“…In partnership with NITV, the Australian Centre for Photography presents the work of photojournalist Barbara McGrady as a free educational resource for schools across the country. Through her pioneering work, students and teachers are invited to experience the important social, political and historical events witnessed by McGrady.
Spanning 30-years, McGrady’s works are important visual and historical records that inform our understanding of Aboriginal and Torres Strait Islander peoples in urban areas, and offer a powerful alternative visual representation of what it means to be Kooris today….”
“Discover the life and work of Garry Winogrand, the epic storyteller in pictures who harnessed the serendipity of the streets to capture the American 1960s-70s. His “snapshot aesthetic” is now the universal language of contemporary image-making. …”
American documentary photographer Garry Winogrand was called “the central photographer of his generation” by photography curator, historian, and critic John Szarkowski and this documentary movie provides some insights into how and why he earned that accolade.
Winogrand was a key member of the generation that established the snapshot aesthetic as applied to photography in public as a genre in its own right, alongside Joel Meyerowitz, Lee Friedlander, Tony Ray-Jones and others, all relying on Leica M-Series rangefinder cameras and often the 28mm focal length.
Now that street photography has become even more established as a genre and in some manifestations as a cult, practitioners would do well to study its beginnings at the hands of artists like Winogrand and his colleagues back in the 1960s and 1970s, starting with Garry Winogrand: All Things are Photographable.
“In Collaboration with Canon Master Daniel Linnet, Lisa Wilkson presents her photographic exhibition “Women of Influence” comprising powerful portraits of ten Australian women who have inspired her and influenced modern Australia. In her own words, Lisa reveals why she is captivated by storytelling through photography and why she chose to photograph Asher Keddie, Deborra-Lee Furness, Dame Marie Bashir, Peta Credlin, Turia Pitt, Evonne Goolagong Cawley, Cate McGregor, Gretel Packer, Mia Freedman and Dr. Susan Carland for this powerful and personal exhibition. As creative director of the shoot, Daniel will be able to your questions around the many different elements that need to come together to pull off a shoot of this level.”
“Photographers Jennifer McCord, Iulia David, Holly-Marie Cato and Amy Shore are leading the charge to get more women behind the lens. They will be passing on their knowledge at the Women Who Photo event to be held at The Photography Show in Birmingham.
Here we showcase a selection of their work and learn what inspires them….”
Today, International Holocaust Remembrance Day, January 27 2019, seems like a good time to publish a link to the great British photographer Brian Griffin’s book ‘Himmelstrasse’, published by Browns Editions in a limited edition of 500 in 2015.
… In May 1942, Sobibor became fully operational and began mass gassing operations. Himmelstrasse (Heaven Street) was a cynical Nazi joke used to describe the final journey to the gas chambers.
Brian Griffin has documented the railway tracks in Poland that transported approximately three million prisoners from around Europe to the Nazi extermination camps during WWII. From the railway leading to Hitler’s Eastern Front military headquarters at the Wolf’s Lair, to the State Rail System leading to the camps of Belzec, Chelmno, Sobibor, Stutthof and Treblinka. Griffin’s haunting landscapes are an emotional and personal photographic journey that represents the relentless brutality and inhumanity of the Holocaust.
This publication was launched in September 2015 at The Photographers’ Gallery, London. Followed by a launch at the NY Art Book Fair 2015….
“British photographer/director siblings Andrew and Stuart Douglas are renowned creatives, known primarily for their rebellious approach to photography and film direction.
Having grown up in Southend Essex and later, London, the pair’s legacy began in the midst of the London punk movement, where they used their “incorrect” style to snap some of the world’s most iconic figures during their youth, including Richard Gere, Morrissey, Timothy Roth and Tilda Swinton.
Since then, their work has evolved and continued to disrupt the creative and commercial worlds alike, with their left-of-centre work for Adidas, Coco Cola and Hollywood feature-length films.
In this episode, Andrew and Stuart share their personal and professional stories – which are often one in the same.
They recount their origins, moving from stills to videos, how working with your brother can simultaneously result in your best work and decade-long feuds, and ultimately how they “find wellness while keeping the hamster-wheel going.” …”
Kudos to Australia-based strategic designer Vince Frost of Frost* collective for recording this podcast with The Douglas Brothers, Andrew and Stuart.
Whether they realized it or not, the Douglas Brothers played an instrumental role in my life when they recommended me to their apparently one and only advertising agency client at the time, the brilliant copywriter Tim Delaney of the then Leagas Delaney Partnership, on the basis of my having come up with the idea of ‘not only Black+White’ magazine.
I had travelled to the UK as the magazine’s European Contributing Editor several years after its founding in order to meet some of the great photographers I had been working on articles with remotely, via telephone, in those days before everyone used email, chat and the World Wide Web as they do now.
I was rewarded with considerable time spent face-to-face with many of them, met plenty more of them and better yet experienced an acceptance and a respect from all entirely unknown to me back in Australia before or since.
My experience with The Douglas Brothers was a standout, and that is saying something.
Their work, their experiences and backgrounds had some key similarities to my own, enough to amply validate a saying I had long shared with my photography students over the years before leaving Western Australia, “Be yourself, only, more so”.
The Douglas Brothers’ approach to portrait photography came about through the same lack of time allocated with their subjects, lack of funds available for the best and most versatile equipment and back then a lack of recognition from potential clients able to grant them real money for their work.
That recognition was about to come, though, due to the way that photographers overseas were not locked into career-limiting labels like magazine photographer or newspaper photographer as apparently occurs here in Australia still.
