The Only Permanent Hair Removal Method, Improved and Perfected by Australian Practitioner and Technologist Noreen Roesler as the Permanence Method

Given current attitudes to research and development, the manufacturing industry and the presence of women in science, technology, engineering, arts and mathematics (STEAM), it is a wonder that Australian female tech entrepreneurs stick to it and sometimes even thrive.

Noreen Roesler of Permanence located in the Sydney CBD and the suburb of Drummoyne has persisted in the long, hard fight to revive, improve and educate about galvanic electrology aka electrolysis in the face of its almost complete disappearance from the 1970s onwards.

Ms Roesler has survived as a self-funded entrepreneur against all the odds and and has thrived given the evidence of her two outlets in Australia, but continues the battle to re-establish galvanic multi-probe electrolysis as the only permanent hair removal method under the name of the Permanence Method.

Galvanic electrolysis was developed by ophthalmologist Charles Michel in 1869 in St. Louis, Missouri, as a technique for treating ingrown eyelashes, and was reported in the medical literature in 1875 after which its use took off in medical practice and then beauty salons.

The Permanence website contains a detailed history of galvanic electrolysis and other methods of hair removal touted as permanent but which proved to be less so compared to Permanence’s galvanic multi-probe electrolysis technique.

Other hair removal methods include blend, depilatories, epilators, friction, intense pulsed light aka IPL, laser, shaving, sugaring, tweezing, thermolysis, threading, waxing and x-rays (sometimes fatal).

Better characterized as hair reduction rather than hair removal techniques, none of these are permanent with the US Food and Drug Administration aka FDA stating in 2007 that “only electrologists are allowed to claim permanent hair removal in their advertising” as “no other device for hair removal has the unique identification of ‘destroying the dermal papilla of a hair’”.

Having run the gauntlet for far too many years of nonpermanent hair removal methods that are falsely claimed to be permanent – read that word in finger quotes – I have just undergone my first galvanic multi-probe electrolysis session at Permanence.

So far I can report that this first electrolysis session appeared successful in killing the hair follicles and bulges to which it was applied and that the sometimes reported pain was more of a briefly intense sensation that soon abated followed by the rewarding feeling of the hairs sliding out when the needles were removed.

One thing is certain, and that is that the sensations I experienced during the session were nothing compared to the 24/7/365 pain, itchiness and unsightliness of hairs being where they should not.

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Cinematographer/Director/Producer/Screenwriter Emily Skye of shewolffilms Releases ‘The Erectors’ on Amazon Prime, Fun Fictionalization of How She Broke Into Hollywood

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Cinematographer/director/producer/writer Emily Skye of shewolffilms.

Emily Skye of shewolffilms recently released her dramady series ‘The Erectors’ via Amazon Prime and she has a full slate of in-development and about-to-be released productions, an inspirational success story for this British-born former model. 

Those upcoming projects include a documentary series, other television series, feature films and no doubt more of the music videos with which she established her reputation.

According to her IMDB biography, “Emily Skye is an American screenwriter, director and producer. She began her career at an early age after being scouted by Wilhelmina Models. While working on multiple film and television shows, Emily discovered her passion for directing was greater than modeling. With multiple music video directing awards, Emily ventured into narrative supernatural, sci-fi fantasy feature films and TV series dramas.”

‘The Erectors’ is, according to Amazon Prime, about “two single mom’s trying to make it in Hollywood as filmmakers” while the next production soon to be out of the shewolffilms gate will be ‘Binders Stash’, where Ms Skye helps us “explore the world with Host Bill Binder, as he searches for the best whisk(e)y!  Meet legends that share new releases, unheard stories  and go off the beaten path to discover distilleries that are making incredible  juice!”.

Panasonic Lumix DC-GH5 Super 16/Micro Four Thirds mirrorless stills/video 4K hybrid camera, Emily Skye’s favourite small mirrorless camera for video production.

The Erectors trailer

Binders Stash trailer

The Devil She Knows trailer

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SHAPE Panasonic GH5 Cage Kit with Matte Box & Follow Focus, used by Emily Skye.

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  • Canon EF 24-70mm f/2.8L II USM LensB&H
  • Panasonic Lumix DC-GH5 Mirrorless Micro Four Thirds Digital CameraB&H
  • SHAPE accessories for RED camerasB&H
  • SHAPE Panasonic GH5 Cage Kit with Matte Box & Follow FocusB&H
  • Sigma 24-70mm f/2.8 DG OS HSM Art Lens for Canon EFB&H

The Cut: The Electric Intimacy of Alice Springs

https://www.thecut.com/2019/02/alice-springs-fashion-photographer.html

“It’s a joy to contemplate the photography of June Newton, a.k.a. Alice Springs. The Australian-born Springs is the 95-year-old widow of the provocative fashion photographer Helmut Newton, but that’s the least interesting thing about her.

