Director/cinematographer James Miller creates and sells creative looks LUTs under the DELUTS brand, and supplies to moviemakers looking for fast, efficient ways of adding strong, emotive looks to their footage.

Mr Miller’s latest DELUTS release is aimed at users of Blackmagic Design’s Blackmagic Pocket Cinema Camera 4K aka BMPCC 4K, as well as other cameras using Blackmagic Design’s Blackmagic RAW raw video codec such as the Blackmagic URSA Mini Pro.

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Blackmagic Design: Blackmagic Pocket Cinema Camera 4K ‘Balloons’ [Extreme outdoors lighting test, by Andreas Neumann]

“Andreas Neumann talks about using the new Blackmagic Pocket Cinema Camera 4K for the first time. ‘Balloons’ is Andreas’ extreme lighting test as he constantly shoots directly into the sun, wide open. ‘Balloons’ documents the camera’s performance from 5am in the morning into the height of the midday sun.

“I shot this test at Temecula in California, shooting from dawn until midday. This was a challenging environment for any camera, because I was constantly shooting into the light, or with the sun directly behind people’s faces. The detail I got was incredible. You can see everything reflecting in my wife’s Chanel glasses. You can actually see reflections off the ground, the balloon above, and the sky in the background. The camera really did capture everything I was seeing. I love shooting directly into the light wide open, and with this camera you could safely do that. I was totally amazed at what the micro four thirds sensor could handle. It seemed like the same quality as the URSA Mini Pro with the full sensor. I was also very surprised at how well the back-screen performed in bright sunlight, where I could truly see every detail.”

blackmagic_pocket_cinema_camera_4k_bmpcc4k_04_1024px_60pc
Blackmagic Pocket Cinema Camera 4K with Olympus M.Zuiko Digital ED 12-40mm f/2.8 Pro standard zoom lens and mini-XLR-to-XLR audio cable for attaching XLR microphones, mounted on Benro Aero 4 Video Travel Angel Tripod Kit. Mini-XLR cable is made by Blackmagic Design for their Video Assist monitor/recorder but is also great for connecting XLR microphones to the BMPCC 4K, product code HYPERD/AXLRMINI2.

Commentary

The footage keeps on coming as US moviemaker Andreas Neumann shows off the low-angle, low-level lighting capability of the Blackmagic Pocket Cinema Camera 4K aka BMPCC 4K with this video shot with Rokinon 24, 50 and 80mm cinema prime lenses.

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Header image concept and hack by Carmel D. Morris.

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Olympus M.Zuiko Digital ED 17mm f/1.2 Pro, Olympus M.Zuiko Digital ED 25mm f/1.2 Pro and Olympus M.Zuiko Digital ED 45mm f/1.2 Pro professional prime lenses with manual clutch focusing, brilliant for shooting video or stills where accurate focus is absolutely critical.

Clicking on these affiliate links and purchasing through them helps us continue our work for ‘Untitled: Stories of Creativity, Innovation, Success’.

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  • Breakthrough PhotographyB&H – the finest brass traction-framed ND, UV and CPL filters as well as the best step-up rings (sadly only sold direct on the company’s own website at present).
  • Chiaro Premium UV Protection FiltersB&H
  • Olympus M.Zuiko Digital ED 12-40mm f/2.8 PRO LensB&H
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  • Olympus M.Zuiko Digital ED 300mm f/4 IS PRO LensB&H
  • Rokinon Cinema Prime LensesB&H

Blackmagic Pocket Cinema Camera 4K ‘Models Walking at Night’ [Second clip from the BMPCC 4K with skin tones, by John Brawley]

“John Brawley shares his experiences with the Blackmagic Pocket Cinema Camera 4K. ‘Models Walking at Night’ is his second camera test where he was checking out the camera’s higher dynamic range and color accuracy.

“What I wanted to achieve was to test the dynamic range, but to still come up with some really great looking images. Having that higher dynamic range and a high bit depth file, means you have a lot of wriggle-room to correct anything that needs to be balanced. This extra range lets you manage and massage the image to get you into a really nice place. You’re not fighting the codec or the dynamic range of the camera.”

“The Blackmagic Pocket Cinema Camera 4K gives you a ton of options. If you want to take it warmer, darker or cooler, you now have so much latitude in terms of dynamic range and depth of color. With this camera you just have so much extra choice, because you can take the image whereever you want. And that’s the truly great thing about having such a vibrant and high precision image!”

blackmagic_pocket_cinema_camera_4k_bmpcc4k_04_1024px_60pc
Blackmagic Pocket Cinema Camera 4K with Olympus M.Zuiko Digital ED 12-40mm f/2.8 Pro standard zoom lens and mini-XLR-to-XLR audio cable for attaching XLR microphones, mounted on Benro Aero 4 Video Travel Angel Tripod Kit. Mini-XLR cable is made by Blackmagic Design for their Video Assist monitor/recorder but is also great for connecting XLR microphones to the BMPCC 4K, product code HYPERD/AXLRMINI2.

Commentary

This is the second in a series of three videos by Australian Director of Photography John Brawley that explore some of the capabilities of Australian-based Blackmagic Design’s Blackmagic Pockets Cinema Camera 4K, due for release sometime later this year.

Mr Brawley is an exponent of the benefits of shooting video in Micro Four Thirds, and has an extensive collection of Olympus M43 lenses.

In this series of videos, he is using various lenses from the Olympus M.Zuiko Pro collection to great effect, not so hard to do given the manual clutch focus mechanism on these lenses for easier focus pulling and pinpoint manual focus accuracy.

Links

Image Credits

Header image concept and hack by Carmel D. Morris.

Help support ‘Untitled’

Olympus M.Zuiko Digital ED 17mm f/1.2 Pro, Olympus M.Zuiko Digital ED 25mm f/1.2 Pro and Olympus M.Zuiko Digital ED 45mm f/1.2 Pro professional prime lenses with manual clutch focusing, brilliant for shooting video or stills where accurate focus is absolutely critical.

Clicking on the links below and purchasing through them or our affiliate accounts at B&H Photo Video, SmallRig or Think Tank Photo helps us continue our work for ‘Untitled’.

  • Blackmagic Design Pocket Cinema Camera 4KB&H
  • Blackmagic Design Mini XLR Cable for Video Assist/4K (Set of 2, 19.5″)B&H
  • Breakthrough PhotographyB&H – the finest brass traction-framed ND, UV and CPL filters as well as the best step-up rings (sadly only sold direct on the company’s own website at present).
  • Chiaro Premium UV Protection FiltersB&H
  • Olympus M.Zuiko Digital ED 12-40mm f/2.8 PRO LensB&H
  • Olympus M.Zuiko Digital ED 7-14mm f/2.8 PRO LensB&H
  • Olympus M.Zuiko Digital ED 8mm f/1.8 Fisheye PRO LensB&H
  • Olympus M.Zuiko Digital ED 12-100mm f/4 IS PRO LensB&H
  • Olympus M.Zuiko Digital ED 17mm f/1.2 PRO LensB&H
  • Olympus M.Zuiko Digital ED 25mm f/1.2 PRO LensB&H
  • Olympus M.Zuiko Digital ED 40-150mm f/2.8 PRO LensB&H
  • Olympus M.Zuiko Digital ED 45mm f/1.2 PRO LensB&H
  • Olympus M.Zuiko Digital ED 300mm f/4 IS PRO LensB&H

Blackmagic Design: Blackmagic Pocket Cinema Camera 4K ‘Models Walking in Daylight’ [First footage from the BMPCC 4K with skin tones, by John Brawley]

“John Brawley talks about the Blackmagic Pocket Cinema Camera 4K for the first time. ‘Models Walking in Daylight’ is his first camera test where he checked out the camera’s ability to handle different skin tones.

“The whole point to this daylight test was to see how the camera handled skin tones. We were shooting these scenes later in the afternoon, so I was at ISO1000 or 1250, so it was at the lower ISO for this camera. I understand this gives more in dynamic range, so you have a little bit more highlight-headroom there. When I look at those shots now, I am really impressed at how good the dynamic range is. It is great to see all of that detail I was seeing was actually captured in those shots.”