At the time I met them, The Douglas Brothers had begun producing longer-form television commercials, evolving beyond the 10-second spots with which they broke into directing, their TV work possessing as much the unique Douglas Brothers stamp as their photographs.
They truly were being themselves, only, more so, a lesson that should have been well-heeded by the students mentioned in a comment made by Stuart Douglas in an article for advertising industry bible Campaign:
On their photographic style: ‘We used to see students’ photography portfolios with work that identically copied ours, only it was better. We never knew how to take this,’ Stuart comments.
During the time I worked at The Leagas Delaney Partnership, now simply named Leagas Delaney, I encountered quite a few young photographers toting portfolios of work copying that of their idols though The Douglas Brothers did not count among them.
“Tired of the marginalization of female photographers in the commercial world, Jill Greenberg decided to take matters into her own hands. The successful photographer, whose work went viral due to her set of crying toddler photos, has started the directory Alreadymade. The site serves to take away any excuses for clients who feel as though they can’t find talented female photographers for high-end commercial photo shoots by giving these talented women a platform.
Although women are responsible for 85% of consumer purchases, female photographers are passed over for the majority of entertainment shoots and advertising campaigns. This means that male photographers are shaping the way we see and perceive the world the majority of the time (up to 90%)….”
It is great to see that Jill Greenberg has added her reputation and energy to the fight for equal female participation and representation in the creative media with her Alreadymade. initiative but sad to see that, despite a long history of great photography by female photographers, the numbers continue to be so against that equality.
Some influential, inspirational female photographers in my past
While writing this article, I began compiling from memory a list of female photographers whose work has been crucial in shaping my own way of seeing since I first picked up a camera, and that list just grew and grew.
Growing up in an isolated little town in the uttermost west, I did not have access to other photographers or to museums or galleries and certainly never saw exhibitions of photography anywhere back then, but I could and did order books from lending libraries in other towns across the state via the state library system and occasionally managed to buy photography magazines, so my access to other people’s work was limited.
As I added names from memory, this list just grew and grew and it is just the tip of the iceberg.
Further information about these photographers and links to their websites and other sources are available at Wikipedia’s List of women photographers.
Ellen von Unwerth
Julia Margaret Cameron
June Newton née Browne aka Alice Springs
Mary Ellen Mark
Advancing Diversity – “The Advancing Diversity Honors, held annually at CES, is the media, marketing, and advertising community’s premiere event to recognize and honor best practices and solutions for advancing diversity and inclusion.”
Advancing Women Artists Foundation – “Myriad paintings and sculptures by ground-breaking women artists have been overlooked for centuries and many works are currently in need of restoration…. Recognize and support art history’s ‘invisible women’. They were artists against all odds, and their legacy is yours.”
Alreadymade. – “100% locally sourced, artisanal female content. Please bookmark this site so you can consider hiring a woman a bit more often-for now we are hoping to get the ratio closer to 20% since it is under 10%.”
Anonymous Was A Woman – “… an unrestricted grant of $25,000 awarded each year to ten women artists over the age of 40 and at a critical junction in their career.”
Daniela Federici – New York City-based Australian creative, director and fashion photographer.
FotoDocument – The Marilyn Stafford FotoReportage Award – “The Marilyn Stafford FotoReportage Award facilitated by FotoDocument and supported by Olympus, is granted annually to a professional woman photographer towards the initiation or completion of a compelling and cohesive documentary photo essay which addresses an important social, environmental, economic or cultural issue, whether local or global. The work should, in part, showcase positive solutions to any issues it raises in order to contribute to constructive photojournalism, in line with the aims of FotoDocument and the wishes of Marilyn Stafford.”
Free the Bid – “Giving a voice to women filmmakers in advertising film and TV.”
The Guardian – The fashion photography of Marilyn Stafford – in pictures – “As a freelance photojournalist based in Paris in the 1950s and early 1960s, Stafford covered fashion assignments from the established haute couture houses of the 50s to the birth of prêt-à-porter, moving to London in the 60s – where as one of a small number of female photographers she helped to pave the way for future women working on Fleet Street.”
Some of the many things I miss from my time in the United Kingdom and the rest of Europe include the many wonderful agent and artist show-and-tells, art and photography festivals, book launches, face-to-face interviews, gallery and museum shows, meets-and-greets, movie premieres, new venue openings, portfolio reviews, presentations, private members’ clubs meet-ups, product launches, professional organization events, sneak previews, trade shows and private meetings with fellow moviemakers, photographers and other artists at all stages in their careers.
That sense of belonging to a constantly active and vibrant creative community is crucial to the development of any artist and is as important as the mutual respect shared amongst students, starters, established and late-career artists alike that I observed many times overseas.
I experienced a reminder of all that when I attended a presentation by Ray Martin, Australian journalist and television presenter, at the recently opened photography concept store Ted’s World of Imaging in Pitt Street, Sydney, last Saturday.
Mr Martin described himself as a street photographer and related his late start as a photographer while working as a journalist, carrying a superzoom bridge camera on location during assignments.
After starting to take photography more seriously, he invested in a range of cameras and lens brands including Canon and Panasonic, and over a year ago was given a Fujifilm GFX 50S for use on location in travels around Australia with landscape photographer Ken Duncan.
Portrait photography of Ray Martin made by Karin Gottschalk with Fujifilm X-Pro2 and Fujinon XF 56mm f/1.2 R in available light as seven HDR bracket raw files merged in SkylumAurora HDR 2019 then finished in Skylum Luminar 2018 and Adobe Photoshop.
Other photographs made with Panasonic Lumix DMC-GX8 with Olympus M.Zuiko Digital ED 12-40mm f/2.8 Pro lens.