Under Springs’s gaze, world-famous actresses like Catherine Deneuve, Charlotte Rampling, and Audrey Hepburn look like people, not icons — conversational, intent, their eyes telegraphing depths beneath. Springs respects their beauty, but doesn’t accept it as a mask. There are shadows beneath Deneuve’s perfect features; Hepburn looks gorgeous, but her age….”

Charlotte Rampling. Photo: © Alice Springs / Maconochie Photography

Commentary

While preparing for an extensive documentary portrait photography project on Australian female creatives and innovators, I came across this article about June Newton aka Alice Springs published earlier this year along with a series of links to other articles about her and her work as a photographer and director of the Helmut Newton Foundation in Berlin.

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The New York Times: The First Female Photographers Brought a New Vision to The New York Times [paywall]

“As revolutions go, this one got off to a quiet and unassuming start in the early 1970s. It was achieved slowly, one female photographer at a time, each hired by The New York Times for her talent with a camera and her desire to practice the best journalism possible.

The men who hired the first of those women quite likely weren’t thinking about altering the prevailing concepts of photojournalism. But over time, as more women were hired and gained acceptance, they began to push successfully for publication of images that were different, for the truths they saw in people and events, for assignments that had once been denied them and for assignments that had not been envisioned before….”

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Screen Australia: Meet the 15 ACS Accredited Women

https://www.screenaustralia.gov.au/sa/screen-news/2019/03-08-meet-the-15-acs-accredited-women

“We put a spotlight on these acclaimed Australian technicians – including their career highlights and how they shot them – as part of International Women’s Day.

To gain accreditation from the Australian Cinematographers Society (ACS) is no mean feat.

It requires a minimum number of years working within the industry and a body of work which represents not just that you can do the job, but with a level of creativity and innovation that exceeds the norm.

A sub-committee then assesses the work and from there you may be awarded your ‘letters’ – the ACS that appears after your name.

To date, 15 women have been awarded that elite title (only 5.6%), and the ACS hopes that will grow. As part of International Women’s Day, we celebrate their achievements, and hear in their own words about career highlights, cameras, lenses, and what draw them to cinematography (in order of accreditation year)….”

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CookeOpticsTV: F**k The Numbers || Geoff Boyle || Spotlight

“In this week[‘s] episode Geoff takes us through which is better, the picture or the pixels. He tells us what makes a good image and what he teaches in some of his seminars….”

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Cooke 40mm T2.0 S7/i Full Frame Plus Prime Lens (PL Mount) cinema prime lens

 

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  • Cooke cinema prime lensesB&H

The Guardian: University guide 2019: league table for film production & photography [Coventry University #1]

https://www.theguardian.com/education/ng-interactive/2018/may/29/university-guide-2019-league-table-for-film-production-photography?CMP=Share_iOSApp_Other

“If you dream of spending hours mulling over snaps in a dark room, or are incapable of sitting through a film without boring your friends with comments about the special effects, a degree in either film production or photography could be for you….”

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Commentary

Congratulations to the film and photography teaching team at Coventry University for being placed at number 1 with a score of 100 for 2019, and especially to its photography teaching team which includes a number of Australians including Anthony Luvera and Gemma-Rose Turnbull.

Coventry University very much sounds like the sort of institution I was so hoping that the university I attended might be but most certainly was not, with film and photography teachers of a calibre that simply did not exist back then in Western Australia.

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The Guardian: The drifter: Joel Sternfeld on his sly glimpses of wild America – seen from the endless highway

https://www.theguardian.com/artanddesign/2017/jan/11/joel-sternfeld-photographer-america-interview-colour-photographs-1977-88

“… A native New Yorker, he has roamed through America constantly since earning a BA in Art from Dartmouth College, New Hampshire, in 1965, already obsessed with “the great underlying theme of my work: the utopian vision of America contrasted with the dystopian one”.”

Linhof Master Technika Classic 4″x5″ sheet film view camera, one of my favourite cameras for architectural and portrait photography.

Commentary

I recommend learning photography with a view camera, analog or digital, if that is an option as it is a very different, more contemplative experience than can be had with most smaller format cameras.

