Matt Seuss: Goodbye Sony! It wasn’t you, it was Olympus. Why I Switched, Part 1

https://mattsuess.com/goodbye-sony-wasnt-you-was-olympus-why-i-switched-part-1

…So I’ve been shooting with full-frame cameras for 17 years now and here we are in 2019, when full-frame cameras are taking over the popularity contest and Sony in particular has been killing it in well earned reviews, why would I even consider switching to micro four-thirds – a sensor size that is tiny compared to a full-frame sensor? Why would I leave the Sony a7R3 with it’s 42MP (and just announced Sony a7R4 60MP camera) and switch to the Olympus OM-D E-M1X and it’s tiny 20MP sensor?…

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Olympus OM-D E-M1X Micro Four Thirds mirrorless digital camera with Olympus M.Zuiko Digital ED 40-150mm f/2.8 Pro zoom lens, equivalent in the 35mm sensor format to 80mm to 30mm.

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And so it begins – my switch from Sony full-frame to @getolympus micro four-thirds – with the arrival yesterday of just the beginning of my Olympus collection. First up – the awesome OM-D E-M1X camera and M.Zuiko 12-100mm f4 Pro lens. In addition to the great features and image quality of this camera, the ergonomics and feel of this camera body are the best I’ve seen in many, many years – probably going way back to the film days with my Nikon F4. It is a far better feel than any digital camera I’ve used or owned, and there are lot of cameras on that list since I switched to digital full-time back in 1999! A lot of people have been asking me why I’m switching, and I’ll be going into depth on that in blog posts coming later this month so stay tuned! But in the meantime scroll through my Facebook posts through the beginning of April to get an idea 😉. #getolympus #omdem1x #micro43 #micro43rds #micro43photography  #m43 #bozemanphotographer #mzuiko12100mm #mzuiko12100mmf4ispro

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Commentary

The Micro Four Thirds sensor system co-founded by Olympus and Panasonic over a decade ago is particularly well-suited to documentary photography and moviemaking as well as to the wildlife photography practised by Matt Seuss.

Recent M43 cameras like the Olympus OM-D E-M1X and Panasonic’s DMC-G9 with their multi-exposure high-resolution modes have become attractive to landscape photographers needing to produce big, really big, prints and I look forward to high res evolving rapidly so it is more applicable to in-studio and on-location portraiture as well.

Meanwhile I applaud Mr Seuss’ choice to invest in Olympus’ excellent M.Zuiko Pro prime and zoom lenses for M43 cameras including those made by Olympus and Panasonic as well as Blackmagic Design on its Blackmagic Pocket Cinema Camera 4K.

Olympus’ M.Zuiko Pro lenses are excellent for stills and video, especially due to their manual clutch focus mechanism with hard stops at each end, a feature I wish to see on all lenses for cameras in all sensor formats from now on.

It has been good to see Panasonic finally get the memo on manual clutch focus with their first M43 attempt at including it as a key feature on the Panasonic Leica DG Vario-Summilux 10-25mm f/1.7 Aspheric zoom, a lens I have been hoping would eventually appear ever since I invested in the Micro Four Thirds system.

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Panasonic Leica DG Vario-Summilux 10-25mm f/1.7 Aspheric wide to standard zoom lens.

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