“I don’t think people realize how easy it is to make things look cinematic with Micro Four Thirds! I know that there are a lot of people who like that 35mm full frame look, but it’s still very easy to get images with an out of focus background with the Micro Four Thirds sensor. I found it a great 4K sensor and really good compromise for a small camera that still gets really, really good looking pictures.”

blackmagic_pocket_cinema_camera_4k_bmpcc4k_04_1024px_60pc
Blackmagic Pocket Cinema Camera 4K with Olympus M.Zuiko Digital ED 12-40mm f/2.8 Pro standard zoom lens and mini-XLR-to-XLR audio cable for attaching XLR microphones, mounted on Benro Aero 4 Video Travel Angel Tripod Kit. Mini-XLR cable is made by Blackmagic Design for their Video Assist monitor/recorder but is also great for connecting XLR microphones to the BMPCC 4K, product code HYPERD/AXLRMINI2.

Commentary

This is the first in a series of three videos by Australian Director of Photography John Brawley that explore some of the capabilities of Australian-based Blackmagic Design’s Blackmagic Pockets Cinema Camera 4K, due for release sometime later this year.

Mr Brawley is an exponent of the benefits of shooting video in Micro Four Thirds, and has an extensive collection of Olympus M43 lenses.

In this series of videos, he is using various lenses from the Olympus M.Zuiko Pro collection to great effect, not so hard to do given the manual clutch focus mechanism on these lenses for easier focus pulling and pinpoint manual focus accuracy.

Links

Image Credits

Header image concept and hack by Carmel D. Morris.

Help support ‘Untitled’

olympus_m.zuiko_pro_17mm_25mm_45mm_f1.2_primes_hero_1024px_60%
Olympus M.Zuiko Digital ED 17mm f/1.2 Pro, Olympus M.Zuiko Digital ED 25mm f/1.2 Pro and Olympus M.Zuiko Digital ED 45mm f/1.2 Pro professional prime lenses with manual clutch focusing, brilliant for shooting video or stills where accurate focus is absolutely critical.

Clicking on these affiliate links and purchasing through them helps us continue our work for ‘Untitled: Stories of Creativity, Innovation, Success’.

  • Blackmagic Design Pocket Cinema Camera 4KB&H
  • Blackmagic Design Mini XLR Cable for Video Assist/4K (Set of 2, 19.5″)B&H
  • Breakthrough PhotographyB&H – the finest brass traction-framed ND, UV and CPL filters as well as the best step-up rings (sadly only sold direct on the company’s own website at present).
  • Chiaro Premium UV Protection FiltersB&H
  • Olympus M.Zuiko Digital ED 12-40mm f/2.8 PRO LensB&H
  • Olympus M.Zuiko Digital ED 7-14mm f/2.8 PRO LensB&H
  • Olympus M.Zuiko Digital ED 8mm f/1.8 Fisheye PRO LensB&H
  • Olympus M.Zuiko Digital ED 12-100mm f/4 IS PRO LensB&H
  • Olympus M.Zuiko Digital ED 17mm f/1.2 PRO LensB&H
  • Olympus M.Zuiko Digital ED 25mm f/1.2 PRO LensB&H
  • Olympus M.Zuiko Digital ED 40-150mm f/2.8 PRO LensB&H
  • Olympus M.Zuiko Digital ED 45mm f/1.2 PRO LensB&H
  • Olympus M.Zuiko Digital ED 300mm f/4 IS PRO LensB&H

Blackmagic Design: Blackmagic Pocket Cinema Camera 4K ‘Nature’ [First footage from the BMPCC 4K, by Mark Wyatt]

“Mark Wyatt talks about using the Blackmagic Pocket Cinema Camera 4K. ‘Nature’ is Mark’s test of the camera’s 4K performance in the extreme lighting conditions of rainforests and ravines.

“The camera tests I wanted to do were in the forests and waterfalls on the outer West Coast of Canada. I was really interested in seeing how the new sensor would handle these harsh lighting conditions. By increasing the ISO to an impressive 1250 and 2500, it allowed me to capture the dark moss-lined walls and unique emerald color, yet also hold onto the highlight detail of the top of the waterfall and sky. I feel most cameras would likely struggle with this scene.”

“I had the Blackmagic Pocket Cinema Camera 4K for only a few days, but overall I was really impressed by it. The weight of the camera is very liberating, especially when you are used to using larger camera systems. The screen is big and bright enough to use in daylight, which I found great for judging focus and exposure. And, the colors too on the screen, were also nicely represented. In fact, I would argue it is Blackmagic’s best screen yet.”…”

8sinn_bmpcc4k_preview_03_1024px_80pc
Blackmagic Design’s Blackmagic Pocket Cinema Camera 4K aka BMPCC 4K in 8Sinn camera cage with Canon 24mm cinema prime lens.

Commentary

It is terrific to see the first footage from Blackmagic Design’s Blackmagic Pocket Cinema Camera 4K finally begin to appear.

Now we need some footage containing skin tones in order to really begin to understand what the camera is capable of!

Links

Image Credits

Header image concept and hack by Carmel D. Morris.

Help support ‘Untitled’

blackmagic_pocket_cinema_camera_4k_bmpcc4k_06_1024px_60pc
Blackmagic Pocket Cinema Camera 4K with Olympus M.Zuiko Digital ED 12-40mm f/2.8 Pro lens with manual clutch focussing.

Clicking on these affiliate links and purchasing through them helps us continue our work for ‘Untitled: Stories of Creativity, Innovation, Success’.

  • Blackmagic Design Pocket Cinema Camera 4KB&H
  • Blackmagic Design Mini XLR Cable for Video Assist/4K (Set of 2, 19.5″)B&H
  • Canon CN-E 24mm T1.5 L F Cinema Prime Lens (EF Mount)B&H
  • Metabones Micro Four Thirds adaptersB&H
  • Olympus M.Zuiko Digital ED 12-40mm f/2.8 PRO LensB&H
  • Rokinon 50mm T1.5 AS UMC Cine DS Lens for Canon EF MountB&H
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RedShark: We’ve tried the Blackmagic Pocket Cinema Camera 4K. Here’s all you need to know

https://www.redsharknews.com/production/item/5766-we-ve-tried-the-blackmagic-pocket-cinema-camera-4k-here-s-all-you-need-to-know

“This week Blackmagic Design held a launch event for the new Pocket Cinema Camera 4K in the UK ahead of the forthcoming IBC show. It was a chance for the company to show off the highlights of the new camera to a select group of journalists, and to give us an opportunity to have a very solid amount of hands on time with the new device.

One thing that stood out at the event was how proud the company was of the new camera. A lot of work has been going into it to get it just right, with aspects such as the user interface and, importantly, the colour science being a big focus of that effort. In fact Blackmagic sees the product as another leap forward in its coming of age as a camera manufacturer….”

blackmagic_pocket_cinema_camera_4k_bmpcc4k_04_1024px_60pc
Blackmagic Pocket Cinema Camera 4K with Olympus M.Zuiko Digital ED 12-40mm f/2.8 Pro standard zoom lens and mini-XLR-to-XLR audio cable for attaching XLR microphones, mounted on Benro Aero 4 Video Travel Angel Tripod Kit. Mini-XLR cable is made by Blackmagic Design for their Video Assist monitor/recorder but is also great for connecting XLR microphones to the BMPCC 4K, product code HYPERD/AXLRMINI2.

Links

Help support ‘Untitled’

Olympus M.Zuiko Digital ED 17mm f/1.2 Pro, Olympus M.Zuiko Digital ED 25mm f/1.2 Pro and Olympus M.Zuiko Digital ED 45mm f/1.2 Pro professional prime lenses with manual clutch focusing, brilliant for shooting video or stills where accurate focus is absolutely critical.

Clicking on these affiliate links and purchasing through them helps us continue our work for ‘Untitled’.

  • Blackmagic Design Pocket Cinema Camera 4K B&H
  • Blackmagic Design Mini XLR Cable for Video Assist/4K (Set of 2, 19.5″)B&H
  • Breakthrough PhotographyB&H – the finest brass traction-framed ND, UV and CPL filters as well as the best step-up rings (sadly only sold direct on the company’s own website at present).
  • Chiaro Premium UV Protection FiltersB&H
  • Olympus M.Zuiko Digital ED 12-40mm f/2.8 PRO LensB&H
  • Olympus M.Zuiko Digital ED 7-14mm f/2.8 PRO LensB&H
  • Olympus M.Zuiko Digital ED 8mm f/1.8 Fisheye PRO LensB&H
  • Olympus M.Zuiko Digital ED 12-100mm f/4 IS PRO LensB&H
  • Olympus M.Zuiko Digital ED 17mm f/1.2 PRO LensB&H
  • Olympus M.Zuiko Digital ED 25mm f/1.2 PRO LensB&H
  • Olympus M.Zuiko Digital ED 40-150mm f/2.8 PRO LensB&H
  • Olympus M.Zuiko Digital ED 45mm f/1.2 PRO LensB&H
  • Olympus M.Zuiko Digital ED 300mm f/4 IS PRO LensB&H

SmallRig Cage for Blackmagic Design Pocket Cinema Camera 4K 2203 Goes Where No One Has Yet Gone Before

SmallRig is engaged in co-designing the first, to my knowledge, camera cage for Blackmagic Design’s Blackmagic Pocket Cinema Camera 4K aka BMPCC 4K and it looks promising even at this early stage of the design process. 

Under the terms of SmallRig’s Co-Design practice, customers are encouraged to “share with us if you have any ideas or suggestions” and “if your idea is adopted as a core concept, you will be a co-designer of this brand-new product and get one for free once it is officially released”, a unique approach to custom designing accessories for moviemakers and photographers and a potentially rewarding one. 

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SmallRig Cage for Blackmagic Design Pocket Cinema Camera 4K 2203 with SmallRig Arri Locating Handle 2165, SmallRig Universal 15mm Rail Support System Baseplate 2092, SmallRig Wooden Universal Side Handle 2093, SmallRig Cold Shoe Extension 2044 and rods.
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Blackmagic Design has not yet shared any fine details about the Blackmagic Pocket Cinema Camera 4K’s photography features. Will it be capable of high resolution stills with a choice of traditional photography aspect ratios?

Given the BMPCC 4K is predominantly a cinema camera with its low resolution stills function more likely to be applied to still-frames for publicity and NLE use, a cage for it needs to focus on documentary and narrative feature production needs.

Blackmagic Design may, however, have a surprise or two up its sleeve for the BMPCC 4K’s stills capabilities such as high resolution raw files approaching, say, Panasonic’s DC-Lumix GH5 in quality, so a second, stills-savvy, cage design or a more stills-oriented L-Bracket for hand and tripod use in portrait or landscape orientation may be called for.

Time will tell as Blackmagic Design is not sharing details about the BMPCC 4K’s stills features in any detail at the moment.

Meantime I have some thoughts below about what I would like to see in the final version of SmallRig Cage for Blackmagic Design Pocket Cinema Camera 4K 2203, and for some future accessories for the camera.

SmallRig Cage for Blackmagic Design Pocket Cinema Camera 4K 2203

Other SmallRig accessories to extend the BMPCC 4K 2203 cage’s usefulness

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3 Legged Thing QR7-EQ Quick Release Plate, Arca-Swiss compatible, with provision for attaching Peak Design Anchors for Peak Design camera straps. I would like to see all Arca-Swiss plates have this provision.

SmallRig makes a wide range of cages, L-Brackets and other accessories for many popular hybrid, video and cinema cameras and products originally designed for one can often be applied to use with others.

The SmallRig Mini Plate with Arri Locating Hole 2171, for example, is useful for attaching the SmallRig Arri Locating Handle 2165 onto cages lacking Arri locating holes, while two SmallRig Wooden Universal Side Handles 2093 look excellent for smooth steady movements with any camera.