With the ongoing depletion of available 4″x5″ and 8″x10″ sheet film stock, professional processing labs and top-quality analog printing services, it may be wise to consider digital options if contemplating photographing on location with field and portable view cameras.

The gallery and list below contain a number of digital alternatives that accept mirrorless cameras and digital backs of various brands via adapters.

The medium and large format film colour photography of Joel Sternfeld, Joel Meyerowitz and other North American photographers crucially influenced my own ways of seeing and working as much as that of small, hand camera photographers.

Notable colour photographers of the former persuasion worth checking out include these:

Contemporary digital technical and view cameras

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Fujifilm GFX-50S

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  • Arca-Swiss F-Metric C 4×5 Field CameraB&H
  • Cambo ACTUS View CameraB&H – versions for Canon EF, Fujifilm GFX, Fujifilm X, Nikon F and Sony E camera bodies.
  • Cambo ACTUS-DB2 View Camera BodyB&H – view camera for digital backs.
  • Cambo Technical CamerasB&H
  • Cambo ACTUS-XL-35 View CameraB&H – view camera for 35mm sensor format cameras, more for studio than location use.
  • Canon TS-E 24mm f/3.5L II Tilt-Shift LensB&H
  • Fujifilm GFX 50S Medium Format Mirrorless Camera (Body Only)B&H – remarkable effort from Fujifilm with the next version of this camera to be the GFX-100S, and with a rangefinder or rangefinder-style alternative apparently also coming sometime soon in the form of the GFX-50R.
  • Horseman VCC PRO View Camera Converter for CanonB&H
  • Linhof 4×5 Master Technika 3000 Metal Field CameraB&H
  • Linhof 4×5 Master Technika “Classic” Rangefinder Metal Field CameraB&H – this really is the classic folding portable view camera for use in the hand or on a stand aka tripod, with rangefinder and optical viewfinder.
  • Linhof Techno Digital Field Camera (Body Only)B&H
  • Silvestri Bicam Professional Modular Camera BodyB&H
  • Toyo-View 45AX 4 x 5″ Field CameraB&H
  • Toyo-View 8×10 810MII Folding Metal Field CameraB&H
  • Wista Field-45DX Field Camera (Ebony)B&H – one of my favourite cameras during the analog era.
  • Wista Field-45DX Field Camera (Rosewood)B&H

The Guardian: Photography legend Joel Meyerowitz: phones killed the sexiness of the street

https://www.theguardian.com/artanddesign/2018/mar/07/photography-legend-joel-meyerowitz-phones-killed-sexiness-street-most-stunning-shots

“… “In the 60s and 70s you could look at my street photographs and trace lines from the eyes of people connecting with other people’s eyes, setting up these force fields.”

Today, what entranced Joel Meyerowitz about the street is all but dead. “Nobody’s looking at each other. Everybody’s glued to their phones.” But street photography still exists? “It’s thriving but not in the way I used to do it. The best street photographers now show humans dwarfed by ad billboards. The street has lost its savour.”…”

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Leica M7, classic 35mm format analog street photography, urban documentary and photojournalism camera

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Leica CL with Leica Summicron-TL 23mm f/2.0 Aspheric prime lens and Handgrip for CL

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  • Fujifilm X100F Digital CameraB&H
  • Leica CL Mirrorless Digital Camera with 18mm Lens (Black)B&H
  • Leica CL Mirrorless Digital Camera with 18-56mm Lens (Black)B&H
  • Leica Elmarit-M 28mm f/2.8 ASPH. LensB&H
  • Leica M (Typ 240) Digital Rangefinder CameraB&H
  • Leica M Monochrom (Typ 246) Digital Rangefinder CameraB&H
  • Leica M-D (Typ 262) Digital Rangefinder CameraB&H
  • Leica M7 TTL .72 Rangefinder Camera (Black)B&H – the classic 35mm analog film rangefinder camera
  • Leica Q (Typ 116) Digital Camera (Black)B&H
  • Leica Summicron-M 35mm f/2 ASPH Lens (Black)B&H
  • Leica Summicron-T 23mm f/2 ASPH LensB&H – for the Leica CL APS-C camera, equivalent to 35mm focal length in the 35mm sensor format
  • Panasonic Leica DG Summilux 15mm f/1.7 ASPH. LensB&H – equivalent to 30mm focal length in the 35mm sensor format
  • Panasonic Lumix DC-GX9 Mirrorless Micro Four Thirds Digital Camera with 12-60mm LensB&H
  • Ricoh GR II Digital CameraB&H“Ricoh GR III is coming in September!”