DPReview TV: Panasonic S1 Review

“How does the new Panasonic S1 stand up to its mirrorless competition? Does ‘animal-AF’ work on dinosaurs? Will Jordan curl up on the ground in the name of art? We answer the tough questions. Shot entirely on the Panasonic S1 in the Canadian Badlands….”

Panasonic Lumix DC-S1 35mm sensor mirrorless camera with Panasonic Lumix S 24-105mm f/4 Macro OIS standard zoom lens.


DPReview’s Calgary-based DPReview TV team has created one of its signature video reviews of Panasonic’s Lumix DC-S1 35mm sensor mirrorless camera equipped with the Panasonic Lumix S 24-105mm f/4 Macro OIS standard zoom lens, and I am hoping they will soon be following up with a similar review of the Lumix DC-S1R.

My own first impressions of both cameras and two of their native Lumix lenses garnered during a couple of public launch events in Sydney are that both are serious competitors to recent 35mm mirrorless releases and appear designed and manufactured well enough to make a dent in the field where I most relied upon 35mm format cameras in the past – magazine editorial photography and newspaper photojournalism.

Provided, that is, Panasonic does something to improve both cameras’ autofocus capabilities and replaces their Fujifilm-style three-way tilting LCD monitors with the fully-articulated monitors that work so well on Panasonic’s professional-quality GH5, GH5S, G9 and GX8 Micro Four Thirds mirrorless cameras.

I suspect that we may only see that occurring on next generation Panasonic Lumix S Series cameras given both problems are hardware-based, but we can hold out hope that a possible future S1 and S1R firmware update will see radical autofocus improvements.

Meanwhile I hope to dig deeper soon into both cameras’ feature sets and suitability for stills photography and video, with a special personal interest in the S1R for large-enlargement exhibition prints and emotionally-intense portrait photography.

Two big points in the S1 and S1R’s favour for both applications – Panasonic’s vertical battery grip and optional video-style rubber eyecup, both accessories having proven themselves necessities on other camera systems, with vertical battery grips being essential for best grip when shooting portraits in vertical aka portrait orientation.


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