Being an Arca-Swiss tripod plate aficionado, I particularly like the look of the SmallRig Universal 15mm Rail Support System Baseplate 2092 as I like having Arca-Swiss plates attached to all my cameras and Arca-Swiss type clamps to all my tripods.

I would like to see SmallRig continue integrating the Arca-Swiss system into its products.

My wishlist for SmallRig Cage for Blackmagic Design Pocket Cinema Camera 4K 2203

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The BMPCC 4K accepts audio input via mini-XLR to XLR cables, and a cage will need to account for these and other audio requirements.
  • Arca-Swiss plate at base – built-in or screw-on.
  • Arri locating holes – already provided on top of current cage design, with one on left and one of right side as well.
  • Cable clamps – port-side.
  • Cold shoes – do not need to be be built-in but can be attached to 1/4-20 screw holes.
  • Ergonomic design – needs to feel good and well-balanced in the hand and with all parts easily accessible while tripod-mounted.
  • Gimbal-mountable – especially on recently-released gimbals such as the DJI Ronin-S.
  • Good balance between protection and functionality.
  • Metabones lens adapter support – should also suitable for other adapter brands.
  • NATO rails – top and sides for quick release accessories.
  • Safe, secure below-camera mounting solution – for recorders and mixer recorders such as Tascam DR-70D and DR-701D, Sound Devices MixPre-3 and MixPre-6, and so on. Given the variability of cameras’ audio recording hardware and firmware, I prefer to rely on external audio recorders whenever possible.
  • Side handles – a pair, with shutter aka release button on righthand handle, via Arri or Nato quick release mounts.
  • SD drive mount or cage – for a range of drives including Samsung Portable SSD T5, G-Technology 1TB G-DRIVE R-Series USB 3.1 Type-C mobile SSD and other USB-C SSDs. USB-C mounts are not the most reliant so this needs to be accounted for.
  • Sunshade – although the BMPCC 4K’s monitor will be bright enough for viewing while shooting in sunlight, it will need to be shaded to enable easy viewing under all lighting conditions and especially to guard against glare.

Functionality and/or protection?

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Cages for the BMPCC 4K will require a cable clamp solution able to handle a range of cable types for all these ports.

Over the years I have observed two trends in camera cage design, protection and functionality.

All cages are designed for both but emphasize one over the other.

The best balance between depends on your needs and is affected by whether you will be shooting handheld, tripod-mounted, gimbal-mounted or a combination of two or three.

Another factor is the camera itself with some cameras built of tougher materials than others, or with easier to handle shapes and sizes than others.

The Blackmagic Pocket Cinema Camera 4K is anything but a pocketable camera, unlike its predecessor the Blackmagic Pocket Cinema Camera, being more of a cross between the latter and the many and various Blackmagic Design cinema and production cameras that have now been discontinued.

Unlike many potential buyers of the BMPCC 4K, I do not find its design ugly or unwieldy, but camera cages and accessories for it will need to take into account its non-standard shape and connection requirements.

Non-standard, that is, compared to popular mirrorless video or hybrid cameras likes those made by Panasonic and Sony.

SmallRig’s cage designs tend towards functionality and place less emphasis on protection compared to, say, cages by Seercam or Tilta.

Some examples to inspire?

Although SmallRig is unique amongst camera accessories makers in working directly with its customers in co-designing its products, there is much to be learned from and be inspired by in the products and approaches of other companies including those in the list below.

8Sinn has already shared the news that its has a design for a Blackmagic Pocket Cinema Camera 4K in the world and other makers are also likely to have begun the design process.

Competition will hot up when the BMPCC 4K is eventually released and it becomes obvious what sorts of cages and other accessories will benefit users.

Why not get your design requests in early and take part in the co-design process with SmallRig?

Links

Image Credits

Quick and dirty dry dock image by Carmel D. Morris.

Help support ‘Untitled’

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Blackmagic Pocket Cinema Camera 4K (BMPCC 4K) with Olympus M.Zuiko Digital ED 12-40mm f/2.8 Pro zoom lens with manual clutch focus, great for manual focussing. I like the longer image-stabilized Olympus M.Zuiko Digital ED 12-100mm f/4.0 IS Pro zoom for available light daily walkabout needs for video and stills.

