Mastin Labs: Inspired By | Ep. 4 Kirk Mastin / Diane Arbus, Lauren Greenfield and Annie Leibovitz

“… Mastin Labs founder Kirk Mastin shares a few female photographers that inspire him including Diane Arbus, Lauren Greenfield, and Annie Leibovitz.”

Commentary

I have yet to try out Mastin Labs’ film matching presets that are made by scanning real analog film with a Fuji Frontier scanner, but the results look amazing and more accurate than any by other companies.

I am not a big user of Adobe Lightroom and Photoshop these days, but I could certainly be convinced to go back to Photoshop sometime soon if Mr Mastin keeps adding more presets that are as amazing and as accurate as his Kodak Everyday pack as well as others such as Fujicolor Pushed, Portra Pushed, Fujicolor Original, Portra Original and Ilford Original.

If I were back shooting editorial portraits for magazines again then I would most certainly seriously consider, well, all of Mastin Labs’ presets and would also hope that some of my other favourite films would appear there one day soon.

 

Links

Sony Semiconductor Solutions Corporation: IMX294CJK

https://www.sony-semicon.co.jp/products_en/new_pro/may_2017/imx294cjk_e.html

“Sony Semiconductor Solutions Corporation has commercialized the “IMX294CJK” Type 4/3 back-illuminated CMOS image sensor with approximately 10.71M-effective pixels for the expanding security camera market.

The “IMX294CJK” is the first in-house image sensor for security cameras to adopt the Type 4/3 format, and realizes output of the number of pixels needed for 4K at 120 frame/s (in ADC 10-bit output mode)….”

“The IMX294CJK uses a Quad Bayer structure, and outputs data binned in 2 x 2 pixel units in normal mode. In HDR mode, integration can be divided into long-time integration and short-time integration for each 2 pixels in the Quad array. In this case there is no time difference between long-time integration and short-time integration, which realizes HDR with little blending offset when imaging moving subjects.”

Link

photographylife: Why Capture One Cannot Replace Adobe Lightroom

https://photographylife.com/why-capture-one-cannot-replace-adobe-lightroom

“Many photographers, including our team at PL, have been frustrated with Adobe’s latest move to discontinue the standalone version of Lightroom, something Adobe said it would not do in the past. As a result, a number of us (including myself) have been looking for alternative post-processing tools that can replace Lightroom completely….

… After looking at the release notes of Capture One Pro 11, I came to conclusion that Phase One has no plans to support the GFX 50S or any other medium format camera on the market to protect its own medium format system. For this reason alone, Capture One could never replace Lightroom as post-processing software for many photographers out there….”

Links

  • AdobeAdobe Lightroom CC
  • AdobeAdobe Lightroom Classic CC
  • Camera BitsPhoto Mechanic – “Photo Mechanic isn’t just for photojournalists; its speed and organizational tools now help all professional photographers work faster and more efficiently. For 19 years and counting, Photo Mechanic remains the go-to software for professional photographers around the world.”
  • Phase OneCapture One Pro

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  • Fujifilm GFX 50S Medium Format Mirrorless CameraB&H
  • Phase One Capture One Pro 10 (Download)B&H – Although B&H’s product page states that it is for version 10, I strongly suspect that purchasers will receive a licence to version 11. I have asked the staff at B&H about this and will report their response back here when I receive it.

Post-Processing Expert Thomas Fitzgerald Publishes Fujifilm X-Trans Raw Processor Software Comparisons

Dublin-based photographer and photographic post-processing expert Thomas Fitzgerald recently published the results of processing one Fujifilm X-Pro2 X-Trans raw image with seven different raw convertors or image editors with raw conversion capability. 

Tests like this are useful when considering whether to try out an unfamiliar item of software or go straight to purchase though they are seldom definitive. Processing raw files is something of a moving target and all of them are updated regularly with improvements and new features.

Likewise various raw processors’ support for Fujifilm’s X-Trans sensor raw files, another moving target given that some major raw processors do not support X-Trans raw at all yet, and one that apparently never will. So it is good to know what does, currently.

Also good to read Mr Fitzgerald’s well-qualified opinions on the state of each item of software. He rates two of them as not ready for prime time at the moment. Let’s hope their makers have improvements on the way.

The raw processors or raw-capable image editors that Mr Fitzgerald tested are:

One surprise for Mr Fitzgerald is each product’s variations in default cropping, with further variation in edge detail. Oftentimes I will crop a raw file in a raw processor I have been using less lately to be taken by surprise at how much I have lost at the edge, causing me to rethink the image as I had visualized it before pressing the shutter button.

Thomas Fitzgerald is a writer as well as fine art photographer and has published a series of ebooks on processing Fujifilm X-Trans raw images in three raw processors and one on processing Sony A6000 files in Lightroom. I bought the three on X-Trans processing and recommend them.

Mr Fitzgerald also sells a number of Lightroom presets collections and a Photoshop texture pack. His blog is insightful and well worth reading.

Link: