Nikon Will Reveal First Two Signature 35mm Digital Mirrorless Cameras August 23, 2018 – Low-Light Nikon Z6 and High-Res Nikon Z7

Nikon wil reveal its first two 35mm sensor mirrorless cameras in a special event in Tokyo on August 23, 2018 at US 12am ET (9pm PT), 2pm Sydney time.

I am looking forward to it. 

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Not the Nikon Z6 or Z7, but the Nikon D850 DSLR with Nikon MB-D18 Multi Power Battery Pack and Nikon AF-S NIKKOR 24-70mm f/2.8E ED VR zoom lens.

Nikon USA: Travel of Light

Nikon USA: Body: The Evolution of Nikon Quality

Nikon USA: Mount

Nikon USA: Lens

Nikon USA: Photographers

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Image Credits

Header image concept and quick hack by Carmel D. Morris.

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The Nikon D850 Filmmaker’s Kit.

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  • Nikon AF-S NIKKOR 24-70mm f/2.8E ED VR LensB&H
  • Nikon D850B&H
  • Nikon D850 Filmmaker’s KitB&H
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TheCameraStoreTV: TCSTV Live: Mirrorless Photojournalism and Sports with Rob Galbraith

“With the Sony A9, Panasonic G9, Fuji X-T2, we’re seeing mirrorless camera makers start to target the last DSLR stronghold, sports and photojournalism. This week Rob Galbraith is joining us to discuss how much progress has been made, and what mirrorless cameras still need to tackle to completely dominate the industry.”

Comparing DSLRs to mirrorless cameras (DSLMs) for photojournalism

Images created by Compact Camera Meter.

Based on size, weight and capabilities, mirrorless cameras are catching up to if not overtaking their DSLR ancestors. Fujifilm X-T2, Panasonic DC-G9, Sony Alpha 9 and Canon EOS 5D Mark IV, each with their f/2.8 or thereabouts standard zooms.
Hefty. A typical three f/2.8 zooms, one fast prime lens kit often carried by photojournalists using DSLRs such as the Canon EOS 5D Mark IV.
Light. A typical three f/2.8 zooms, one fast prime lens kit that might be carried by photojournalists using DSLMs aka mirrorless cameras such as the Panasonic Lumix DC-G9.

My Panasonic plus Olympus version of the four lens DSLR-style mirrorless photojournalism kit

I am partial to the Olympus M.Zuiko Pro prime and zoom lenses for their many attractive qualities for documentary photography and moviemaking, most especially their manual clutch focus for when focus is critical, so here is my own list of components.

This list is based on the range of assignments I worked on during my newspaper photography years. Add a GH5 to the list and you have an excellent kit for Super 16/Micro Four Thirds documentary moviemaking and photography.

It is early days in learning about the G9 at the moment, but I would love to know whether it is possible to use its 80 megapixel high resolution mode for environmental portraiture and other forms of portrait photography, potentially making  the G9 a contender for magazine feature and fine art photography.

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  • Fujifilm X-T2 Mirrorless Digital CameraB&H
  • Panasonic Lumix DC-G9 Mirrorless Micro Four Thirds Digital CameraB&H
  • Sony Alpha a9 Mirrorless Digital CameraB&H

Think Tank Photo: Spectral™ Series Shoulder Bags – with COMMENTARY

https://www.thinktankphoto.com/collections/spectral-series-shoulder-bags

“Remain inconspicuous while shooting with Think Tank’s new Spectral Shoulder Bag. A magnetic Fidlock clasp enables quiet, one-handed access your gear — then locks automatically when closing the flap. An additional zippered closure gives you piece of mind while traveling and can be tucked away when you’re actively shooting. Constructed with durable yet stylish materials, the Spectral Shoulder Bag offers Think Tank quality and ingenuity at a reasonable price.”

Commentary:

Think Tank Photo’s new 3-strong leather-free Spectral line of shoulder bags is a refreshing change from the leather-trimmed product revisions it has released in recent years.

Think Tank Spectral 8

The Spectral 8 model in Think Tank Photo’s Spectral shoulder bag line-up appears to be aimed at mirrorless camera users and can apparently hold one Fujifilm X-T2 or X-Pro2 camera, two fast prime lenses such as the popular Fujinon XF 23mm f/1.4 R and Fujinon XF 56mm f/1.2 R with one attached to the camera, as well as the Fujinon XF 50-140mm f/2.8 R LM OIS WR Red Badge professional zoom lens.

It is unknown how many “Fujicron” f/2.0 R WR lenses and similar smaller primes the Spectral 8 accommodates, such as the Fujinon XF 23mm f/2.0 R WR, Fujinon XF 27mm f/2.8, Fujinon XF 35mm f/2.0 R WR, Fujinon XF 50mm f/2.0 R WR and the coming Fujinon 18mm f/2.0 R WR.

Based on Think Tank Photo’s information about the Spectral 8, it may prove to be a useful one-camera, several-lenses option for slow and steady documentary photography or cinematography with, say, a Røde VideoMic Pro+ in place of the 50-140mm zoom lens.

An Evolving Focus

The company’s marketing email and website product shots are increasingly featuring mirrorless cameras and lenses in addition to its tradition emphasis on DSLRs, with focus on Fujifilm APS-C and Sony digital 35mm mirrorless camera though Panasonic’s increasingly popular Lumix M43/Super 16 hybrid stills/video cameras have yet to make an appearance so far as I can tell.

Both moves are welcome and I would love to see Think Tank Photo add Panasonic’s GH5 and professional lenses for video and stills, for example, to its product shot scheduling.

I note that 3 Legged Thing’s also increasingly popular tripods are also starting to feature in TTP marketing material.

Seeing gear that one actually uses being featured in emails and web pages helps make better-informed purchasing decisions given many of us often do not live near a good bricks-and-mortar stockist where one can try-before-buy and so must rely on sight-unseen purchases at online retailers in other countries.

Not all mirrorless cameras and lenses have the same dimensions nor do they fit in the same bags, I have often discovered, so photographic evidence of good fit is incredibly useful and helps avoid purchases one soon comes to regret.

The Ever-growing Scourge of Mould

Leather, and certain plastics, are susceptible to the growing epidemics of mould infection popping up in places like Sydney with the onset of major climate change.

Although it has proven possible to chemically remove mould from the surface of leather and some synthetic materials, mould spores remain beneath the surface ready to spring into action should the weather change yet again.

As a result, we have had to throw out many leather and leather-trimmed products including camera bags to avoid the risk of mould and mould spores spreading to our photographic equipment.

We have been shocked to discover expensive bags made of synthetic fabrics infected with mould and mould spores too, though not all woven plastics are susceptible.

There are two other considerations in the use of leather in constructing and decoratively trimming camera bags, cruelty and environmental responsibility.

My Plea for Leather-Free

Industrial agriculture’s animal husbandry practices are inherently cruel, and contribute huge amounts of greenhouse gases to the atmosphere, apparently to a greater extent than emission from motor cars.

I wish to see camera bag and accessories makers take up the challenge to go 100% leather-free and pro-vegan from now onwards.

Link:

David Thorpe: A Look At The Metabones Speed Booster For Micro Four Thirds Cameras

“This is my take on the Metabones Speed Booster Nikon Version for Micro Four Thirds, M43, M4/3, MFT cameras….”

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  • Olympus M.Zuiko Digital MC-14 1.4x TeleconverterB&H