Clicking on these affiliate links and purchasing through them helps us continue our work for ‘Untitled: Stories of Creativity, Innovation, Success’.

  • Blackmagic Design Pocket Cinema CameraB&H
  • Blackmagic Design Pocket Cinema Camera 4KB&H
  • DJI Ronin-SB&H
  • Olympus M.Zuiko Digital ED 12-40mm f/2.8 PRO LensB&H
  • Olympus M.Zuiko Digital ED 12-100mm f/4 IS PRO LensB&H
  • Sound Devices MixPre audio recorders/mixersB&H
  • Tascam DR-70D 4-Channel Audio Recording Device for DSLR and Video CamerasB&H
  • Tascam DR-701D 6-Track Field Recorder for DSLR with SMPTE Timecode – B&H

Frank Glencairn: Why the new Pocket Cinema Camera 2.0 isn’t actually a successor of the original Pocket, and why it doesn’t mat[t]er.

https://frankglencairn.wordpress.com/2018/04/19/why-the-new-pocket-cinema-camera-2-0-isnt-actually-a-successor-of-the-original-pocket-and-why-it-doesnt-mater/

“… So it’s that time of the year, when the whole industry looks at Vegas, eagerly awaiting the new game-changer collection. And this time, Blackmagic pretty much mopped the floor, with all the other new cameras that came out this year, by taking the GH5s (IMX294 or variant) sensor, building a better camera with it, and selling it for have [sic] of the price, while throwing in a full blown, Hollywood grade postproduction package on top of it….

… It’s not as small and stealthy as the original Pocket, but it’s a pretty amazing camera, that still lets you steal shots, while looking like a tourist with a DSLR, if you have to (come on – we all did that at least a few times).

It’s a good size and weight to put it on a one hand gimbal and run all day with it. And if you don’t have the budget for an Ursa, it’s a great camera that you can rig up cine style with all the bells and whistles, and shoot commercials or even narrative….”

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Blackmagic Design’s Blackmagic Pocket Cinema Camera 4K aka BMPCC 4K with Olympus M.Zuiko Digital ED 12-40mm f/2.8 Pro zoom lens, able to be easily handheld in ways that its Blackmagic cinema and production camera ancestors never could.

Blackmagic Production Camera 4K aka BMPC 4K in EF and PL mounts

Now that Blackmagic Design has removed the pages for its Blackmagic Cinema and Production cameras with Canon EF, Micro Four Thirds and PL lens mounts from its website, good quality product shots are harder to find and so worth preserving here for future reference and comparison with new products like the Blackmagic Pocket Cinema Camera 4K.

The images in this gallery are of the last models in Blackmagic Design’s now-defunct camera series, the Blackmagic Production Camera 4K with EF or PL lens mounts, and apparently were intended for use in the production of serial television series rather than cinema productions.

I have not had the pleasure of using any of Blackmagic Design’s cinema or production cameras, but the proprietor of a production equipment rental service once told me that local well-funded documentary producers were particularly fond of using his Blackmagic rental cameras with Canon EF L-series lenses and adapted Nikon stills photography lenses.

Australian-based Director of Photography John Brawley has often had early access to Blackmagic Design cameras and has shared early footage from them, so it is worth checking his blog every so often.

Mr Brawley is an enthusiast for Micro Four Thirds system lens and Olympus M43 cameras, and it will be interesting to see what he makes of the BMPCC 4K in conjunction with his ever-growing collection of Olympus and SLR Magic lenses, illustrated above.

Links

Help support ‘Untitled’

Clicking on these affiliate links and purchasing through them helps us continue our work for ‘Untitled: Stories of Creativity, Innovation, Success’.

  • Blackmagic Design Pocket Cinema Camera 4KB&H
  • Blackmagic Design Mini XLR Cable for Video Assist/4K, Set of 2, 19.5″, HYPERD/AXLRMINI2 – B&H