DPReview TV: Panasonic S1 Review

“How does the new Panasonic S1 stand up to its mirrorless competition? Does ‘animal-AF’ work on dinosaurs? Will Jordan curl up on the ground in the name of art? We answer the tough questions. Shot entirely on the Panasonic S1 in the Canadian Badlands….”

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Panasonic Lumix DC-S1 35mm sensor mirrorless camera with Panasonic Lumix S 24-105mm f/4 Macro OIS standard zoom lens.

Commentary

DPReview’s Calgary-based DPReview TV team has created one of its signature video reviews of Panasonic’s Lumix DC-S1 35mm sensor mirrorless camera equipped with the Panasonic Lumix S 24-105mm f/4 Macro OIS standard zoom lens, and I am hoping they will soon be following up with a similar review of the Lumix DC-S1R.

My own first impressions of both cameras and two of their native Lumix lenses garnered during a couple of public launch events in Sydney are that both are serious competitors to recent 35mm mirrorless releases and appear designed and manufactured well enough to make a dent in the field where I most relied upon 35mm format cameras in the past – magazine editorial photography and newspaper photojournalism.

Provided, that is, Panasonic does something to improve both cameras’ autofocus capabilities and replaces their Fujifilm-style three-way tilting LCD monitors with the fully-articulated monitors that work so well on Panasonic’s professional-quality GH5, GH5S, G9 and GX8 Micro Four Thirds mirrorless cameras.

I suspect that we may only see that occurring on next generation Panasonic Lumix S Series cameras given both problems are hardware-based, but we can hold out hope that a possible future S1 and S1R firmware update will see radical autofocus improvements.

Meanwhile I hope to dig deeper soon into both cameras’ feature sets and suitability for stills photography and video, with a special personal interest in the S1R for large-enlargement exhibition prints and emotionally-intense portrait photography.

Two big points in the S1 and S1R’s favour for both applications – Panasonic’s vertical battery grip and optional video-style rubber eyecup, both accessories having proven themselves necessities on other camera systems, with vertical battery grips being essential for best grip when shooting portraits in vertical aka portrait orientation.

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  • Panasonic Lumix DC-S1 and DC-S1R cameras, lenses and accessoriesB&H